| A | B | C | D | |
|---|---|---|---|---|
1 | Year | Title | Description | URL |
2 | 1991 | InterCommunication’91 “The Museum Inside The Telephone Network” 「電話網の中の見えないミュージアム」 | In this experimental event, the most familiar tool of communication—the telephone network—served as an analogy for the museum. The works and messages of nearly 100 artists, writers, and cultural figures were accessed via telephone, facsimile, and computer. Five genres were available for access: dialogues, recitations, music, novels, and comics. Each genre was equipped with a specially prepared speed-dial button that need only be pushed to gain access. It was an event that provided a preview of the ever-widening world of cyberspace. | |
3 | 1995 | InterCommunication’95 “on the Web -The Museum Inside The Network-” | This exhibition was held as a pre-event for the opening of ICC. | |
4 | 1996 | Internet 1996 World Exposition (IWE'96) | IWE'96 is an abbreviation for Internet 1996 World Exposition, a new form of exposition taking place within the Internet, a network that began simultaneously around the world on January 1. Since its opening, the number of participating countries has increased, and various pavilions have been set up. Japan also had a grand opening on April 1, with many pavilions opening in a new look. | https://park.org/ |
5 | 1996 | sensorium | Sensorium is a project from the dawn of the Internet that brought together cultural anthropologist Shinichi Takemura, designers Ichiro Higashiizumi, Soichi Ueda, Tetsuya Ozaki, Koichiro Eto, Ryuichi Iwamasa, Takuya Shimada, and musicians Yu Yamaguchi, Yasushi Watanabe and Tom Vincent. | |
6 | 1996 | Masaki Fujiihata - Light on the Net | Through the web page, people can change the status of the specific light in the real location, Gifu Japan. By touching, clicking the image of light bulb on the page, actually the light will be on or off. The idea of this realization was emerged from the original idea coined by Yuko Sukegawa in Fujihata-Lab. Keio Univsesity in 1997. | |
7 | 2000 | Hajime Tachibana - THE END | the first artist channel of i-Mode | |
8 | 2001 | Internet Fair 2001 Japan（インターネット博覧会） | An internet-based exposition organised from 31 December 2000 to 31 December 2001 by the Office for the Promotion of the New Millennium Commemorative Events, Management Office, Minister's Secretariat, Ministry of Internal Affairs and Communications. Nicknamed 'Impakku'. Various pavilions were presented as web pages on the internet. | |
9 | 2001 | Tsuzuki Kyoichi - Internet Museum of Art | ||
10 | 2002 | Art Bit Collection | 概要がICCのページにないので、調べます。 | |
11 | 2012 | Akihiko Taniguchi - GIF 3D Gallery | it consists in a interactive tridimensional space/white room with a pedestal simulating a physical room of a gallery where the user can upload an animated GIF through an url and contemplate it exhibited over that pedestal. The user also can interact with the view and perspective into the room through the mouse movement. It only accepts GIF files. | |
12 | 2015 | EBM(T) | EBM(T) is a virtual aural room for the discovery and sharing of sounds. | |
13 | 2016 | IDPW - The Internet Bedroom | IDPW will host an online gathering The Internet Bedroom for a web-based exhibition as part of the series First Look: New Art Online, copresented by Rhizome and the New Museum. We will bring human inactivity into the internet in our sleep! Do you wanna have a historical night of the internet with us?! | |
14 | 2020 | Isolated Concentrated Contact Room （隔離式濃厚接触室） | This is a two-person exhibition by poet Nao Mizusawa and artist Fuse, who is also the organizer. This is an exhibition that uses a web page as its venue, but it is different from "online viewing" or "virtual tours" that are meant to replace exhibitions that should have taken place in galleries or museums. In a time when he was unable to leave his home, Fuse reconsidered the role that an exhibition placed in the city should play. | |
15 | 2020 | The Adventures of Tamabi Sculpture: Return to the Cyber-Shere（タマビ バーチャル彫刻展） | An exhibition of sculptures in a virtual space, held by student volunteers from the Department of Sculpture at Tama Art University. It was produced with the backup of artist Taniguchi Akihiko. |