1 | 2020 Virtual Guest- Lecturer and Artist Register | ||||||||||||||||||||||||||
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2 | This information listed below is intendet to assist in finding a guest speaker. These people freely offerd their services and I ask that you be respectiful of that. Thank you to every one who has participated. Brian Phillips Technical Director Ohio Northern University | ||||||||||||||||||||||||||
3 | Current Responces: | 366 | |||||||||||||||||||||||||
4 | If you would like to be added to the list please CLICK HERE | ||||||||||||||||||||||||||
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6 | If you have comments, concerns, or helpful hints please CLICK HERE | ||||||||||||||||||||||||||
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8 | Please click here to be removed from the list. | ||||||||||||||||||||||||||
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10 | Currently the only way to search this page is using the "Find" function on your web browser | ||||||||||||||||||||||||||
11 | Keywords used in the form are listed below but you can search any word. | ||||||||||||||||||||||||||
12 | Architechture, Costume, Digital, Education, Enginerring, Lighting, Management, Safety, Health, Scenic, Sound, Technical Production | ||||||||||||||||||||||||||
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15 | 0 | Last Name | First Name | Area of Expertise | Affilation #1 | #2 | #3 | #4 | #5 | Discussion Topics | Bio/Resume Links | I have approve the sharing of my information | |||||||||||||||
16 | 1 | Phillips | Brian | b-phillips.5@onu.edu | Management, Health & Safety, Technical Production | Technical Director, Ohio Northern University | Associate Trainer, Chicago Flyhouse | ETCP Rigger - Theatre | Technical Direction, Rigging Systems, Shop Safety, Working in a Regional Theatre. | https://docs.google.com/document/d/1IGObzFC6Totjn_a9fG3KlbBoqrgKlWG5rm7ho_Jnb00/edit?usp=sharing | YES | ||||||||||||||||
17 | 2 | Rapach | Mark | mrapach@umd.edu | Management, Technical Production | Technical Director, University of Maryland | ETCP Rigging - Theatre | USITT Programming Coordinator | Managing a university performing arts center Volunteering for USITT Building scenery for cruise ships | https://theclarice.umd.edu/bio/mark-rapach | YES | ||||||||||||||||
18 | 3 | Powers | Angelique | arpowers@umn.edu | Scenic Design & Technology, Scenic Art | University of Minnesota- Twin Cities | Guild of Scenic Artists - Founding member | Scenic Art - career and advice, safety issues | Www.qpowers.com | YES | |||||||||||||||||
19 | 4 | Nicole | Smith | nsmith@catf.org | Management | Company Manager, Contemporary American Theater Festival | Mentor/Stage Manager, Shepherd University | AEA Stage Manager | Radical Hospitality, the YES mentality Transitioning from SM to CM and the similarities. | https://catf.org/nicole-m-smith/ | YES | ||||||||||||||||
20 | 5 | Catlett | Tim | tmcatlett@gmail.com | Architecture, Education, Lighting Design & Technology, Management, Health & Safety, Scenic Design & Technology, Technical Production, Theatrical Consulting | Principal - Lizard’s Dream Theatrical, LLC | Production Manager - NYC Freelance | Technical Director - NYC Freelance | USITT - Professional Member (and many others) | Working in NYC The job of Technical Direction The job of Production Manager Safety Minded Culture Building a New Theater - Challenges & Rewards The facets of Theater Consulting Valuing yourself and your work Equitable & Fair Pay in the Arts | YES | ||||||||||||||||
21 | 6 | Conn | Scott | scottconn@goodmantheatre.org | Management, Health & Safety, Technical Production | Goodman Theatre | Production Management, Contracts, technical design, project managment | YES | |||||||||||||||||||
22 | 7 | Weaver | Allison | aweaver12@protonmail.ch | Education, Management, Sound Design & Technology, Technical Production, Producing | CEO, Alma Pictures LLC | Producing and Production Management | LinkedIn: https://www.linkedin.com/in/ajweaver21 | YES | ||||||||||||||||||
23 | 8 | Jensen | Kyle | kyle@kylejensenmedia.com | Sound Design & Technology | Audio Engineer, GEVA Theatre Center | Sound Designer, Southeastern Summer Theatre Institute | Affiliated Professional Member, Theatrical Sound Designer and Composer Association | Associate Member, Association of Sound Designers | Sound Design Theatrical Mic Rigging Theatrical Sound Mixing Setting up a Show File QLab Digital Audio Protocols (Dante) | https://kylejensenmedia.com | YES | |||||||||||||||
24 | 9 | Carson | Andrew | acarson@su.edu | Lighting Design & Technology | Lighting Designer, Shenandoah University | MFA Theatrical Design - The University of Texas | Experience with lighting for theatre, opera, dance, TV | Lighting Design Color Theory Lighting for TV Touring a show Summer stock How to get your first jobs in theatre Drafting a lightplot Vectorworks or hand Cutting a section from a 3d Vectorworks file | www.carsonlighting.com | YES | ||||||||||||||||
25 | 10 | Archer | Bevan | bevan@cleancutav.com | Technical Production, Corporate AV, Vegas Production Shows, Cruise Ships | Owner, Clean Cut Audio Visual, LLC | Corporate AV Audio Rental Shops Cruise Ship as the only Tech AV rental shops Vegas Production Shows Rock and Roll clubs See full resume for others | https://www.linkedin.com/in/bevanarcher http://cleancutav.com/ | YES | ||||||||||||||||||
26 | 11 | Ward | Haley | h-ward.2@onu.edu | Education, Management, Technical Production, Being an actor AND and being production personnel | Props Master - The Chapel Theatre Collective | Choreographer, Props Master, Stage Manager - The Funhouse Lounge | Alumni to Ohio Northern University - International Theatre Production 2019 | Performer, Technical Volunteer - Staged! | Being a performer and a production professional simultaneously in our industry | www.HaleyEloraWard.com | YES | |||||||||||||||
27 | 12 | Sutten | Jesse | jrsutten@gmail.com | Digital Media, Lighting Design & Technology, Touring, video systems | Video Engineer, Frozen Broadway US tour | Touring IATSE electrician for 12 years | Touring Production Video Systems How large broadway shows work Production Electrician | YES | ||||||||||||||||||
28 | 13 | Ayers | Daniel | dan@danayers.net | Architecture, Education, Lighting Design & Technology, Management, Health & Safety | Etcp Electrician, (rigging is pending) | CTS (audio, video) | GSP (Safety) | Managed events at university | Theater and technology Consultant | I have several entertainment safety presentations prepared including fog exposure, noise exposure, and emergency response. | LinkedIn.com/in/danayers | YES | ||||||||||||||
29 | 14 | Cocke | Peet | profpeet@icloud.com | Digital Media, Education, Lighting Design & Technology, Scenic Design & Technology, Technical Production | Properties Director, University of California, Berkeley | Scenic Design Lighting Design Visual Elements and Principles of Design Directing | www.peetsbrain.com | YES | ||||||||||||||||||
30 | 15 | Mariano | Quentin | quentinjmariano@gmail.com | Lighting Design & Technology, Health & Safety, Touring | Iatse Stagehand | Anastisa tour assistant electrician/ board op | ETC/ MA programmer | Willing to teaching anything about touring, being a touring board op, programming | YES | |||||||||||||||||
31 | 16 | Burnett | Mike | mecjburnett1@me.com | Education, Lighting Design & Technology, Management, Scenic Design & Technology, Technical Production | Freelance designer | Freelance technician | Production Manager | Pretty much anything lighting, scenic, management | https://www.dropbox.com/s/2tc5jxhax87ctpd/mburnett%20CV%202020.pdf?dl=0 | YES | ||||||||||||||||
32 | 17 | Luck | Jennifer | jluck@jsu.edu | Digital Media, Lighting Design & Technology, Scenic Design & Technology, Sound Design & Technology, Technical Production | Jacksonville State University | University of Tennessee at Chattanooga | SouthEastern Theatre Conference | Color Theory and Lighting Portfolio Development Developing production concepts as a designer | www.jenniferluck.online | YES | ||||||||||||||||
33 | 18 | Twining | Lily | twininglily@gmail.com | Management, Technical Production | Senior Technical Director, Disney Parks Live Entertainment | Owner, Blackbird Production Services | Technical direction Themed entertainment Theatre production Production management | http://www.blackbirdproduction.nyc/ | YES | |||||||||||||||||
34 | 19 | Nightingale | Aaron | aaron.nightingale@nightingaleledsolutions.com | Costume Design & Technology, Lighting Design & Technology, Scenic Design & Technology, Wearable LEDs | LED technician Cirque Du Soleil | Lead lighting/LED Criss Angel Mindfreak | Lighting technician Cirque Du Soleil | Rigging Cirque Du Soleil | Load in - creation - show run - load out; LED tips and tricks/soldering how to | www.nightingaleledsolutions.com | YES | |||||||||||||||
35 | 20 | Palmer | Erin | eccpalmer@gmail.com | Lighting Design & Technology, Technical Production, Film/TV, live event, theatre and rock n roll | Lighting Technician/Electrician IATSE 873 | Lighting variation between theatre, rock n roll, live event and film/television Variation in industry between union and non union Variation in entertainment industry between North America, UK, New Zealand/Australia | https://www.linkedin.com/in/1720760 | YES | ||||||||||||||||||
36 | 21 | McGinley | Joseph “JoeMac” | joemac@morethanlight.com | Lighting Design & Technology, Technical Production | Lighting Designer/Owner - More Than Light LLC | Corporate LD, TD, PM, SM, A1, AV - Nike | Corporate LD - Hyundai, Genesis, Kia | LD, TD, PM - Cruise ships 6 years (25 ships) | Technician - Disneyland, Knott’s Berrry Farm | Lighting Design for corporate, cruise ships, lighting 101 (for non-theatre designers, full Keynote presentation avail 1-1.5 hrs) | portfolio avail Upon request only. website out of date due to NDA’s, Bio on LinkedIn -Joseph McGinley | YES | ||||||||||||||
37 | 22 | England | Teka | teka.england@uky.edu | Costume Design & Technology, Education | Cutter/Draper, University of Kentucky | IATSE 346- dresser/stitcher | Patternmaking, history of costume, history of textile creation, textile creation as gendered work/economic work, fitting, tutu construction, basic tailoring concepts, interacting with actors and designers in fitting rooms, best practices for professional wardrobe/dressing work, hand sewing skills, historic hand sewing skills, “reading” an image as a cutter/draper/ “seeing” construction in historic imagery. | Http://www.tekaengland.com | YES | |||||||||||||||||
38 | 23 | Ross-Clausen | Kristi | MissWisc@aol.com | Education, Lighting Design & Technology, Management, Health & Safety, Technical Production, AV, women in theatre/AV, touring, IATSE, Equity, career opportunities | IATSE 470 (former VP and secretary) | Equity Stage Manager | AVIXA - women's council/WI state leader, CTS holder | Arrow AV Group | K-12 licensed teacher, former UW Madison PSM | stage management, Production Management touring shows, audio fundamentals, lighting fundamentals, safety for theatre, women in technical roles, theatrical unions, "OSHA's not a small town in Wisconsin" "Life Safety is Everyone's Business" "When in Rome: What to do in a new-to-you venue" The business of the business - financing Theatrical Productions (for profit and non-profit versions) | https://www.linkedin.com/in/kristi-r-c-cts-cqt-ba8220/ | YES | ||||||||||||||
39 | 24 | Clarke | Laura | lauraannclarke@gmail.com | Costume Design & Technology, Health & Safety, Touring | IATSE theatrical wardrobe Union 764 | Disney Theatrical Group | Costume construction (opera, ballet, dance, circus, Broadway), wardrobe/ dressing, tour life, costume shop safety, freelancing | https://lauraannclarke.carbonmade.com/ | YES | |||||||||||||||||
40 | 25 | Fisher | Victoria | victoria.fisher.designs@gmail.com | Lighting Design & Technology, The manufacturing/commercial aspect of the entertainment industry | Southern Regional Sales Manager, Altman Lighting | Freelance lighting designer (MFA), multiple colleges, universities, and theatres | Other careers in the industry (beyond teaching or production work) Taking collaboration between the design team even farther Color theory Advanced color theory Lighting as painting | Please ask and I can send to you directly | YES | |||||||||||||||||
41 | 26 | Wolfe | Anne Marie | a_mwolfe@hotmail.com | Pit Orchestra | Director, Geauga Music Center | Private Lesson Teacher, Geauga Music Center | Pit Orchestra Musician, Community Theaters | I can offer everything I've learned through pit orchestra experience. I'm about to do my 19th community theater/school production. I also assist with setting up the orchestra and hiring the orchestra sound and monitors mic checks video (rarely do I get to play in front of the stage where the MD can see and conduct live) how to help and welcome musicians as a stage manager general guidelines about the importance of mic placement for pit orchestra | https://drive.google.com/open?id=1tCruWOvNop7MMhzjNgGRuaW85kxGcPtY | YES | ||||||||||||||||
42 | 27 | Boscardin | Domenica | domenicaboscardin@cod-macau.com | Lighting Design & Technology, Technical Production | Lead Electrician - The House of Dancing Water, Macau | Head LX, Asst LX, Spot Op - various national tours | IATSE - Local #415 | Lighting & Production on a large, circus/acrobatic resident show. Lighting and electrical operations on a water show. Working/living overseas as a technician. Working in a multi-lingual, multi-cultural environment. Touring in the US, and overseas. | YES | |||||||||||||||||
43 | 28 | Dills | Christopher | christopher.dills@gmail.com | Scenic Design & Technology, Technical Production, Properties | Technical Director/Designer, Hillgrove High School | Professional Scenic Designer, Atlanta Grorgia | Professional Properties Designer/Master | Script Analysis for Designers, Elements & Principles of Design | www.christopherdills.com | YES | ||||||||||||||||
44 | 29 | Zaccagnini | Andrew | andrew.d.zaccagnini@gmail.com | Lighting Design & Technology, Management, Technical Production, Touring | Head Electrician - Troika Entertainment - Escape to Margaritaville National Tour | IATSE Union Member | Lighting Design Production Electrician Touring | Www.andrewdzaccagnini.com | YES | |||||||||||||||||
45 | 30 | Harrell | Bobby | bobby.harrell@signify.com | Lighting Design & Technology | USA829 | IATSE | Strand | Vari-Lite | Lighting Design Programming Console Training | Bobbyharrelllighting.com | YES | |||||||||||||||
46 | 31 | Brittingham | Kathryn | kt.brittingham@gmail.com | Education, Management, Health & Safety, Technical Production, Props Master/management; Props Artisan, Soft good props | Props Master, Signature Theatre (Arlington, VA) | Olney Theatre Center, Props master | LSU Graduate Assistant; Props. | Opera and union experience | Props Upholstery Furniture construction Working in Regional theatre Safety in the shop Blood effects | www.katebrittingham.net | YES | |||||||||||||||
47 | 32 | Johnston | Patrick | patJohnston05@gmail.com | Lighting Design & Technology, Management, Technical Production | Production electrician-broadway | IATSE local One | Anything pertaining to live broadway style musicals and the process from concept to opening night through long runs | YES | ||||||||||||||||||
48 | 33 | Leahy | Edward | eleahy@flyhouse.com | Technical Production | Head Trainer, Chicago Flyhouse Inc. | ETCP Certified, Arena and Theater Rigging | ETCP Recognized Trainer | Counterweight Rigging Arena Rigging ANSI and OSHA Risk Assessment Forces and Loads for Rigging Bridle Rigging and Math Stage Automation Basics Fall Protection Safe work at height, ladders and lifts Breaking Strength, Design Factors and WLL Hardware Selection | www.flyhouse.com/training | YES | ||||||||||||||||
49 | 34 | Barrett | William (Bill) | bill.barrett@yvhsmusic.com | Education, Music | Director of Music - Yucca Valley High School | Music Education Marching Band Booster Groups Instrumental Music Vocal Music Conducting | https://www.yvhsmusic.com/resources/instructional-staff/ | YES | ||||||||||||||||||
50 | 35 | Gilbert | Melissa | Gilbert.melissal@gmail.com | Costume Design & Technology, Scenic painting, watercolor, wardrobe, ghost tours 😄 | Olney Theatre Center- wardrobe supervisor | McDaniel college- adjunct and designer | Costume design Costume technology (live streams tuesday nights at 7pm through the end of March fir my class) Paperwork Painting Notting hill carnival costumes | Melissalgilbert.com | YES | |||||||||||||||||
51 | 36 | Kocher | Cynthia | ckocher@illinois.edu | Management | Chair of Stage Management, University of Illinois Urbana-Champaign | Stage Management - basics to advanced topics Time Management Actors Equity Association (AEA) -- general rules, when/how to join, etc. Resume/Cover Letter/Interview Prep for Stage Managers | https://theatre.illinois.edu/portfolio/cynthia-kocher-stage-management/ | YES | ||||||||||||||||||
52 | 37 | Ciofalo | Terri | Tciofalo@illinois.edu | Management | Production Director, Krannert Center for the Performing Arts | AEA stage manager | Dance PSM | Production management, stage management, arts management, leadership, devised work/new work processes | YES | |||||||||||||||||
53 | 38 | Hart | Eric | erichart1000@gmail.com | Scenic Design & Technology, Technical Production, Props | Stage Properties Faculty, University of North Carolina School of the Arts | member, Society of Properties Artisan Managers | Props builder for 17 years: regional, opera, off-Broadway, Broadway, retail, TV/film Props master and assistant props master: regional, off-Broadway Author of "Props Building Guidebook: For Theatre, Film, and TV Author of "Prop Effects Guidebook" | www.eric-hart.com | YES | |||||||||||||||||
54 | 39 | Garretson | Jenee | jdgbug@yahoo.com | wardrobe | Wardrobe Supervisor- Goodman Theatre | Wardrobe planning, quick changes, emergency repair, emotional intuition/sensitivity with actors. Time awareness, generally. Safety. Specifically, I can speak about bringing the show White Snake to China. Tech processes. | YES | |||||||||||||||||||
55 | 40 | Kurtas-Chapman | Keely | keelykurtaschapman@gmail.com | Education, Management, Directing, Playwriting, Acting, Producing, being a one-stop tech shop | Production Manager, Star Performance Academy | After school drama coordinator, Genoa Middle School | Script prep/scene analysis (for actors and technicians) Directing large-cast musicals and non-musicals Producing high-quality shows on a shoestring budget Articulation classes | YES | ||||||||||||||||||
56 | 41 | Becher-McKeever | Emily | becheree@jmu.edu | Lighting Design & Technology, Management, Sound Design & Technology | Lighting and Sound Designer, James Madison University | IATSE & USA | Lighting and sound design, production management, dance design and technical direction | YES | ||||||||||||||||||
57 | 42 | Estervig | Elizabeth | elizabeth.estervig@gmail.com | Costume Design & Technology, Working in film | Motion Picture Costumers Local 705: Men’s Custom Made Delegate & Tailor-Cutter/Fitter | MFA Costume Tech Ohio University | Formally teaching at Pepperdine University | Www.estervig.com | https://www.imdb.com/name/nm9204066/?ref_=nv_sr_srsg_0 | Working Costume Technology in Film-options, strategies, how to start, differences and similarity with theatre work Costume Unions and Guilds in film in LA-The differences between MPC 705 and CDG, benefits of joining the union, how to get in, Tailor Drafting: math is not so bad when you have a tailor’s square, going over how to go through a draft and what pitfalls to watch for, | https://www.imdb.com/name/nm9204066/?ref_=nv_sr_srsg_0 | YES | ||||||||||||||
58 | 43 | Sivigny | Deb | debsivigny@gmail.com | Costume Design & Technology, Scenic Design & Technology | Asst. Professor Costume and Scenic design, George Mason University | USA 829 Costume Design | USITT | watercolor costume renderings script analysis object storytelling | debsivigny.com | YES | ||||||||||||||||
59 | 44 | Elie | Justin | jelie@juilliard.edu | Management, Health & Safety, Technical Production | Assoc. Technical Director, The Juilliard School | ETCP Rigging - Theater | Adjunct Professor - New York City College of Technology | Rigging Carpentry and welding Autocad Technical Design Health and Safety Project Management Budgeting Working in NYC Problem Solving Working in a shop that does multiple shows at one time | YES | |||||||||||||||||
60 | 45 | Cataldo | Yuri | yuricataldo@gmail.com | Costume Design & Technology, Career Transitions and Entrepreneurship for Artists | Innovation at Autodesk | Mentor - Yale TSAI City, MassChallenge, MassRobotics, Techstars | Yale - MFA, costume design | The Future of Work Creative Entrepreneurship Career Planning/Transitions - aka how to use your art degree in the corporate world Marketing Introduction to Bitcoin/Blockchain (I also just wrote a best selling book about this) | www.yuricataldo.com | YES | ||||||||||||||||
61 | 46 | Potter-Smith | Ivan | ivan@ivanpottersmith.com | Digital Media, Digital Painting and Illustration | Self Employed Full Time for 4+ Years | I have taught workshops at the UNC school of the arts consistently since 2017 | Digital Painting Illustration Graphic Design Large Format Graphics | http://ivanpottersmith.com | YES | |||||||||||||||||
62 | 47 | Wright | Marion | WrightCareerSolutions@gmail.com | Education, Management, Stage & Production Management | Adjunct Theatre Faculty, Clark Atlanta University | Adjunct Theatre Faculty, Florida A & M University | Theatre Appreciation, Public Speaking, Theatre Management, Stsge Management, Script Analysis, African-American Theatre, Resume Writing and General Career Development | www.wrightCareerSolutions.com | YES | |||||||||||||||||
63 | 48 | McMahon | Angela | angelamcmahon09@gmail.com | Architecture, Scenic Design & Technology, Technical Production | Theatre Specialist, Schuler Shook Theatre Planners | Technical Director | MFA in Technical Direction from University of Arizona | Rigging | Women in technical direction Working in regional theatre in technical production Transitioning to Theatre Planning Project management as a technical director | YES | ||||||||||||||||
64 | 49 | Huneycutt | Bryan | bryanlhuneycutt@gmail.com | Management, Health & Safety | HuneyBadger Entertainment Consulting | Topics related to the development and management of a safety culture with a focus on mental wellness | YES | |||||||||||||||||||
65 | 50 | Gaviria | Adriana | adriana@adrianagaviria.com | Producing, Acting, Advocacy | Actor and Creative Producer | AEA, SAG-AFTRA | MFA Yale School of Drama | Sol Project, PAAL, Latinx Theatre Commons | Creative Producing The Business of Acting Work-Life Balance in the Arts Advocacy in the Arts Collective Leadership | adrianagaviria.com | YES | |||||||||||||||
66 | 51 | Jainchill | Alexander | alexphillip85@gmail.com | Lighting Design & Technology, Technical Production | USA 829 | Drafting Assistant and associate work Paperwork Programming Technology Color and light | AlexJainchill.com | YES | ||||||||||||||||||
67 | 52 | Swader | Christopher & Justin | jlswader@gmail.com | Scenic Design & Technology | Professional Scenic Designers | Christopher and I are scenic designers based in NYC. Happy to share any insights or answer questions on working professionally and the design process. | www.cjswaderdesign.com | YES | ||||||||||||||||||
68 | 53 | Wesley | Elise | ewesley915@gmail.com | Costume Design & Technology | Costume Coordinator, the Public Theater | Assistant Costume Designer, National Lampoon's Lemmings: 21st Century | Wardrobe Assistant, Theatre for a New Audience | Dresser, the Public Theater | Freelancing in NYC Transitioning from college to the professional world Costume Design Resume/portfolio/website creation | elisewesley.com | YES | |||||||||||||||
69 | 54 | Garrett | Ian | igarrett@yorku.ca | Digital Media, Education, Lighting Design & Technology, Management, Technical Production, Sustainability | Associate Professor, Ecological Design for Performance | Director, Centre for Sustainable Practice in the Arts | Producer, Toasterlab Mixed Reality | Board Member, Associated Designers of Canada | Curator, US Exhibition at the 2019 Prague Quadrennial | Two unique areas of study I can offer are: (1) Sustainable approaches to theatrical production including the nuts and bolts of putting shows together in a more ecological way, ecoscenographic approaches for stage design, and planning around facilities and policy. (2) The integration of mixed reality technologies into live performance. | Personal Website: http://www.ianpgarrett.com/about/ Toasterlab (Production): http://toasterlab.com/ Centre for Sustainable Practice in the Arts: http://www.sustainablepractice.org/ | YES | ||||||||||||||
70 | 55 | Estervig | Elizabeth | elizabeth.estervig@gmail.com | Costume Design & Technology | Motion Picture Costumers 705 Men’s Custom Made: Delegate/ Tailor-Cutter/Fitter | MFA Costume Technology Ohio University | Formerly taught at Pepperdine University | Www.estervig.com | Draping: Unusual materials and models welcome. If you can please gather: 1)fabric/papers/plastic bags/duct tape/tin foil, pins/tape/string 2) a teddybear/lap/unusual object of choice 3) a pencil/marker/pen/paint 4) scissors/pocket knife/sharp object Drafting: Old School Ratios-how to draft without your tailor’s square/measuring tape, but with a piece of string/yarn/fabric belt. Please gather: 1) measuring tape/string/yarn/soft item you can fold 2) paper/bedsheet/something to draft on 3) pencil/frixion pen/washable marker (or non-washable if you don’t like your sheet too much) 4) yourself (so long as your flexible material is long enough to go around your widest circumference, if not a teddy bear or otherwise roughly humanoid item is fine) My Cabbage(s)! Costume shop terms and definitions-not just good for scrabble games. (With an emphasis on suit materials and guts) Textile Identification and properties-an overview of how to analyze and understand textiles. Please gather if you have: tweezers, glass jar, metal plate, lighter/candle/stove/flame, bleach, any cabbage/scrap fabric/ Sacrificial chunks of old materials, clothes of different looks and textures from your closet/kitchen/pantry AMA-tailor working in tv & film edition How to talk to your technicians: a guide for designers to get what they need communicated efficiently and effectively. | https://www.imdb.com/name/nm9204066/?ref_=fn_al_nm_1 | YES | |||||||||||||||
71 | 56 | Chadwick | Sharon | acteachsfc@gmail.com | Education, Stage Management | Liberty High School | Nevada Thespians | Advocacy Leadership Network | Stage Management/Advocacy | Sharon Fenwald Chadwick is the Nevada Thespian co-State Director and a full time theatre educator at Liberty High School in Las Vegas Nevada. Sharon has been directing and teaching high school theatre for over 18 years. She is also a professional actress and stage manager and served as an actress, director and Production Stage Manager for Theatre West Virginia.. Some of her favorite acting projects include playing Miss Hannigan in Annie, Grandma in The Addams Family, Golde in Fiddler on the Roof and Dottie in Noises off. Her favorite directing projects include Proof, Footloose, Rock of Ages, Steel Magnolias, Annie and The Complete Works of William Shakespeare, Abridged. Sharon is a professional member of the Educational Theatre Association and is currently the Nevada Thespian State Co-Director. She is also a member of EdTA’s Advocacy Leadership Network and serves on several national committees to further excellence in educational theatre | YES | ||||||||||||||||
72 | 57 | Thayer | Jim | elliott2461@gmail.com | Sound Design & Technology, Technical Production | Owner elliott productions | Head audio caesars entertainment | Audio in the real world. Production standards and frequent errors in saftey. | YES | ||||||||||||||||||
73 | 58 | Bertelli | Emily | em.erdman@gmail.com | Architecture, Audio Visual Consulting | Designer at K2, LLC (Audio Video Consulting Firm) | Former Associate Technical Director at Oregon Shakespeare Festival | Former student, Yale School of Drama | System block diagrams / Single line diagrams / Functional diagrams of AV systems AV consulting industry across various horizontal markets | YES | |||||||||||||||||
74 | 59 | Lanius | James | jlanius@lepetittheatre.com | Digital Media, Management, Video engineering for the theatre | Le Petit Theatre Du Vieux Carre | Solomon Group Events Production Company | Freelance, various in New Orleans | Production Management Production Budgeting Projection Engineering Video Engineering Q-Lab Watchout Control Systems Networking for the theatre | YES | |||||||||||||||||
75 | 60 | Savell | Marianne | mariannesavell@gmail.com | Acting, Directing | MFA Acting University of Illinois Urbana- Champaign | SDC Stage Directors Union | Actors Equity | SAG/Aftra | Former Producing Director Actors Co-op Hollywood | Directing - staging in the thrust Directing - planning a rehearsal schedule Directing - casting Directing - tips for problem solving Directing - caring for the team Shakespeare - Cicely Berry technique Shakespeare - playing the argument (antithesis) | Resume by request | YES | ||||||||||||||
76 | 61 | Mullins | Veronica | vmullins@windwardschool.org | Sound Design & Technology, Immersive and Themed Entertainment | Production Manager, Theater Tech Teacher-Windward School | Dante Level 2 Certified | Former Disney Imagineer-Music Production | Professional Sound Designer | Professional Qlab Programmer | Introduction to Sound Design Qlab Programming Introduction to Immersive Sound Design | www.VeronicaSoundDesign.com | YES | ||||||||||||||
77 | 62 | Thebus | Jessica | jessicathebus@gmail.com | I am a Director but can talk about Design | Northwestern | Chicago Theater | Director/Designer collaboration, Story and POV, Sarah Ruhl plays, puppetry | YES | ||||||||||||||||||
78 | 63 | Jewell-Busche | Ora | orajewellbusche@gmail.com | Wig making and theatrical makeup | Teacher theatrical makeup - Makeup First | Former wig staff Chicago Shakespeare & Lyric Opera of Chicago | Freelance Wig and makeup designer - primarily Opera | Former member IATSE 476 | Wig design Wig construction Character makeup design | Can email resume/CV if requested needed | YES | |||||||||||||||
79 | 64 | Tiffany | Erin | etiffany@ctgla.org | Management, Technical Production | Assistant Production Manager, Center Theatre Group | Technical Design and Production (certificate), Yale School of Drama | Associate Mainstage Production Manager, USITT Conference Committee | Technical Direction Professional Intern, Disney Parks Live Entertainment | Production Management, LORT Producing Regional Theatre Production Management, LORT Presenting Regional Theatre Internships Graduate School/Alternatives | Erin Tiffany (she/her/hers) is currently an Assistant Production Manager for Center Theatre Group in Los Angeles. During her time so far at CTG, she has worked on countless productions at all three LORT theatres including Indecent (Ahmanson Theatre), Matthew Bourne's Swan Lake (Ahmanson Theatre), What the Constitution... (Mark Taper Forum), and On Beckett (Kirk Douglas Theatre). Prior to her time at CTG, Erin worked with Disney Parks Live Entertainment on their Imagineering campus, as the Technical Direction Professional intern. During her "free time" Erin works as the Associate Production Manager of Main Stage Events for the USITT Conference Committee. Erin holds a Technical Certificate from the Yale School of Drama and a BA from Muhlenberg College. | YES | |||||||||||||||
80 | 65 | King | Brendan | king.brendan0@gmail.com | Scenic Design & Technology, Technical Production, Scenic Automation | Deck Automation, Harry Potter and the Cursed Child | IATSE | Scenic Automation Doing the same show 500 times Broadway Production Touring Theatrical Production Touring Lifestyle Traveling for Work Making a Living in Theatre | YES | ||||||||||||||||||
81 | 66 | Conn | CC | conncs@sfasu.edu | Lighting Design & Technology, Sound Design & Technology | Associate Professor, Stephen F. Austin State University | Intro to Lighting Tech, Intro to Sound Tech,bLightibg Design, Sound Design, Principles if Design, Portfolio Prep | www.sragewavedesign.com | YES | ||||||||||||||||||
82 | 67 | McAvoy | Heather | hmcavoy@schulershook.com | Architecture, Lighting Design & Technology, Theatre Planning | Schuler Shook | American Society of Theatre Consultants | Careers in theatre planning Women+ and underrepresented groups in theatre planning Theatre planning Theatrical lighting systems design | https://schulershook.com/people/heather-mcavoy | YES | |||||||||||||||||
83 | 68 | Marcum | Angela | angela.marcum@gmail.com | Education, Acting (Monologue and Audition Prep Coaching); Directing; Theatre For Youth | Self-Employed Theatre Director | Member TYA | Masters Degree in Theatre | U of Illinois BFA | Audition Prep/Monologue Coaching (already done this on line); Directing; Theatre For Youth Discussion and Educational Talkbacks; Musical Theatre History (Powerpoint available) | https://docs.google.com/document/d/1bTQsimx7vWk8skgUUGU28cWtMGubIHh06x5lTCUkXcg/edit?usp=sharing | YES | |||||||||||||||
84 | 69 | Finkelstein | Richard | finkelrs@gmail.com | Digital Media, Lighting Design & Technology, Scenic Design & Technology, Stage Photography, Designing via Virtual Worlds | Professor of Design, James Madison U | Freelance Designer | USITT Member, Former USA Member | One specially fun topic is how I design stage scenery via the gaming world | http://www.rfdesigns.org | YES | ||||||||||||||||
85 | 70 | Cobb | Branson | bransoncobb98@gmail.com | Education, Community engagement and using theatre to teach literacy | Theatre Under the Stars- Houston, TX | - Working as a teaching artist - The other side of theatre (community engagement) - How theatres reach audiences - What is community engagement and why does it matter? - Why the education department is crucial to any theatre | www.bransoncobb.com | YES | ||||||||||||||||||
86 | 71 | Hope | Marlana | marlanahope@gmail.com | TV writing | Professional TV writer and member of the WGA | For a list of credits, visit my IMDb page | TV writing Hollywood and the television industry more broadly | imdb.me/marlanahope | YES | |||||||||||||||||
87 | 72 | Bandhu | Pun | punbandhu@gmail.com | Digital Media, Management, Acting, Diversity & Inclusion, Marketing, Producing | Award-winning Yale Drama Actor with 20+ years in theatre, film, TV | Two time Tony Award-winning Broadway Producer @ ZenDog Productions | Diversity advocate, Cofounder of Asian American Performers Action Coalition (www.aapacnyc.org) | The Artist as Producer. Arts Entrepreneurship is about creating oppportunities, and it begins with you. What is a Producer? The nuts and bolts of putting on a Broadway show. How Broadway Social Media Marketing Has Changed in 10 years: 2 Case Studies--Spring Awakening and Beetlejuice the Musical, From MySpace to TikTok. The Racial Politics of Casting, An Actor's Perspective Looking at statistics compiled by AAPAC can help us to answer questions such as: How has the landscape shifted? Where do obstacles still exist? A discussion about how micro-aggressions continue to intersect the work, how to advocate for oneself, and other topics pertaining to race within the industry that every future artistic leader needs to become comfortable talking about. | www.punbandhu.net | YES | ||||||||||||||||
88 | 73 | Weikel | Christy | cjweikel@gmail.com | Management | Planner, Walt Disney Imagineering | Transition from Non Profit Theater to For profit company | YES | |||||||||||||||||||
89 | 74 | Berich | Lara | lara.berich@gmail.com | Costume Design & Technology, Education | Assistant Professor of Costume Technology and Design ersity of Montana | Draper / Tailor Santa Fe Opera | Draping / drafting and patterning Specific dressmaking and tailoring techniques Gender inclusivity and social awareness in costuming | Www.laraberich.com | YES | |||||||||||||||||
90 | 75 | Mintz | Cheryl | cmintz@mccarter.org | Stage Management Master Classes (I also have a lecture geared to acting majors) | Resident Production Stage Manager McCarter Theatre - 29 seasons | MFA Yale School of Drama 1987 - AEA - AGMA - SMA | Executive Board Member and Director-at-Large Stage Managers Association | Credits: 75+ Operas, 5 seasons at NYC Opera, 13 productions for Spoleto USA and Italy, 6 Broadway Productions, plus other Off-Broadway, Regional and Events | Master Classes for Yale, Julliard, AADA, Mason Gross School of the Arts, Rider University, University of Iowa, plus numerous others | Networking Collaborative Process from Season Planning through Closing Night (adaptable for all disciplines in the theater). Mock Interview Project (mainly geared towards Stage Managers)- which consists of students submitting a cover letter and resume to me for a mock job, I then go through the steps of setting up and conducting an interview with them, then write up an evaluation of their cover letter, resume and interview. Capping off the Mock Interview Project could be a Master Class with the students on the business. The Actor as Collaborator from Contracting through Closing: Knowing the Basics of the Business for Emerging Talent General Career Discussion followed by a Q & A (discussion being a leading LORT Resident Stage Manager, new works process, balancing career and life, woman in the business, etc.) Opera Stage Management Bootcamp | Cheryl Mintz is celebrating her 29th season as McCarter Theatre’s Resident Production Stage Manager, has Production Stage Managed 90+ productions and 100+ workshops and has collaborated with America’s finest directors, playwrights, designers and actors. The 2019-2020 season marks Cheryl’s 35th production with Artistic Director and Resident Playwright, Emily Mann and over 600 performances of McCarter Theatre’s production of A Christmas Carol. Cheryl’s recent world premiere productions include Christopher Durang’s Tony winning Best Play Vanya and Sonia and Masha and Spike and Turning Off the Morning News, Marina Carr’s Phaedra Backwards, John Guare’s Are You There, McPhee?, and Ken Ludwig’s Murder on the Orient Express. Past highlight’s include Production Stage Manager for the McCarter and Broadway run of Nilo Cruz's, Anna in the Tropics, the McCarter and Kennedy Center world premiere run of Emily Mann’s, Mrs. Packard, the world premiere of The Brother/Sister Plays by Tarell Alvin McCraney and the American premiere of the musical Take Flight by John Weidman, music and lyrics by David Shire and Richard Maltby, Jr. Theater directors that Cheryl has collaborated with include Athol Fugard, Tina Landau, Robert O’Hara, Rebecca Taichman, Sam Buntrock, Nicholas Marin, Liesl Tommy, Stephen Wadsworth, John Kani, Jade King Carroll, Roger Rees, David Leveaux, Mary Zimmerman, Gary Griffin, Ruben Santiago-Hudson, Mark Lamos, Loretta Greco, Lisa Peterson, Regina Taylor, Jo Bonney, Walter Dallas, Kent Gash, Shirley Jo Finney, Noah Brody, Ben Steinfeld, Scott Zigler, Daniel Fish, Susan Schulman, Julianne Boyd, Scott Ellis, Michael Unger, Loretta Greco, Adam Immerwahr, David Lynch, Simon Gray, and David Bell. Cheryl has enjoyed thirteen collaborations with Maestro Gian Carlo Menotti and the Spoleto Festivals in USA and Italy most notably as the Direzione di scena Teatro Caio Melisso and the Direttore di scena and Associate Director for Maestro Menotti’s final productions of Amahl & The Night Visitors, The Singing Child, Maria Golovin, The Telephone and The Medium. Cheryl has six Broadway shows to her credit, and spent five seasons at Lincoln Center with the New York City Opera where she has Stage Managed 40 operas and musicals, three tours, three PBS telecasts, and collaborated with dozens of Opera directors. Other companies include: Opera New Jersey, Opera Festival of New Jersey, Baltimore Opera Company, National Grand Opera, NJPAC, Brooklyn Academy of Music, Intar, Williamstown Theatre Festival, The Kitchen, New York Theatre Workshop and Yale Repertory Theatre. Publications: Acting Editions of Athol Fugard’s The Road To Mecca and A Place With The Pigs. Cheryl has written for the Yale School of Drama Alumni Magazine, The New York Times, and is a contributor to the 4th edition of Sound and Music for the Theatre: The Art & Technique of Design. Master Classes for: Yale School of Drama, The Juilliard School, American Academy of Dramatic Arts, Rutgers University - Mason Gross School of the Arts MFA & BFA programs, Muhlenberg College, University of Iowa MFA & BFA Stage Management Programs, NYU, Syracuse University Department of Theater, Rider University Department of Theatre, University of Illinois Urbana-Champaign, SUNY Stony Brook, MCTVS, Princeton Day School and has mentored hundreds of young theater professionals. Cheryl received her MFA from the Yale School of Drama, and is named a SUNY Notable Alumni of the Arts. For the Stage Managers’ Association Cheryl was an Executive Board Member for 15 years, recently returning as a current Director-at-Large, the current Del Hughes Award and Event Chairperson, and a Financial Oversight Committee member. Cheryl salutes Actors' Equity Association's Centennial and is proud to be featured as part of The Narrative Project and Performance of the Century, 100 Years of Actors' Equity Association and the Rise of Professional American Theater. This season: Cheryl will Production Stage Manage Emily Mann’s Gloria: A Life, her 35th production with Emily Mann, and the world premiere of The Refuge Plays by Nathan Alan Davis, directed by Patricia McGregor. Cheryl Mintz - Resident Production Stage Manager McCarter Theatre Center cmintz@mccarter.org https://stage-directions.com/all/issue/in-the-limelight/with-a-creative-perspective-veteran-stage-manager-cheryl-mintz/ | YES | ||||||||||||||
91 | 76 | Davis | Matt | mdavis@philatheatreco.org | Lighting Design & Technology, Management, Health & Safety, Scenic Design & Technology, Sound Design & Technology, Technical Production | Production Manager, Philadelphia Theatre Company | Author, Intellectual Property for Producing Theatre | Production management Regional theatre Technical direction Receiving tours Theatre safety Intellectual property Contracts Theatre management Sound engineering Lighting design/production New work production Facility management Labor Relations | Https://www.madavis.com | YES | |||||||||||||||||
92 | 77 | Sprague | Christopher | christophersprague@sbcglobal.net | Architecture, Lighting Design & Technology, Health & Safety | Schuler Shook Theatre Planners - Senior Theatre Consultant | American Society of Theatre Consultants | John Hersey HS - Co-Technical Director (Sound, Lighting, Run Crew) | Theatre Consulting Health and Safety (spent 5 years developing safety program for a major regional opera company) Lighting Design (my career path/experience) | https://schulershook.com/people/christopher-sprague | YES | ||||||||||||||||
93 | 78 | Kazle | Elynmarie | elynmariebkazle@gmail.com | Lighting Design & Technology, Management, Stage, House, Theatre Production Management | Stage Managers Association | Production Mgrs Forum Freelance | Akron school for the Arts | National Theatre Conference | USITT National Regional | Production Mgt, stage Mgt, House and Theatre Management, tech Team Building, peer Mentoring | YES | |||||||||||||||
94 | 79 | Kovalick | Jody | jkovalick@schulershook.com | Architecture, Lighting Design & Technology, Scenic Design & Technology, Alternative career paths | Schuler Shook | Principal Theatre Consultant | Theatre Consultant | theatre consulting alternative career paths theatre architecture | https://schulershook.com/people/jody-kovalick | YES | ||||||||||||||||
95 | 80 | Hassman | Alison | alison.hassman@gmail.com | Education, Management, Technical Production, Stage manager | Actors Equity | Delaware theatre co | Philadelphia theatre co | Bucks county playhouse | Mccarter | Stage management | Alison Hassman – Alison is an east coast-based AEA stage manager. Credits include – New York: Hamilton, The Nutcracker (New York City Ballet, Lincoln Center), Macy’s Thanksgiving Day Parade, A Gentleman and his Ladies (Roundabout, with Alan Cumming), Cherry Lane, Westside Theatre, 59E59, the York, 24 Hour Play Company. Regional: McCarter, Two River, Delaware Theater Company, six seasons with Pennsylvania Shakespeare Festival, Theater Horizon, Trinity Rep, Bucks County Playhouse, Bristol Riverside, Premiere Stages. Alison is proud to celebrate 2020, the Year of the Stage Manager. | YES | ||||||||||||||
96 | 81 | Veenstra | Joel | veenst@aol.com | Education, Management | University of California, Irvine | AEA Stage Manager | Production Manager | Producer | Improviser | Essential (Soft) Skills Stage Managers Association (and other helpful organizations) Networking (happy to collaborate or brainstorm on other topics) | https://drama.arts.uci.edu/faculty/joel-veenstra | YES | ||||||||||||||
97 | 82 | Coyne | John | coynej@uncsa.edu | Scenic Design & Technology | Freelance Scenic Designer | Director of Scenic Design, University of North Carolina School of the Arts | USA Local 829 | Freelance Careers, Designing for Shakespeare Now, Immersive Theater, | johncoynescenicdesign.com, https://www.uncsa.edu/faculty-staff/john-coyne.aspx | YES | ||||||||||||||||
98 | 83 | Ashley | Trupp | ashley.trupp@gmail.com | Management, I'm a former stage manager who transitioned to events and not marketing. | Aea | I'm a former stage manager who transitioned I to event management and now marketing. Happy to talked about transferrable skills and options outside traditional theater | https://www.linkedin.com/in/ashley-delegal-trupp/ | YES | ||||||||||||||||||
99 | 84 | Brenner | Morgan | brenner.morgan@gmail.com | Lighting Design & Technology, Technical Production, Broadcast Engineer (News/ENG) | IATSE Local ONE Stagehand | IBEW Local 1212 Broadcast Engineer | ETCP Electrician | Lighting Director for CBS Network News | SUNY Oneonta and Indiana University | Technical Theater Live Broadcast (news or entertainment) Lighting Design Lighting Board Operation (busking) (all platforms) Theatrical Networking HD Video | https://www.linkedin.com/in/morgan-brenner | YES | ||||||||||||||
100 | 85 | Mertz | Joe | joe@amalgamincorporated.com | Arduino and Electronics | Alumni, Carnegie Mellon University | Certified ETC Rigging Installer | Arduino Uses of Custom Electronics in Entertainment | www.joemertz.com | YES | |||||||||||||||||
101 | 86 | Moshier | Katie | katie.moshier@gmail.com | Management | Freelance Non-Equity SM/ASM/PA in Washington DC Metro Area | University of Illinois at Urbana-Champaign Class of 2014 (BFA, Stage Management) | Happy to speak on paperwork, running the backstage, freelance life (I promise not to be too much of a downer lol), networking | katiemoshier.weebly.com | YES | |||||||||||||||||
102 | 87 | Kelly | Hope Rose | hoperosekelly@gmail.com | Management | 2nd Vice Chair on the Board of the Stage Managers’ Association | Member of Actors’ Equity Association | Stage Management - Regional Theatre, touring, international | YES | ||||||||||||||||||
103 | 88 | Toewe | Anne | anne.toewe@unco.edu | Costume Design & Technology | Head of Design and Technology and resident costume designer: University of Northern Colorado | Member- costume designer: United Scenic Artists 829 | Member/publisher and presenter: Costume Society of America | Publisher, presenter: Association of Dress Historians | Costume Commission Member: United Scenic Artists | Costume History (any era) Costume technology demonstrations- sewing, etc Costume design (and topic, demos and lectures) | YES | |||||||||||||||
104 | 89 | Lee | Nathan | nlee010@gmail.com | Education, Lighting Design & Technology, Scenic Design & Technology, Technical Production | Technical Director, Worcester State University | Master Electrician, Worcester State University | Scene Designer, Okoboji Summer Theatre | Summer stock technical direction, planning/paperwork for a small to mid size theatre Basic theatrical scenic construction, drawings/cut list for small theaters Hand sewing, the taylor's knot Hand sewing, the hem stitch I'm sure I can think of more... | https://nlee010.wixsite.com/mainpage | YES | ||||||||||||||||
105 | 90 | Aaron | Bobeck | aaron.bobeck@icloud.com | Management, Health & Safety, Technical Production | Asst. Electrician and Head Front Light, Riverdance | IATSE | BFA, UNC School of the Arts | OSHA 10 | Touring, Touring Spot Caller, Production Electrics, Rep Plots, Early career guidance, Union | YES | ||||||||||||||||
106 | 91 | Maerz | Lara | lmaerz@gmail.com | Management, Technical Production, Stage and Production Management | Former AEA | Intro to stage management, several components of stage management, intro to production management | www.qlightarts.com | YES | ||||||||||||||||||
107 | 92 | Behrens | Leazah | leazahbehrens@gmail.com | Education, Scenic Design & Technology | Freelance Scenic Design | Visiting Artist Professor, Willamette University | Local 13 Stagehand | Scenic Design Freelance life SketchUp designing via distance | http://www.leazahbehrens.com/ | YES | ||||||||||||||||
108 | 93 | Corbett Oates | Kimberly | koates@schulershook.com | Architecture, Lighting Design & Technology, Technical Production, Engineering is a USITT Commission, too! | Principal, Schuler Shook Theatre Planners | Member, American Society of Theatre Consultants | Changing Lighting Design: How LEDs change theatrical lighting Career Opportunities in Theatre Engineering What Does a Theatre Consultant Do? Types of Performances Spaces Basics of Stage Rigging Statics Unit Conversion and Other Handy Math Tricks How a Building Gets Built | https://schulershook.com/people/kimberly-corbett-oates | YES | |||||||||||||||||
109 | 94 | Marino | Cynthia | cynthia.hennon@gmail.com | Management | Director of Production - Teatro Nuovo and Death of Classical | AGMA (opera) Stage Manager | Production Supervisor - Opera Philadelphia | I have years of experience as both a freelance stage manager in opera as well as a salaried full time position as a Director of Production at an Opera company. I do a lot of new operas, non traditional performances spaces,w and need to think outside of the box a lot. My twin sister is also a technical director and we could do classes together on how design and production teams can work together. | www.cynthiahennonmarinoSM.com | YES | ||||||||||||||||
110 | 95 | Zupanski | Morgan | mjzupanski@gmail.com | Management, Stage management | AEA | AGMA | DGA | Corporate Events | Commercial Immersive Experiences | Any of the different things I’ve worked on. I’ve done a bit of everything over the years | YES | |||||||||||||||
111 | 96 | Judson | Laura | ljjudson@iu.edu | Education, Management | Project Manager, Indiana University Department of Theatre & Dance | Stage Manager, AGMA | stage management (various) production management (various) | YES | ||||||||||||||||||
112 | 97 | Trupp | Melissa | melissa@melissatrupp.com | Management, Technical Production, Stage Management, Entertainment Leadership, Cruise Ships, International Work | Production Stage Manager- Disney Parks Live Entertainment | Production Stage Manager- AEA | Experience on Cruise Lines and International Projects | Corporate Entertainment, Stage Management, Disney Show Production Lifecycle, Cruise Line Entertainment, International Projects, Event Management | YES | |||||||||||||||||
113 | 98 | Green | Tiffany | xoxotiffanygreen@gmail.com | Management, stage management, event management, experiential design for experiential marketing - great for scenic, lighting, and sound designers | Director of Production, Industria Creative | AEA Member | SAG-AFTRA Member | Event Management for Stage Managers Experiential Design for Scenic, Lighting, Sound, and Costume Design Creative Ideation and Collaboration for Artists Applying technical disciplines in the marketing industry | xoxotiffanygreen.com/experiential | YES | ||||||||||||||||
114 | 99 | Powers | Kimberly | KimberlyVPowers@gmail.com | Scenic Design & Technology | Set Designer - United Scenic Artists, 829 | Scenic Artist | Set Design, Freelancing, Scenic Artistry | www.kvpowersdesign.com | YES | |||||||||||||||||
115 | 100 | Bryant | Richard | richard.brayant@utt.edu.tt | Education, Lighting Design & Technology, Technical Production, Technical Theater Research and History | Assistant Professor / M.E. University of Trinidad and Tobago | USITT | OISTAT | Canon of Technical Theater History - An Erasmus Project | Archiving Technical Theater History Facebook Founder | Where and how to start conducting and performing research in the technical theater field What it takes to begin being a mentor What it means to work abroad Starting a new project and ways to see it through and knowing when to let it go | https://www.facebook.com/groups/146375445554376/ - Facebook Group https://utt.edu.tt/index.php?wk=71&staff=1&staff_key=2420 - University Profile https://www.linkedin.com/in/rabryant24/ - Linkedin | YES | ||||||||||||||
116 | 101 | Hagwood | Casey | clh4809@gmail.com | Management | Head of Stage Management, Florida State University | AEA Stage Manager since 2008 | Stage Management Delegation Management Soft Skills | https://theatre.fsu.edu/casey-leigh-hagwood/ | YES | |||||||||||||||||
117 | 102 | Kramer | Ruth | ruthek@gmail.com | Management, Stage Management, Equity Membership, Finances/Retirement | AEA | SMA | Stage Management, AEA Union Membership, Interview practice for SMs, Saving and Retirement | YES | ||||||||||||||||||
118 | 103 | Keaton-Cohen | David | cohen.stgmgr@gmail.com | Stage Management and Large Scale Events | Stage Manager, Summer: The Donna Summer Musical, First National Tour | Member, Actors Equity Association | Deck Manager, Regeneron International Science and Engineering Fair | I have 2, 2 hour workshops in Advanced Stage Management and Broadway Specific Stage Management | Email for resume | YES | ||||||||||||||||
119 | 104 | Cook | Amber Marisa | amcook@semo.edu | Costume Design & Technology, Education, Management, Scenic Design & Technology, Digital Textile Design | Head of Design and Technology, Asst Costume Prof, Dobbins Conservatory SEMO | Production Manager, The Black Hills Playhouse | Costume Member, United Scenic Artists (USA) local 829 | Author: Digital Textile Design | Textile design, summer stock employment, costume design, production management | Ambermcookdesign.com https://semo.edu/theatreanddance/faculty/cook.html | YES | |||||||||||||||
120 | 105 | Levitt / Pinwheel | Max / Pinwheel | mxpinwheelpinwheel@gmail.com | Costume Design & Technology, Drag and fashion design | Fabric Dyer, Parson-Meares | Freelance Fashion & Costume Designer | Drag queen and show producer | Finding your niche when you've been told you don't fit. Flat patterning, color matching with dye. Community oriented marketing | Instagram.com/pinwheelpinwheel | YES | ||||||||||||||||
121 | 106 | Brassard | Gail | gailbrassard@aol.com | Costume Design & Technology | U of Wisconsin-Madison, retired | USITT | The Costume design profession Shopping Skills for costume designers Research skills For costume designers | Dropbox link on request | YES | |||||||||||||||||
122 | 107 | Spangler | Walt | walt@waltspangler.com | Scenic Design & Technology | USA LOCAL 829 Set Designer | My own work in Scenic Design My work with Technical Directors | waltspangler.com | YES | ||||||||||||||||||
123 | 108 | Martinsen | Kerri | kmartinsen@carolinaballet.com | Costume Technology - Ballet | MFA - University of North Carolina, Chapel Hill | BFA - University of South Dakota | Carolina Ballet | Ballet costume Design specifics vs Theatre design types of stretch/elastic and usage Dance patterning issues | YES | |||||||||||||||||
124 | 109 | Moore | Monica | mmoorenye06@gmail.com | Management, Health & Safety, Large Events | Owner, Monica Moore Productions | Production Manager, YouTube’s Brandcast | Coordinating Producer, Times Square New Year’s Eve | Member, AEA | 20 years free lancing in NYC | Production Management Special Events Show Caller | https://www.linkedin.com/in/monicamoorenye | YES | ||||||||||||||
125 | 110 | Groeneveld | Matthew | mgroeneveld@uarts.edu | Architecture, Education, Scenic Design & Technology, Technical Production, ETCP Certified Rigger - theater | Technical Director, The University of the Arts | ETCP Certified Rigger -Theater | Technical design, production planing, theater rigging and system design, structural design for the stage | https://www.uarts.edu/node/43519 | YES | |||||||||||||||||
126 | 111 | Stinson | Matsy | matsystinson@gmail.com | Costume Design & Technology | Costume Designer, NYU Tisch New Studio on Broadway | Costume Designer & Guest Lecturer- The Barrow Group Theatre and School | Head of Summer Sewing Program - Curious Jane Camp | Resident Costume Designer- Exquisite Corpse Company, Brooklyn NY | Resident Costume Designer- Quisisana Music Resort, Lovell, ME | Costume design, costume history, design critiques/reviews, basic sewing/embroidery stitches (via video) | matsystinson.com | YES | ||||||||||||||
127 | 112 | Warner | Steven | slw9b@virginia.edu | Education, Health & Safety, Technical Production, Character Arts and Creature Design | Professor Theatre Technology and Production | Career in Circus Management | Art of the Creature | Safety in the Arts | Teaching in Higher Education | Art of the Creature Scenic Technology Entertainment Rigging Metal Fabrication Wood Fabrication | http://drama.virginia.edu/faculty/profile/slw9b | YES | ||||||||||||||
128 | 113 | Molly | Goodwin | mokago@gmail.com | Management | Stage Manager - Touring Musicals | Stage Manager - Cruise Lines | MFA in Stage Management (UNLV) | BA in Theatre/Dance, Minor in Music (Luther College) | Stage Management | https://www.linkedin.com/mwlite/in/mollygoodwin | YES | |||||||||||||||
129 | 114 | Muren | Hannah | hjmuren@gmail.com | Costume Design & Technology, Lighting Design & Technology, Technical Production | Level Three Programming ETC Eos | Wardrobe Assistant- American Players Theatre | BFA Lighting Design- Webster University | Assistant Wig Designer- The Muny | Wardrobe with IATSE union 805 | Wardrobe Electrics Summer Stock Professional Theatre Union Questions Paperwork Questions Recent College Graduate Resume Set up Tips | hjmuren.com | YES | ||||||||||||||
130 | 115 | Beller | Genevieve | gvbeller@gmail.com | Costume Design & Technology, Management, Health & Safety, Technical Production, Business | Founder: Costume Professionals for Wage Equity | Member: USA 829 Costume Design | Registrant: IATSE 764 Wardrobe | Treating Yourself as a Business The Basics of Labor Law Diversity through Wage Equity Pricing Your Work Costume Design Costume Construction Wearable Tech and LEDs in Costume Costume Crafts | http://cpfwe.org/genevieve-v-beller/ | YES | ||||||||||||||||
131 | 116 | Hungerford | Mary | hungerfordmary@gmail.com | Management, Stage Management | Actors’ Equity Association | Stage Managers’ Association | Steppenwolf Theatre Company | Lookingglass Theatre Company | Northwestern University | Stage Management ASMing Working with Intimacy Choreographers Ensemble Theatre Show Calls Work-Life Balance | YES | |||||||||||||||
132 | 117 | Court | Jessa-Raye | jessa.raye.court@gmail.com | Costume Design & Technology | USA 829 | IATSE 764 | NBC | Film Designer | Broadway Assistant | Designing on a Budget, Designing in a Day, Wage Equity/Parity (specific to costumes or a broader scope), assisting, budgeting and paperwork | www.JessaRayeCourt.com | YES | ||||||||||||||
133 | 118 | Shimon | Jon | jrshimon@buffalo.edu | Health & Safety, Technical Production, Rigging | Technical Director, University at Buffalo | ETCP Rigging | Budgeting Technical Direction SDS Interpretation Rigging Math Structural Design | https://arts-sciences.buffalo.edu/theatre-dance/faculty/faculty-directory/jonathan-shimon.html | YES | |||||||||||||||||
134 | 119 | Cotter | Jessi | jessi.cotter@gmail.com | Management | Stage Manager, Actors' Equity Association | Events Manager, Freelance | Quartermaster Crewcheif, Pickathon Music Festival | Production Manager, The Shedd Institute (past) | Production Manger, Ballet Fantastique (past) | Stage Management Event Management Non-traditional spaces Actors' Equity | YES | |||||||||||||||
135 | 120 | Rachel | Barnett | rbarnett@okcu.edu | Costume Design & Technology, Education | Associate Professor of Costume Design & Technology, Oklahoma City University | Patterning & Draping | Costume Design | Costume Crafts | Costume History | Introduction to Costume Design Introduction to How Costumes are Produced in a Shop History of Undergarments History lectures on all sections in Toyota & Eubank text How Designers Use History to Communicate Character & Story Fabrics--overview of fibers and weaves Fabric Dyeing--categories of dye and techniques | YES | |||||||||||||||
136 | 121 | Herrmann | Katrina | katrina.renee@gmail.com | Management, Stage Management | Member of Actors' Equity Association | alumna of DePaul University | Member of Stage Managers' Association | Pre-Production Intro to Actors' Equity (how it works, rulebooks, etc) New York vs. Chicago theater scenes Stage Management in general | I can send a resume, but I don't have it posted on the internet. KATRINA HERRMANN (Stage Manager) Chicago credits: Seussical the Musical, Rock of Ages (Drury Lane Theatre); Cabaret (Theatre at the Center); The Hundred Dresses, The Miraculous Journey of Edward Tulane (Chicago Children’s Theatre); Mary Page Marlowe (Steppenwolf Theatre Company); The Royale (American Theater Company). Regional credits: Diana, Queens, The Cake, At the Old Place (La Jolla Playhouse); Twisted Melodies (Baltimore Center Stage). Off Broadway: The Flick (Barrow Street Theatre); The Flick, The Whale, The Big Meal, Completeness, The Shaggs: Philosophy of the World, Kin, The Burnt Part Boys, Circle Mirror Transformation (Playwrights Horizons); Close Up Space (Manhattan Theatre Club); In the Wake (The Public Theater). Katrina is a proud alum of The Theatre School at DePaul University and a member of Actors’ Equity Association. For nine years during the holidays, she worked for Santa Claus at Macy’s in New York City. | YES | ||||||||||||||||
137 | 122 | Hultgren | Kacie | kacielyn@gmail.com | Scenic Design & Technology | Scenic Designer, USA 829 (Associate: Broadway, tours, etc) | Course Author, 3D Printing & CAD, LinkedIn Learning | Owner, Pretty Small Things (specializing in 3D Printed Scale Furniture) | Associate work (set design) in NYC, Autocad for scenic design, photoshop for drops/large scale artwork, 3D Printing - general or scenic/prop design | Www.kaciehultgren.com | YES | ||||||||||||||||
138 | 123 | Huston | Davin | davin@purdue.edu | Architecture, Digital Media, Education, Sound Design & Technology, Networks, electrical engineering, automation, programming | Assistant Professor of Practice, School of Engineering Technology / Theatre, Purdue University | Network+ | Qsys | Dante | Networking, sensors, Arduino, Max Msp | https://polytechnic.purdue.edu/profile/dhhuston | YES | |||||||||||||||
139 | 124 | Yarmo | Leslie | leslie@yarmo.com | Costume Design & Technology, Film and television, research on the color yellow as a Jewish identifier since antiquity | Associate Professor of Theatre and costume designer, Salisbury Univerisity | United Scenic Artists - costume design | Costume design for film and TV. (I was the first costume designer for L&O Special Victims Unit, also worked on location in Italy on HBOs Rome and other projects), and I also recently designed the film Carrie Pilby (on Netflix) - so a good topic can be about process and how it differs from design for the stage: continuity, budgets, presentation, designing while already filming, focus of designs, contemporary fashion and anticipating what will be fashionable when aired. I can also lecture on the use of the color yellow in art and life. I am also working in a book (articles published) about the lost significance of yellow as a Jewish identifier - surprisingly identifying Christian saints and Old Testament prophets as Jewish while used in daily life (sumptuary laws) to negatively mark Jews and heretics (from antiquity to WWII) | Www.yarmo.com | YES | |||||||||||||||||
140 | 125 | MacNally | Elizabeth | elizabethm@pillsburyhousetheatre.org | Management, Technical Production, Stage management | Member of Actors Equity for 20 years | Production Manager at Pillsbury House and Theatre | I’ve often said my master class would be what they didn’t teach me in stage management. I could focus on stage managing career of 20years. I could also focus on working at a theatre that also runs a community center. We are one of the only arts integrated community centers around. | YES | ||||||||||||||||||
141 | 126 | Rollins | Frani | rollins_f@mercer.edu | Education, Lighting Design & Technology, Management, Scenic Design & Technology, Technical Production | Assistant Professor of Design and Technology , Mercer University | Chair of EdComm Poster Session, USITT | Theatre in Higher Education Private Liberal Arts Education Lighting Design Scenic Design Stage Management Salary Negotiation | Franirollins.com | YES | |||||||||||||||||
142 | 127 | El-Aziz | Dina | abdelaziz.dina@gmail.com | Costume Design & Technology, Character design for animation | USA 829 | NYU Tisch School of the Arts, Design for Stage and Film MFA '15 | Costume design - process and implementation. Costume illustration tips and advice. Can also talk about experiences as a PoC designer, particularly as a British-Egyptian Muslim. | Www.dinae.me | YES | |||||||||||||||||
143 | 128 | Honesty | Tammy | thonesty@kent.edu | Education, Scenic Design & Technology | USITT | USA829 | Scenic Designer, Asst Professor, Kent State Univ | Scenic artist | Props | Scenic design Scenic Art Props Career Development-Portfolio &Resume | Www.edwardlaynedesigns.com | YES | ||||||||||||||
144 | 129 | Larson | Kellie | larson.kellie@gmail.com | Education, Scenic Design & Technology, Technical Production, I am the facilitator of the a union stagehand program | Education Coordinator for IATSE Local 13 | Pillsbury House and Theater | Stage Vocabulary, knots, food props, hand props, hand sewing, painting. | YES | ||||||||||||||||||
145 | 130 | McIntyre | Brandea | brandeam@vstarentertainment.com | Management, Touring, Marketing and Publicity | Brand Ambassador - Trolls Live- VStar Entertainment | Children’s entertainment, Touring, On Tour Marketing/Publicity, Management, VIP experience and customer service | YES | |||||||||||||||||||
146 | 131 | Deull | Jonathan | jdeull@clarktransfer.com | Health & Safety, Technical Production, Acrobatic and Aerial Performer Rigging and Risk Management | ETCP Rigger, ETCP Recognized Trainer | Acrobatic Rigging and Performer Flying Designer, Big Apple Circus | Voting Member, ESTA Rigging Working Group | Safety Consultant, American Circus Educators Association | Executive Vice President, Clark Transfer | Acrobatic and Aerial Performer Rigging and Risk Management | www.jsdprojects.com (a bit out of date...) | YES | ||||||||||||||
147 | 132 | Lopreto | Benjamin | ben@benlopretodesign.com | Lighting Design & Technology, Technical Production, Touring and Lighting technology | Foh Programmer The Dave Matthews Band | Crew Chief Theatrical Media Services | Touring Lighting Technician | FOH lighting Programming Touring as a lighting Tech Tour Life in general Differences between theatrical and concert programming | N/A | YES | ||||||||||||||||
148 | 133 | Barton-farcas | Stephanie | sbfarcas@gmail.com | Education, Management, Health & Safety, Access and disability, acting, producing, accent coach, fight director | Nicu’s spoon theater company | SAG/AFTRA | Actors Equity | USITT guest lecturer | Routledge Press author | Disability and theater, producing. Grant writing, auditioning, accent work, fight direction. | https://sbartonfarcas.weebly.com/ | YES | ||||||||||||||
149 | 134 | Busselle | Kate | kate@heartlandintimacydesign.com | Education, Health & Safety, Intimacy direction/choreography and best practices | Heartland Intimacy Design & Training | Intimacy direction/choreography Online education Applying intimacy practices to stage management | Www.heartlandintimacydesign.com | YES | ||||||||||||||||||
150 | 135 | Beltramo | Ellen | beltramo.ellen@gmail.com | Management | The REP at University of Delaware | AEA Stage Manager | SMA Member | OSHA-30 Certified | Stage Management Working with a dance captain to put in a swing or understudy URT/A Agreements | YES | ||||||||||||||||
151 | 136 | Coburn | Kassidy | klc16f@fsu.edu | Lighting Design & Technology, Management, Scenic Design & Technology, Technical Production | Lighting Supervisor, Florida State University | Associate Production Manager, Live Design International | Technical Director/APM, Florida State University | Technical Production: Technical design Theatrical and union crew Management AutoCad Drafting 2D and 3D Conference and live event management Lighting: Master electrician process Basic lighting design | https://theatre.fsu.edu/kassidy-coburn/ | YES | ||||||||||||||||
152 | 137 | Glowacki | Clifford (CJ) | cliffordglowacki@Gmail.com | Education, Health & Safety, Scenic Design & Technology, Technical Production | MFA Technical Production, Florida State University | Technical Director, Colorado Shakespeare Festival | Assistant Production Manager, LDI Conference | Theatrical, Arena, Performer Flying Rigger - Various companies over the years | I teach a few undergraduate classes on rigging and Intro's to Design/Tech. My undergrad degree is in Design/Tech from Kent State University. I'm currently an MFA student at FSU focusing on technical design and automation. Experience with PLC and Conners automation systems. I also flew people (aerial) and did rock 'n roll rigging for awhile. | YES | ||||||||||||||||
153 | 138 | Craig | Curtis | cjc18@psu.edu | Digital Media, Education, Sound Design & Technology | Penn State University | USA829 | Freelance designer/composer | Sound & media design | www.curtiscraig.com | YES | ||||||||||||||||
154 | 139 | Rhoades | Rachael | rachaelrhoades@gmail.com | Management | Actor's Equity Association | Freelance Production Management | Stage Management topics, Production Management topics, Twin Cities Theatre Scene | YES | ||||||||||||||||||
155 | 140 | Sherrer | Deb | ddsherrer@gmail.com | Management, Career Prep | USITT Director at Large | General Manager-Weston Playhouse | Career Prep: Resumes, cover letters, portfolios, interview prep, etc.; Arts Management | http://debsherrerconsulting.weebly.com/ | YES | |||||||||||||||||
156 | 141 | Inouye | Kevin | ksi3@case.edu | Prop Weaponry | Case Western Reserve University | Society of American Fight Directors | Fight Designer, LLC | Cleveland Playhouse | Focal Press | Prop weapons choices Theatrical firearms (backstage protocol, selection, use) Blood effects Working with fight choreographers/fight directors Designing for violence/stunts (liaising with sets, costumes, props, etc.) | www.fightdesigner.com kevininouye.com (hasn't been updated in a while) | YES | ||||||||||||||
157 | 142 | Stock | Ashley | ashley.e.stock@gmail.com | Education, Lighting Design & Technology, Management, Technical Production, Resume and cover letter editing | Freelance: SM, LD, programmer/electrician, stagehand | IATSE (non-member, referral list) | Run crew: Children’s Theatre Company (Mpls) | Overhire electrician/stagehand: Guthrie Theater | •freelance work, and work/life balance •stage management •lighting design •programming/electrician work •working in academia (univerosty; middle school/HS) •union work for IATSE local (call list; taking exams) •summerstock •stage carpentry/welding •working a part time job while freelancing full-time •resume/cover letter editing; applying for jobs; selling yourself in the email | YES | ||||||||||||||||
158 | 143 | Dillard | Allison | allisonkdillard@gmail.com | Costume Design & Technology | Freelance Costume Designer | LA Stage Alliance, Ovation Voter | I have a full set of costume history powerpoints, I teach sewing to all levels in person and have multiple machines on which to do demos, I could demo draping, patterning, talk through the costume design process, talk with students about freelance work/Los Angeles area work. I have taught makeup, drawing and watercolor painting and worked with middle school, high school, college and adult students. | www.allisondillard.com | YES | |||||||||||||||||
159 | 144 | Baker | Jennifer | jlbakerart7@gmail.com | Costume Design & Technology, Education, Scenic Design & Technology, Technical Production, Costume Crafts, Props, Scenic Painting | Assistant Professor of Design (Costume, Scenic, Props) St. Lawrence University | Freelance Costume, Scenic, Props Designer, Scenic Charge Artist- Mid-Atlantic & Northeast region | CSA, SETC, USITT, KCACTF | Scenic Painting Costume Design & Construction Costume Crafts Props Design & Construction Scenic Design | https://jennbakerdesign.weebly.com/ | YES | ||||||||||||||||
160 | 145 | Pikscher | Jason | jasonp@paramountarts.com | Management, Health & Safety, Scenic Design & Technology, Technical Production | Technical Director, Paramount Theatre | ETCP Rigging - Arena | CNC Routing and Tool pathing Pneumatics Automation AutoCAD | YES | ||||||||||||||||||
161 | 146 | Fox | Donald | dsgnrlight@hotmail.com | Education, Lighting Design & Technology, Management, Health & Safety, Scenic Design & Technology, Technical Production | Hillsdale College | United States Insitute of Theatre Technology | Freelance | Stenography, Technical Direction, lighting Design, Scenic Design, Health & Safety, Basic Stagecraft. | www.dsgnrlightdesign.com | YES | ||||||||||||||||
162 | 147 | McDaniel | Jason | jason.mcdaniel@umontana.edu | Management, Scenic Design & Technology, Production Management, Collaboration Software | University of Montana | Montana Rep Theatre | EmptySpace Technology | Virtual Collaboration, Collaboration Production Management | YES | |||||||||||||||||
163 | 148 | Ligon | Nick | ligonn@cwu.edu | Lighting Design & Technology, Health & Safety, Technical Production | Central Washington University, Light Shop Manager | IATSE - Local 15 | ETC Programmer | OSHA-10 Certified | Adobe Photoshop, Vectorworks, Lightwright proficiency | Lighting technology Lighting design Design process Digital drafting Photoshop Lightwright Union experience Knot tying Programming on etc consoles DMX protocol | YES | |||||||||||||||
164 | 149 | Hamlin | Kelly | kellytomlinson27@gmail.com | Costume Design & Technology, Education, Scenic Design & Technology | MFA from University of Georgia in Scenic and Costume Design | BA in Theatre from University of Houston | Former college professor | Former high school teacher and TD | Set Design Costume Design Elements and Principles of Design Scenic Painting Techniques Figure Drawing Life as a High School Teacher/TD | https://www.teacherspayteachers.com/Store/Theatre-With-Mrs-Hancock | YES | |||||||||||||||
165 | 150 | Parker | Laura | ljparke3@ncsu.edu | Costume Design & Technology | North Carolina State University | William Peace University | Costume design, fashion history, draping tutorials/lectures | www.laurajparker.com | YES | |||||||||||||||||
166 | 151 | Loar | Josh | jloar@mtu.edu | Digital Media, Education, Sound Design & Technology | Professor of Practice - Sound Design, Michigan Technlogical University | Audio, Video, Control System Designer - The Producers Group | Chair, Sound Documentation Recommendations Working Group - USITT | Member, Presenter - AES | QSYS Level 3 Certification | Sound system design Narrative Sound Design (Theatre, Film, TV) Synthesis Field Recording Foley Studio music mixing/production Video system design (projection, etc.) Control system design | www.joshloar.com | YES | ||||||||||||||
167 | 152 | Salm | Robert | salm.robert.allen@gamil.com | Education, Lighting Design & Technology, Management, Scenic Design & Technology, Technical Production | Usitt-membert | BlackRock Center for the arts- director of operations and production | Freelance designer- scenic and lighting | Production manager- totem pole playhouse- summer stock theatre | Production management Scenic design Lighting design Facility management | YES | ||||||||||||||||
168 | 153 | Bloodgood | Cynthia | csbloodgood@Yahoo.com | Education, Lighting Design & Technology, Scenic Design & Technology, Technical Production | Technical Theater Teacher, Canyon Crest academy (high school) | Freelance carpenter, painter, designer, electrician | IATSE 122 | Scenic design Basics of lighting design Scenic painting techniques How to tie basic knots for theater | https://drive.google.com/a/sduhsd.net/file/d/1_kR8uBAXCuWm25oWghX8QvXuCO43PSIQ/view?usp=drivesdk | YES | ||||||||||||||||
169 | 154 | Abele | Eric | abele@umbc.edu | Costume Design & Technology, Education | Lecturer and Associate Chair, U Maryland Baltimore County | Costume Designer USA local 829 | 200 hr certified yoga instructor | Course progress, digital rendering using PROCREATE, costume design for theatre for young Audiences. | Www.ericabele.com | YES | ||||||||||||||||
170 | 155 | Dionne | Rich | rdionne@purdue.edu | Education, Management, Technical Production | Technical Director, Purdue University | ETCP Certified Rigger | Co-author, Theatrical Design and Production, 8th Ed. | Author, Project Planning for the Stage | Commissioner, Technical Production, USITT | Technical production Technical direction Production management Production/project planning Rigging Structural analysis/design Mechanical analysis/design Control systems/automation Teaching/pedagogy | Www.richdionne.com | YES | ||||||||||||||
171 | 156 | Wood | Mike | mike@mikewoodld.com | Lighting Design & Technology | USA829, USITT, Mike Wood Lighting Design | Anything related to stage lighting. | Http://www.mikewoodld.com | YES | ||||||||||||||||||
172 | 157 | Malloy | Kaoime | malloyk@uwgb.edu | Costume Design & Technology, Digital Media, Makeup and Special Effects Techniques, Rendering Techniques | Professor of Costume Design and Makeup, University of Wisconsin Green Bay | USA Local 829 | Cinema Makeup School Graduate | Multiple Certifications from the Stan Winston School of Character Arts | Basic Stage Makeup Airbrushing in Makeup Techniques for Covering Tattoos Creating Prosaid and Encapsulated Prosaid Transfers (prosthetics) Creating Small Prosthetic Appliances in a Two Part Mold Special Effects Makeup - Casualty, Burns, Bruises and More Introduction to ZBrush Texture and Painting in ZBrush Introduction to Digital Rendering in Photoshop Introduction to Autodesk Sketchbook Pro Rendering Techniques - Acrylics, Markers, Watercolor, Gouache or Mixed Media Creating a Quick Set Rendering with a Scenic Collage Creating a Perspective Grid in Photoshop | www.kaoimemalloy.com | YES | |||||||||||||||
173 | 158 | Gillette | Jen | jgllette@memphis.edu | Costume Design & Technology, Education, Digital costume rendering | Professor of Costume Design, University of Memphis | Freelance Costume Designer | Costume design Costume rendering - traditional media Costume rendering - digital media Costume crafts Millinery Freelancing Costume pedagogy | Www.jengillette.com | YES | |||||||||||||||||
174 | 159 | Katona | Peter | connect@advogroupinc.com | Education, Management, Communications and Leadership | CEO, ADVOGROUP, INC. | MFA, YALE SCHOOL OF DRAMA | Foundations of Kinection(TM) High Impact Leadership for teams Kinected(TM) Presentation Development Leadership Kinection(TM) | www.weareadvo.com | YES | |||||||||||||||||
175 | 160 | Wooden | Anna | annawoodendesign@gmail.com | Costume Design & Technology, Puppet, crafts, rendering | Adjunct faculty, DePaul University | MFA stage design Northwestern University | Craftiga LTD co-owner | Costume design, Rendering techniques and styles Crafts techniques | Annawoodendesign.com | YES | ||||||||||||||||
176 | 161 | Salmans | Jessica | jessica.salmans@swosu.edu | Costume Design & Technology, Education, Scenic Design & Technology, Theatre History specifically howcthe Nazi Party used the arts as propaganda in WWII. Also Community Art Involvement (Vice President, incoming President of my City Arts Council) | Southwestern Oklahoma State University | Oklahoma Drama Educators Conference (OKDramaCon) | Weatherford Arts Council | Scene Design, Intro to Theatre, Theatre History (particular expertise in how the Nazi party used Artists and Performers for propaganda in the 1930s and 1940s), Developing Curriculum Scope, Sequence, and lessons in the Theatre classroom, Theatre Classroom Management, Humanities from the Renaissance to Current Challenges, Costume Design, Costume Crafts & Construction | YES | |||||||||||||||||
177 | 162 | Klug | Joe | jckdesigns@gmail.com | Scenic Design & Technology | Assistant Professor Scenic Design: University of Arizona | United Scenic Artists Local 829 | USITT | Musical Theatre Scenic Designer | Scenic Design Immersive Design Designing Musicals in Small or Non Traditional Venues Experiential Design (XD) (Escape Rooms) Early Career Steps Designing for Shakespeare Designing beyond the Proscenium | www.jckscenicdesigns.com | YES | |||||||||||||||
178 | 163 | Richards | Stephanie | swdrinkard@gmail.com | Digital Media, Lighting Design & Technology, Technical Production | Guthrie Theater | IATSE Local 13 | Lighting design; hanging and focusing lights; light board programming; basic video systems and programming; troubleshooting; running shows; repertory theater from a lighting perspective | YES | ||||||||||||||||||
179 | 164 | McMills | Anne | amcmills@sdsu.edu | Education, Lighting Design & Technology | Head of Lighting Design, San Diego State University | United Scenic Artists | Author: The Assistant Lighting Designer’s Toolkit | Author: 3D Printing Basics for Entertainment Design | Lighting design Assistant lighting design Broadway Related fields in lighting: themed entertainment, architectural lighting, lighting for tv 3D Printing and scanning VR/AR for entertainment design | www.annemcmillslighting.com | YES | |||||||||||||||
180 | 165 | Norris | Tamara | tamara.norris@fresnounified.org | Costume Design & Technology, Makeup | Fashion/Costume: Department Head Roosevelt School of the Arts | CTE Certification: Fashion & Marketing | Owner: Tamara Lynne Designs (Bespoke, Alterations, Freelance) | 40 years stitching experience | Certified MUA | Beginning, intermediate, advanced stitching Flat Pattern Adjusting | https://tamaralynnedesigns.weebly.com/ | YES | ||||||||||||||
181 | 166 | Williams | Terrence | terrence@ninjasgo.com | Management, Technical Production | International Producer & Touring GSM | Stage Management Program Trainer, The Illusionists | Stage Management Leadership Lecturer, USITT | Expert in Technical Personnel Contract Negotiations | - Leadership in Stage Management & Production Management - Strategies for Contract Negotiation for Technical and Management Personnel - Critical Thinking Skills and Emergency Response for Stage Management - Project Management Philosophy for Production Management | Available upon request | YES | |||||||||||||||
182 | 167 | Slayden | Will | wescenic@hotmail.com | Education, Scenic Design & Technology, Technical Production | Century College, White Bear, Mn. | I am particularly focused on the artists' journey, process vs. Product, ecological design, low budget theatre, and surrealistic design | YES | |||||||||||||||||||
183 | 168 | Chic | Sarah | smc689@nyu.edu | Costume Design & Technology, Education | Teaching Theatre, Intro to Technical Theatre, Theatre History/Costume History, Intro to Costume Design, Costume Research | Can email resume | YES | |||||||||||||||||||
184 | 169 | Lynch | Claudia | claudia.lynch@ucf.edu | Management, Actors Equity Association, Broadway | UCF Coordinator BFA Stage Management | Actors Equity Association | Stage Managers Association | Stage Management AEA intro Broadway | YES | |||||||||||||||||
185 | 170 | Menconi | Rachel | rachact2@gmail.com | Education, Director (theatre; on-camera projects), singing teacher, acting teacher, Musical Theatre teacher, & SAG-AFTRA actor/singer | SAG-AFTRA | NARAS (The Grammy Awards) | Educational Theatre Association (EdTA) | NATS, VASTA, NAfME, NJMEA, MAC, & BMI. | Owner/Teacher/Artistic Director of Sunshine Face Productions | Vocal Health and Technique Character Development Acting Technique | www.sunshinefaceproductions.com/rachel-menconi | YES | ||||||||||||||
186 | 171 | Cutler Proball | Cassandra | ccproball@gmail.com | Education, Management, STEAM K-12 holistic project-based curriculum | Independent Consultant | STEAM Design and Engineering Mantle of the Expert | Website under construction - will update when up and running | YES | ||||||||||||||||||
187 | 172 | Robb | Anna | anna.robb@mac.com | Management, Technical Production | Producer | Production stage Manager | Co Founder of theatreartlife.com | Stage management, circus, working internationally, cross cultural communication | Www.theatreartlife.com | YES | ||||||||||||||||
188 | 173 | Gilson | Ethan | rigginge@gmail.com | Rigging, fall protection, MEWP training | Owner, Entertainment Rigging Services, LLC | ETCP Certified Arena and Theatre | ETCP recognized trainer & Subject Matter Expert for the arena test | Member of the Event Safety Alliance core leadership group. | Member of USITT & ESTA | MEWPs and ANSI 92, what has changed. Braceworks and how it’s used, intro to fall protection and fall attest, rigging math, rigging 101. | Entertainmentriggingservices.com/about.html | YES | ||||||||||||||
189 | 174 | Richie | Kevin | kevin@kevinrichie.com | Lighting Design & Technology, Technical Production | Production / Master Electrician | Dealer / Distributor | System design | IATSE Local 205 | DMX Distribution Power Distribution System Design Reading a light plot Creating / reading lighting paperwork ETC Consoles What it's like in the real world vs. school theatre | YES | ||||||||||||||||
190 | 175 | Calcutt | Sharon | Shadaca@aol.com | Management, Technical Production, Stage management | Uk - stage management tutor | Stage management advice and teaching (uk) | YES | |||||||||||||||||||
191 | 176 | Hart | Natalie | natalie@natalietaylorhart.com | Scenic Design & Technology | Associate Professor, Assoc. Chair, Elon University | Scenic Designer, USA 829 | Scenic Design Props General Technical Theatre Working in professional theatre | Natalie@natalietaylorhart.com | YES | |||||||||||||||||
192 | 177 | Collazo Abbott | Hillary | hcollazoabbott@gmail.com | Management, Technical Production | AEA Stage Manager | Freelance Properties Designer | Stage Management Run Crew & Backstage Management Props Design & Acquisition Budgeting | YES | ||||||||||||||||||
193 | 178 | West | Dustin Z | dustinzwest@gmail.com | Management, Stage Management | Freelance Stage Manager | Production Stage Manager, The Glimmerglass Festival | Resident Stage Manager, Toledo Opera | Resident Stage Manager, Opera San Antonio | Stage Management in Opera | YES | ||||||||||||||||
194 | 179 | Duckworth | Jay | jayduck9@gmail.com | Technical Production, Props - like all things props | Resident Props Master, Public Theater | Adjunct Professor, Pace University | Keynote Speaker, USITT | Keynote Speaker, KCACTF | Props for the non-prop person, Witchcraft in the Time of Shakespeare, Basic Weapon Rules, Blood and Blood Delivery Systems, Making a Props List, Food and Drink Safety, Artificial/Substitute/Fake Foods, Propping For Outdoor Theater, | https://www.proptologist.com/ | YES | |||||||||||||||
195 | 180 | Fassi Fihri | Mehdya | mehdya.fassi@gmail.com | Education | French Institute Alliance Française | French lessons teens and adults | Ouiclasses.com | YES | ||||||||||||||||||
196 | 181 | Shelley | Steve | shelley@fieldtemplate.com | Lighting Design & Technology, Management, Technical Production | Lighting Designer | Production Manager | Author | Template and SoftSymbol Designer | A Practical Guide to Stage Lighting, A Practical Guide to Starting a Career in Technical Theatre, Basic & Advanced Focus Techniques, Repertory Light Plots in Multiple Venues, Touring Dance Stage Management Tactics, Core Analysis of a Dance Lighting Focus, Fundamental Construction of a Dance Light Plot, Working with Limited Lighting Resources, Construction of a Technical Theatre Resume, Review of Technical Theatre Portfolios | www.fieldtemplate.com | YES | |||||||||||||||
197 | 182 | Prucha | Mallory | mallory.prucha@ttu.edu | Costume Design & Technology, Education | USA, Local 829 Costune Design Category | Assistant Professor of Costume Design, Head of Design, Texas Tech University | Costume Design and Technology, Rendering, Design Pedagogy | www.malloryprucha.com | YES | |||||||||||||||||
198 | 183 | Schlehlein | Sarah | sarah.schlehlein@gmail.com | Management | Freelance SM, DMV & MKE | ASM, The Washington Ballet | Membership Committee, SMA | Overhire Crew, Shakespeare Theatre Company | Historic Trades Interpreter, George Washington's Mount Vernon | Having alternative professions Making the switch: educational to professional | www.sarahschlehlein.com | YES | ||||||||||||||
199 | 184 | Whalen | Liz | lwhalen@gallowayschool.org | Education, Scenic Design & Technology, Prop Design and Construction | TD and Scenic Designer at The Galloway School | Props: Budgeting and Making a Prop Bible, Paper Props, Brainstorming the Impossible Budget Education: How to break down set construction for Middle Learning. | https://www.lizwhalendesign.com/ | YES | ||||||||||||||||||
200 | 185 | DeVault | Kathleen | k-devault@onu.edu | Lighting Design & Technology, International experiences | Lighting Designer Ohio Northern University | Production Manager Ohio Northern University | Working with an international Theatre company Prague Quadrennial Study Abroad why important | https://drive.google.com/file/d/1ac2VO5TtYTGlJ6rbMNfgFy639rdZ5aWf/view?usp=sharing | YES | |||||||||||||||||
201 | 186 | Dauterive | Bryan | bryandauterive@gmail.com | Education, Lighting Design & Technology, Management, Scenic Design & Technology, Sound Design & Technology, Technical Production | Technical Director | Theatre Tech Teacher | Production Company owner | Simple rigging, construction techniques, lighting design on a budget, sound design on a budget, design concepts to build drawings, Rigging techniques Trouble shooting | Stageables.com | YES | ||||||||||||||||
202 | 187 | Glass | Jeffrey | glass.jeffrey@gmail.com | Digital Media, Lighting Design & Technology, Technical Production, Museum Design, Electronics Design and Fabrication | Exhibit Engineer, Museum of Science and Industry Chicago | Former Lighting Supervisor, Chicago Shakespeare Theatre | Electronics Designer and Consultant, Self Employed | Electrical and Electronics Design: —Arduino —LED Lighting and Circuitry —Low Voltage Control Systems —Servo and Mechanical Control —PCB Design and Fabrication 3D Printing and 3D Design Eos/Ion Programming Watchout Programming Theatrical Networking The Role of a Master Electrician Troubleshooting | https://Jeff.glass | YES | ||||||||||||||||
203 | 188 | North | Shelby | shelbyanorth@gmail.com | Management, Stage Management | Regional Theatre-LORT, SPT, TYA | Prep, Paperwork, Graduate School, Rep Shows, LORT Contract Language, New Works, Running Tech | https://www.dropbox.com/s/wkpm7kiiw6l5efh/North%20Resume.pdf?dl=0 | YES | ||||||||||||||||||
204 | 189 | Proffitt | Todd | todd.proffitt@fredonia.edu | Education, Lighting Design & Technology | SUNY-Fredonia Lighting Designer, Digital Tools Instructor | Theatre of Youth Buffalo, Lighting Designer | Lighting Design, Lighting Technology, Resumes, Website Creation, 3d printing | http://toddproffitt.com | YES | |||||||||||||||||
205 | 190 | Booker | Cynthia | cbooker@zinzanni.com | Management, Sound Design & Technology, Technical Production | Sound Supervisor- Teatro ZinZanni, Chicago | MFA: UIUC | BFA: Baylor | Live Music, Sound Design, Venue Management, | YES | |||||||||||||||||
206 | 191 | Wilkin | Shelbi | shelbiwilkin@gmail.com | Costume Design & Technology | Adjunct Assistant Professor Costume Design Beloit College | Costume Shop Manager Beloit College | Freelance Costume Designer -Her Story Theatre, Oregon Contemporary Theatre | Costume Design Costume construction Costume crafts Blood tech Makeup Design Makeup Application Research skills Representation onstage (costumes) Managing historical costume collection Fashion History | Portfolio: shelbiwilkin.design | YES | ||||||||||||||||
207 | 192 | Stasiw | Justin | justinstasiw@gmail.com | Sound Design & Technology | USA/829 Sound Designer | IATSE #ACT | Sound Design for Theater Mixing a Broadway Musical RF Coordination Broadway Associate Sound Designer Job Sound Design Paperwork Preparation | https://www.dropbox.com/s/ol1ry9rdw3hovpc/Resume.pdf?dl=0 | YES | |||||||||||||||||
208 | 193 | Lord | Patrick | Patrick.w.lord@gmail.com | Digital Media, Education, Scenic Design & Technology, Projection Design | Projection Designer, Freelance | Theatre for Young Audiences | Projection Design Scenic Design Design Theory Theatre for Young Audiences New Work Development | www.patrickwlord.com | YES | |||||||||||||||||
209 | 194 | Nielson | Matthew | matt@matthewnielson.com | Sound Design & Technology | The Curious Music Company, Owner/Composer/Sound Designer | Round House Theatre - Resident Artist | United Scenic Artists Local 828 - Member | Berklee College of Music - Composing & Orchestrating for Film & TV | Berklee College of Music - Advanced Music Production | Sound Design and Composition in Theatre, Film & TV Artistic Collaboration Sound Design Technology DAW Software Using Sample Libraries and MIDI Composing with MIDI | http://www.curiousmusic.com https://soundcloud.com/matthewnielson | YES | ||||||||||||||
210 | 195 | Cote | Alison | acote@mccarter.org | Stage Management | McCarter Theatre - AEA Stage Manager | Rider University - stage management faculty | Shakespeare Theatre of NJ - AEA Stage Manager | LORT contract freelance stage manager | Stage Management - primarily work with LORT contracts. Transferring and receiving shows. SM process (both PSM perspective and ASM perspective) from pre-production through post show archiving. New works. Outdoor theater. | Alison Cote is in her 24th season at McCarter Theatre working on over 50 productions. Ken Ludwig’s Baskerville; The Understudy, directed by Adam Immerwahr; The White Snake, directed by Mary Zimmerman; Danai Gurira’s The Convert, directed by Emily Mann; A Midsummer Night’s Dream, directed by Tina Landau; Christopher Durang’s Miss Witherspoon; Sorrows and Rejoicings, directed by Athol Fugard; and Stephen Wadsworth’s adaptations of The Figaro Plays. Other PSM credits include 20 productions with The Shakespeare Theatre of New Jersey. Playwrights Horizons, The Public Theater, Second Stage, Old Globe, Goodman Theatre, Long Wharf, Arena Stage, Shakespeare Theatre Company, Santa Cruz Shakespeare, Paper Mill, Kennedy Center, Center Theatre Group, Berkeley Rep, Bard Summerscape, Pittsburgh Public & Williamstown. Faculty at Rider University in stage management. | YES | |||||||||||||||
211 | 196 | Vergara | Christopher | cvergara80@hotmail.com | Costume Design & Technology | Member, USA 829 | Associate Costume Designer, Disney Theatrical | Costume Designer, VinPearl Theme Park, Vietnam | Associate Costume Designer, Various Broadway & National Tours | Assisting, Working Internationally, Paperwork, Commercial Theater vs. Regional Theater, Bidding a Broadway Show, Moodboarding, Colorwork | https://www.dropbox.com/s/qlk0bkav3tm8mp6/C%20Vergara%20Resume.pdf?dl=0 | YES | |||||||||||||||
212 | 197 | Wagner | Ash | ashwagner1@gmail.com | Costume Design & Technology, Education, Management | Boston Tea Party Ships and Museum | Costume Society of America | Glimmerglass Opera | Washington National Opera | The Huntington Theatre | I am in charge of the colonial clothing of the historic interpreters, so I can discuss doing geographically and temporally specific research, and how to apply that when dressing people who actually existed but weren’t famous enough to generally have had a lot of specifics recorded about them. How to work with a fluid group of actors to come up with a consistent visual design across the entire cast that helps educate the public on who these people were, while making colonial “wardrobes” work for actors who are wearing the stuff 40 hours a week in all weather and through all four seasons. How to figure out where you can make shortcuts to historical construction methods without compromising the finished look of the clothing. How to deal with safety issues on a challenging outdoor site! | ash-wagner.weebly.com - most colonial stuff isn’t on there currently | YES | ||||||||||||||
213 | 198 | Sterling | Ben | ben@bendsterling.com | Management, Sound Design & Technology, Technical Production | Audio Manager - Sandy Springs Performing Arts Center | Sound Designer - Traveling Freelance | USITT - Member | Audio Engineering Society - Member | Former Technical Director - Act3 Playhouse | Sound Design Audio Engineering Theatre Technology Venue Management Technical Direction Working in a roadhouse Working in a blackbox Working for a performing arts center Stories from my career | BenDSterling.com | YES | ||||||||||||||
214 | 199 | Rouse | Eric | erouse@entprojects.com | Health & Safety, Technical Production | Director of Training - Entertainment Technical Training Center | ETCP Rigging | USITT | ESTA | Rigging Design Rigging Inspections Rigging Math Arena Rigging Theater Rigging Technical Direction Regional Theatre Production Management | ETTCLV.com | YES | |||||||||||||||
215 | 200 | Pipkin-Hutchinson | Nancy | nancypipkindesigns@gmail.com | Costume Design & Technology, Education | Associate Professor - Costume Design and Technology- Indiana University of Pennsylvania | Costume Designer and , and, and | Costume History Life after college Upcycle Thrift Store Treasures | YES | ||||||||||||||||||
216 | 201 | Arthur | Loyce | loyce-arthur@uiowa.edu | Costume Design & Technology | Associate Professor, University of Iowa | Costume Designer | USA 829 union member | Caribbean & Brazilian-style Carnivalist | Costume Design Caribbean & Brazilian Carnival design traditions Art & Community Engagement | https://theatre.uiowa.edu/people/loyce-arthur | YES | |||||||||||||||
217 | 202 | Gerckens | T.J. | tjgerckens@gmail.com | Education, Lighting Design & Technology, Management | Lighting Designer, USA 829 | Chair and Producing Artistic Director, Otterbein University | Lighting Design for theatre Lighting Design for Opera (Met, LA Opera, LaScala) Collaboration Production Management Higher Education Interviewing | https://www.otterbein.edu/faculty/t-j-gerckens/ | YES | |||||||||||||||||
218 | 203 | Drone | Patrick | padrone@umich.edu | Technical Production, Theatrical Properties Master | University of Michigan/Theatrical Properties Manager/Lecturer | Society of Properties Artisan Managers(S*P*A*M) | Properties Management for multiply shows. Manage a shop that does theatre, modern dance, opera, musicals stock management personal management using theatre skills outside of theatre | YES | ||||||||||||||||||
219 | 204 | Parker | Scott | scottcparker@stageseminars.com | Education, Lighting Design & Technology, Scenic Design & Technology, Technical Production, Corporate Events | USA829 Lighting Designer | ETCP Cert Electrician | ETCP Cert Rigger | Stageseminars Workshop Presenter | USITT DAA Recipiant | Lighting Design and technology Technical Direction and stage tech Rigging Corporate Events and Production | http://www.scpld.com/about-me/ | YES | ||||||||||||||
220 | 205 | Swank | Erin Joy (Erin) | erinjoyswank@gmail.com | Management, Resumes/Cover Letters/Job Interviews | AEA Stage Manager - Freelance (Contracts: LORT, SPT, Guest Artist and more) | AGMA Stage Manager - Freelance (both union and non-union opera and ballet experience) | Stage Manager - Cirque Dreams 2019 Denver | Webinar Host - Stage Managers' Association | Coordinator - USITT Portfolio Reviews & Interview Materials Prep | Stage Managing in multiple genres (musicals, plays, opera, ballet, cirque, galas/events) Resumes, Cover Letters, Business Cards, Job Interviews, Networking, and Portfolios (and Interview Materials for those who don't really need a portfolio) Navigating Unemployment and Freelance Life for Theatre Artists Taping out a set via multiple methods Calling a show to dance counts vs music. How to be an Assistant Stage Manager | http://erinjoyswank.com/speaker/ | YES | ||||||||||||||
221 | 206 | Pyfrom | Chris | cpyfrom@usf.edu | Education, Scenic Design & Technology, Sound Design & Technology, Technical Production, Music Education | Technical Director, University of South Florida | Sound Designer and Engineer, US Freelance | Member, USITT | Former certified K-12 Music Educator, East Baron Rouge Public Schools | Dante Level 3 Certified | Technical Direction Scenic Technology Sound Design Sound Engineering Sound Technology 2D/3D Drafting (vectorworks) Hand Drafting Music Basic Computer Networking | ChrisPyfrom.com | YES | ||||||||||||||
222 | 207 | Kirschner | Marc | marc@marqueearts.tv | Digital Media | Head of Product, Marquee Arts Limited | Streaming, audience development, commissioning | Https://marquee.tv | YES | ||||||||||||||||||
223 | 208 | Carignan | Edward | edward@shortnorthstage.org | Costume Design & Technology, Scenic Design & Technology, Artistic Director, Director/Choreographer | Short North Stage. Equity Professional Theater in Columbus, OH | Young Frankenstein National Tour performer | Guest Educator at Otterbein University and Shenandoah University | Life as a NYC performer, Regional Theater Arts Management, Costume and Scenic Design | Shortnorthstage.org | YES | ||||||||||||||||
224 | 209 | Otto | Driscoll | drixld@gmail.com | Digital Media, Lighting Design & Technology | United Scenic Artist | Lighting & Video design, Design for Opera, designing corporate events, play discussions, getting started in the industry, “should I go to grad school”, | DriscollOtto.com | YES | ||||||||||||||||||
225 | 210 | Kopischke | Anya | anyakopischke.ak@gmail.com | Digital Media, Sound Design & Technology, Technical Production | New York Live Arts | New York Theatre Workshop | Abrons Arts Center | Richard B Fisher Center for the Performing Arts | Saint Anns Warehouse | Video Editing (Premiere) Sound Design (Q-Lab) Website Design for Artists and Technicians | Anyakopischke.com | YES | ||||||||||||||
226 | 211 | Lewin Adams | Sophia | sophialewinadams@gmail.com | Management | Extras Casting Associate, Chicago Film and TV Industry | Stage management - Theatre | Freelance stage management, transition from theatre to film/TV | YES | ||||||||||||||||||
227 | 212 | Shoffner | Samantha | sshoffner518@gmail.com | Education, Scenic Design & Technology, Technical Production, Props and Scenic Painting | Freelance Prop and Set Designer for Theatre & Film | Smart Sets by Sam | Citytech Professor of Props and Paint | IATSE-ACT | PROPS- areas of prop design, research, shopping, fabrication and freelancing in NYC. SCENIC- design, painting PAINTING- lettering, backdrop painting, detail painting, fine art, murals, scenic painting tips CAREER- resume/cover letter and portfolio advice, interview skills, networking skills, freelance, small business, and NYC advice. FILM/CORPORATE WORK- Production design, painting and prop experience | www.smartsetsbysam.com | YES | |||||||||||||||
228 | 213 | Auciello | Emily | emily.auciello@gmail.com | Sound Design & Technology | Self-Empolyed | Fordham University | Qlab Vectorworks System Design Sound Design for Theatre Logic Pro X | https://emilyauciello.com/ | YES | |||||||||||||||||
229 | 214 | McGovern | Porsche | porschemcgovern@gmail.com | Lighting Design & Technology, I write the study on who designs & directs in LORT theatres by pronoun. | USA829 | artEquity facilitator training alum, 2016 | Lighting Design Assistant Lighting Design My study published on Howlround, “Who Designs & Directs in LORT Theatres by Pronoun” | https://howlround.com/commons/porsche-mcgovern | YES | |||||||||||||||||
230 | 215 | Woodward | Alexander | alexander.2.woodward@uconn.edu | Scenic Design & Technology | Scenic Designer - Freelance Designer | Scenic Designer Prof of Scenic Design UConn | Scenic Design Model Making Paint Elevations Photoshop for Designers Designing on Broadway Drafting Resumes and Websites Summerstock | https://www.alexanderwoodward.com/ | YES | |||||||||||||||||
231 | 216 | Fairley | Ya-Ya | yasinf08@gmail.com | Performance Theory & Practice | Rutgers University | Dance History, Critical Theory, Performance Theory & Practice, Queer Subcultures, Anthropology of Dance | available upon request | YES | ||||||||||||||||||
232 | 217 | Bucher | Rosemary | rosemary.bucher@concord.com | Digital Media, Education, Management, Licensing, Marketing | Concord Theatricals, Educational Theatre Licensing Coordinator | Freelance graphic designer for theatre | Freelance producer | Educational Theatre Licensing, Copyright Educational Theatre Producing Show/Season Selection Graphic Design for Theatre | rosemarybucher.com https://www.linkedin.com/in/rosemarybucher | YES | ||||||||||||||||
233 | 218 | Taylor | Trea | treataylor705@gmail.com | Costume Design & Technology, Technical Production, Men's Tailor | Motion Picture Costumer 705: Men's custom made tailor/cutter | Technical costume maker. Suits, gowns and superhero costumes. | Please contact treataylor705@gmail.com for resume | YES | ||||||||||||||||||
234 | 219 | Moreau | Elizabeth | elizmoreau@gmail.com | Management, Technical Production, Producing, production management, stage management | Producer, Brooklyn Academy of Music | Producing, stage and production mgmt, transitioning between fields in your career, sit specific work, budgeting, devised theater | YES | |||||||||||||||||||
235 | 220 | Brunetti | Adam | abrunetti1@gmail.com | Lighting Design & Technology, Management, Sound Design & Technology, Technical Production, Tour Production- Production Manager for Monster Ham for Feld Entertainment | Production Manager- Monster Jam | Production Manager- Woonsocket High School | Sound Supervisor- Provincetown Tennessee Williams Theatre Festival | Sound Designer/Stage Manager- StarKid Productions | Tour Advancement Video Production Video Technical Direction Theatrical Sound Theatrical Lighting Stage Management Production Management- Touring, Theatrical Adobe After Effects Adobe Premiere | adambrunetti.net | YES | |||||||||||||||
236 | 221 | Scheinman | Norah | norah.scheinman@gmail.com | Management, Technical Production, Stage Manager | Freelance AEA AGMA SM | Adjunct Professor SM Temple University | ASM Pennsylvania Ballef | Usher Merriam Theatre | House Manager Rutgers Camden | Touring SM ASM Calling SM Rehearsal SM Job hunting SM Freelance SM Union SM | Www.norahscheinman.com | YES | ||||||||||||||
237 | 222 | Guinn | Jeanette | guinnj@cofc.edu | Management, Creativity | College of Charleston | South Carolina Public Radio | University of Southern Mississippi | Anything related to Arts Management; Creativity and Strategic Planning are my specialties | Jeanette Guinn is an Arts Fellow in the Department of Theatre and Dance at College of Charleston. She is also producer and host of ARTSdaily which airs on South Carolina Public Radio. Previously, she was visiting associate professor in the Arts Management Program at the College and worked at the South Carolina Arts Commission as Director of Performing and Presenting, Director of Communication and Planning and Director of Special Projects. She has served on panels for the National Endowment for the Arts, Southern Arts Federation and many state arts agencies. Creative. Teacher. Woman. Arts manager. Media producer. Professor. She hosted her first live radio show at WUSC while pursuing Bachelor of Music at the University of South Carolina. She earned a Master of Media Arts from USC and a certificate in Arts and Technology from Columbia University. A native of Cincinnati, Ohio, Jeanette has two daughters. She especially likes travel, film, ethnic food, and driving her convertible at night. She has lived in seven states and is an INFP. If you are one, too, please introduce yourself. | YES | ||||||||||||||||
238 | 223 | Bondarev Rapach | Erica | ebr@american.edu | Marketing the Arts and Community Engagement in the Arts | Adjunct Faculty, American University, Washington, DC | Acting Executive Director, The Clarice Smith Performing Arts Center, University of Maryland | Marketing the Arts Community Engagement in the Arts | http://theclarice.umd.edu/bio/erica-bondarev-rapach | YES | |||||||||||||||||
239 | 224 | Glowacki | David | dglowacki@kentuckyperformingarts.org | Education, Management, Health & Safety | Director of Operations, Kentucky Performing Arts | Authorized OSHA Outreach Trainer | Vice-Commissioner Safety & Health, USITT | Safety Training Chair, USITT-Ohio Valley Section | Any OSHA-related Safety Topic Venue and Facility Management Live Audio Reinforcement & Engineering Sound Design for Theatre Scenic Design Technical Direction | Current Bio on USITT website, Resume available on request! | YES | |||||||||||||||
240 | 225 | Ahern | Kristen | kristen.p.ahern@gmail.com | Costume Design & Technology, Environmentally and Ethically friendly design/production practices | Director, Conscious Costume | Costume Design Costume Research Fashion History Environmentally and Ethically Conscious Design and Production Practices | kristenp.com and consciouscostume.com | YES | ||||||||||||||||||
241 | 226 | McCoy | Kevin | kevin@kevin-mccoy.com | Sound Design & Technology, Touring | Sound mixer - Hamilton San Francisco | Sound mixing A2 Theatre touring | http://www.kevin-mccoy.com | YES | ||||||||||||||||||
242 | 227 | Pokopac | Claire | claire.pokopac@gmail.com | Lighting Design & Technology, Technical Production, Drone Shows | Technical Production Manager- Verity Studios | Autonomous Indoor Drone Shows - Safety of Drones and Performers - Management of Drone Shows - Lighting Design for Drones - Drone Technology Experiences and Advice for Young Female Professionals in the Live Event Industry - Major Tours - Working in the Middle East/Europe - Questions and Answers | YES | |||||||||||||||||||
243 | 228 | Mastin | Aaron | apmastin@gmail.com | Architecture, Costume Design & Technology, Scenic Design & Technology, Period Costume for Film & Television, Development of American Material Culture | USA 829, IATSE 764 | Costume history History of architecture & decoration Production approach to period costume for the screen | AaronMastin.com | YES | ||||||||||||||||||
244 | 229 | Reilly | Megan | megan.reilly@gmail.com | Digital Media, Lighting Design & Technology, immersive theater | Freelance professional designer | Asst Professor TBA this fall (once they announce I will announce) | USITT Digital Media Commission Vice Commissioner | lighting design, particularly visual research, translating visual research for the stage sections & selecting the correct fixture working professionally in small theaters, indie/warehouse theaters, experimental theaters immersive theater, designing for immersive theater ethical issues in immersive theater | http://www.meganreillydesign.com | YES | ||||||||||||||||
245 | 230 | Rogers | Richard | astro_rich@att.net | Education | NASA Solar System Ambassador | Crew Trainer-U.S.Space and Rocket Center | Human Spaceflight Education, Story of Space, Daily life in Space. | YES | ||||||||||||||||||
246 | 231 | Griffin | Andrew | andrewfgriffin@gmail.com | Lighting Design & Technology | United Scenic Artists, Local 829 | Yale Summer Session: Design Instructor, A practical Approach to Lighting | Style Composition Color Setting up a console to be a faster designer in the room Vectorworks Drafting Standards for non Set Designers | afglighting.com | YES | |||||||||||||||||
247 | 232 | Hawthorn | Alex | AlexHawthorn@me.com | Sound Design & Technology | USA829, Sound Designer | TSDCA | The SCL | Sound System Design Sound System Tuning Micing actors Micing a band Intro to Logic Intro to Max MSP? Intro to QLab? | www.SoundMindDesigns.com | YES | ||||||||||||||||
248 | 233 | Humphrey | Monica | monicah@childrensmuseum.org | Education, Management, Museum exhibitions | Director of Exhibits and Interactive Media | Project management, museum exhibitions | https://www.linkedin.com/in/monicahumphrey/ | YES | ||||||||||||||||||
249 | 234 | Al-Habieli | Dahlia | dalhabieli@albright.edu | Scenic Design & Technology, Scenography, Accessible Design, Global Practices | Albright College | Regional Scenic Designer (Northeast, TX, NC, CA) | Scenic Design- Script Analysis, Research, Crash Course Drawing For the Designer; Global Case Studies in Scenography; Writing About Design; Portfolio Building; Resumes and Cover Letters | eloquentaction.com | YES | |||||||||||||||||
250 | 235 | Bobeda | Amy | amy.bobeda@gmail.com | Hair and Makeup | Cosmetologist | Former head of makeup and hair and Berkeley Rep | BA from UC Santa Cruz | Freelancer! | Hair and makeup as an added niche skill. How hair and makeup design is integral to productions at every level. Developing your own curriculum and practice from skills learned outside the classroom. | amyglenbobeda.com | YES | |||||||||||||||
251 | 236 | Whitaker | Paul | pwhitaker@schulershook.com | Architecture, Lighting Design & Technology | Prinicpal Theatre Consultant and Architectural Lighitng Designer Schuler Shook | Freelance Lighitng designer for theatre and opera | Theatre consulting Architectural lighting design Theatrical lighting design | www.paulwhitakerdesigns.com | YES | |||||||||||||||||
252 | 237 | Varela | Ximena | varela@american.edu | Education, Management, Arts Management | Program Director, Arts Management Graduate Program, American University | Vice-President, Association of Arts Administration Educators | Board Member, Latin American Instiutute of Museums | Arts management Latin American arts management, arts, politics, and culture Museum Management Arts management history Cultural policy Marketing Arts management curriculum design Research methods: focus groups, surveys, interview techniques | https://www.american.edu/cas/faculty/varela.cfm | YES | ||||||||||||||||
253 | 238 | Belock | Ryan | ryan@belockdesign.com | Digital Media, Education, Projection/Video Design | USA 829 | Assistant Editor, Dear Evan Hansen | Digital Media for Live Performance Projection Mapping Methids and Practice Establishing Media as Scene Partnerfor Actors Designing for Movement | www.ryanbelock.com | YES | |||||||||||||||||
254 | 239 | Stebbins | Mary Ellen | mary.ellen.stebbins@gmail.com | Lighting Design & Technology | Freelance lighting designer | Member USA 829 | Lighting designer for theater, opera, dance, music, and site specific work | Www.maryellenstebbinsdesign.com | YES | |||||||||||||||||
255 | 240 | Peterson | Brad | bwpeterson@me.com | Digital Media, Projection and Video Design - Content and Systems | USA-829 Designer | ACT Member | Broadway Projection Designer | Broadway Associate Projeciton Designer | Artistic Process - Projections Projector Placement and Lens Selection Content Creation Role as Associate Designer Cueing and Flexibility in the Theater Collaborating With Other Designers | http://www.bradpetersondesign.com | YES | |||||||||||||||
256 | 241 | Tsimring | Masha | mashald@gmail.com | Lighting Design & Technology | USA829 | Lighting Design for Theater/Opera Lighting Design for Dance Immersive Theatrical Design Overall Design Theory/World Creation Portfolio Building/Business of Theatre/Professional Practices | www.mashald.com | YES | ||||||||||||||||||
257 | 242 | Bartenstein | Lily | lily.bartenstein@gmail.com | Digital Media, Education, Lighting Design & Technology, Scenic Design & Technology, Technical Production | Freelance Scenic, Lighting, and Video Designer | Adjunct Faculty, Cal Poly Pomona | Conservatory Teacher, CSArts SGV (high school program) | Video Design & Engineering for live performance Vectorworks - I'm currently teaching 2 introductory courses Using Vectorworks for rendering Using Vectorworks in 3D to plan projector placement My recent collaboration as production designer on a VR project, observations about the value of theatre training in VR experience design Scenic Design for small theatres Props - finding the right objects on a budget | www.lilybartenstein.com | YES | ||||||||||||||||
258 | 243 | Erb | Lacey | lacey.erb@gmail.com | Digital Media, Projection design | Projection Designer, USA 829, NYC | Associate projection designer, Broadway | Former Dance Department Technical director, and Lighting designer; Denver school of the Arts | Lighting designer & technical director; Louder Than Words Dancetheatre, Denver, CO | Projection design for live performance, Interactive movement performance, Being a Broadway associate, Lighting design for dance, | LaceyErb.com | YES | |||||||||||||||
259 | 244 | Holland | Chris | hollandld@gmail.com | Architecture, Lighting Design & Technology, Technical Production, Theatre Consulting and systems design | Consultant, Theatre Projects | Consultant, Charcoalblue | Consultant, freelance | Designer, dissonance dance theatre | Designer, Houston ballet | What is consulting? Technical design Advising engineers how to engineer theatres Lighting systems the how and why Lighting for dance Math behind the show | Www.hollandlighting.com. Www.theatreprojects.com | YES | ||||||||||||||
260 | 245 | Flynt | Mary Kathryn | mkflynt@gmail.com | Stage Management | Teaching: Adjunct Faculty - Miami University & Columbia University | NYC: 11 Broadway Shows, Atlantic Theatre (3 shows), Playwrights Horizons (1 show) | Regional Theatre: Alliance Theater, Bay Street Theatre | National Tours: Billy Elliot | Member Actors Equity Association | Love to discuss getting a show from Pre-production to Closing Night. Maintaining a long-running show. A stage manager's role in different types of theatre - Broadway vs Off-Broadway vs Regional | https://www.dropbox.com/s/w7fldxi93hm85jh/MKFlyntResume2.20.pdf?dl=0 | YES | ||||||||||||||
261 | 246 | Stuart | Todd | stuartt@miamioh.edu | Management, Entrepreneurship | Director of Arts Management & Entrepreneurship | Miami University | Arts Management Topic, Arts Entrepreneurship, Creativity, Design Thinking | miamioh.edu/ame toddastuart.com | YES | |||||||||||||||||
262 | 247 | Poulin | Jeff | jeff@jeffmpoulin.com | Education, Management, Arts Education, Cultural Policy, Arts Policy, Education Policy, Arts & Cultural Management | Managing Director, Creative Generation | Adjunct Instructor, Carnegie Mellon University | Adjunct Lecturer, The City College of New York | Arts Education (Leadership, Management, Policy, Practice) Arts Management (principles, theory) Public Policy (for the arts/culture, arts education, international) | www.JeffMPoulin.com | YES | ||||||||||||||||
263 | 248 | Crawford | Brett | brett@cmu.edu | Digital Media, Management, arts marketing, audience engagement | Associate Teaching Professor, Carnegie Mellon University (Drama/Arts Management) | AEA stage manager | 15 years managing director experience TYA/LORT & SPT | arts marketing, audience development, audience engagement, content creation (podcasts, websites, blogging, etc), business structures, nonprofit Boards and Governance | https://www.heinz.cmu.edu/faculty-research/profiles/crawford-brettashley | YES | ||||||||||||||||
264 | 249 | Brown | Marian | mariantaylorbrown@gmail.com | Education, Management, Community Arts, Visual Arts, Arts & Equity | University of Massachusetts Boston | Arts Connect International | Independent Artist | ArtGlo | Brain Arts Org | Cultural equity in the arts, with a focus on arts management. Social entrepreneurship in the arts. Art for social change and social innovation. Inclusive educational practices and arts-based approaches, with specialization in UDL. Arts innovation. | www.mariantaylorbrown.com | YES | ||||||||||||||
265 | 250 | Schoch | Sara | sschoch@uwf.edu | Musical theatre, Business of the Business, Mix Belting, Director/Designer collaboration, Career Coaching | Director of Musical Theatre, University of West Florida, | Boston Certified Artist | I offer career coaching, "next step" advice, experience living and working in the business in several major cities, 20 years of professional acting experience at multiple levels. Basically I’m honest about being what a working actor is like. I also enjoy discussing the director designer collaboration with my colleague Glenn Avery Breed. I love teaching voice for the stage, mix belting to Musical Theatre actors, and talking about the truths of the business. | https://uwf.edu/cassh/departments/theatre/our-faculty/faculty-profiles/sara-schoch.html | YES | |||||||||||||||||
266 | 251 | Wingert | Christopher | christopher.wingert@gmail.com | Management, Musical Theatre, Music Direction, & Auditioning; I am also an executive recruiter and can help with resume/cover letters, interview skills, and building a professional network | Managing Director, Catherine French Group | Adjunct Faculty, University of Mary Washington | Freelance, music director, pianist, vocal coach | Not-for-profit arts management How to find a job in arts administration Resume and cover letter tips Music Direction (Musical Theatre) | https://www.linkedin.com/in/wingert/ | YES | ||||||||||||||||
267 | 252 | Pankratz | David | dbarclaypankratz@gmail.com | evaluation, policy, advocacy, arts education | Research & Policy Director, Greater Pittsburgh Arts Council (retired 2/20) | adjunct, Carnegie Mellon University (retired) | evaluation, cultural policy, advocacy, arts education, creative placemaking | CAREER SUMMARY A 35-year career directing and managing large-scale, multi-site, and arts-focused research and evaluation projects culminating in widely-disseminated public reports, projects that were sponsored by private foundations and public agencies linked to advocacy for policy changes and that drew on my skills in research design and implementation, project management, quantitative and qualitative data collection and analysis, on-line instruction, university teaching, professional capacity-building, written and oral communications, and conference management | YES | |||||||||||||||||
268 | 253 | SV Flys | Elena | elena.sv.flys@emich.edu | Management, Accessibility in the Arts | Eastern MIchigan University | Assistant Professor in Arts Administration | Cultural Policy, Marketing, Fundraising, Arts Administration, Accessibility in the Arts, | YES | ||||||||||||||||||
269 | 254 | Hicks | Jonathan | jhicks@westmont.edu | Education, Lighting Design & Technology, Management, Technical Production, Union Labor & IATSE | Westmont College - TD & LD | IATSE Local 442 - Secretary | Arlington Theater - Head Electrician | I can offer a remote session on the following topics: Technical Direction, Lighting Design, Production Management and getting involved with your Local IATSE. | YES | |||||||||||||||||
270 | 255 | Helwig | Sherri | sherri.helwig@utoronto.ca | Education, Management, Arts Management, arts education | University of Toronto Scarborough (Canada) | Queen's University (Canada) | Canadian Association of Arts Administration Educators (President) | Arts Management board governance shared leadership of arts organizations copyright basics Status of the Artist Act legislation (Canada) arts education experiential education | https://www.utsc.utoronto.ca/acm/sherri-helwig | YES | ||||||||||||||||
271 | 256 | Murray | Brant | btmurray@illinois.edu | Architecture, Education, Lighting Design & Technology, Management | Teaching Assistant Professor of Lighting Design, University of Illinois at Urbana-Champaign | Lighting Supervisor/Designer, Peridance Capezio Center / Peridance Contemporary Dance Company | Resident Lighting Designer, Bodiography Contemporary Ballet | USA-829 | USITT | Lighting design in almost every genre, including cool events like fashion week, and architectural lighting. Career in architecture including the design and construction management of my parents’ lake front home. Management including almost 10 years at Lincoln Center in senior-level management positions, including Production Manager of the David Rubenstein Atrium. Pre-visualization of lighting designs using Capture. Instruction in Vectorworks including 3D modeling and rendering. | www.brantmurray.com | YES | ||||||||||||||
272 | 257 | Leonard | Chet | chet.leonard@gmail.com | Sound Design & Technology, Production Sound for Video/Film | I.A.T.S.E. 695 | With a 30 year career working on productions that range from major Hollywood films to High School Theater Musicals. I can offer insights of a life long career as a sound engineer with experience among various worlds. | www.chetleonard.com | YES | ||||||||||||||||||
273 | 258 | Conley Odenkirk | Sarah | sarah@artconverge.com | Art Law (contracts, copyrights, intellectual property issues, public art, etc.) | Attorney, ArtConverge | I can offer lectures on the legal issues (primarily visual arts). Topics include but are not limited to: contracts, negotiations, gallery/museum/nonprofit issues, intellectual property (fair use, copyright, Visual Artists Rights Act, appropriation), public art (commissions, percent for art programs, project management, policy and procedures, ordinances), street art/aerosol artist issues, and many other law-related matters. | www.artconverge.com | YES | ||||||||||||||||||
274 | 259 | Leonard | John | john@johnleonard.uk | Sound Design & Technology | Owner | Immersive Audio, Sound & Show Control | Member: Institute of Professional Sound (UK) and Audio Engineering Society | Member: Theatrical Sound Designers and Composers Association (USA) Member: Association of Sound Designers (UK) | Fellow Guildhall School of Music & Drama, Honorary Fellow Hong King Institute of Performing Arts, Companion of Liverpool Institute for Performing Arts | History of Sound Design, Location Recording, Sound Effects creation and recording. | httt://www.johnleonard.co.uk | YES | ||||||||||||||
275 | 260 | Clifton-Harvey | Melanie | mjcliftonharvey@gmail.com | Architecture, Costume Design & Technology, Management, Arts conservation, wardrobe | IATSE Touring | Wardrobe Supervisor - Regional and Touring Costume Construction - ballet, dance, fittings and alterations Head of Department - management and supervision of local staff touring venues Costume Shop Manager At Repertory Theatre Textile and Object Conservation Historic Preservation of buildings and interiors Exhibition Curator - historic clothing collections | YES | |||||||||||||||||||
276 | 261 | Stoll | Becca | becca@beccastollsound.com | Sound Design & Technology | Head Audio, Rock of Ages Off-Broadway | Freelance Audio Stagehand NYC | mixing musicals maintaining a long-running show show paperwork for sound people skills as they relate to sound | beccastollsound.com | YES | |||||||||||||||||
277 | 262 | Kusnetz | Sam | sam@figure53.com | Digital Media, Lighting Design & Technology, Sound Design & Technology | QLab Product Manager, Figure 53 | Freelance sound & projection designer, USA-829 | Founder of Team Sound, maker of QLab remote controls | I can speak expertly about using QLab for anything at all. I'm also well qualified to talk about sound or projection design in general, working in New York City and regionally as a designer and technician, and general "life after school" topics. | YES | |||||||||||||||||
278 | 263 | Holloway | Theo | mail@theoholloway.com | Sound Design & Technology | Professional Sound Designer, Association of Sound Designers | Visiting Professional, Rose Bruford College | Guest Lecturer, RCSSD | Audio for Immersive Theatre Advanced Show Control Technology Spatial Audio Techniques VR for Sound Designers | theoholloway.com | YES | ||||||||||||||||
279 | 264 | Atkinson | Elizabeth | sambaliz@aol.com | Sound Design & Technology | freelance sound designer and composer for theatre | Swarthmore College, faculty | pretty much anything related to sound | www.ElizabethAtkinsonSound.com | YES | |||||||||||||||||
280 | 265 | Filson | Chantal | clfilson@gmail.com | Costume Design & Technology, Digital Media, Education, Period fashion, mostly 19th cent. | Member 892, Costume Designers Guild | Costuming for film- placing a mic invisibly, soundproofing, cheating for camera, color palettes, working on a schedule/budget, managing your crew/labor budget, working in horror/westerms, soundstage vs on location, running the trailer, etc | www.cfilson.com | YES | ||||||||||||||||||
281 | 266 | Quandt | Stephen | stephen.quandt@gmail.com | Lighting Design & Technology, Animal welfare, feline | Freelance theatrical lighting designer, usa829.org, Yale university. | Feline behavior coordinator, nycacc.org | Light lab projects. Do at home excercises for lighting design. Consults on feline behavior. | I can send these | YES | |||||||||||||||||
282 | 267 | Rodriguez | GW | GWSOUNDDSG@GMAIL.COM | Sound Design & Technology, Networking (show control) | Asst. Manager of Sound Operations, Feld Entertainment | Dante Level 3 Certification | Sound Design, Sound System Design, Show Control, Networking, QLab | gwrodriguez.com | YES | |||||||||||||||||
283 | 268 | Keister | Andrew | andrew@keister.com | Sound Design & Technology | Broadway Sound Designer | USA829 Sound Designer | IATSE Local One | TSDCA | Sound Design for Musicals Mixing for musicals Pro Tools 101, intermediate and advanced Recording technology and vocal production | www.andrewkeisterdesigns.com | YES | |||||||||||||||
284 | 269 | Silva | Filipe | falbertopsilva@gmail.com | Lighting Design & Technology, Management, Technical Production | BA in Lighting Design- ESMAE, Portugal | Technical Director- INYGON, Lda | Ma2 basic and advance programming, from the basics to plug-ins, LUA programming, javascrip coding etc; Basic programmation in other lighting consoles, feel free to ask discussing and talking showfiles, concerts, theatre plays and dace shows; Talk and teach lighting design basics- from the feeling and emotion that light can bring to a show to the technical aspects of ilummination | YES | ||||||||||||||||||
285 | 270 | Holland | Paul | paul.holland.ph@gmail.com | Digital Media, Education, Management, Scenic Design & Technology, Sound Design & Technology, Technical Production, Live and studio multitrack recording / live streaming events / RF | Owner, Warp 1 Entertainment | Member, IATSE Local 614, Inland Empire, CA | Audio dept. / Production Mgr. www.thestation.tv | Guitar and Vocals, Warner Bros. 60’s act "The Association" | FOH, California Theatre, San Bernardino, CA - 35 yrs. | I can offer 35+ years of touring, studio, and live sound experience with real-world situations and also have the unique perspective of being on the performing side as well. Currently involved in a livestreaming business which has its own virtual TV station. | www.linkedin.com/in/paul-holland | YES | ||||||||||||||
286 | 271 | Walters | Chris | TheChrisWalters@aol.com | Sound Design & Technology | Head Audio Engineer | The Play That Goes Wrong US Tour | IATSE - ACT | Touring Broadway Audio Engineering Broadway style line-by-line mixing Audio system alignment and balancing | https://tinyurl.com/Christopher-Walters-Resume | YES | ||||||||||||||||
287 | 272 | Frank | Victoria | victoriaclairefrank@gmail.com | Stage Management | Stage Manager, Kansas City Ballet | Freelance Opera Stage Manager (usually Summer programs) | Dance and Opera show calling Dance Stage Management How to follow a score Paperwork! Other topics as requested. | https://kcballet.org/blog/staff-profile-victoria-frank/ | YES | |||||||||||||||||
288 | 273 | Kent | Raymond | rkent@dlrgroup.com | Architecture, Digital Media, Lighting Design & Technology, Scenic Design & Technology, Sound Design & Technology | AIA | CTS | LEED AP | Theater consulting, architecture, lighting design, projection design, augmented and virtual reality, sustainability, scenic design | https://www.dlrgroup.com/people/raymond-kent/ | YES | ||||||||||||||||
289 | 274 | Petruska | Greg | greg.petruska@nbcuni.com | Health & Safety | Director, EHS - NBCUniversal | Health and Safety for Live Theatrical, Film and Television productions | Health and Safety Culture Risk Management Risk Assessments Dealing with Regulatory Agencies | Greg has over 17 years’ experience in the entertainment industry and over 15 years’ experience in EHS working for NBCUniversal in different capacities. He joined NBCUniversal in the summer of 2004 and for a while was the sole safety manager for all television productions in NYC. He helped keep shows like SNL, Law & Order and Late Night with Conan O'Brien operating safely during production. He has the distinction of working on two of the longest running television shows (Law and Order and Law and Order: SVU). In 2008, he joined the Universal Theatrical Group and Universal Features Safety team. He was worked across all three mediums NBCU Production Safety encompasses – TV, Film and Live Theatre. Currently, Greg serves as the Director, EHS for Universal Theatrical Group worldwide, represented by shows like Wicked and Billy Elliot the Musical. | YES | |||||||||||||||||
290 | 275 | Lettow | Brandon | brandon@brandonlettow.com | Scenic Design & Technology, Sound Design & Technology, Technical Production, 3D printing and props | Jacksonville University | IATSE 115 | Boy Scouts of America | Set Design, Sound Design, Technical Direction, Props, 3d Printing | http://brandonlettow.com | YES | ||||||||||||||||
291 | 276 | Cochran | Jeff | jscochran@okcu.edu | Management, Stage and Production Management | Oklahoma City University | Actors Equity Association | Stage Management Production Management Professional Preparation | https://www.okcu.edu/directory/jeff-cochran/ | YES | |||||||||||||||||
292 | 277 | Scheier | Jennifer | jlsears2@illinois.edu | Education, Management, Theatre History, specifically Stage Management History & History of Theatre Unions. | Freelance AEA Stage Manager for Theatre & Opera | PhD Candidate & Teaching Assistant, University of Illinois, Champaign-Urbana | Production Stage Manager, Illinois Shakespeare Festival | Contributing Author, Stage Directions Magazine for Stage Management History Blog | Stage Management Topics - AEA work, finding a job after graduation, resume creation/advice. Stage Management History including paperwork, transitions in the field, and technology. *Please note - I am attempting to write my dissertation with a toddler during self-isolation, but am willing to help out if our schedules mutually work! | Jennifer Leigh Sears Scheier is a freelance AEA stage manager and a PhD candidate at the University of Illinois Urbana-Champaign. Her dissertation is focused on reclaiming stage management history while investigating and interrogating 20th century labor practices and power shifts, especially in regards to invisible and emotional labor and its continued effect on the field today. In-between researching, dissertation writing, teaching, stage managing, and life, she writes articles about her research for Stage Directions Magazine. Her past stage management credits include: Celebration Theatre, Illinois Shakespeare Festival, Knoxville Opera, La Jolla Playhouse, Lamb’s Players Theatre, Long Beach Opera, San Diego Repertory Theatre, and Tennessee Repertory Theatre. She graduated from the University of Iowa with an MFA in Theatre Arts (Stage Management) and is a proud member of Actors’ Equity Association and the Stage Managers’ Association. She is excited to celebrate 2020 as the Year of the Stage Manager (#YSM2020). https://stage-directions.com/category/all/theatre-blogs/ | YES | |||||||||||||||
293 | 278 | Regalbuto | Bethany | bregalbuto@imaginationstage.org | Digital Media, Lighting Design & Technology, Technical Production | Master Electrician (and in charge of Sound and Projections), Imagination Stage | BFA University of Illinois Champaign-Urbana | I'm not quite to mid career phase so I can talk about starting level things Working in TYA Learning on the job (ie I was not originally an ME, Sound and Video Coordinator, how the heck do you add those skills in ) How to wear many hats in a company with a small production staff Freelancing | YES | ||||||||||||||||||
294 | 279 | Spring-Frank | Vanessa | vspringfrank@gmail.com | Education, Technical Production, Puppetry | Props Coordinator, Imagination Stage | Board Member, National Capital Puppetry Guild | Member of S*P*A*M*- Society of Props Artisans and Managers | Creating Props for TYA Theatre Unique solutions to Prop Problems Growing Art industry of Puppetry Puppetry styles and basics | Vanessaspringfrank.com | YES | ||||||||||||||||
295 | 280 | O'Brien | Scott | sobrien.composer@gmail.com | Sound Design & Technology | composer/sound designer for theatre and dance; independent contractor | Sound Design Dept Head; Montclair State University, 2015-2019 | Sound Design Dept Head; Pace University 2008-2011 | conceptualization and creation of sound design for theatre, creation of musical scores for theatrical productions, QLab programming and utilization...sound system conceptualization and design for theatre | online portfolio, including musical examples, resume and references: https://www.dropbox.com/sh/fhcbparujs3twn8/AABKtTHBZ908dIq6i86xzD3ga?dl=0 | YES | ||||||||||||||||
296 | 281 | Miller | Jack | millrig5@gmail.com | Automation | UNCSA Professor Retired | Intro to advance Automation | YES | |||||||||||||||||||
297 | 282 | Bembridge | Brian Sidney | brian@briansidneybembridge.com | Lighting Design & Technology, Scenic Design & Technology | bsb studio | United Scenic Artist | Lookingglass Theatre Company | timeline theater company | Circle X Theater | Process, script reading, designing | http://www.briansidneybembridge.com | YES | ||||||||||||||
298 | 283 | Ruskai | Martha | martharrnc@msn.com | Costume Design & Technology, Management, Wig and Makeup Design and Technology | Wig and Makeup Designer Opera & Theater | Wig Making and Styling published by Focal Press | Anything related to working in Hair, Wigs or Makeup, especially in Opera. Interview and negotiating pay. Budgets and planning. Portfolio, Website and Resume feedback. | RuskaiWigs.com | YES | |||||||||||||||||
299 | 284 | Knapp | Ryan | rnknapp@umd.edu | Entertainment Technology | Director of Operations, The Clarice Smith Performing Arts Center at the University of Maryland | Live Streaming | https://theclarice.umd.edu/bio/ryan-n-knapp | YES | ||||||||||||||||||
300 | 285 | McKay | Seaghan | seaghan.mckay@gmail.com | Digital Media | Boston University | USA 829 | Projection Design | www.seaghanmckay.com | YES | |||||||||||||||||
301 | 286 | Waaser | Steph | steph.waaser@gmail.com | Management, Health & Safety, Scenic Design & Technology, Technical Production, Technical Direction, Rigging, 3D printing, Information Management / Communication | Oregon Shakespeare Festival | ETCP Rigging - Arena & Theatre | USITT, Member | OSHA 30 cardholder | Technical Direction Budgeting Technical Design Excel Rigging Safety in Rigging and Scene Shops Information Management / Communication | www.stephwaaser.com | YES | |||||||||||||||
302 | 287 | Rainwater | Christina | cmrainh2o@hotmail.com | Scenic Design & Technology, Scenic Art | Teaching Assistant Professor and Scenic Charge Artist, University of Illinois Urbana-Champaign | USA 829 Scenic Artist | Working as a Scenic Artist Light and pigment color theory Scenic Design research and analysis | YES | ||||||||||||||||||
303 | 288 | Everett | Sandy | everett@umd.edu | Technical Production | Technical Coordinator- University of Maryland | Membership Coordinator- USITT Safety & Health Comm. | Scenic carpentry Coordinating Visiting Performances Theatrical Rigging Being Out in the workplace Being a TD married to a scenic designer/ production manager | www.sandyeverett.com | YES | |||||||||||||||||
304 | 289 | Marcus | Matt | msmarcus@email.arizona.edu | Education, Sound Design & Technology, Technical Production, Rigging | Theatre Sound Designer, University of Arizona | Sound Designer/ Engineer, Arizona Pro Sound | President, IATSE Local 415 | Any sound design topic, but especially well versed in reinforcement design and techniques. Rigging. Safety. | https://tftv.arizona.edu/people/directory/msmarcus/ | YES | ||||||||||||||||
305 | 290 | Fitchett | Adam | alfitch@gmail.com | Sound Design & Technology | IATSE | Broadway and Touring A1/A2 (touring life, moving shows, line-by-line mixing, etc), getting started (smaller touring shows, shop work, etc) | YES | |||||||||||||||||||
306 | 291 | Howden | Joel | jhowden@yamaha.com | Lighting Design & Technology, Sound Design & Technology, Technical Production, Networks | System Design Engineer - Yamaha | Dante L3, Q-Sys L2 (audio and control), Cisco, Network+ | Dante Networks Audio design Control System Design | YES | ||||||||||||||||||
307 | 292 | Wiles | Brannon | mbw@mbwent.com | Management, Producing | Broadway/Off-Broadway GM/Producer | Entertainment & Arts Management faculty, Drexel University | Member of NY State Bar | ATPAM | Commercial Theatre General Management Company Management Actors' Equity, Theatrical Unions, Collective Bargaining Copyright & Intellectual Property Author Agreements (option & production) Enhancement Agreements (commercial producer w/non-profit) Financing & Budgeting Royalty Pools | https://bit.ly/mbwIBDB https://bit.ly/IOBDBmbw | YES | |||||||||||||||
308 | 293 | Carville | Gregg | gcarvill@bowdoin.edu | Lighting Design & Technology, Management | Technology Designer, Bowdoin College | Freelance lighting and sound designer, regional | Former Technical Director of local 2000 seat road house | Making a living where you want to live Lighting design, small regional theater Using Qlab for projection design Managing a small roadhouse | Www.linkedIn.com/in/carvillelighting | YES | ||||||||||||||||
309 | 294 | Sukhadia | Robin | robinsukhadia@gmail.com | Management | Major Gifts Officer, Colburn School | Adjunct Professor, Claremont Graduate University | Fundraising for the Arts; Fundraising in times of crisis; Board Stewardship; Indian Classical Music | www.tablapusher.com | YES | |||||||||||||||||
310 | 295 | van Bergen | Jim | vanbergen.jim@gmail.com | Management, Sound Design & Technology | Audio Art Sound, NYC- Primary Sound Designer | Freelance Production Manager, Tours/Special Events | IATSE Local #1 | USA 829 | Lecturer for AES, LDI. USITT | Sound System Design, Mixing, RF/A2, Broadway, Theme Park, Production Management, Touring | YES | |||||||||||||||
311 | 296 | Maurin | Gayle | gemaurin@gmail.com | Management | Women in Film & Television | Broadway Educational Alliance | Public Broadcasting | Seasoned PBS and performing arts exec. Strategy, distribution, fiscal alignment, marketing, funding | YES | |||||||||||||||||
312 | 297 | Condito | Theresa | theresa.j.condito@cgu.edu | Management, Career Development | Career Development Counselor, Center for Business and Management of the Arts at Claremont Graduate University | MA, Arts Management at Claremont Graduate University 2014 | Arts-specific career development topics such as network building, job search strategy, resumes and cover letters, LinkedIn, email etiquette, digital professionalism. | https://www.linkedin.com/in/theresacondito/ | YES | |||||||||||||||||
313 | 298 | Eusebio | Nelson | ne3productions@gmail.com | Digital Media, Education, Management, Directing and Acting | Member, Society of Stage Directors and Choreographers | Script analysis Directing for Stage Directing and Producing Short Film Acting lectures Asian American Theatre Shakespeare and adaptation of Shakespeare New Play Development Directing Staged Readings Leadership/Arts Management | www.nelsoneusebio.com | YES | ||||||||||||||||||
314 | 299 | Howe | Stephen | showe@mccarter.org | Technical Production, Stage Supervisor in charge of all aspects on the stage for Produced and Presented events | McCarter Theatre Company (center for the performing arts) | Production Manager for The Princeton Festival Opera Company | Global Media Specialists (large event company) | Production managment of one off large live performing arts events (not rock and roll) | Hopewell Theater (all music venue) | Prepping for the load in of an entire theatrical production. Coordinating with all departments to get a show in and tech it and opened. I am in charge of advancing over 65 road shows every year. These shows vary greatly from pop music, jazz, major dance companies, classical music, performance art, circus groups, mimes, you name it. I have talked and can talk about what the presenting side of the business should be asking and dealing with, and what the touring group should be including in the technical riders. How to make it easier to hang a light plot. At McCarter we hang about 40 light plots a year. We sometimes have very little time to get from one plot to another. I can share techniques that we have employed in the last 35 years at the McCarter. On the management side, I have thoughts and process that helps to manage a casual work force. Many theaters depend heavily on casual labor and I have developed some easy to follow bullet points for making this a much more successful process. I have worked 35 seasons for one of the busiest performing arts center in America. McCarter produces 6 full LORT productions a year and also presents some 65 road shows and 25 University performances or productions. I am happy to consider any class that you might feel meets with my skill sets. | YES | |||||||||||||||
315 | 300 | Mauldin | Bronwyn | bronwyn.mauldin@cgu.edu | Management, research methods, data analysis, logic models | LA County Department of Arts and Culture | Claremont Graduate University, Center for Business & Management of the Arts | data analysis, audience surveys, logic models | https://www.lacountyarts.org/staff (under Executive Team) | YES | |||||||||||||||||
316 | 301 | Ingraham | Richard | richard@rbisound.com | Architecture, Sound Design & Technology | TSDCA - Theatrical Sound Designers and Composers Association | USITT | General Theatre Sound and Sound Design Freelance Design and the business of freelance work Audiovisual Systems Design Theatre Consulting - primary emphasis on AV Systems Working on Cruise ships and other themed attractions Virtual Sound Systems and Virtual Mixing with computer software Mixing sound for musical theatre | YES | ||||||||||||||||||
317 | 302 | Fasciano | Joe | joe.fasciano.jr@gmail.com | Stage Automation | The Metropolitan Opera | System Overview (How it works, why do we do it, etc.) Automation in a Repertory Theatre Mechanical Design Machine Maintenance Show Operations (both on deck and from a console) | YES | |||||||||||||||||||
318 | 303 | Arthurs | Moira | artm55@hotmail.com | Costume Design & Technology, Education, Lighting Design & Technology, Scenic Design & Technology, Sound Design & Technology, Technical Production | ISTA | Directing | YES | |||||||||||||||||||
319 | 304 | Tiede | Molly | tiedem@ohio.edu | Education, Lighting Design & Technology, Technical Production, Opera, event design | Lighting Designer | Ohio University | USA 829 | Opera Colorado | Event Design | Lighting Design, Vectorworks/Lightwright, Opera Design, Event Design, Business of Theater, Lighting and Sound Collaboration | mollytiededesign.com | YES | ||||||||||||||
320 | 305 | Jolly | Debi | debijolly@gmail.com | Costume Design & Technology | Instructor of costume crafts, Ohio University | Freelance crafter, dyer, wardrobe- NYC area/national | CAFTCAD | USITT | CSA | Dye Costume crafts Millinery Distressing painting fabric managing craft studio freelance crafter life wardrobe management dressing wardrobe supervision | www.debijolly.com | YES | ||||||||||||||
321 | 306 | Sheehan | Jay | jsheehan@sdsu.edu | Management | San Diego State University | Cue One Productions | Actors Equity | Special Event Planning Production Management Concert Production Music Business Stage Management Self Help / Motivational | Co Author - The Production Managers Toolkt | YES | ||||||||||||||||
322 | 307 | Ice | Sara | sice@pcpa.org | Costume Design & Technology, Education | Technical Theatre Program Coordinator/Costume Designer PCPA - Pacific Conservatory Theatre | Member Local 705 Motion Picture Costumers | Costume Design Costume Construction Costume Crafts 3D printing Portfolio Building and review Resume creating Interview skills | www.saraicedesigns.com | YES | |||||||||||||||||
323 | 308 | Newport | Shelby | snewport@umich.edu | Costume Design & Technology, Education, University administration | Costume Designer, Midwest region | Associate Provost, University of Michigan-Flint | working as a freelance costume designer Managing a theatre department Theatre as general education | www.shelbynewport@gmail.com | YES | |||||||||||||||||
324 | 309 | Eastland | Wally | wally_eastland@lprdesignstudio.com | Lighting Design & Technology, Management, Scenic Design & Technology, Technical Production | Lighting Designer - USA829 | Principal Designer - LPR Design Studios | Member and Co-Chairman Lighting Network Recommended Practice Committee - USITT | Professional Member - Association of Lighting Designers | - International Design (Australia) - Lighting Design - Scenic Design - Portfolio creation - Resume writing - The job search process - Script Analysis - How to be a great assistant designer - Scenery on a budget - Design for Small Spaces | https://www.ald.org.uk/wallyeastland | YES | |||||||||||||||
325 | 310 | Stribling | Zachary | zst223@uky.edu | Technical Production | Technical Director & Production Manager, University of Kentucky | VC of Programming, USITT Technical Production Commission | Co-Author - Technical Director's Toolkit | Co-Author - Illustrated Theatre Production Guide | General Stagecraft Topics, Technical Direction Process & Practices, Creative Problem Solving | https://finearts.uky.edu/theatre-dance/faculty-staff/zachary-stribling | YES | |||||||||||||||
326 | 311 | Kristen | Martino | kristenmartino.design@gmail.com | Scenic Design & Technology | Freelance Scenic Designer in Chicago | Indiana University- Visiting Prof. of Scenic Design | Scenic Design (fundamentals or advanced skills) Being a freelance artist Grad school | www.kristenmartino.com | YES | |||||||||||||||||
327 | 312 | Hosking | Amanda | amhosking@gmail.com | Sound Design & Technology, Video, Midi, live engineering | Head of audio/video Writers Theatre | Free lance sound design | Audio/video systems MIDI show control Working on a world premiere | YES | ||||||||||||||||||
328 | 313 | Bardwell | Roger | rbardwell@hudsonscenic.com | Technical Production, Engineering | Foreman and Chief Engineer, Hudson Scenic Studio, Inc. | ETCP Certified Rigger in Arena and Theater | Certified Welding Inspector (retired) | Professional Engineer, Mechanical | Engineering Design and Construction of Scenery for Broadway and touring. Welding Quality Control approach for a scenery shop. | YES | ||||||||||||||||
329 | 314 | Thompson | Natasha | NMT430Production@gmail.com | Management, Stage Management, Production Management | Head of Technical Theatre @ Appel Farm Arts Camp | B.A. Drama, Ithaca College | Blocking Notation Rehearsal & Production Meeting Reports Run Lists misc. topics (just tell me what you need!) | YES | ||||||||||||||||||
330 | 315 | Sordelet | Rick | ricksordelet@gmail.com | Fight Direction/Stunt Coordinating | Instructor- Montclair State University | Instructor-Kean University | Instructor-William Esper Studio | Sordelet Inc | Stunt Coordinator- Kevin Can Wait | World Class Fight Director/Stunt Coordinator. 75 Broadway productions | Www.sordeletinc.com | YES | ||||||||||||||
331 | 316 | Wymore | Donna | info@tuxedojunctionfineart.com | Technical Production, scenic artist | owner - Tuxedo Junction Fine Art (backdrops) | Topics: various career paths in scenic art field starting a scenic studio or rental shop | www.tuxedojunctionfineart.com | YES | ||||||||||||||||||
332 | 317 | Dauterive | Bryan | bryandauterive@gmail.com | Education, Lighting Design & Technology, Management, Health & Safety, Scenic Design & Technology, Sound Design & Technology, Technical Production | Technical Director/Owner- Stageables | Technical Director- for a small private school | I have several things I teach. Lighting design, sound design, set design, script analysis, stage management, shop safety, and SFX creations are just a few. I have great presentarions, I've created, which start from the basics and go into more advanced work. | Stageables.com | YES | |||||||||||||||||
333 | 318 | Jacobs | Jennifer | jjacob8@tulane.edu | Costume Design & Technology, Education | Tulane University | Freelance Costume Designer | Costume Design History of Costume and Decor Costume Design for Shakespeare Costume Design for Film/TV and Industrial | jennjacobsdesign.com | YES | |||||||||||||||||
334 | 319 | Franco | Nancy | nancy_franco@rocketmail.com | Education, Management, Performing Arts Sustainability: School Seeds | Theatre Director | IB Drama PYP Teacher . Victoria School Colombia - South America | Performing Arts Researcher - Colombia South America | World Theatre Map Ambassador | Theatre Sustainability: Latinamerica Theatre in South America Primary Years Theatre Education to create an audience. Apply Theatre in different environments | https://www.linkedin.com/in/nancyfrancorendon/ | YES | |||||||||||||||
335 | 320 | Bell | Matt | matt@mbsound.org | Sound Design & Technology | Freelance Sound Designer / Production Audio | Touring A1 for Musical Theater | IATSE A.C.T. | USA 829 | Touring Musical Theater, Commercial vs Not-for-Profit Theater, Intro to Sound Systems Design, Intro to Show Control (MIDI/OSC/Timecode), Living/Working in NYC as a Technician, Mixing a Musical, Programming/Setting up an Audio Console for Musical Theater | YES | ||||||||||||||||
336 | 321 | Penna | Tony | tpenna@clemson.edu | Lighting Design & Technology, ETC Eos Programming | Clemson University | United Scenic Artists | Actors Theatre of Louisville | Learn Ensemble Theatre | Warehouse Theatre | Lighting design and technology, script analysis, color theory | YES | |||||||||||||||
337 | 322 | Meyer | Michael | skindeepfx@gmail.com | Wig/Makeup/Spfx/ Molding Casting / Animatronics /Masks | Institutional Director ,Academy of Make Up Arts Nashville | Former Director UNCSA Wig and Makeup Program | Owner, Skindeepfx.com | Former Local 706 Member | anything wig, makeup, spfx, animatronics , blood , molding and casting etc | www.skindeepfx.com | YES | |||||||||||||||
338 | 323 | Hersh | Lela | lelahersh@comcast.net | Appraisal, Arts Consulting, Collection Management | Museum and Fine Arts Consulting, LLC | American Society of Appraisers | International Society of Appraisers | The School of the Art Institute of Chicago | Claremont Graduate University | Arts Consulting Appraising Fine Art Collection Management | https://www.isa-appraisers.org/find-an-appraiser/profile/13077/lela-hersh | YES | ||||||||||||||
339 | 324 | Hemphill | Candace | candace.hemphilll@gmail.com | Management, Touring Theatre | ATPAM | Touring Company Manager | Disney's Aladdin | Touring theatre logistics | YES | |||||||||||||||||
340 | 325 | McNamara | Michael | mmcnamara@purdue.edu | Lighting Design & Technology | Associate Professor of Lighting, Purdue University | Freelance lighting designer | United Scenic Artists, Local USA-829 | Freelance lighting design, opera, assistant lighting designer, paperwork | www.mcnamaralighting.com | YES | ||||||||||||||||
341 | 326 | Yadav | Dinesh | yadavd@uwgb.edu | Education, Lighting Design & Technology, Scenic Design & Technology | University of Wisconsin - Green Bay | Swayambhu Foundation | National School of Drama, New Delhi | Lighting Design, Vectorworks Spotlight, Vectorworks Vision, Indian Theatre, Indian Stage Design | www.theatreartsonline.com | YES | ||||||||||||||||
342 | 327 | YEUNG | KIT | show.kit@hotmail.com | Management, Technical Production | Tour Management, Working in Asia | https://www.dropbox.com/s/3mi0ws33ri075zg/KIT%20YEUNG_RESUME_2019%20NOV.pdf?dl=0 | YES | |||||||||||||||||||
343 | 328 | Fulton | Jaclyn | jaclynfulton@gmail.com | Management, Technical Production | Assistant Stage Manager at Royal Ballet | AEA Stage Manager | I worked for several years freelancing in opera stage management and would be very happy to lecture about the ins and outs of opera SMing. I currently work for the Royal Ballet in London and so can share what that experience is like, what dance stage management is like, how it differs from opera, straight play, and musical theatre management, etc. I can also speak to some of the differences between the UK vs. US practices of stage management. | https://www.linkedin.com/in/jaclynfulton | YES | |||||||||||||||||
344 | 329 | Heilman | Andrea | aheilman@callutheran.edu | Education, Lighting Design & Technology, Management, Scenic Design & Technology | California Lutheran University | Freelance Designer | Education, Curriculum Design, Production Management with in the Educational Setting, Production Management of summer equity outdoor Shakespeare festival, Scenic and Lighting Design | AndreaTheater.com | YES | |||||||||||||||||
345 | 330 | Labykina | Anna | alabykina@colgate.edu | Education, Management, Scenic Design & Technology, Technical Production | Technical Director, Colgate University | Individual Member, Opera America | Individual Member, USITT | Producing opera and theatre in non-traditional spaces Technical direction on budgets ranging from $100 to $2.5 million Technical direction in academia vs regional theatre Production management Co-production coordination | https://www.tomichkadesign.com/ | YES | ||||||||||||||||
346 | 331 | Coes | Charles | ccoes@gmail.com | Digital Media, Sound Design & Technology, Technical Production | Freelance Sound Designer | Yale School of Drama Lecturer | IATSE USA829 | Figure53 - Makers of QLab | Sound Design. Sound Technology for the theater. Physics of Sound and psychoacoustics in the theater. Design thinking. Sound Mixing. Microphone rigging. Composition for the theater | http://soundmindsdesign.com | YES | |||||||||||||||
347 | 332 | Yokoo | Saori | saori12yokoo@gmail.com | Management, Health & Safety, Stage Management, Touring, New York City, Broadway, Off Broadway, Reading, Workshop, International Theatre (Tokyo), Non-Equity Tour, Working with other unions | Stage Management | Tour, AEA tour, non-equity tours | Broadway, Workshop, Readings in New York City | Theatre in Tokyo, Japan | Company Management | Stage Manager: Broadway, 1st national Broadway tours, Readings&Workshops in NYC, Off Broadway, Non-equity tours, Assistant Company Manager on tour, Aladdin w/ Disney in Tokyo, International Tours in Tokyo, | https://www.linkedin.com/in/saori-yokoo65244649/ | YES | ||||||||||||||
348 | 333 | Ivey | Jennifer | jivey@fiu.edu | Digital Media, Education, Scenic Design & Technology, Rendering, Scenic Painting, Period Styles. | Florida International University | Freelance Scenic Designer, Props Master and Scenic Artist | Scenic Design Scenic Painting Props Digital and Physical Rendering Period Styles and Research Model Making Digital Programs- Sketchup, Vectorworks, Indesign, Photoshop. | jenniferivey.com | YES | |||||||||||||||||
349 | 334 | Matthew | Benjamin | matthew.benjamin@wright.edu | Education, Lighting Design & Technology | Head of Theatre Design and Technology Program, Wright State University | Professor of Lighting Design | National and International Freelance Designer | Dad | Grandpa | I am pretty much a lighting guy, through and through. Anything from basic color theory through opera design and advanced programming. | https://matthewbenjamin.wixsite.com/matthew-benjamin/about | YES | ||||||||||||||
350 | 335 | Gieysztor | Dagmara | abstract.hello@gmail.com | Education, Scenic Design & Technology, Visual Dramaturgy | University of Melbourne , Victoria College of the Arts | Deakin University | Visual Dramaturgy , Design for the moving image , Sustainable practice in Theatre making , Scenography | YES | ||||||||||||||||||
351 | 336 | Sapsis | Bill | Bill@sapsis-rigging.com | Health & Safety, Technical Production, Rigging | President, Sapsis Rigging, Inc | Member, ETCP Council | Co-Chair, RWG (ESTA Technical Standards Porgram | Fellow, USITT | Director, NATEAC | Rigging; Working at Height Safety; ETCP Certification; ANSI Staandards | https://www.sapsis-rigging.com/staffbios.html | YES | ||||||||||||||
352 | 337 | Cole | Melanie Chne | melanie.sound@gmail.com | Sound Design & Technology | USA 829 | TSDCA | Intro to Sound Design QLab Programming Freelancing at a Regional/National level | melaniesound.com | YES | |||||||||||||||||
353 | 338 | Huber | Aili | artoflistening@ailihuber.com | Digital Media, Education, Directing, Theater History, Shakespeare, Dramaturgy, new play development | SDC | Shakespeare Theater Assocation | Theater history, origins to 18th century "Original practices" of Renaissance drama Shakespeare, rhetoric, history, performance Directing, general Collaboration New play development (collaborating with playwrights) Dramaturgy, general Cutting Shakespeare's plays | ailihuber.com | YES | |||||||||||||||||
354 | 339 | Allman | Brian | AllmanArtist@gmail.com | Education, Management, Teaching Artist, Improvisation in Theatre, Artistic Directing of Small Theaters | Geffen Playhouse | ComedySportz | Defiance Theater Co | Education Management Artistic Director of Small Theater Improvisation in Theatre Theatre Games, Warm Ups & Ice Breakers Hosting | https://www.facebook.com/BrianAllmanTA | YES | ||||||||||||||||
355 | 340 | Lawrence | Carrie Klewin | carrieklewin@gmail.com | Directing, Personal Branding | TAI University Madrid | SDC | 3rd Space Theatre Collective | Www.carrieklewin.com | The Director/Designer Relationship Personal Branding for Theatre Artists Pitching a Show- Vision Boards & Portfolios | Www.carrieklewin.com | YES | |||||||||||||||
356 | 341 | Clayton | Amanda | clayton625@gmail.com | Management, Scenic Design & Technology, Technical Production | Technical Director, Jones Hall for the Performing Arts | Technical Direction Production Management Advancing Touring Shows Production Schedules Maintaining a Long-Running Show Planning for Venue Upgrades | YES | |||||||||||||||||||
357 | 342 | Jacob | Jennifer | jifjacob@mindspring.com | Costume Design & Technology | IATSE 764 | USA 829 | Associate Costume Designer - On and off Broadway, currently Rock of Ages at NWS | Shopper at the Metropolitan Opera | MFA in Costume Production and Management, UNC - Chapel Hill | Costume shopping in NYC Working as an Associate Designer Variety of costume career paths in NYC | YES | |||||||||||||||
358 | 343 | Watanabe | Christina | StarryEyedLighting@gmail.com | Lighting Design & Technology | USA 829 | Lighting design Life after graduation | www.StarryEyedLighting.com | YES | ||||||||||||||||||
359 | 344 | Rowe | DeAnna | deannadesigns@gmail.com | Costume Design & Technology | Costume Technology and Crafts, Stage Makeup, Draping/Patternmaking | Formerly Univ. of Florida, Formerly University of Memphis | Owner of Gypsy Dream Studios | Draper and Designer at South Coast Repertory Theatre, Costa Mesa, CA | Pattern making topics Costume construction topics General Stage Makeup topics Introductory lecture on the history and use of the corset USITT 2019 presentation on Binding and Tucking: how to suppress your gender Creating an Etsy business as a side hustle | www.gypsydreamstudios.com | YES | |||||||||||||||
360 | 345 | Hiltner | Elsa | elsa@elsahiltner.com | Costume Design & Technology, Pay equity and labor organizing | Costume Designer (freelance - theatre) | Wardrobe Stylist (freelance - commercials) | On Our Team (co-founder) | Costume Professionals for Wage Equity (member) | Pay equity in the theatre industry Labor equity in theatrical design Labor organizing and activism in the theatre industry | www.elsahiltner.com | YES | |||||||||||||||
361 | 346 | Gillett | Cary | cgillett@centerstage.org | Management | Baltimore Center Stage | USITT Equity, Diversity and Inclusion committee | Production Manager's Forum Diversity and Inclusion committee | Actor's Equity Association | University of Maryland | Stage management, production management, anti-racism | YES | |||||||||||||||
362 | 347 | Bolman | Scott | sbolman@fullerton.edu | Lighting Design & Technology | Associate Professor, Cal State Fullerton | Lighting Design (inc. Telling a Story with Light, Using Structure as a Design Tool, Efficient Approach to Drafting a Light Plot, etc.), Designing Internationally, Professional Development for Designers | www.scottbolman.com | YES | ||||||||||||||||||
363 | 348 | TOSETTI | SARA JEAN | sjtosetti@gmail.com | Costume Design & Technology | NYU Design for Stage and Film (2006) | 829 | Costume Design, Assistant Costume Design in Opera, Film/TV and Broadway. How to combine multiple interests into one career | http://www.sarajeantosetti.com/ | YES | |||||||||||||||||
364 | 349 | Harvey | Michelle | mdhscenedesign@gmail.com | Digital Media, Scenic Design & Technology, Scenic Painting, Props | Missouri State University | USA 829 | USITT | Scenic Design process Vectorworks - 2D & 3D 3D Printing Scenic Painting- Trompe L'Oeil and Faux Finishes Adobe Photoshop Adobe Premier Pro Adobe After Effects | michelleharveydesigns.com | YES | ||||||||||||||||
365 | 350 | Hollinger | Ethan | ethanj.hollinger@gmail.com | Digital Media, Lighting Design & Technology, Sound Design & Technology | Assistant Professor of Lighting & Sound- University of Minnesota, Duluth | Lighting Design- (Theatre, architectural, event, concert) Electrician skills and how to work with them Sound Design/mixing Rendering- digital and traditional Makeup Design Projection Design Art (Digital and Analog) | ethanjhollinger.com | YES | ||||||||||||||||||
366 | 351 | Woll | Mary | mcwolldesigns@gmail.com | Costume Design & Technology, Management | Costume Shop Manager, Arizona Theatre Company | Adj. Asst Prof, Univ. of Montana (former visiting) | digital fabric design/printing resume/portfolio/website review/critique interview prep & skills shop management fashion/costume history (e.g. western silhouette timeline/overview; "weird fact" topics) | www.marycwoll.com | YES | |||||||||||||||||
367 | 352 | Boyle | Shawn | shawn.boyle@mac.com | Digital Media, Education | Lecturer in Design (Projection), Yale School of Drama | USA 829, Lighting and Projection | USITT | I'm happy to talk about Projection Design, Lighting Design, being a freelance designer, being an Associate Projection Designer on large scale projects, theme park design work, collaboration. I'm pretty open based on your needs and my experience. If there's something in particular you think I could speak to given my experience please reach out. | www.ShawnBoyleDesign.com | YES | ||||||||||||||||
368 | 353 | Littell | Leslie | ashbridgestudio@yahoo.com | Costume Design & Technology | Owner, Ashbridge Costume Studio | member; Costume Society of America | member; USITT | Adjunct; Rochester University, MI | Costume Specialist/ Retired; Oakland University | Fiber to Fabric; Textile information. Patternmaking for costumes. Research for costume design. | www.ashbridgestudio.com | YES | ||||||||||||||
369 | 354 | Taylor | Dana | dana@techtheatre4teachers.com | Education, Lighting Design & Technology, Developing technical theatre programs at the secondary school level. | Dana W. Taylor Consulting, LLC | USITT | IATSE 102 | ESTA | University of Evansville | Technical Theatre Program Development BACKstage Exam Development and Integration Counterweight Rigging Procedures Lighting Design | www.techtheatre4teachers.com | YES | ||||||||||||||
370 | 355 | Smith | Josh | Jasmith.tech@gmail.com | Education, Lighting Design & Technology, Management, Health & Safety, Scenic Design & Technology, Sound Design & Technology, Technical Production | ATD/Sound Head, Valentine Theatre | USITT | IATSE | Technical Theatre Reddit Moderator | Working with IA Tours Roadhouse life educational theatre pro scene shops/building for tv and broadway mixing musicals Opera/Symphony work Portfolio development Prop making | https://jasmithtech.com | YES | |||||||||||||||
371 | 356 | Murphy Boski | Sharon | apuppetlady@gmail.com | Puppetry | Connecticut Office of the Arts Directory Teaching Artist for Theatre/Puppetry | member of the Board of Directors of Puppeteers of America | Member of UNIMA-USA (International Organization of Puppeteers) | Puppetry artist at Spark Makerspace | There are 5 traditional forms of Puppetry: Hand, Rod, Shadow, Marionette, and Mask. There are combinations of these forms, and some modern forms that don't quite fall under these categories. I can give a beginner puppeteer lesson on any of these, or a general lesson on Puppetry. I'm also willing to talk about writing for Puppet Theatre, be a sounding board for planning puppetry projects, or discuss troubleshooting ongoing puppetry projects (especially about movement issues.) | to be updated | YES | |||||||||||||||
372 | 357 | Croteau | Chad | ccroteau@bell.net | Education, Lighting Design & Technology, Management, Health & Safety, Technical Production, Special Effects, pyrotechnics, technical direction, | Professor, Fanshawe College | IATSE Local 580 | Associated Designers of Canada | Lighting design, technical direction, risk management, health & safety, effect design and implementation, pyrotechnics and display fireworks | YES | |||||||||||||||||
373 | 358 | McConnell | Emily | emcconnell@roosevelt.edu | Costume Design & Technology, Collaboration best practices | Costume Designer, Roosevelt University/CCPA | Adjunct Faculty, Columbia College Chicago | Adjunct Faculty, Loyola University Chicago | Union member, USA829 | Ensemble member, Steep Theatre | Costume design in general; collaboration; drawing for “non-artists” | EmilyMcCdesign.com | YES | ||||||||||||||
374 | 359 | Black | Deborah | viewpoints.us@gmail.com | Education | Six Viewpoints Working Group | offering online pedagogy workshops and labs for performing artists and performing arts teachers | www.deborahblack.net | YES | ||||||||||||||||||
375 | 360 | Shayne | Tony | tony.shayne@gmail.com | Education, Lighting Design & Technology, Management, Technical Production | Production Manager/Producer - Theory & Practice Productions | Lecturer (Lighting & Producing) - Stanford University | Director of Production - Opera Parallèle | Production Designer - Rosanna Gamson/Worldwide | Lighting, Producing, Touring, Budgeting, Scheduling, Drafting, Lighting for Dance, Collaborative Design | tonyshayne.com | YES | |||||||||||||||
376 | 361 | Miller | R. Elizabeth | rema@lehigh.edu | Education, Management | Asst. Production Manager, Lehigh University, Resident Stage Manager | Stage Management Educator | Event Management, Logistical Planner | USITT, PMF & SMA memberships | I have some training in conversations surrounding DEI & Social Justice issues | Production Management Stage Management Introductory conversations in DEI topics Event Management Leadership | YES | |||||||||||||||
377 | 362 | Conn | CC | conncs@sfasu.edu | Lighting Design & Technology, Sound Design & Technology | Professor, Stephen F. Austin State University | MFA, Indiana University | BA Ball State University | Member, USITT | Former member IATSE | Lighting Design, Lighting Technology, Sound Design, Portfolio/website preparation | cc@stagewavedesign.com | YES | ||||||||||||||
378 | 363 | Broadhead | Sara | dramabear@hotmail.com | Lighting Design & Technology, Management, Health & Safety, Technical Production | Iatse 504 | Segerstrom Center for the Arts | Happy to talk on women in our industry, union or electrics. | YES | ||||||||||||||||||
379 | 364 | Crooks | Garrett | garretttcrooks@gmail.com | Technical Production, Touring, Props | IATSE 478 | Mean Girls National Tour | Miss Saigon National Tour | Life on the road, Touring Prop Supervisor, Repairs and Maintenance, Sourcing while traveling | YES | |||||||||||||||||
380 | 365 | Bolman | Scott | sbolman@fullerton.edu | Education, Lighting Design & Technology | Assistant Professor, Cal State Fullerton | Founding member, Wingspace Theatrical Design | Member, USA 829 | Lighting Design (beginner to advanced) Business/Employment (getting work, negotiating contracts, etc.) Vectorworks EOS Programming (including Augment3D) Vectorworks Vision Intro to GrandMA programming | www.scottbolman.com | YES | ||||||||||||||||
381 | 366 | Jay | Alicia | alicia.jay@indstate.edu | Management, Arts Administration | Assistant Professor - Theater Management and Administration, Indiana State University | Director of Marketing, Crossroads Repertory Theatre | Arts/Theater Administration Arts/Theater Management Marketing (self, show, organization, business) Branding (self, organization) Sustainability Front of House | www.aliciajay.com | YES | |||||||||||||||||
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543 | |||||||||||||||||||||||||||
544 | |||||||||||||||||||||||||||
545 | |||||||||||||||||||||||||||
546 | |||||||||||||||||||||||||||
547 | |||||||||||||||||||||||||||
548 | |||||||||||||||||||||||||||
549 | |||||||||||||||||||||||||||
550 | |||||||||||||||||||||||||||
551 | |||||||||||||||||||||||||||
552 | |||||||||||||||||||||||||||
553 | |||||||||||||||||||||||||||
554 | |||||||||||||||||||||||||||
555 | |||||||||||||||||||||||||||
556 | |||||||||||||||||||||||||||
557 | |||||||||||||||||||||||||||
558 | |||||||||||||||||||||||||||
559 | |||||||||||||||||||||||||||
560 | |||||||||||||||||||||||||||
561 | |||||||||||||||||||||||||||
562 | |||||||||||||||||||||||||||
563 | |||||||||||||||||||||||||||
564 | |||||||||||||||||||||||||||
565 | |||||||||||||||||||||||||||
566 | |||||||||||||||||||||||||||
567 | |||||||||||||||||||||||||||
568 | |||||||||||||||||||||||||||
569 | |||||||||||||||||||||||||||
570 | |||||||||||||||||||||||||||
571 | |||||||||||||||||||||||||||
572 | |||||||||||||||||||||||||||
573 | |||||||||||||||||||||||||||
574 | |||||||||||||||||||||||||||
575 | |||||||||||||||||||||||||||
576 | |||||||||||||||||||||||||||
577 | |||||||||||||||||||||||||||
578 | |||||||||||||||||||||||||||
579 | |||||||||||||||||||||||||||
580 | |||||||||||||||||||||||||||
581 | |||||||||||||||||||||||||||
582 | |||||||||||||||||||||||||||
583 | |||||||||||||||||||||||||||
584 | |||||||||||||||||||||||||||
585 | |||||||||||||||||||||||||||
586 | |||||||||||||||||||||||||||
587 | |||||||||||||||||||||||||||
588 | |||||||||||||||||||||||||||
589 | |||||||||||||||||||||||||||
590 | |||||||||||||||||||||||||||
591 | |||||||||||||||||||||||||||
592 | |||||||||||||||||||||||||||
593 | |||||||||||||||||||||||||||
594 | |||||||||||||||||||||||||||
595 | |||||||||||||||||||||||||||
596 | |||||||||||||||||||||||||||
597 | |||||||||||||||||||||||||||
598 | |||||||||||||||||||||||||||
599 | |||||||||||||||||||||||||||
600 | |||||||||||||||||||||||||||
601 | |||||||||||||||||||||||||||
602 | |||||||||||||||||||||||||||
603 | |||||||||||||||||||||||||||
604 | |||||||||||||||||||||||||||
605 | |||||||||||||||||||||||||||
606 | |||||||||||||||||||||||||||
607 | |||||||||||||||||||||||||||
608 | |||||||||||||||||||||||||||
609 | |||||||||||||||||||||||||||
610 | |||||||||||||||||||||||||||
611 | |||||||||||||||||||||||||||
612 | |||||||||||||||||||||||||||
613 | |||||||||||||||||||||||||||
614 | |||||||||||||||||||||||||||
615 | |||||||||||||||||||||||||||
616 | |||||||||||||||||||||||||||
617 | |||||||||||||||||||||||||||
618 | |||||||||||||||||||||||||||
619 | |||||||||||||||||||||||||||
620 | |||||||||||||||||||||||||||
621 | |||||||||||||||||||||||||||
622 | |||||||||||||||||||||||||||
623 | |||||||||||||||||||||||||||
624 | |||||||||||||||||||||||||||
625 | |||||||||||||||||||||||||||
626 | |||||||||||||||||||||||||||
627 | |||||||||||||||||||||||||||
628 | |||||||||||||||||||||||||||
629 | |||||||||||||||||||||||||||
630 | |||||||||||||||||||||||||||
631 | |||||||||||||||||||||||||||
632 | |||||||||||||||||||||||||||
633 | |||||||||||||||||||||||||||
634 | |||||||||||||||||||||||||||
635 | |||||||||||||||||||||||||||
636 | |||||||||||||||||||||||||||
637 | |||||||||||||||||||||||||||
638 | |||||||||||||||||||||||||||
639 | |||||||||||||||||||||||||||
640 | |||||||||||||||||||||||||||
641 | |||||||||||||||||||||||||||
642 | |||||||||||||||||||||||||||
643 | |||||||||||||||||||||||||||
644 | |||||||||||||||||||||||||||
645 | |||||||||||||||||||||||||||
646 | |||||||||||||||||||||||||||
647 | |||||||||||||||||||||||||||
648 | |||||||||||||||||||||||||||
649 | |||||||||||||||||||||||||||
650 | |||||||||||||||||||||||||||
651 | |||||||||||||||||||||||||||
652 | |||||||||||||||||||||||||||
653 | |||||||||||||||||||||||||||
654 | |||||||||||||||||||||||||||
655 | |||||||||||||||||||||||||||
656 | |||||||||||||||||||||||||||
657 | |||||||||||||||||||||||||||
658 | |||||||||||||||||||||||||||
659 | |||||||||||||||||||||||||||
660 | |||||||||||||||||||||||||||
661 | |||||||||||||||||||||||||||
662 | |||||||||||||||||||||||||||
663 | |||||||||||||||||||||||||||
664 | |||||||||||||||||||||||||||
665 | |||||||||||||||||||||||||||
666 | |||||||||||||||||||||||||||
667 | |||||||||||||||||||||||||||
668 | |||||||||||||||||||||||||||
669 | |||||||||||||||||||||||||||
670 | |||||||||||||||||||||||||||
671 | |||||||||||||||||||||||||||
672 | |||||||||||||||||||||||||||
673 | |||||||||||||||||||||||||||
674 | |||||||||||||||||||||||||||
675 | |||||||||||||||||||||||||||
676 | |||||||||||||||||||||||||||
677 | |||||||||||||||||||||||||||
678 | |||||||||||||||||||||||||||
679 | |||||||||||||||||||||||||||
680 | |||||||||||||||||||||||||||
681 | |||||||||||||||||||||||||||
682 | |||||||||||||||||||||||||||
683 | |||||||||||||||||||||||||||
684 | |||||||||||||||||||||||||||
685 | |||||||||||||||||||||||||||
686 | |||||||||||||||||||||||||||
687 | |||||||||||||||||||||||||||
688 | |||||||||||||||||||||||||||
689 | |||||||||||||||||||||||||||
690 | |||||||||||||||||||||||||||
691 | |||||||||||||||||||||||||||
692 | |||||||||||||||||||||||||||
693 | |||||||||||||||||||||||||||
694 | |||||||||||||||||||||||||||
695 | |||||||||||||||||||||||||||
696 | |||||||||||||||||||||||||||
697 | |||||||||||||||||||||||||||
698 | |||||||||||||||||||||||||||
699 | |||||||||||||||||||||||||||
700 | |||||||||||||||||||||||||||
701 | |||||||||||||||||||||||||||
702 | |||||||||||||||||||||||||||
703 | |||||||||||||||||||||||||||
704 | |||||||||||||||||||||||||||
705 | |||||||||||||||||||||||||||
706 | |||||||||||||||||||||||||||
707 | |||||||||||||||||||||||||||
708 | |||||||||||||||||||||||||||
709 | |||||||||||||||||||||||||||
710 | |||||||||||||||||||||||||||
711 | |||||||||||||||||||||||||||
712 | |||||||||||||||||||||||||||
713 | |||||||||||||||||||||||||||
714 | |||||||||||||||||||||||||||
715 | |||||||||||||||||||||||||||
716 | |||||||||||||||||||||||||||
717 | |||||||||||||||||||||||||||
718 | |||||||||||||||||||||||||||
719 | |||||||||||||||||||||||||||
720 | |||||||||||||||||||||||||||
721 | |||||||||||||||||||||||||||
722 | |||||||||||||||||||||||||||
723 | |||||||||||||||||||||||||||
724 | |||||||||||||||||||||||||||
725 | |||||||||||||||||||||||||||
726 | |||||||||||||||||||||||||||
727 | |||||||||||||||||||||||||||
728 | |||||||||||||||||||||||||||
729 | |||||||||||||||||||||||||||
730 | |||||||||||||||||||||||||||
731 | |||||||||||||||||||||||||||
732 | |||||||||||||||||||||||||||
733 | |||||||||||||||||||||||||||
734 | |||||||||||||||||||||||||||
735 | |||||||||||||||||||||||||||
736 | |||||||||||||||||||||||||||
737 | |||||||||||||||||||||||||||
738 | |||||||||||||||||||||||||||
739 | |||||||||||||||||||||||||||
740 | |||||||||||||||||||||||||||
741 | |||||||||||||||||||||||||||
742 | |||||||||||||||||||||||||||
743 | |||||||||||||||||||||||||||
744 | |||||||||||||||||||||||||||
745 | |||||||||||||||||||||||||||
746 | |||||||||||||||||||||||||||
747 | |||||||||||||||||||||||||||
748 | |||||||||||||||||||||||||||
749 | |||||||||||||||||||||||||||
750 | |||||||||||||||||||||||||||
751 | |||||||||||||||||||||||||||
752 | |||||||||||||||||||||||||||
753 | |||||||||||||||||||||||||||
754 | |||||||||||||||||||||||||||
755 | |||||||||||||||||||||||||||
756 | |||||||||||||||||||||||||||
757 | |||||||||||||||||||||||||||
758 | |||||||||||||||||||||||||||
759 | |||||||||||||||||||||||||||
760 | |||||||||||||||||||||||||||
761 | |||||||||||||||||||||||||||
762 | |||||||||||||||||||||||||||
763 | |||||||||||||||||||||||||||
764 | |||||||||||||||||||||||||||
765 | |||||||||||||||||||||||||||
766 | |||||||||||||||||||||||||||
767 | |||||||||||||||||||||||||||
768 | |||||||||||||||||||||||||||
769 | |||||||||||||||||||||||||||
770 | |||||||||||||||||||||||||||
771 | |||||||||||||||||||||||||||
772 | |||||||||||||||||||||||||||
773 | |||||||||||||||||||||||||||
774 | |||||||||||||||||||||||||||
775 | |||||||||||||||||||||||||||
776 | |||||||||||||||||||||||||||
777 | |||||||||||||||||||||||||||
778 | |||||||||||||||||||||||||||
779 | |||||||||||||||||||||||||||
780 | |||||||||||||||||||||||||||
781 | |||||||||||||||||||||||||||
782 | |||||||||||||||||||||||||||
783 | |||||||||||||||||||||||||||
784 | |||||||||||||||||||||||||||
785 | |||||||||||||||||||||||||||
786 | |||||||||||||||||||||||||||
787 | |||||||||||||||||||||||||||
788 | |||||||||||||||||||||||||||
789 | |||||||||||||||||||||||||||
790 | |||||||||||||||||||||||||||
791 | |||||||||||||||||||||||||||
792 | |||||||||||||||||||||||||||
793 | |||||||||||||||||||||||||||
794 | |||||||||||||||||||||||||||
795 | |||||||||||||||||||||||||||
796 | |||||||||||||||||||||||||||
797 | |||||||||||||||||||||||||||
798 | |||||||||||||||||||||||||||
799 | |||||||||||||||||||||||||||
800 | |||||||||||||||||||||||||||
801 | |||||||||||||||||||||||||||
802 | |||||||||||||||||||||||||||
803 | |||||||||||||||||||||||||||
804 | |||||||||||||||||||||||||||
805 | |||||||||||||||||||||||||||
806 | |||||||||||||||||||||||||||
807 | |||||||||||||||||||||||||||
808 | |||||||||||||||||||||||||||
809 | |||||||||||||||||||||||||||
810 | |||||||||||||||||||||||||||
811 | |||||||||||||||||||||||||||
812 | |||||||||||||||||||||||||||
813 | |||||||||||||||||||||||||||
814 | |||||||||||||||||||||||||||
815 | |||||||||||||||||||||||||||
816 | |||||||||||||||||||||||||||
817 | |||||||||||||||||||||||||||
818 | |||||||||||||||||||||||||||
819 | |||||||||||||||||||||||||||
820 | |||||||||||||||||||||||||||
821 | |||||||||||||||||||||||||||
822 | |||||||||||||||||||||||||||
823 | |||||||||||||||||||||||||||
824 | |||||||||||||||||||||||||||
825 | |||||||||||||||||||||||||||
826 | |||||||||||||||||||||||||||
827 | |||||||||||||||||||||||||||
828 | |||||||||||||||||||||||||||
829 | |||||||||||||||||||||||||||
830 | |||||||||||||||||||||||||||
831 | |||||||||||||||||||||||||||
832 | |||||||||||||||||||||||||||
833 | |||||||||||||||||||||||||||
834 | |||||||||||||||||||||||||||
835 | |||||||||||||||||||||||||||
836 | |||||||||||||||||||||||||||
837 | |||||||||||||||||||||||||||
838 | |||||||||||||||||||||||||||
839 | |||||||||||||||||||||||||||
840 | |||||||||||||||||||||||||||
841 | |||||||||||||||||||||||||||
842 | |||||||||||||||||||||||||||
843 | |||||||||||||||||||||||||||
844 | |||||||||||||||||||||||||||
845 | |||||||||||||||||||||||||||
846 | |||||||||||||||||||||||||||
847 | |||||||||||||||||||||||||||
848 | |||||||||||||||||||||||||||
849 | |||||||||||||||||||||||||||
850 | |||||||||||||||||||||||||||
851 | |||||||||||||||||||||||||||
852 | |||||||||||||||||||||||||||
853 | |||||||||||||||||||||||||||
854 | |||||||||||||||||||||||||||
855 | |||||||||||||||||||||||||||
856 | |||||||||||||||||||||||||||
857 | |||||||||||||||||||||||||||
858 | |||||||||||||||||||||||||||
859 | |||||||||||||||||||||||||||
860 | |||||||||||||||||||||||||||
861 | |||||||||||||||||||||||||||
862 | |||||||||||||||||||||||||||
863 | |||||||||||||||||||||||||||
864 | |||||||||||||||||||||||||||
865 | |||||||||||||||||||||||||||
866 | |||||||||||||||||||||||||||
867 | |||||||||||||||||||||||||||
868 | |||||||||||||||||||||||||||
869 | |||||||||||||||||||||||||||
870 | |||||||||||||||||||||||||||
871 | |||||||||||||||||||||||||||
872 | |||||||||||||||||||||||||||
873 | |||||||||||||||||||||||||||
874 | |||||||||||||||||||||||||||
875 | |||||||||||||||||||||||||||
876 | |||||||||||||||||||||||||||
877 | |||||||||||||||||||||||||||
878 | |||||||||||||||||||||||||||
879 | |||||||||||||||||||||||||||
880 | |||||||||||||||||||||||||||
881 | |||||||||||||||||||||||||||
882 | |||||||||||||||||||||||||||
883 | |||||||||||||||||||||||||||
884 | |||||||||||||||||||||||||||
885 | |||||||||||||||||||||||||||
886 | |||||||||||||||||||||||||||
887 | |||||||||||||||||||||||||||
888 | |||||||||||||||||||||||||||
889 | |||||||||||||||||||||||||||
890 | |||||||||||||||||||||||||||
891 | |||||||||||||||||||||||||||
892 | |||||||||||||||||||||||||||
893 | |||||||||||||||||||||||||||
894 | |||||||||||||||||||||||||||
895 | |||||||||||||||||||||||||||
896 | |||||||||||||||||||||||||||
897 | |||||||||||||||||||||||||||
898 | |||||||||||||||||||||||||||
899 | |||||||||||||||||||||||||||
900 | |||||||||||||||||||||||||||
901 | |||||||||||||||||||||||||||
902 | |||||||||||||||||||||||||||
903 | |||||||||||||||||||||||||||
904 | |||||||||||||||||||||||||||
905 | |||||||||||||||||||||||||||
906 | |||||||||||||||||||||||||||
907 | |||||||||||||||||||||||||||
908 | |||||||||||||||||||||||||||
909 | |||||||||||||||||||||||||||
910 | |||||||||||||||||||||||||||
911 | |||||||||||||||||||||||||||
912 | |||||||||||||||||||||||||||
913 | |||||||||||||||||||||||||||
914 | |||||||||||||||||||||||||||
915 | |||||||||||||||||||||||||||
916 | |||||||||||||||||||||||||||
917 | |||||||||||||||||||||||||||
918 | |||||||||||||||||||||||||||
919 | |||||||||||||||||||||||||||
920 | |||||||||||||||||||||||||||
921 | |||||||||||||||||||||||||||
922 | |||||||||||||||||||||||||||
923 | |||||||||||||||||||||||||||
924 | |||||||||||||||||||||||||||
925 | |||||||||||||||||||||||||||
926 | |||||||||||||||||||||||||||
927 | |||||||||||||||||||||||||||
928 | |||||||||||||||||||||||||||
929 | |||||||||||||||||||||||||||
930 | |||||||||||||||||||||||||||
931 | |||||||||||||||||||||||||||
932 | |||||||||||||||||||||||||||
933 | |||||||||||||||||||||||||||
934 | |||||||||||||||||||||||||||
935 | |||||||||||||||||||||||||||
936 | |||||||||||||||||||||||||||
937 | |||||||||||||||||||||||||||
938 | |||||||||||||||||||||||||||
939 | |||||||||||||||||||||||||||
940 | |||||||||||||||||||||||||||
941 | |||||||||||||||||||||||||||
942 | |||||||||||||||||||||||||||
943 | |||||||||||||||||||||||||||
944 | |||||||||||||||||||||||||||
945 | |||||||||||||||||||||||||||
946 | |||||||||||||||||||||||||||
947 | |||||||||||||||||||||||||||
948 | |||||||||||||||||||||||||||
949 | |||||||||||||||||||||||||||
950 | |||||||||||||||||||||||||||
951 | |||||||||||||||||||||||||||
952 | |||||||||||||||||||||||||||
953 | |||||||||||||||||||||||||||
954 | |||||||||||||||||||||||||||
955 | |||||||||||||||||||||||||||
956 | |||||||||||||||||||||||||||
957 | |||||||||||||||||||||||||||
958 | |||||||||||||||||||||||||||
959 | |||||||||||||||||||||||||||
960 | |||||||||||||||||||||||||||
961 | |||||||||||||||||||||||||||
962 | |||||||||||||||||||||||||||
963 | |||||||||||||||||||||||||||
964 | |||||||||||||||||||||||||||
965 | |||||||||||||||||||||||||||
966 | |||||||||||||||||||||||||||
967 | |||||||||||||||||||||||||||
968 | |||||||||||||||||||||||||||
969 | |||||||||||||||||||||||||||
970 | |||||||||||||||||||||||||||
971 | |||||||||||||||||||||||||||
972 | |||||||||||||||||||||||||||
973 | |||||||||||||||||||||||||||
974 | |||||||||||||||||||||||||||
975 | |||||||||||||||||||||||||||
976 | |||||||||||||||||||||||||||
977 | |||||||||||||||||||||||||||
978 | |||||||||||||||||||||||||||
979 | |||||||||||||||||||||||||||
980 | |||||||||||||||||||||||||||
981 | |||||||||||||||||||||||||||
982 | |||||||||||||||||||||||||||
983 | |||||||||||||||||||||||||||
984 | |||||||||||||||||||||||||||
985 | |||||||||||||||||||||||||||
986 | |||||||||||||||||||||||||||
987 | |||||||||||||||||||||||||||
988 | |||||||||||||||||||||||||||
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