1 | Compiled by Brooke Larimer. Feel free to use, but please cite properly. | |||||||||||||||
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2 | F=Female | |||||||||||||||
3 | Questions? Comments? Errors? contact me at brooke@brookelarimer.com | M=Male | ||||||||||||||
4 | ||||||||||||||||
5 | F Principals | M Principals | F Jobs | M Jobs | F Principal Value | M Principal Value | F Value | M Value | Fach | Total Principal | Total # Jobs (inc. chorus) | Principal Points | Total # Points (inc. chorus) | |||
6 | 1 | La traviata | 3 | 9 | 15 | 18 | 10 | 28 | 22 | 37 | Soprano | 63 | 222 | 256 | 415 | |
7 | 2 | Die Zauberflote | 9 | 9 | 18 | 18 | 35 | 35 | 44 | 44 | Mezzo/Alto | 33 | 199 | 116 | 282 | |
8 | 3 | Carmen | 6 | 7 | 13 | 15 | 19 | 23 | 26 | 31 | Tenor | 56 | 218 | 206 | 368 | |
9 | 4 | La boheme | 2 | 10 | 14 | 18 | 10 | 32 | 22 | 40 | Baritone/Bass | 96 | 266 | 345 | 504 | |
10 | 5 | Tosca | 12 | 7 | 13 | 19 | 5 | 24 | 17 | 36 | ||||||
11 | 6 | Madama Butterfly | 7 | 7 | 21 | 14 | 19 | 23 | 33 | 30 | Fach | Avg. Principal Value | Average Job Value (inc. chorus) | |||
12 | 7 | Il barbiere di Siviglia | 2 | 7 | 8 | 13 | 9 | 27 | 15 | 33 | Soprano | 4.063 | 1.869 | |||
13 | 8 | Le nozze di Figaro | 8 | 5 | 12 | 11 | 31 | 17 | 35 | 23 | Mezzo/Alto | 3.515 | 1.417 | |||
14 | 9 | Don Giovanni | 3 | 5 | 11 | 13 | 15 | 18 | 23 | 31 | Tenor | 3.679 | 1.688 | |||
15 | 10 | Rigoletto | 5 | 8 | 5 | 23 | 15 | 28 | 15 | 43 | Baritone/Bass | 3.594 | 1.895 | |||
16 | 11 | Die Fledermaus | 4 | 5 | 16 | 17 | 16 | 20 | 28 | 32 | ||||||
17 | 12 | Aida | 3 | 5 | 27 | 29 | 13 | 19 | 37 | 43 | I think it is important, in the name of fairness, to note that none of these operas have countertenor roles. | |||||
18 | 13 | Hansel und Gretel | 6 | 1 | 16 | 1 | 25 | 4 | 35 | 4 | ||||||
19 | 14 | L'elisir d'amore | 2 | 3 | 14 | 15 | 8 | 15 | 20 | 27 | ||||||
20 | 15 | Cosi fan tutte | 3 | 3 | 9 | 9 | 15 | 15 | 21 | 21 | ||||||
21 | 16 | Eugene Onegin | 4 | 7 | 22 | 24 | 15 | 22 | 33 | 39 | ||||||
22 | 17 | Nabucco | 3 | 5 | 23 | 25 | 12 | 20 | 32 | 40 | ||||||
23 | 18 | Turandot | 4 | 8 | 32 | 37 | 14 | 26 | 42 | 55 | ||||||
24 | 19 | Die lustige Witwe | 6 | 8 | 17 | 20 | 21 | 34 | 32 | 46 | ||||||
25 | 20 | Il trovatore | 3 | 6 | 19 | 20 | 12 | 20 | 28 | 34 | ||||||
26 | 21 | Pagliacci | 1 | 6 | 13 | 16 | 5 | 21 | 17 | 31 | ||||||
27 | 22 | Die Csardasfurstin | 4 | 3 | 13 | 12 | 17 | 10 | 26 | 19 | ||||||
28 | 23 | Otello | 2 | 7 | 26 | 31 | 9 | 26 | 33 | 50 | ||||||
29 | 24 | Der fliegende Hollander | 2 | 4 | 26 | 28 | 8 | 19 | 32 | 43 | ||||||
30 | 25 | Un ballo in maschera | 3 | 7 | 18 | 22 | 14 | 25 | 29 | 40 | ||||||
31 | ||||||||||||||||
32 | TOTAL | 107 | 152 | 421 | 468 | 372 | 551 | 697 | 872 |
1 | What is this? | ||
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2 | This data has been compiled in an effort to show how traditional opera favors male singers - specifically in total number of jobs available. | ||
3 | |||
4 | How do I read the summary page? | ||
5 | The summary page includes the following information: | ||
6 | 1. The list of the top 25 most performed operas worldwide, ranked from most performed to least performed (column B). | ||
7 | Top Operas taken from Operabase: http://operabase.com/top.cgi?lang=en | ||
8 | |||
9 | 2. The total number of female roles, including chorus parts, in each opera (column C). | ||
10 | 3. The total number of male roles, including chorus parts, in each opera (column D). | ||
11 | Role breakdown taken from Musical America: https://www.musicalartists.org/contracts-and-agreements/schedule-c/ | ||
12 | For columns C & D, leading roles and chorus roles are counted equally. These columns indicate the number of jobs available. | ||
13 | Chorus numbers are based on the "Minimum Chorus" according to AGMA's Schedule C. I assumed equal divisions among fachs. Chorus Bit roles are considered to be choristers. | ||
14 | |||
15 | 4. The value of the female roles in each opera (column E). | ||
16 | 5. The value of the male roles in each opera (column F). | ||
17 | Because not all opera roles are created equal, I assigned value to roles as follows: | ||
18 | L= Leading | 5 points | |
19 | F= Featured | 4 points | |
20 | S= Supporting | 3 points | |
21 | B= Bit | 2 points | |
22 | CB= Chorus Bit | 2 points | |
23 | Ch= Chorus | 1 point | |
24 | |||
25 | 6. The total number of jobs available to each fach (column I). As with columns C & D, is a simple body count. | ||
26 | 7. The total value available to each voice type (column J), based on the same point values as columns E & F. | ||
27 | 8. The average value of the roles available to each voice type (column K), created by dividing column J by column I. | ||
28 | |||
29 | Notes: | ||
30 | 1. Speaking roles, and roles usually cast with children are not included. | ||
31 | 2. AMGA's role designations trump performance practice for the purposes of this analysis. | ||
32 | 3. When AGMA denotes multiple fach options for a role, I defered to the Metropolitan Opera's casting practices. |
1 | La traviata | |||||||
---|---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | ||||
3 | Violetta Valery | Soprano | L | 5 | ||||
4 | Alfredo Germont | Tenor | L | 5 | ||||
5 | Giorgio Germont | Baritone | L | 5 | ||||
6 | Gastone de Letorieres | Tenor | S | 3 | ||||
7 | Baron Douphol | Baritone | S | 3 | ||||
8 | Marchese D’Obigny | Bass | S | 3 | ||||
9 | Doctor Grenville | Bass | S | 3 | ||||
10 | Flora Bervoix | Mezzo-Soprano | S | 3 | ||||
11 | Annina | Soprano | B | 2 | ||||
12 | Giuseppe | Tenor | CB | 2 | ||||
13 | Messenger | Bass | CB | 2 | ||||
14 | Flora’s Servant | Bass | CB | 2 | ||||
15 | ||||||||
16 | Chorus (min 24) | SATB | 6 | 6 | 5 | 4 | *CB roles are counted as part of total chorus | |
17 | ||||||||
18 | Total Principal | 2 | 1 | 3 | 6 | |||
19 | Principal Value | 7 | 3 | 10 | 18 | |||
20 | ||||||||
21 | Total # Roles | 8 | 7 | 8 | 10 | |||
22 | Total Value | 13 | 9 | 15 | 22 |
1 | The Magic Flute | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Tamino | Tenor | L | 5 | |||
4 | Pamina | Soprano | L | 5 | |||
5 | The Queen of the Night | Soprano | L | 5 | |||
6 | Sarastro | Bass | L | 5 | |||
7 | Papageno | Baritone | L | 5 | |||
8 | First Lady | Soprano | F | 4 | |||
9 | Second Lady | Soprano | F | 4 | |||
10 | Third Lady | Mezzo-soprano | F | 4 | |||
11 | Monostatos | Tenor | F | 4 | |||
12 | Papagena | Soprano | F | 4 | |||
13 | The Speaker (The Old Priest) | Bass | F | 4 | |||
14 | First Priest | Tenor | S | 3 | |||
15 | Second Priest | Bass | S | 3 | |||
16 | First Spirit | Soprano | S | 3 | |||
17 | Second Spirit | Soprano | S | 3 | |||
18 | Third Spirit | Soprano | S | 3 | |||
19 | First Man | Tenor | S | 3 | |||
20 | Second Man | Bass | S | 3 | |||
21 | |||||||
22 | Chorus (min 18) | SATB | 4 | 5 | 4 | 5 | |
23 | |||||||
24 | Total Principals | 8 | 1 | 4 | 5 | ||
25 | Principal Value | 31 | 4 | 15 | 20 | ||
26 | |||||||
27 | Total # Roles | 12 | 6 | 8 | 10 | ||
28 | Total Value | 35 | 9 | 19 | 25 |
1 | 23 | |||||||
---|---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | ||||
3 | Carmen | Mezzo-Soprano | L | 5 | ||||
4 | Don Jose | Tenor | L | 5 | ||||
5 | Escamillo | Baritone | F | 4 | ||||
6 | Micaela | Soprano | F | 4 | ||||
7 | Zuniga | Bass | S | 3 | ||||
8 | El Dancairo | Tenor | S | 3 | ||||
9 | El Remendado | Tenor | S | 3 | ||||
10 | Morales | Baritone | S | 3 | ||||
11 | Frasquita | Soprano | S | 3 | ||||
12 | Mercedes | Soprano | S | 3 | ||||
13 | *A Vendor (Act IV - 4 measures) | Soprano | CB | 2 | ||||
14 | *A Gypsy (Act IV - 4 measures) | Bass | CB | 2 | ||||
15 | Off-Stage Scream (Act I) | Soprano | CB | 2 | ||||
16 | ||||||||
17 | Chorus (min 18) | SATB | 2 | 5 | 4 | 4 | *CB roles are counted as part of total chorus | |
18 | ||||||||
19 | Total Principal | 5 | 1 | 3 | 4 | |||
20 | Principal Value | 14 | 5 | 11 | 12 | |||
21 | ||||||||
22 | Total # Roles | 7 | 6 | 7 | 8 | |||
23 | Total Value | 16 | 10 | 15 | 16 |
1 | La boheme | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Rodolfo, a poet | Tenor | L | 5 | |||
4 | Mimi, a seamstress | Soprano | L | 5 | |||
5 | Marcello, a painter | Baritone | L | 5 | |||
6 | Musetta, a grisette | Soprano | L | 5 | |||
7 | Colline, a philosopher | Bass | F | 4 | |||
8 | Schaunard, a musician | Baritone | F | 4 | |||
9 | Benoit, a landlord | Bass | S | 3 | |||
10 | Alcindoro, admirer of Musetta | Bass | S | 3 | |||
11 | Parpignol, a toy vendor | Tenor | CB | 2 | |||
12 | Custom-House Officer | Bass | CB | 2 | |||
13 | Sergeant | Bass | CB | 2 | |||
14 | Prune Man | Tenor | CB | 2 | |||
15 | |||||||
16 | Chorus (min 24) | SATB | 6 | 6 | 4 | 4 | |
17 | |||||||
18 | Total Principal | 2 | 0 | 3 | 7 | ||
19 | Principal Value | 10 | 0 | 9 | 23 | ||
20 | |||||||
21 | Total # Roles | 8 | 6 | 7 | 11 | ||
22 | Total Value | 16 | 6 | 13 | 27 |
1 | Tosca | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Floria Tosca | Soprano | L | 5 | |||
4 | Mario Cavaradossi | Tenor | L | 5 | |||
5 | Baron Scarpia | Baritone | L | 5 | |||
6 | Cesare Angelotti | Bass | S | 3 | |||
7 | A Sacristan | Baritone | S | 3 | |||
8 | Spoletta | Tenor | S | 3 | |||
9 | Sciarrone | Bass | S | 3 | |||
10 | A Gaoler (Jailer) | Bass | B | 2 | |||
11 | |||||||
12 | Chorus (min 24) | SATB | 6 | 6 | 6 | 6 | |
13 | |||||||
14 | Total Principal | 1 | 0 | 2 | 5 | ||
15 | Principal Value | 5 | 0 | 8 | 16 | ||
16 | |||||||
17 | Total # Roles | 7 | 6 | 8 | 11 | ||
18 | Total Value | 11 | 6 | 14 | 22 |
1 | Madama Butterfly | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Cio-Cio-San, Madama Butterfly | Soprano | L | 5 | |||
4 | Lt. Pinkerton | Tenor | L | 5 | |||
5 | Suzuki | Mezzo-Soprano | F | 4 | |||
6 | Sharpless | Baritone | F | 4 | |||
7 | Goro | Tenor | F | 4 | |||
8 | Prince Yamadori | Baritone | S | 3 | |||
9 | The Bonze | Bass | S | 3 | |||
10 | The Imperial Commissioner | Bass | B | 2 | |||
11 | Kate Pinkerton | Mezzo-Soprano | B | 2 | |||
12 | The Official Registrar | Baritone | B | 2 | |||
13 | Yakuside* | Baritone | B | 2 | |||
14 | Cousin | Soprano | CB | 2 | |||
15 | Mother | Mezzo-Soprano | CB | 2 | |||
16 | Aunt | Mezzo-Soprano | CB | 2 | |||
17 | |||||||
18 | Minimum Chorus: 21 | SAT | 7 | 7 | 7 | ||
19 | |||||||
20 | Total Principal | 2 | 5 | 2 | 5 | ||
21 | Principal Value | 7 | 12 | 9 | 14 | ||
22 | |||||||
23 | Total # Roles | 9 | 12 | 9 | 5 | ||
24 | Total Value | 14 | 19 | 16 | 14 |
1 | Il barbiere di Siviglia | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Rosina, the doctor's ward | Mezzo Soprano | L | 5 | |||
4 | Count Almaviva | Tenor | L | 5 | |||
5 | Figaro, a barber | Baritone | L | 5 | |||
6 | Doctor Bartolo | Bass | L | 5 | |||
7 | Don Basilio, a singing teacher | Bass | L | 5 | |||
8 | Berta, Rosina's governess (*with aria = featured) | Soprano | S/F | 4 | |||
9 | Fiorello, servant to the Count | Bass | S | 3 | |||
10 | Ambrogio, servant to the doctor | Bass | B | 2 | |||
11 | An Officer (Sergeant) | Baritone or Bass | B | 2 | |||
12 | |||||||
13 | Minimum Chorus: 12 | SATB | 3 | 3 | 3 | 3 | |
14 | |||||||
15 | Total Principal | 1 | 1 | 1 | 6 | ||
16 | Principal Value | 4 | 5 | 5 | 22 | ||
17 | |||||||
18 | Total # Roles | 4 | 4 | 4 | 9 | ||
19 | Total Value | 7 | 8 | 8 | 25 |
1 | Le nozze di Figaro | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Count Almaviva | Baritone | L | 5 | |||
4 | Countess Almaviva | Soprano | L | 5 | |||
5 | Figaro | Bass-Baritone | L | 5 | |||
6 | Susanna | Soprano | L | 5 | |||
7 | Cherubino | Mezzo-Soprano | L | 5 | |||
8 | Doctor Bartolo | Bass | F | 4 | |||
9 | Marcellina | Mezzo-Soprano | F | 4 | |||
10 | Don Basilio | Tenor | S | 3 | |||
11 | Don Curzio | Tenor | S | 3 | |||
12 | Barbarina | Soprano | S | 3 | |||
13 | Antonio | Bass | B | 2 | |||
14 | Bridesmaid 1 | Soprano | CB | 2 | |||
15 | Bridesmaid 2 | Mezzo-Soprano | CB | 2 | |||
16 | |||||||
17 | Minimum Chorus: 12 | SATB | 2 | 2 | 3 | 3 | |
18 | |||||||
19 | Total Principal | 5 | 3 | 2 | 3 | ||
20 | Principal Value | 20 | 11 | 6 | 11 | ||
21 | |||||||
22 | Total # Roles | 7 | 5 | 5 | 6 | ||
23 | Total Value | 22 | 13 | 9 | 14 |
1 | Don Giovanni | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Don Giovanni | Baritone | L | 5 | |||
4 | Donna Anna | Soprano | L | 5 | |||
5 | Donna Elvira | Soprano | L | 5 | |||
6 | Don Ottavio | Tenor | L | 5 | |||
7 | Leporello | Bass | L | 5 | |||
8 | Zerlina | Soprano | L | 5 | |||
9 | Masetto | Baritone | F | 4 | |||
10 | Commendatore (Don Pedro) | Bass | F | 4 | |||
11 | |||||||
12 | Minimum Chorus: 16 | SATB | 4 | 4 | 4 | 4 | |
13 | |||||||
14 | Total Principal | 3 | 0 | 1 | 4 | ||
15 | Principal Value | 15 | 0 | 5 | 13 | ||
16 | |||||||
17 | Total # Roles | 7 | 4 | 5 | 8 | ||
18 | Total Value | 19 | 4 | 9 | 22 |
1 | Rigoletto | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | The Duke of Mantua | Tenor | L | 5 | |||
4 | Rigoletto | Baritone | L | 5 | |||
5 | Gilda | Soprano | L | 5 | |||
6 | Count Monterone | Baritone | F | 4 | |||
7 | Sparafucile | Bass | F | 4 | |||
8 | Maddelena | Contralto | F | 4 | |||
9 | Marullo | Baritone | S | 3 | |||
10 | Matteo Borsa | Tenor | S | 3 | |||
11 | Count Ceprano | Bass | B | 2 | |||
12 | Giovanna | Mezzo-Soprano | B | 2 | |||
13 | Countess Ceprano | Mezzo-Soprano or Soprano | B | 2 | |||
14 | A Page | Soprano | B | 2 | |||
15 | Usher | Baritone | CB | 2 | |||
16 | |||||||
17 | Minimum Chorus: 16 | TB | 8 | 7 | |||
18 | |||||||
19 | Total Principal | 2 | 3 | 2 | 6 | ||
20 | Total Value | 7 | 8 | 8 | 20 | ||
21 | |||||||
22 | Total # Roles | 2 | 3 | 10 | 13 | ||
23 | Total Value | 7 | 8 | 16 | 27 |
1 | Die Fledermaus | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Eisenstein | Tenor | L | 5 | |||
4 | Rosalinde | Soprano | L | 5 | |||
5 | Adele | Soprano | L | 5 | |||
6 | Prince Orlofsky | Mezzo-Soprano | F | 4 | |||
7 | Alfred | Tenor | F | 4 | |||
8 | Dr. Falke | Baritone | F | 4 | |||
9 | Frank | Baritone | F | 4 | |||
10 | Dr. Blind | Tenor | S | 3 | |||
11 | Ida (Sally), sister of Adele | Soprano | B | 2 | |||
12 | |||||||
13 | Minimum Chorus: 24 | SATB | 6 | 6 | 6 | 6 | |
14 | |||||||
15 | Total Principal | 3 | 1 | 3 | 2 | ||
16 | Total Value | 12 | 4 | 12 | 8 | ||
17 | |||||||
18 | Total # Roles | 9 | 7 | 9 | 8 | ||
19 | Total Value | 18 | 10 | 18 | 14 |
1 | Aida | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Aida, Ethiopian princess, slave of Amneris | Soprano | L | 5 | |||
4 | Amneris, Daughter of the King of Egypt | Mezzo Soprano | L | 5 | |||
5 | Radames, Captain of the Egyptian Guard | Tenor | L | 5 | |||
6 | Amonasro, King of Ethiopia, father of Aida | Baritone | L | 5 | |||
7 | Ramphis, High Priest of Egypt | Bass | F | 4 | |||
8 | A Priestess | Soprano | S | 3 | |||
9 | King of Egypt | Bass | S | 3 | |||
10 | A Messenger | Tenor | B | 2 | |||
11 | |||||||
12 | Minimum Chorus: 48 | SATB | 12 | 12 | 12 | 12 | |
13 | |||||||
14 | Total Principals | 2 | 1 | 2 | 3 | ||
15 | Total Value | 8 | 5 | 7 | 12 | ||
16 | |||||||
17 | Total # Roles | 14 | 13 | 14 | 15 | ||
18 | Total Value | 20 | 17 | 19 | 24 |
1 | Hansel und Gretel | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Hansel | Mezzo Soprano | L | 5 | |||
4 | Gretel | Soprano | L | 5 | |||
5 | The Witch* | Mezzo Soprano* | L | 5 | |||
6 | Gertrude (the mother) | Mezzo Soprano | F | 4 | |||
7 | Peter (the father) | Baritone | F | 4 | |||
8 | Sandman | Soprano | S | 3 | |||
9 | Dew Fairy | Soprano | S | 3 | |||
10 | |||||||
11 | Minimum Chorus: 10 | SA | 5 | 5 | |||
12 | |||||||
13 | Total Principals | 3 | 3 | 0 | 1 | ||
14 | Total Value | 11 | 14 | 0 | 4 | ||
15 | |||||||
16 | Total # Roles | 8 | 8 | 0 | 1 | ||
17 | Total Value | 16 | 19 | 0 | 4 |
1 | l'elisir d'amore | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Adina | Soprano | L | 5 | |||
4 | Nemorino | Tenor | L | 5 | |||
5 | Sergeant Belcore | Baritone | L | 5 | |||
6 | Dulcamara, a quack doctor | Bass | L | 5 | |||
7 | Giannetta, a peasant girl | Soprano | S | 3 | |||
8 | |||||||
9 | Minimum Chorus: 24 | SATB | 6 | 6 | 6 | 6 | |
10 | |||||||
11 | Total Principals | 2 | 0 | 1 | 2 | ||
12 | Total Value | 8 | 0 | 5 | 10 | ||
13 | |||||||
14 | Total # Roles | 8 | 6 | 7 | 8 | ||
15 | Total Value | 14 | 6 | 11 | 16 |
1 | cosi fan tutte | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Fiordiligi | Soprano | L | 5 | |||
4 | Dorabella, her sister | Soprano | L | 5 | |||
5 | Ferrando, her fiance | Tenor | L | 5 | |||
6 | Guglielmo, engaged to Fiordiligi | Baritone | L | 5 | |||
7 | Don Alfonso | Baritone | L | 5 | |||
8 | Despina, maid to Fiordiligi & Dorabella | Soprano | L | 5 | |||
9 | |||||||
10 | Minimum Chorus: 12 | SATB | 3 | 3 | 3 | 3 | |
11 | |||||||
12 | Total Principal | 3 | 0 | 1 | 2 | ||
13 | Total Value | 15 | 0 | 5 | 10 | ||
14 | |||||||
15 | Total # Roles | 6 | 3 | 4 | 5 | ||
16 | Total Value | 18 | 3 | 8 | 13 |
1 | Eugene Onegin | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Tatiana | Soprano | L | 5 | |||
4 | Eugene Onegin | Baritone | L | 5 | |||
5 | Lenski | Tenor | L | 5 | |||
6 | Olga | Mezzo-Soprano | F | 4 | |||
7 | Prince Gremin | Bass | F | 4 | |||
8 | Madame Larina | Mezzo-Soprano | S | 3 | |||
9 | Filipievna | Mezzo-Soprano | S | 3 | |||
10 | Monsieur Triquet | Tenor | S | 2 | |||
11 | Zaretski | Bass | B | 2 | |||
12 | A Captain | Bass | B | 2 | |||
13 | Peasant - Tenor Solo (Act I, sc. 2) | Tenor | CB | 2 | |||
14 | |||||||
15 | Minimum Chorus: 36 | SATB | 9 | 9 | 8 | 9 | |
16 | |||||||
17 | Total Principle | 1 | 3 | 3 | 4 | ||
18 | Total Value | 5 | 10 | 9 | 13 | ||
19 | |||||||
20 | Total # Roles | 10 | 12 | 11 | 13 | ||
21 | Total Value | 14 | 19 | 17 | 22 |
1 | Nabucco | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Nabucco (Nebuchadnezzar), King of Babylon | Baritone | L | 5 | |||
4 | Abigaille | Soprano | L | 5 | |||
5 | Zaccaria | Bass | L | 5 | |||
6 | Ismaele | Tenor | F | 4 | |||
7 | Fenena | Mezzo-Soprano | F | 4 | |||
8 | High Priest of Babylon | Bass | S | 3 | |||
9 | Anna | Soprano | S | 3 | |||
10 | Abdallo | Tenor | S | 3 | |||
11 | |||||||
12 | Minimum Chorus: 40 | SATB | 10 | 10 | 10 | 10 | |
13 | |||||||
14 | Total Principal | 2 | 1 | 2 | 3 | ||
15 | Total Value | 8 | 4 | 7 | 13 | ||
16 | |||||||
17 | Total # Roles | 12 | 11 | 12 | 13 | ||
18 | Total Value | 18 | 14 | 17 | 23 |
1 | Turandot | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Princess Turandot | Soprano | L | 5 | |||
4 | Calaf | Tenor | L | 5 | |||
5 | Liu | Soprano | L | 5 | |||
6 | Timur | Bass | F | 4 | |||
7 | Ping | Baritone | F | 4 | |||
8 | Pang | Tenor | S | 3 | |||
9 | Pong | Tenor | S | 3 | |||
10 | A Mandarin | Baritone | S | 3 | |||
11 | Emperor Altoum | Tenor | B | 2 | |||
12 | Handmaiden 1 | Soprano | CB | 2 | |||
13 | Handmaiden 2 | Soprano | CB | 2 | |||
14 | Prince of Persia | Tenor | CB | 2 | |||
15 | |||||||
16 | Minimum Chorus: 60 | SATB | 13 | 15 | 14 | 15 | |
17 | |||||||
18 | Total Principals | 4 | 0 | 5 | 3 | ||
19 | Total Value | 14 | 0 | 15 | 11 | ||
20 | |||||||
21 | Total # Roles | 17 | 15 | 19 | 18 | ||
22 | Total Value | 27 | 15 | 29 | 26 |
1 | Die Lustige Witwe | ||||||||
---|---|---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||||
3 | Hanna Glawari | Soprano | L | 5 | |||||
4 | Valencienne | Soprano | L | 5 | This is the Sams version from the AGMA site. | ||||
5 | Count Danilo Danilovitch | Tenor | L | 5 | The other version doesn't include voice parts and the character names don't seem to be accurate. Requires further research. | ||||
6 | Baron Mirko Zeta | Baritone | L | 5 | |||||
7 | Camille de Rosillon | Tenor | F | 4 | |||||
8 | Raoul de St. Brioche | Tenor | F | 4 | |||||
9 | Vicomte Cascada | Baritone | F | 4 | |||||
10 | Kromow | Baritone | F | 4 | |||||
11 | Bogdanovitch | Baritone | F | 4 | |||||
12 | Pritschitsch | Baritone | F | 4 | |||||
13 | Sylviane | Soprano | S | 3 | |||||
14 | Olga | Mezzo-Soprano | S | 3 | |||||
15 | Praskowia | Mezzo-Soprano | S | 3 | |||||
16 | A woman | Mezzo-Soprano | CB | 2 | |||||
17 | |||||||||
18 | Minimum Chorus: 24 | SATB | 6 | 5 | 6 | 6 | |||
19 | |||||||||
20 | Total Principals | 3 | 3 | 3 | 5 | ||||
21 | Total Value | 13 | 8 | 13 | 21 | ||||
22 | |||||||||
23 | Total # Roles | 9 | 8 | 9 | 11 | ||||
24 | Total Value | 19 | 13 | 19 | 27 |
1 | Il Trovatore | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Count Di Luna | Baritone | L | 5 | |||
4 | Manrico | Tenor | L | 5 | |||
5 | Leonora | Soprano | L | 5 | |||
6 | Azucena | Mezzo-Soprano | L | 5 | |||
7 | Ferrando | Bass | F | 4 | |||
8 | Ruiz | Tenor | B | 2 | |||
9 | Inez | Soprano | B | 2 | |||
10 | An Old Gypsy | Baritone | CB | 2 | |||
11 | Messenger | Tenor | CB | 2 | |||
12 | |||||||
13 | Minimum Chorus: 32 | SATB | 8 | 8 | 7 | 7 | |
14 | |||||||
15 | Total Principals | 2 | 1 | 3 | 3 | ||
16 | Total Value | 7 | 5 | 9 | 11 | ||
17 | |||||||
18 | Total # Roles | 10 | 9 | 10 | 10 | ||
19 | Total Value | 15 | 13 | 16 | 18 |
1 | I Pagliacci | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Canio | Tenor | L | 5 | |||
4 | Nedda | Soprano | L | 5 | |||
5 | Tonio | Baritone | L | 5 | |||
6 | Silvio | Baritone | F | 4 | |||
7 | Beppe-Harlequin | Tenor | S | 3 | |||
8 | Peasant #1 | Bass | CB | 2 | |||
9 | Peasant #2 | Tenor | CB | 2 | |||
10 | |||||||
11 | Minimum Chorus: 24 | SATB | 6 | 6 | 5 | 5 | |
12 | |||||||
13 | Total Principals | 1 | 0 | 2 | 4 | ||
14 | Total Value | 5 | 0 | 8 | 13 | ||
15 | |||||||
16 | Total # Roles | 7 | 6 | 7 | 9 | ||
17 | Total Value | 11 | 6 | 13 | 18 |
1 | Die Csárdásfürstin | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Sylva Varescu | High Soprano | L | 5 | |||
4 | Edwin Ronald (Prince Edwin-Marius) | High Soprano | L | 5 | |||
5 | Countess Anastasia (Stasi) | Mezzo-Soprano | F | 4 | |||
6 | Count Boni Banscianu | Baritone | F | 4 | |||
7 | Feri Von Kerekes (Count Ferencz) | Baritone | S | 3 | |||
8 | Prince Leopold | Bass-Baritone | S | 3 | |||
9 | Princess Anhilte (Karen) | Contralto | S | 3 | |||
10 | |||||||
11 | Minimum Chorus: 18 | SATB | 4 | 5 | 5 | 4 | |
12 | |||||||
13 | Total Principal | 2 | 2 | 0 | 3 | ||
14 | Total Value | 10 | 7 | 0 | 10 | ||
15 | |||||||
16 | Total # Roles | 6 | 7 | 5 | 7 | ||
17 | Total Value | 14 | 12 | 5 | 14 |
1 | Otello (Verdi) | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Otello | Tenor | L | 5 | |||
4 | Desdemona | Soprano | L | 5 | |||
5 | Iago | Baritone | L | 5 | |||
6 | Cassio | Tenor | F | 4 | |||
7 | Emilia | Mezzo-Soprano | F | 4 | |||
8 | Lodovico | Bass | F | 4 | |||
9 | Roderigo | Tenor | S | 3 | |||
10 | Montano | Bass | S | 3 | |||
11 | A Herald (Act III, sc. 1) | Baritone | B | 2 | |||
12 | |||||||
13 | Minimum Chorus: 48 | SATB | 12 | 12 | 12 | 12 | |
14 | |||||||
15 | Total Principal | 1 | 1 | 3 | 4 | ||
16 | Total Value | 5 | 4 | 12 | 14 | ||
17 | |||||||
18 | Total # Roles | 13 | 13 | 15 | 16 | ||
19 | Total Value | 17 | 16 | 24 | 26 |
1 | Der Fliegander Hollander | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Senta | Soprano | L | 5 | |||
4 | The Dutchman | Baritone | L | 5 | |||
5 | Erik | Tenor | L | 5 | |||
6 | Daland | Bass | L | 5 | |||
7 | Steersman | Tenor | F | 4 | |||
8 | Mary | Contralto | S | 3 | |||
9 | |||||||
10 | Minimum Chorus: 48 | SATB | 12 | 12 | 12 | 12 | |
11 | |||||||
12 | Total Principals | 1 | 1 | 2 | 2 | ||
13 | Total Value | 5 | 3 | 9 | 10 | ||
14 | |||||||
15 | Total # Roles | 13 | 13 | 14 | 14 | ||
16 | Total Value | 17 | 15 | 21 | 22 |
1 | Un Ballo in Maschera | ||||||
---|---|---|---|---|---|---|---|
2 | Soprano | Mezzo/Alto | Tenor | Baritone/Bass | |||
3 | Amelia, his wife | Soprano | L | 5 | |||
4 | Oscar, page | Soprano | L | 5 | |||
5 | Gustav III, King of Sweden (Riccardo) | Tenor | L | 5 | |||
6 | Ct. Johan Ankerstrom, his aide (Renato) | Baritone | L | 5 | |||
7 | Ulrica, a fortune teller | Contralto | F | 4 | |||
8 | Ct. Ribbing (Tom) enemy of the King | Bass | F | 4 | |||
9 | Ct. Horn (Samuel) enemy of the King | Bass | F | 4 | |||
10 | Christian, a sailor (Silvano) | Bass | S | 3 | |||
11 | The Chief Magistrate (Judge) | Tenor | B | 2 | |||
12 | A Servant of Amelia | Tenor | B | 2 | |||
13 | |||||||
14 | Minimum Chorus: 30 | SATB | 7 | 8 | 8 | 7 | |
15 | |||||||
16 | Total Principals | 2 | 1 | 3 | 4 | ||
17 | Total Value | 10 | 4 | 9 | 16 | ||
18 | |||||||
19 | Total # Roles | 9 | 9 | 11 | 11 | ||
20 | Total Value | 17 | 12 | 17 | 23 |