1 | SEAMUS 2025 Live Concert Program March 21-24/25, 2025 Department of Music Purdue University | ||||
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2 | Title | Year | Composer | Affiliation | Instrumentation |
3 | Day 1 Fri, 3/21/25 | ||||
4 | Fowler Hall, 20:00, Concert 1 | ||||
5 | Axolotl for solo cello and electronic ghost score | 1980 | Morton Subotnick | Stephen Marotto, cello | |
6 | COINCIDENT #7 | 2022 | Scott L. Miller | St. Cloud State University | Sam Wells, trumpet; Adam Vidiksis, drums; Scott Miller, electronics |
7 | Extension | Isaac Smith, Robin Meiksins | Indiana University Jacobs School of Music | Robin Meiksins, flute | |
8 | strung | 2021 | Raphael Radna | University of California, Santa Barbara | Fixed media |
9 | Octamatone | Jared Bradley Tubbs | University of Georgia | Otamatone and live elecronics | |
10 | Absence of Hope | 2024 | Michael Wittgraf | University of North Dakota | EWI, Live Electronics |
11 | No Where | Eli Stine | Oberlin Conservatory | Fixed media | |
12 | Musique Concrete | 2024 | Brodie Miller | University of Wisconsin-Milwaukee | Unconventional percussion; lunchbox |
13 | Ambient in D Flat | 2024 | Joo Won Park | Wayne State University | Melodica and computer |
14 | |||||
15 | Spot Tavern, 22:00, Concert 2 | ||||
16 | Ephemera | Eliza Gelinas | Fixed media, euphonium and electronics | ||
17 | Where It Takes You | Kerrith Livengood | Cello (Stephen Morotto) and live electronics (SuperCollider) | ||
18 | from:/to: home | Pak Hei (Alvin) Leung, Jae-Eun Suh | University of North Texas | Fixed media | |
19 | Sandman in a Windwept Room | Mark Eden | Fixed media | ||
20 | Hexadic Dreams | 2023 | Greg Dixon | DigiPen Institute of Technology | Clarinet (Rachel Yoder) and modular synthesizer (Greg Dixon) |
21 | this walkthrough assumes that you've tried | Kristopher Bendrick | The University of Kansas | Fixed media | |
22 | high_zero | Sam Pluta, laptop and voice | Peabody Institute | Sam Pluta, computer | |
23 | |||||
24 | Day 2 Sat, 3/22/25 | ||||
25 | Fowler Hall, 11:30, Concert 3 | ||||
26 | Papa, Can't You See I'm Burning? | Monte Taylor | Purdue University | Jordan Walsh, percussionsit | |
27 | As all the Heavens were a Bell | Lucas Smith | - | piano (Ruben Høgh ) and fixed media | |
28 | Central Jersey Creation Myth | Ari Liloia | - | Fixed media | |
29 | prowl | 2024 | Robert McClure | Ohio University | Alto flute (Erin Helgeson-Torres) and electronics |
30 | Du | Kyong Mee Choi | Roosevelt University | Piano (Qingping Ye) + fixed media | |
31 | black blocks | Alexander Toth | - | Fixed media | |
32 | superimposed sonic images | Orlando Jacinto Garcia | Florida International University | Piano (Qingping Ye) + fixed media | |
33 | Glitchopolis | 2024 | Zhao Jiajing | University of the Arts London, CRiSAP | Fixed media |
34 | Ecosystem [512] | 2024 | Garrison Gerard | University of North Carolina at Pembroke | Clarinet (Brooke Miller), live electronics, and fixed video |
35 | |||||
36 | TAF, 16:30, Concert 4 | ||||
37 | Blue Canvas | 2023 | Eric Lemmon | Knox College | live electronics + video |
38 | Square the Circle (solo electronic percussion + visuals) | Patrick Cleland | D'Addario / EVANS Hybrid / Sunhouse | Patrick Cleland, drums | |
39 | Bang, Crunch, Bounce | Jon Christopher Nelson | University of North Texas | Fixed media | |
40 | Lines Around the Corner | Ralph Lewis | Millikin University | Violin (Sicong Chen), triggered fixed media | |
41 | TITE Rope Jam | 2024 | Transylvania Interactive Technology Ensemble (TITE) | Transylvania University | Tyler Baker, Benjamin Breitenstein, Carson Calico, Gabrielle Dahlgren, Riley Ham, Sabrina Riggs, Faith Steffey, Timothy Polashek (iPads) |
42 | seven | Rosalie Safford | Ohio University | Fixed media | |
43 | Octophonic Etudes I, II, III | Hamish Robb | - | Laptop + electronics | |
44 | Inharmonic Fantasy No. 19 | Hubert Howe | Queens College C.U.N.Y. (emeritus) | Fixed media | |
45 | Rhodonea | John C.S. Keston | University of St Thomas | Synthesizer and graphics | |
46 | |||||
47 | Fowler Hall, 20:30, Concert 5 | ||||
48 | Music for Alto Flute and Computer | Marc Ainger | - | Ann Stimson, alto flute and laptop | |
49 | susurrus | Nolen Liu | University of North Texas | Fixed media | |
50 | Daughter of the Stars | 2024 | Brian Lindgren | University of Virginia | Custom instrument |
51 | Birds | 2024 | Christopher Cook | Chowan University | Piano |
52 | dust held | 2024 | Leo Seligo & Olive Harlan | Oberlin Conservatory | Fixed media |
53 | The Ricochet's Reflection | Chris Mercer, composer and performer Bradley Robin, performer | Northwestern University | Digital keyboards and fixed media | |
54 | Un Dialogue avec le Titane | 2024 | Ningxin Zhang | - | Fixed media |
55 | Shape Shifting 1: Duet | 2024 | Michael Pounds | - | Cigar box synth & modular synth |
56 | L’amour pur | Liann J. Kang | - | Mezzo-soprano (Liann Kang) and electronics | |
57 | Hidden Elements | Ian Evans Guthrie Alexis Drabek, choreographer | Calvary University | Piano and fixed media | |
58 | Alone_03 | Jeff Herriott | - | Fixed audiovisual media | |
59 | |||||
60 | Spot Tavern, 22:00, Concert 6 | ||||
61 | Live Coding Improvisation | Eli Fieldsteel | University of Illinois Urbana-Champaign | Laptop | |
62 | Dog Days for Analog and Digital Synthesizers + Fixed Media | Patrick Gibson | Long Beach Unified School District | Fixed media | |
63 | In and Out of Phase | Teerath Majumder James Ilgenfritz (contrabass) | Columbia College Chicago | Contrabass (James Ilgenfritz) and electronics | |
64 | Call of Nowhere | Xiaogang Xiang | University of Illinois at Urbana-Champaign | Fixed media | |
65 | They are obviously sounds; that's why they are shadows | Drew Whiting | University of Wisconsin Oshkosh | Tenor sax | |
66 | Automata | John Mayrose | University of Wisconsin Oshkosh | Electric guitar, computer, and live video | |
67 | |||||
68 | Day 3 Sun, 3/23/25 | ||||
69 | Fowler Hall, 11:30, Concert 7 | ||||
70 | Kraken | 2024 | Varun Kishore | University of Virginia | Fixed media |
71 | Intertwine | John Thompson | Georgia Southern University | Fixed media | |
72 | Quantum | 2022 | Enrico Dorigatti | University of Portsmouth | Fixed media |
73 | Cold Hearth | 2024 | Amirhossein Zeinali | University of Utah | Piano and live electronics |
74 | The Worth of Water | 2023 | Elizabeth Hinkle-Turner | University of North Texas | Fixed media |
75 | Far from the Tree | 2022 | James Caldwell | Western Illinois University, Emeritus | Alto sax |
76 | Hybrid Sonic | 2022 | Ti Zhang | University of Illinois, Urbana-Champaign | Fixed media |
77 | Oxyluciferin | 2025 | Caroline Louise Miller & Alexandria Smith | Georgia Tech & Portland State Univ. | Voice, trumpet, interactive electronics |
78 | something for strings | T. R. Beery | Ohio University | Fixed media | |
79 | Human vs. Transhuman: Act One | Cecilia Suhr | Miami University Regionals | Voice, live electronics, fixed media | |
80 | |||||
81 | TAF, 17:00, Concert 8 | ||||
82 | You are the Product: a work for Audience Mobile Phones | Nick Hwang | University of Wisconsin-Whitewater | Mobile phones and audience | |
83 | From Orion to Cassiopeia | Mara Helmuth | University of Cincinnati | Fixed media | |
84 | 52 Blue | Chin Ting Chan | Ball State University | Lap steel guitar and fixed media | |
85 | Ancestor | Simon Hutchinson | University of New Haven | Live electronics | |
86 | Sentinels Along the River of Time | 2018 | Julius Bucsis | Ball State University | Fixed media |
87 | Ingrained | 2024 | Jonathan Wilson & Esther Lamneck | - | Tarogato (Esther Lamnek), fixed media, and live electronics |
88 | Fusion of Horizons | 2024 | Chi Wang | Indiana University | Data-driven instrument |
89 | Given to Rust | 2022 | Andrew Walters | Commonwealth University--Mansfield | Fixed media |
90 | Fantasy for Vagrant Flute | 2024 | Timothy McDunn | Wheaton College | Flute and live electronics |
91 | CD40209 | 2022 | Alex Christie | University of Virginia | Metronomes, lights, and homemade electronics |
92 | Metanoia | Margaret Schedel | Stony Brook University / Peabody Institute | Ford Fourqurean, Bb clarinet | |
93 | |||||
94 | Fowler Hall, 20:00, Concert 9 | ||||
95 | Eagle Over Algae | Christopher Douthitt | Washington University in St Louis | Voice, interactive electronics, and fixed media | |
96 | "I am the space..." | Benjamin Shirey | University of North Texas | Fixed media | |
97 | Etude for Board Operator and One or More Listeners | Becky Brown | University of Virginia | Video, engineer, and audience | |
98 | Cup | Treya Nash | Louisiana State University | Computer | |
99 | Wordless, yet needing to embody anything | Connor Scroggins | University of North Texas | Flutes, saxophones, violin, live electronics (recording) | |
100 | Form and content | Barry Moon | - | Guitar and computer | |
101 | Sacred Mountain II | Wan Heo | Northwestern University | Fixed media | |
102 | WSP x 11 | 2025 | April 33 | April 33 | Cello (Maria Ahn), piano (Lucia Ahn), bass (Tae Hong Park), and computer |
103 | Glimmers of Alarm | Eric Simonson | Danville Area Community College | Piano and fixed media | |
104 | SOMAXMOBILE (world premiere) | 2025 | Mari Kimura | Julliard | Violin |
105 | |||||
106 | Spot Tavern, 22:00, Concert 10 | ||||
107 | Digital Days | 2024 | Sameer A. Ramchandran | - | Fixed audiovisual media |
108 | Metamorphosis of the Frog (2024) for live electronics | 2024 | Yenhsing/Jasper Chen | Peabody Institute | Live electronics |
109 | Běda | 2024 | Jacob Frost | University of Minnesota | Tenor saxophone (Sterling Fry) and fixed media |
110 | Something About Birds | Wyatt Cannon | Indiana University | Fixed media | |
111 | Toothache | Carter Crosby | - | MIDI controllers | |
112 | From Below | 2021 | Nate Krebs | University of Minnesota | Fixed media |
113 | Here comes a candle to light you to bed | 2022 | Marcin Pączkowski | Cornish College of the Arts | Motion sensors (no live input) |
114 | Resonant Constructions | Mark Volker | Belmont University | Bass Trombone (Aaron Hynds) and interactive electronics | |
115 | terrain | 2024 | Steven Hixson | The Ohio State University | Custom interface |
116 | Improv Sculpture No 1 - Oceans of Europa | 2024 | William Hawkins | Indiana University, Jacobs School of Music | Fixed media |
117 | Stay | Daroo Lee | Indiana University Bloomington Jacobs School of Music | Game controller | |
118 | |||||
119 | Day 4 Mon, 3/24/25 | ||||
120 | TAF, 11:30, Concert 11 | ||||
121 | Daiyu | Yao Hsiao | University of Oregon | Voice, iPad, live elec,, rice paper, news paper | |
122 | Orphist Miniatures | 2024 | Nicolas Chuaqui | - | Fixed media |
123 | something visceral | Elijah Stewart | Bowling Green State University | Percussion | |
124 | The Mist | 2023 | Minho Kang | Indiana University in Bloomington | Fixed media |
125 | Shards of Distortion | 2024 | Huan Sun | Indiana University Bloomington | Drum kit, w/ glass chimes |
126 | Aerial Roots | 2023 | Timothy Page | The Hong Kong University of Science and Technology | Violin (Patrick Yim) and live electronics |
127 | Seething Field | Sam Wells | Temple University | Fixed media | |
128 | CO- | Younje Cho | - | Violin (Jisu Youn) and electronics | |
129 | fracture.jpg | Gracie Fagan | University of Colorado - Boulder | Ableton push | |
130 | Antithesis (this is the part where I scream) | 2024 | Maxwell Miller | University of Illinois, Urbana-Champaign | Guitar, voice, and electronics |
131 | |||||
132 | Elliott Hall of Music, Room 15, 20:00, Concert 12 | ||||
133 | Tactile Rhetorics | 2025 | Jocelyn Ho & Margaret Schedel | University of SYdney | University of Sydney |
134 | Phosphenes | 2024 | Robert W. Gillam | George Mason University | Bb clarinet (Kathleen Mulcahy) and fixed media |
135 | Memory Shifts | Benjamin Broening | University of Richmond | Maria Ahn, cello | |
136 | Sur la mort de Jean-Claude Risset | 2017 | Rodney Waschka II | North Carolina State University | Violin (Zach Brock) and fixed media |
137 | spaces | places | traces | 2025 | Global nodes: TBA shortly | - | TBA |
138 | |||||
139 | Spot Tavern, 22:00, Concert 13 | ||||
140 | The Devil You Know (vs. The Devil You Don't) | Brad Decker | Eastern Illinois University | Eastern Illinois University | |
141 | HETEROTOPIA VIl | Juhee Chung | Jeju National University | Fixed audiovisual media | |
142 | The Accusations That Are Confessions | Lauren Sarah Hayes | Arizona State University | Voice & hybrid analogue/digital live electronics | |
143 | Phosphenes | Victor Zheng | North Central College | iPad | |
144 | Come un Orizzonte | Marco Buongiorno Nardelli | University of North Texas and The Santa Fe Institute | Cello (Colin Stokes), live electronics, fixed media | |
145 | Mahjong:Peng Gang Chi for Wacom Tablet and Kyma | Kelsey Wang | University of Oregon | Laptop and kyma | |
146 | Cello and Electronics | John Ritz | University of Louisville | Cello and kyma | |
147 | |||||
148 | Day 4.33 Tue, 3/25/25 | ||||
149 | Elliott Hall of Music, Room 15, 20:00, Concert 14 | ||||
150 | YURYUNG | 2017 | Pat Metheney | - | Violin, cello, and piano (Ahn Trio) |
151 | Paraphrase | 2025 | Laurie Spiegel | - | Violin, cello, and piano (Ahn Trio) |
152 | Island of Peace | 2025 | Laurie Spiegel | - | Violin, cello, and piano (Ahn Trio) |
153 | Almost Never Was | 2012 | Zach Brock | - | Violin, cello, and piano (Ahn Trio) |
154 | Pi | 2021 | April 33 | - | Cello, electric bass, piano and computer (April 33) |
155 | Gamyeon III | 2024 | April 33 | - | Cello, electric bass, piano and computer (April 33) |
156 | 48 13 N, 16 20 O | 2025 | April 33 | - | Cello, electric bass, piano and computer (April 33) |
157 | WSP x 11 | 2025 | April 33 | - | Cello, electric bass, piano and computer (April 33) |