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2 | EVA London 2018 Symposium and Conference Day 1: Monday 9th July 2018 (BCS London) | ||||||
3 | Symposium theme: States of Being: Art and Identity in Digital Space and Time (sponsored by Pratt Institute, New York) | ||||||
4 | Venue: BCS London office – Chairs: Tula Giannini (Pratt Institute), Gareth Polmeer (RCA), Jonathan Bowen (LSBU) | ||||||
5 | 09.30 | Registration | Wilkes 1; Symposium | Wilkes 2; Symposium/Conference | |||
6 | 10.00 | Introduction | Conference Co-chairs: Jonathan Bowen, Graham Diprose, Nick Lambert, Jon Weinel | ||||
7 | 10.10 | Plenary Session 1 | Chair: Tula Giannini | ||||
8 | 10.10 | Tula Giannini, Pratt Institute, New York, USA: Introduction | |||||
9 | 10.15 | Carla Gannis, Pratt Institute, New York, USA: An Artist, an AI, and an Alchemist Walk into a Bar… | |||||
10 | 11.00 | Morning break | |||||
11 | 11.30 | Session 2 | Chair: Jonathan Bowen | Virtual Space & Architecture Chair: Lizzie Jackson | |||
12 | 11.30 | Jonathan Weinel, Aalborg University, Denmark: Altered States of Consciousness in Electronic Music and Audio Visual Media | 11.30 – Hannah Haasiahti and Tyler Henry: Cosmetic Space 11.50 – J.Kirk Irwin: Geo-locating Ruskin's Mornings in Florence and Jeanneret's 1907 Voyage Sketches and Watercolours | ||||
13 | 12.15 | Jeremy Gardiner, Ravensbourne, London, UK: The Geometry of the Coast | 12.10 – Lindsay MacDonald et al: 3D Reconstruction in an Illumination Dome 12.30 – Robert Lisek: AIA Artificial Intelligence for art | ||||
14 | 1.00 | Lunch break | |||||
15 | 2.00 | Session 3 | Chair: Ian Willcock (for Gareth Polmeer) | Art, Heritage & the Internet Chair: Terry Trickett | |||
16 | 2.00 | Jonathan Kearney, Camberwell College of Art, London, UK: Art Practice and Learning in Digital Time and Space: A dialogue of withness | 2.00 – Lizzie Jackson: Co-Working: Partnership Strategies for Continuous Innovation 2.20 – Han Bao: Review of Chinese social media platforms focusing on Wechat in digital curating and cultural promotions | ||||
17 | 2.45 | Bruce Wands, School of Visual Arts, New York, USA: A Portrait of the Artist in the Digital Age | 2.40 – Rameshnath Krishnasamy et al: Mixed Reality Game Using Bluetooth Beacons for Exhibitions 3.00 – Sean Clark: The Internet of Art Things | ||||
18 | 3.30 | Afternoon break | |||||
19 | 4.00 | Plenary Session 4 | Chair: Carla Gannis | ||||
20 | 4.00 | Tula Giannini, Pratt Institute, New York, USA: Creating Art and Identity on the Internet: Digital Reality and States of Being | |||||
21 | 4.45 | PANEL – all speakers | |||||
22 | 5.30 | Symposium reception (sponsored by Pratt Institute) | |||||
23 | 6.30 | Close of Symposium | |||||
24 | 6.30 | V&A Digital Futures – Part I (separate event) | |||||
25 | 9.00 | Close of Digital Futures | |||||
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29 | Conference Day 2: Tuesday 10th July 2018 (BCS London) | ||||||
30 | 8.30 | Registration | |||||
31 | 8.55 | Conference introduction | |||||
32 | 9.00 – 10.20 | Plenary session (Wilkes 1 + 2): Digital Art & Conservation Chair: Nick Lambert | |||||
33 | 9.00 | Bruce Wands: 25 Years of Curating Digital Art 1993-2018 | |||||
34 | 9.20 | Graham Diprose et al: An Alternative Method of Very Long Term Conservation of Digital Images and their Historical Context for the Archive: University College, Oxford | |||||
35 | 9.40 | Foteini Valeonti et al: Reaping the Benefits of Digitisation: Pilot Study Exploring Revenue Generation from Digitised Collections through Technological Innovation | |||||
36 | 10:00 | Anna Olszewska: SENSTER 2.0: Social context of digital art curatorship | |||||
37 | 10.20 – 11.00 | 10.20 | Keynote speaker: Malcolm Garrett, UK: Not Merely Physical Chair: Nick Lambert | ||||
38 | 11.00 – 11.30 | Morning break | |||||
39 | Wilkes 1 + 2: Exhibitions Chair: Jim Hemsley | Wilkes 3/4 | Stanley Gill | ||||
40 | 11.30 – 12.30 | 11.30 | Volker Kuchelmeister, Lily HIbberd, and Alex Davies: Affect and Place Representation in Immersive Media: The Parragirls Past, Present project | ||||
41 | 11.50 | Katrin Wolf, Jens Reinhardt, and Markus Funk: Virtual Exhibitions: What do we win and what do we lose? | |||||
42 | 12.10 | Esther Rolinson and Sean Clark: Drawing Structures and Light Movements | |||||
43 | 12:30 | PANEL – Carla Gannis and Wolf Lieser: Digital Display: Making, Exhibiting and Preserving Digital Media-Based Art | |||||
44 | 1.00 – 2.00 | Lunch break | |||||
45 | Wilkes 1 + 2: Digital Emotion Chair: Jon Weinel | Wilkes 3/4: Research Workshop Chair: Graham Diprose | Stanley Gill | ||||
46 | 2.00 – 3.30 | 2.00 | Gretchen Andrew: Search Engine Art: Internet Imperialism and the image in context | 2.00 – Eugenia Kim: Constructing a Dance Pathography: Integrating the Performing Arts, Multimedia and Digital Medical Humanities | |||
47 | 2.30 | Laura Dekker: An Architecture for an Expressive Responsive Machine | 2.20 – Jairo Zaldua and Nicola Green: Where do the imaginary friends go when their human creators grow up? | ||||
48 | 3.00 | Paul O'Dowd: Materially Sensitive Drawing | 2.40 – Raffaella Folgieri and Francesco Soave: Brainwaves and Sound Synchronization in a Dance Performance | ||||
49 | 3.00 – Elisavet Christou: Internet Art, Google and Artistic Practice | ||||||
50 | 3.30 – 4.00 | Afternoon break | |||||
51 | Wilkes 1 + 2: Algorithms Chair: Jon Weinel | Wilkes 3/4: Research Workshop Chair: Graham Diprose | Stanley Gill | ||||
52 | 4.00 – 5.30 | 4.00 | Shing-Tai Pan, Chih-Hung Wu, Chen-Sen Ouyang, and Ying-Wei Lee: Emotion Recognition from Speech Signals by Using Evolutionary Algorithm and Empirical Mode Decomposition | Liam Jefferies: Spectacle: How effective is mobile Augmented Reality as tool for the manifestation of dissent? | |||
53 | 4.20 | Rehan Zia: Rehan's Zone System | Bushra Burge: Enclothed cognition and embedded haptics with Virtual Reality for immersive storytelling | ||||
54 | 4.40 | PANEL – Jonathan Bowen, Terry Trickett, Jeremy Green & Andy Lomas: Turing's Genius – Defining an apt microcosm | Otniel Altamirano: Transmedia digital inclusion | ||||
55 | 5.20 | Terry Trickett: Performance | 5.00 – Lydia Smolin:Who’s Watching? | ||||
56 | 5.30 | Close | |||||
57 | 6.00 | PANEL – Computer Arts Society – Nick Lambert and Sean Clark – CAS50 (separate event) | |||||
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61 | Conference Day 3: Wednesday 11th July 2018 (BCS London) | ||||||
62 | 8.30 | Registration | |||||
63 | 8.55 | Conference introduction | |||||
64 | 9.00 – 10.40 | Plenary session (Wiles 1 + 2): Museums & Artists Chair: Graham Diprose | |||||
65 | 9.00 | Giuliano Gaia et al: Chatbots and new audience opportunities for museums | |||||
66 | 9.20 | Tula Giannini and Jonathan P Bowen: Of Museums and Digital Culture: A landscape view | |||||
67 | 9.40 | Anna Munster and Michele Barker: Moving Data: Artistic tendencies in visualising human and nonhuman movement | |||||
68 | 10.00 | Aphra Shemza: It Starts with the Artist: Ensuring the Legacy of the Media Arts | |||||
69 | 10.20 – 11.00 | 10.20 | Keynote speaker: Cecile Waagner Falkenstrøm, UK: ARTificial Intelligence: From Frankenstein to FRANK Chair: Graham Diprose | ||||
70 | 11.00 – 11.30 | Morning break | |||||
71 | 11.30 – 1.00 | Wilkes 1 + 2: Science & Art Chair: Francesca Guerrera | Wilkes 3/4: Algorithmic Art Chair: Terry Trickett | Stanley Gill | |||
72 | 11.30 | Maria Almena: Transcendence: How live performance art in combination with interactive technology can induce altered states of consciousness? | Cristina Portugal (presented by Otniel Altamirano): Grumari: Digital story | ||||
73 | 11.50 | Volker Kuchelmeister: The Virtual (Reality) Museum of Immersive Experiences | Daniel Buzzo: Trans-territorial urban visualisation: A derive for the 21st century? | ||||
74 | 12.10 | Feng-Ying Kim and Shin-Chieh Tzeng: Museum Wonderland: Creating Amazing Experiences for Visitors Beyond the limit of Time and Space | Angela McArthur: Active Digital Listening: [re]Sounding Balloon | ||||
75 | 12:30 | PANEL – Guy Armitage, Maria Almena, Aphra Shemza & Oliver Gingrich: FLUX Events: Current Trends in the Contemporary Media Arts | Dario Srbic: (De)generative Art: Rules-transgressing Algorithms | ||||
76 | 1.00 – 2.00 | Lunch break | |||||
77 | 2.00 – 3.30 | Wilkes 1 + 2: Visualisation Chair: Jim Hemsley | Wilkes 3/4: Demos Chair: Francesca Guerrera | Stanley Gill | |||
78 | 2.00 | Rod Dickinson: Fear Filter: Visualising the UK Terror Threat Level | 2.00 – Nick Lambert et al: HoloDash: A holographic interface for autonomous vehicles and connected cars | ||||
79 | 2.30 | David Pao et al: Electronic Medical Records: interface prototype demonstrates value of embedding clinical knowledge into visualisations | 2.20 – Ian Truelove: Ultra-Infra | ||||
80 | 3.00 | Elke Reinhuber et al: The Scale of Immersion – Different viewing experiences exepmlified by the 360 video Secret Detours | 2.40 – Phil Shepherd: 3D Visual Thinking | ||||
81 | 3.00 – Rehan Zia: Rehan's Zone System – Demo | ||||||
82 | 3.30 – 4.00 | Afternoon break | |||||
83 | 4.00-5.15 | Wilkes 1 + 2: 3D Spaces Chair: Christina Hemsley | Wilkes 3/4 | Stanley Gill | |||
84 | 4.00 | Yi Ji and Sean Clark: The Virtual Recreation of a Ming Dynasty Palou Gate | Performance setup | ||||
85 | 4.30 | PANEL – Julian Stadon, Ian Willcock & Nick Lambert: Towards a Transdisciplinary Method: Teaching and Research Practices in Immersive Spaces and Mixed Realities in Britain | |||||
86 | 5,00 | EVA International Announcements Chair and introduction: Jim Hemsley - Eva Emenlauer: EVA Berlin - Jeanette Zwingenberger & Bertrand Triboulot: EVA Paris | |||||
87 | 5.30 | Close | |||||
88 | 5.30 | Reception, Courtesy of BCS – The Chartered Institute for IT | |||||
89 | 6.00 | Maria Almena: Transcendence Demo and Performance | |||||
90 | 7.00 | Optional dinner in groups | |||||
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94 | Conference DAY 4: Thursday 12th July 2018 (BCS London) | ||||||
95 | 8.30 | Registration | |||||
96 | 8.55 | Conference introduction | |||||
97 | 9.00 – 10.20 | Plenary session (Wiles 1 + 2): Interdisciplinary Chair: Jonathan Bowen | |||||
98 | 9.00 | Moshe Caine et al: The Riddle of the Crosses: The Crusaders in the Holy Sepulchre of Jerusalem | |||||
99 | 9.20 | Luca M Damiani et al: Temporary shared machines: An open discussion, hacked | |||||
100 | 9.40 | Paris Xyntarianos et al: Using design to support the creation of Street Art: a three-phase experiment supported by the DDArtS system |