A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | |
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1 | Collection | Collection Intro | Artist | Artist Intro | Edition | Date | Volume | Highest Last sell | Highest Listing | Floor | Owners | Unique Owner | Updated time | |||||||||||||||||
2 | Genesis | Genesis: Generative System. A block hash string is interpreted into a visual composition using a set of algorithmic rules. Compositions may contain grids, gradients, lines, shapes, and colors that harmonize with each other. Each mint is one of a kind and designed to stand-alone. Limited Edition. | Daniel Calderon Arenas | I'm a Houston-based visual artist and educator. I create art with code by developing algorithms, which are basically sets of rules. My work delves into a variety of subjects, ranging from language and meaning to the natural world. As a visual artist, I am fascinated by the element of chance and randomness enabled by computer processes since it allows me to widen my creative vision. Making generative art forces me to consider the world in novel ways, such as viewing a tree's branching system or the form of a rock through the lens of an algorithmic method. My art is frequently animated and interactive, and it is designed for digital display. | 512 | 2020-11-28 | 2783 | 420.69 | 9.5 | 288 | 56% | 2022/12/4 | ||||||||||||||||||
3 | Chromie Squiggle | Simple and easily identifiable, each squiggle embodies the soul of the Art Blocks platform. Consider each my personal signature as an artist, developer, and tinkerer. Public minting of the Chromie Squiggle is permanently paused. They are now reserved for manual distribution to collectors and community members over a longer period of time. Please visit OpenSea to explore Squiggles available on the secondary market. | Snowfro | 9700 | 2020-11-28 | 57,858 | 3500 | 13.12 | 2,755 | 28% | ||||||||||||||||||||
4 | Singularity | Every Singularity is unique. Each form’s properties; Symmetry, Chaos, Mass, Force and Turbulence are driven by data extracted from the transaction hash. | Hideki Tsukamoto | https://beta.cent.co/artblocks/+63r1x6 | 1024 | 2021-1-2 | 5,077 | 99 | 5.8 | 393 | 38% | |||||||||||||||||||
5 | NimBuds | A collection of on-chain, generative cumulonimbus buddies. Created using vanilla javascript, each unique NimBud features random wires, colors, eyes, mouths, cloud bodies, and more. Each with their own personality. | Bryan Brinkman | https://beta.cent.co/artblocks/+sutras | 400 | 2021-1-16 | 1,150 | 100 | 3.5 | 245 | ||||||||||||||||||||
6 | Dynamic Slices | An on-chain experiment with interactive abstract art. | pxlq | https://beta.cent.co/artblocks/+wqo2nc | 512 | 2020-12-12 | 1899 | 49.99 | 4.28 | 243 | ||||||||||||||||||||
7 | Aerial View | My interpretation of Aerial View is a bird's Eye View over a city block with illuminated/twisted buildings and light trails. It uses an on-chain stored algorithm to represent the generative artwork based on a hash. Each Aerial comes with different distances, building elevations, rotations and colors. Welcome to my genesis project and the first step on my on-chain journey! | daLenz | https://beta.cent.co/artblocks/+2hwbw9 | 1000 | 2021-3-29 | 1,929 | 2.1 | 1.25 | 644 | ||||||||||||||||||||
8 | Archetype | Archetype explores the use of repetition as a counterweight to unruly, random structures. As each single component look chaotic alone, the repetition brings along a sense of intentionality, ultimately resulting in a complex, yet satisfying expression. | Kjetil Golid | https://beta.cent.co/artblocks/+jz68r | 600 | 2021-2-28 | 12,453 | 250 | 27 | 306 | ||||||||||||||||||||
9 | 27-Bit Digital | The essence of all things digital is– the bit. One or Zero. On or Off. Where digital becomes analog. This piece pays tribute to our digital legacy of 8-bit color and 7-segment LED displays– technological limitations which are mirrored in the constraints of putting art on the blockchain. Although the image represents the art, the art of the token itself is the code– which renders everything bitwise, pixel by pixel, all contained within 27-bits of information. | kai | https://beta.cent.co/artblocks/+tys4tc | 1024 | 2021-2-20 | 1,259 | 27 | 0.63 | 524 | 51% | |||||||||||||||||||
10 | Synapses | Synapses is a generative study on movement and texture. Thousands of particles flow in space leaving a trail of their journey. the movements are inspired by swarm behavior and flocking mechanism. The trails when left by each particle resembles the graphite or carbon smudges on the white canvas. The particles follow either single or multiple vectors to create these intricate details. | Chaosconstruc | https://beta.cent.co/artblocks/+5trghe | 700 | 2021-4-6 | 1,837 | 69 | 0.8 | 487 | 70% | |||||||||||||||||||
11 | Algobots | These cute companions live 100% on-chain where their bytes are cleverly stored in a scalable vector format. Built with quality components and complex algorithms, each Algobot is issued with a unique serial number and a NIFTY license which permits them to help out on any commercial projects where you might require their assistance. | Stina Jones | https://beta.cent.co/artblocks/+wgoh7x | 500 | 2021-4-7 | 2,033 | 9.99 | 1.75 | 287 | 57% | |||||||||||||||||||
12 | Ignition | Launched into crypto-space for the first time, I present my genesis project, a limited series of interactive 3D structures, rotating endlessly from their self-gravitational force. Each token is the result of a complex set of rules, an algorithm that processes the transaction hash and generates a unique piece of crypto-art. Purely written in JavaScript, using no external libraries or dependencies of any sort, these voyagers will forever be the testimony of hardcoded workmanship, a heritage of the old times. Deep space, do you copy? | ge1doot | https://beta.cent.co/artblocks/+wqo2nr | 512 | 2021-1-9 | 1,164 | 90 | 2.7 | 215 | 42% | |||||||||||||||||||
13 | Fidenza | Fidenza is by far my most versatile algorithm to date. Although the program stays focused on structured curves and blocks, the varieties of scale, organization, texture, and color usage it can employ create a wide array of generative possibilities. | Tyler Hobbs | https://beta.cent.co/artblocks/+63r1u9 | 999 | 2021-6-11 | 54,360 | 1337 | 95 | 457 | 46% | |||||||||||||||||||
14 | Elementals | Elementals is inspired by physical printmaking techniques and early Bauhaus principles. It starts with a few basic coloured shapes and arranges them in varying frequencies, sizes, and positions based on a unique transaction hash. Multiple overlaid variable grids allow for myriad layouts and opportunities for colour interaction. The goal is to create pieces that feel both intentional in composition and part of the same family. | Michael Connolly | https://beta.cent.co/artblocks/+8vmzoq | 600 | 2021-4-17 | 1439 | 30 | 1.89 | 364 | 61% | |||||||||||||||||||
15 | glitch crystal monsters | A synthesis of over 777 days of generative artmaking, motion as survival, and coding as transformative ritual. Sky gardens of trustless techno-leviathans crystallize, entangle, and play between dimensions online and AFK, generating new forms altogether. I channel these speculative phenomena to highlight the fluid, transformative possibilities of structures perceived as rigid and immutable. Their intricate geometries move freely beyond limited social media compression that severely reduces the experience of digital art. These formations also embody choreographic elements from collaborative live coding dance performance. | Alida Sun | https://beta.cent.co/artblocks/+gnbmdg | 1000 | 2021-7-24 | 2,682 | 49.99 | 0.591 | 636 | 64% | |||||||||||||||||||
16 | Scribbled Boundaries | Scribbles on Scribbles on Scribbles ➿ This series is an exploration of chaos and order – how seemingly random movements in the microscopic scale can be more than meets the eye. Simple guiding rules transfigure chaotic movements into beautiful order. Life, as we know it, can be expressed in a similar fashion. Our decisions, unexpected occurrences, and even our seemingly meaningless place in the Universe are not just mere coincidences, but providential orchestrations of the Designer. [ Mints will be sold via a dutch auction. Starting price will be set at 3eth and decrease every 5 minutes with a resting price of 0.25eth. i.e. | William Tan | https://beta.cent.co/artblocks/+3vuarj | 1024 | 2021-8-18 | 3,788 | 24.14 | 1 | 640 | 63% | |||||||||||||||||||
17 | Elevated Deconstructions | A study in reduction based around several repeating elements. A unique hash string seeded within each token informs the composition of the work. Variables include the color of the background, the amount of times each of the elements are duplicated, the set distance between each duplicate, and the coordinates of each element. Each token is unique. | luxpris | https://beta.cent.co/artblocks/+95ml3q | 200 | 2020-12-22 | 4,067 | 180 | 69 | 101 | 51% | |||||||||||||||||||
18 | Geometry Runners | The starting gun goes💥, and its happening. Packs of racers, proudly sporting their team colors, are competing in the race of their lives. Some are going for it. Others can't really be bothered. But you know this is where the action is at. Absolute drama around every corner. Who will be victorious, and who will stumble. Take a better look at the group by touch/click dragging the scene. | Rich Lord | https://beta.cent.co/artblocks/+yol88o | 1000 | 2021-8-28 | 9,906 | 50 | 1.4 | 669 | 67% | |||||||||||||||||||
19 | Inspirals | Escher-style tiling of a plane, gone wrong. Each image spins hash-driven colors, shapes, and symmetries into infinity. Fly through the spiral as it morphs between beauty and madness. Keys: F = Fly through/back, D = Distort on/off, Esc = Stop, S = Save image. | Radix | https://beta.cent.co/artblocks/+lx3wow | 1000 | 2021-3-21 | 2,034 | 68 | 0.575 | 660 | 66% | |||||||||||||||||||
20 | Unigrids | Unigrids are collectible digital art pieces 100% stored on the Ethereum blockchain. Each Unigrid consists of 421 individual Pure Javascript generated SVG grids, ensuring each Unigrid is entirely unique. Not only are Unigrids visually unique, but they also hide an ingenious animation and a generated beat to enhance your experience. Unigrids are an experiential piece of art, with a static image for printing, an animation, and companion beat - all generated and stored on the blockchain. You truly need to play around with Unigrids to understand the essence of them. Be sure to hold onto your favorite piece as we will be adding interactive easter eggs for art owners, giveaways, and other engagement with the community. | Zeblocks | https://beta.cent.co/artblocks/+uirbla | 421 | 2021-1-27 | 3,522 | 150 | 15 | 167 | 40% | |||||||||||||||||||
21 | Trossets | Trossets explores the emergence of diversity. Combining twelve construction blocks the system generates endless patterns with a unique result each iteration. Trossets /trusɛts/ means parts, blocks, pieces and it's my particular homage to a classical generative system, the multiscale Truchet tiles. The systems plays an interlocking blocks game creating unexpected drawings with colors borrowed from the Mediterranean. To keep this colors alive 10% of the profits will be donated to Marilles Foundation, an NGO for marine conservation (https://marilles.org/en). And 15% of the minting profits will go to OpenArms, an NGO that helps refugees that try to cross the Mediterranean (https://www.openarms.es/en). | Anna Carreras | https://info.artblocks.io/spectrum/in-conversation-with-anna-carreras | 1000 | 2021-9-4 | 3,613 | 168.88 | 0.84 | 653 | 65% | |||||||||||||||||||
22 | Fragments of an Infinite Field | “Fragments of an infinite field” is a compositional system in which an idealized plant species is generated and arranged in a potentially infinite field of foliage. The main environmental parameter of the composition is the determination of a season of the year. The season determines the landscape’s colors and defines specific phenomena for each of them, such as rain in summer, snow in winter, petals falling in autumn, and pollen in spring. The flower has several possible variables, which can be macro aspects, affecting the entire population of the species, or micro, affecting each individual of the species differently. For example, the number of petals can be equal in all individuals or not. The number of filaments and other structures of the flower can undergo minor deviations, generating small mutations. The confusion between the figure (plant) and the background (earth, sky, other natural elements) is fascinating from a compositional point of view. The background colors are, most of the time, colors present in the figures, often breaking the boundary between them and, therefore, generating chromatic masses. In this project I also intend to research the following question: How to create parameters that resemble a living organism's growth? In this sense, the project approaches digital morphogenesis and the development of procedural organisms. | Monica Rizzolli | https://info.artblocks.io/spectrum/in-conversation-with-monica-rizzolli | 1024 | 2021-9-14 | 13,468 | 75 | 3.33 | 568 | 55% | |||||||||||||||||||
23 | Skulptuur | An exploration in generating forms in 3-dimensional space. This exclusive set of sculptures has been carved from a sea of infinite possibilities, much like a sculptor creates a singular reality from the potential in a block of stone. The shapes are illuminated by a variety of complex virtual lighting environments and yet the piece retains algorithmic minimalism with the code reduced to its pure essence -- 6370 bytes. Skulptuurs render in real time. In live view, the image keeps improving in quality. Keys 0-7 change speed: 0=Stop, 5=Default, 7=Fastest. Careful, requires a powerful machine. Requires a WebGL2-enabled browser. | Piter Pasma | https://beta.cent.co/artblocks/+13ycwt | 1000 | 2021-9-28 | 8244 | 79.2 | 1.68 | 552 | 55% | |||||||||||||||||||
24 | Apparitions | “Apparitions” is an exploration of the space between algorithmic and organic. Each “Apparition” is unique to the transaction that originated it. Created by Aaron Penne | Aaron Penne | https://beta.cent.co/artblocks/+dlg37p | 1500 | 2021-3-18 | 3,115 | 150 | 1.4 | 731 | 49% | |||||||||||||||||||
25 | Subscapes | A generative algorithm that draws the impression of a landscape from a multitude of possibilities. The unique seed from each token drives the parametric assortment of lines, colors, and forms into a constructed composition. | Matt DesLauriers | https://beta.cent.co/artblocks/+wqo2lh | 650 | 2021-4-24 | 7,166 | 125 | 10.69 | 282 | 43.38% | |||||||||||||||||||
26 | Asemica | Abstract typographic elements slide together to create new characters. In some compositions, a single character is featured. In others, characters string together to form words and sentences, which the algorithm shapes into often-familiar layouts.The type designer Gerard Unger said “it is almost impossible to look and read at the same time”. Asemica invites you to look without the burden of legibility.Created by Emily Edelman, Dima Ofman, and Andrew Badr. Command-S to download a vector file. Live token best viewed in Chrome. | Emily Edelman - Dima Ofman - Andrew Badr | https://beta.cent.co/artblocks/+jz6qw5 | 980 | 2021-11-16 | 866 | 786 | 0.595 | 572 | 58.37% | |||||||||||||||||||
27 | Bent | Lines are bent and shaded. There are no wrong turns.[Interaction in live view: press 1-7 or left/right arrow keys to see the stages of sketch construction: 1-grid, 2-divide, 3-tile, 4-bend, 5-shade, 6-color, 7-texture]. | ippsketch | https://beta.cent.co/artblocks/+il8ryr | 1023 | 2021-11-30 | 1,860 | 50 | 1.25 | 568 | 55.52% | |||||||||||||||||||
28 | Gazers | https://gazers.art/ | Matt Kane | https://beta.cent.co/artblocks/+psy7wo | 1000 | 2021-12-7 | 6,627 | 1111 | 35 | 406 | 40.60% | |||||||||||||||||||
29 | Watercolor Dreams | Watercolor Dreams is an exploration in simulation, a meditation on traditional techniques in watercolor, and an ode to serendipity. Where will this curve end? When will this shade fade? How will the movement come alive? Sit back, relax, and watch the colors wash over the canvas. | NumbersInMotion | https://beta.cent.co/artblocks/+xkmuqp | 600 | 2021-5-1 | 2,088 | 115 | 1.75 | 407 | 68% | |||||||||||||||||||
30 | Vortex | The phenomena of the spiral is located throughout the natural world, found in everything from nautili and galaxies, to fractals and sacred geometries. Much like the gravitational pull of patterns in the universe, Jen Stark's series of generative vortexes pays homage to the intricate systems present in our daily lives. Drawing upon the aesthetic practice of her signature paper sculptures, Stark's hand-cut techniques are translated to adapt and evolve within the digital realm through code, brought to life through harmonic sine waves. | Jen Stark | https://info.artblocks.io/spectrum/in-conversation-with-jen-stark | 1000 | 2021-12-14 | 1,570 | 1.49 | 0.99 | 576 | 58% | |||||||||||||||||||
31 | Bubble Blobby | Translucent color bubbles playfully mix and morph to create organic and ephemeral blobby forms. [Shortcuts] spacebar: pause/resume, s: save screenshot, 1→5: high→low resolution. If needed, please adjust resolution or window size for optimal performance. | Jason Ting | https://info.artblocks.io/spectrum/in-conversation-with-jason-ting | 500 | 2021-5-8 | 1320 | 10 | 1.9 | 319 | 64% | |||||||||||||||||||
32 | Ringers | There are an almost infinite number of ways to wrap a string around a set of pegs. On the surface it may seem like a simple concept but prepare to be surprised and delighted at the variety of combinations the algorithm can produce. Each output from 'Ringers' is derived from a unique transaction hash and generated in Javascript in the browser. Feature variations include peg count, sizing, layout, wrap orientation, and a few colorful flourishes for good measure. | Dmitri Cherniak | https://info.artblocks.io/spectrum/in-conversation-with-dmitri-cherniak | 1000 | 2021-2-1 | 28717 | 1234 | 60 | 280 | 28% | |||||||||||||||||||
33 | Jiometory No Compute - ジオメトリ ハ ケイサンサレマセン | About Jiometory No Compute - ジオメトリ ハ ケイサンサレマセン Random and anarchy, chaos and structurality. Jiometory No Compute is a living motion experimental study, a contemplative geometry organism that lives now and forever. Each individual units movement contributes and flows into a generative path for a greater purpose. Together they try to achieve a symbiosis, although an « ideal » computer program is very relative. Exploring domains of definitions and warping an input data-set leads to unexpected behaviors, sometimes surprising, often fascinating. Interactions : Zoom-in / Zoom-out / Drag left and right / Best view in full-screen. ム サクイ デ ムチツジョ、 コントン ト コウゾウセイ。 Jiometory No Compute ハ、 セイブツテキ ナ ウゴキ ノ ジッケンテキ ケンキュウ デ アリ、 ゲンザイ ソシテ エイエン ニ セイチョウスル シコウテキ ナ キカガクテキ ユウキブツ デス。 ココ ノ ユニット ノ ウゴキ ハ、 オオキナ モクテキ ノ タメ ノ セイセイ ニ ナガレコミ、 ツカワレマス。 « リソウテキ ナ » コンピュータ プログラム ハ ヒジョウ ニ ソウタイテキ デス ガ、 ソレラ ハ キョウセイ ヲ タッセイシヨウ ト スル ノ デス。 テイギ ノ ドメイン ヲ タンサクシ、 ニュウリョク データセット ヲ ワープスル コト デ、 ヨキシナイ ドウサ ガ ハッセイシ、 トキニハ オドロク ベキ、 シバシバ ミリョクテキ ナ ドウサ ヲ ウミマス Unique working GameBoy Cartridges certificate are redeemable for every holders of the Jiometory No Compute artworks to be displayed as a special and rare piece of hardware art. Because they are completely hand-made / crafted, those will be available in small batches for an additional fee, some more informations about the cartridges will be released after the sale. | Samuel Honigstein | https://beta.cent.co/artblocks/+il8rxv | 1024 | 2021-12-21 | 1,265 | 45 | 0.54 | 588 | 57% | |||||||||||||||||||
34 | Cosmic Reef | “A particular order can be found in deepest space, in our oceans and forests, and in all living things, including ourselves – a unified code producing endless variation. Gravity and cosmic winds shape star-forming nebulas into coral-like forms. Flowers self-organize in radial symmetry with signals hidden from the human eye. Stars are birthed, explode, collapse, and are reborn. Invertebrates move on the tides of oceans, signaling with ever-changing bioluminescence. Light bends time as events unfold in our own lives.” Cosmic Reef reflects on the ordered randomness in nature, capable of producing beauty and symmetry. The individual works begin with a simple geometry that becomes more complex through composed dynamic layers, each born of a combination of human control and computational chance. Leo Villareal creates intricate sculptures that speak to the underlying rules and structures of systems for both gallery and public settings. He is interested in exploring ways to express this through base units such as pixels and binary code. Villareal is most known for two monumental public artworks: The Bay Lights, a site-specific light sculpture that occupies the entire western span of the San Francisco-Oakland Bay Bridge, and Illuminated River, a series of generative light sculptures installed on nine bridges over the River Thames in London. | Leo Villareal | https://medium.com/the-link-art-blocks/in-conversation-with-leo-villareal-e6124977f836 | 1024 | 2022-1-25 | 1141 | 100 | 2.95 | 343 | 33% | |||||||||||||||||||
35 | Para Bellum | Para Bellum(*) is about the conflict of emotion and gut instinct versus logic and reason. Emotions are portrayed by color fields; logic is illustrated by words. These two forces are fighting for dominance over the canvas. Under the hood, Para Bellum utilizes a thin language engine that was trained by reading dozens of books about rebellion and anarchy to generate (mostly) non-existent English phrases. An on-chain embedded font is used to render the familiar, readable letter shapes against the abstract fuzzy color fields. (*) Para Bellum is half of the Latin phrase “Si vis pacem, para bellum”. If you want peace, prepare for war. | Matty Mariansky | https://medium.com/the-link-art-blocks/in-conversation-with-matty-mariansky-786281785b50 | 1000 | 2022-2-8 | 385 | 9.99 | 0.49 | 553 | 55% | |||||||||||||||||||
36 | Cryptoblots | A cryptoart collectible series to indulge the irrepressible human compulsion for pareidolia. This algorithmic homage to Hermann Rorschach's inkblot perception test will help you externalize your inner world onto the sometimes elegant, sometimes inchoate curves of a unique, one-of-a-kind, ownable cryptoblot on the Ethereum blockchain. What will YOUR cryptoblot reveal about you? | Daïm Aggott-Hönsch | 1921 | 2020-12-13 | 2140 | 166.6 | 0.57 | 831 | 43% | ||||||||||||||||||||
37 | HyperHash | HyperHash explores the possibilities of representing abstract data on Ethereum as intuitive color and geometry spaces. Focus of research are topics like geometry & symbolism. The artworks generate a futuristic, telepathic & symbolic language for Etherians. All artworks have unique colors, geometry and motion signatures live generated on your gpu through shader (GLSL) code. | Beervangeer | https://beta.cent.co/artblocks/+ftcub6 | 369 | 2021-1-22 | 2,768 | 300 | 3.79 | 190 | 51% | |||||||||||||||||||
38 | Dreams | Dreams is an exploration of uneven subdivision. It focuses on the interaction between uniform and crooked lines, and the complex structures that can emerge from simple rules. Each iteration of Dreams is unique, with characteristics determined by the hash created at the moment of transaction. Created by Joshua Bagley | Joshua Bagley | https://beta.cent.co/artblocks/+saukgd | 700 | 2021-6-19 | 2387 | 50.69 | 1.4 | 389 | 56% | |||||||||||||||||||
39 | Spectron | This edition of video artworks is the result of my research in video art from the 60s and 70s, especially early analog video synthesizers. These were heavy hardware machines capable of generating shapes and patterns from the ground up, with no external visual input. How could these machines generate such complexity by just manipulating electronic voltage? I decided to investigate this process. Although with modern technologies, Spectron shares the procedural logic with its analog ancestors. | Simon De Mai | Simon De Mai is an interdisciplinary artist and designer. In his artistic research, a rigorous design methodology is combined with an hands-on experimental approach, leading to unexpected processes and visual results where intuition, human error and technology imperfections play a fundamental role. Interested in the formal qualities of the final work as much as in exploring the creative possibilities of the technology behind it, his practice often results in developing custom tools or purposefully misusing existing ones. | 400 | 2021-2-14 | 1527 | 30.3 | 3.39 | 214 | 54% | |||||||||||||||||||
40 | AlgoRhythms | AlgoRhythms is a collection of generative audio-visual data sculptures. Each unique hash drives the combination of colors, patterns and musical scales into a music box. | Han x Nicolas Daniel | https://beta.cent.co/artblocks/+8lneai | 1000 | 2021-5-13 | 2892 | 28 | 1.5 | 563 | 56% | |||||||||||||||||||
41 | Chimera | Chimera is a mutation, its genetics a merging of past and present. New creative mediums almost always ingest those that came before. Pictograms and hieroglyphics turned into paintings, which eventually became moving images and photoreal graphics. Spoken words evolved into written text, eventually becoming complex screenplays, computer code, and a world of hyperlinks. Most mediums are not discarded, but combined or extended to incorporate new technology or ideas. When a new medium comes into existence, the capabilities of both the artist and viewer increase. The potential subjects within said medium can grow in complexity as well, some fully dependent on the medium that holds them. Other subjects are timeless, popping in and out of multiple movements and genres throughout history. An example of the latter is still life. From ancient carvings through contemporary art, scenes of commonality, beauty, and metaphor have persisted. Traditionally viewed as a type of technical practice or meditation (the bottom of the “hierarchy of genres”), some examples of still life have gone on to be among the most important works in art history. Chimera is a natural progression of still life. It is an old tradition in the very new medium of on-chain generative art, a movement that will have an enormous presence in the future. Chimera simultaneously reaches into the past while exploiting the capabilities of the present and seeks to represent a unique moment in time, a generation of art in between digital and physical realities, encapsulating where we came from and where we are going. | mpkoz | https://medium.com/the-link-art-blocks/in-conversation-with-michael-kozlowski-mpkoz-a8de237739b6 | 987 | 2022-1-11 | 3618 | 50 | 2.18 | 613 | 62% | |||||||||||||||||||
42 | phase | This project is a visual representation of realities that are out of phase. Interference patterns, colorful echoes, and emerging secrets are explored. Mathematical functions produce constant motion, but rarely, a peaceful scene resolves within the chaos. Click or press any key to pause. *Photosensitive seizure warning: These artworks contain flashing colors and moving patterns. | Loren Bednar | https://beta.cent.co/artblocks/+v2qi9o | 1024 | 2021-8-21 | 8840 | 60 | 2.22 | 605 | 59% | |||||||||||||||||||
43 | Edifice | "Edifice" is a series of 976 massive, deteriorating structures built on strange terrain. It is an exploration of buildings being conceptualized, constructed, and eroded away under a wide variety of conditions. Edifice's outputs run the gamut between minimal and maximal, with some showing few large, static blocks of color, and others many small, highly textured and warped shapes. Each image is progressively constructed in front of the viewer's eyes. It is a system full of surprises that I'm excited to share with the world. | Ben Kovach | https://info.artblocks.io/spectrum/in-conversation-with-ben-kovach | 976 | 2021-11-9 | 6401 | 90 | 2.75 | 576 | 59% | |||||||||||||||||||
44 | Colorspace | https://www.taborrobak.com/colorspace | Tabor Robak | https://medium.com/the-link-art-blocks/in-conversation-with-tabor-robak-4c6b976084a6 | 600 | 2022-5-26 | 326 | 28 | 1.15 | 291 | 49% | |||||||||||||||||||
45 | Autology | Is code art? Autology is a study of not only how we interpret art, but also how art can interpret itself. Each piece has its source code embedded imperceptibly within the image itself. Hence the source code is literally part of the artwork. With a little sleuthing, one can derive the source code from the image and vice versa in infinite recursion. Click 's' to save the image and then visit https://steganon.com/autology.html to decode it. Or if you are feeling technologically adventurous, try to develop your own tool to do the same. | steganon | https://beta.cent.co/artblocks/+zik0bc | 1024 | 2021-11-23 | 705 | 18.44 | 0.52 | 639 | 62% | |||||||||||||||||||
46 | montreal friend scale | Learn more at https://www.nomark.net | amon tobin | https://medium.com/the-link-art-blocks/in-conversation-with-amon-tobin-7bb6b1bc3faa | 500 | 2022-6-9 | 262 | 29 | 0.72 | 264 | 53% | |||||||||||||||||||
47 | Ancient Courses of Fictional Rivers | Learn more at https://roberthodgin.com/ | Robert Hodgin | https://medium.com/the-link-art-blocks/in-conversation-with-robert-hodgin-a985e67a7a2c | 1000 | 2022-3-30 | 485 | 8 | 0.5 | 589 | 59% | |||||||||||||||||||
48 | Running Moon | Running Moon depicts the nuanced interaction between clouds and moonlight. It is a search for boundaries between structure and fluidity, precision and errors. It is a quest for harmony. The rendering of Running Moon is inspired by stained glass and watercolor. It captures the sharpness of the glass and the softness of light using abstract forms. As organic shapes gradually expand to fill the space, brush-pen-like stripes solder these pieces together to form intricate compositions. | Licia He | https://info.artblocks.io/spectrum/in-conversation-with-licia-he | 500 | 2022-7-14 | 1916 | 45 | 1.65 | 305 | 61% | |||||||||||||||||||
49 | Screens | Learn more at https://data-imaginist.com/screens | Thomas Lin Pedersen | https://medium.com/the-link-art-blocks/in-conversation-with-thomas-lin-pedersen-af4a5e9256c6 | 1000 | 2022-2-1 | 3673 | 500 | 3.33 | 527 | 53% | |||||||||||||||||||
50 | Alan Ki Aankhen | Project Description: Alan Ki Aankhen is an exploration of other-worldly cityscapes in the visual aesthetic of Fahad’s distinct style with pen and paper. The title, translated as Alan’s Eyes, alludes to Alan Turing’s machine intelligence test - a thought experiment foreshadowing a moment in which we can no longer differentiate between the real and the artificial. Though first proposed in 1950, the topic feels especially relevant today, as even our creative practices are being carried by shifting technological tides.The algorithms and decision-making encoded into this generative art project intentionally imitate Fahad’s approach on traditional mediums - composition rules, textures, and overall themes. The visual elements are inspired by Fahad’s memories from his nomadic life. You’ll find intricate windows from Rajasthan, massive Egyptian pyramids rising from the horizon, a density of civilization only seen in New York, and the moon - a comforting and shared sight no matter where you stand. | Fahad Karim | 500 | 2022-7-28 | 854 | 28 | 1.075 | 361 | 72% | ||||||||||||||||||||
51 | Memories of Qilin | Project Description: Memories of Qilin is inspired by traditional East Asian art. It channels the sense of movement and fluidity found in classical Chinese brushwork, while drawing from the colors, patterns, and forms of ukiyo-e woodblock prints. The series explores elements of folklore, evoking the mythological imagery of dragons, phoenixes, flowers, and mountains. The title references a fabled chimerical beast found throughout East Asian mythology (while the qilin is its Chinese name, it is also known in Korea as the girin and Japan as the kirin) that represents prosperity and luck.Viewers are invited to interpret elusive forms that verge on representation. As with the stories passed on through generations, each piece is imagined, organic, and ever-in-flux. | Emily Xie | https://info.artblocks.io/spectrum/in-conversation-with-emily-xie | 1024 | 2022-3-22 | 3,879 | 500 | 7.45 | 508 | 50% | |||||||||||||||||||
52 | The Blocks of Art | This project symbolizes generative artists united by the common idea of Art Blocks. Each panel on the block is a small generative art piece with several random parameters that live their own life while simultaneously being part of the composition. Each art contains one letter of the words ART BLOCKS. A collector who possesses all nine letters becomes a member of the TBOA club. | Shvembldr | https://beta.cent.co/artblocks/+59s9p0 | 500 | 2021-5-29 | 2,553 | 500 | 3.9 | 189 | 38% | |||||||||||||||||||
53 | Pigments | Pigments is an exploration of colour and spatial distortion. Each instance is an abstract representation aimed at evoking a micro or macro-environment; from unknown substances, or oil in a canvas, to nebular formations. The pieces are animated, meant to be experienced live. The piece can run endlessly, with infinite output. To run it smoothly you need a capable GPU. If this proves to be too computationally intensive, or if you prefer a static view, feel free to press the spacebar. | Darien Brito | https://beta.cent.co/artblocks/+8vmznl | 1024 | 2021-8-7 | 8,436 | 55 | 50 | 1.975 | 660 | 64% | ||||||||||||||||||
54 | FAKE IT TILL YOU MAKE IT | Learn more at https://fakeittillyoumakeit.lol | Maya Man | https://info.artblocks.io/spectrum/in-conversation-with-maya-man | 700 | 2022-8-11 | 346 | 1000 | 1.46 | 289 | 41% | |||||||||||||||||||
55 | RASTER | Learn more at https://www.raster.club/ | itsgalo | Galo is a designer, writer, educator, and pixel painter. His work interrogates the emerging sociotechnical effects of code, screens, and software culture. He is the author of Digital Fabrications: Designer Stories for a Software-Based Planet, a collection of essays on software and design. | 400 | 2022-9-8 | 481 | 9.69 | 1.19 | 254 | 64% | |||||||||||||||||||
56 | Flux | The universe in which we exist is an ever changing ebb and flow of energies that coalesce into observable patterns of repetition and harmony. By practicing mindfulness one can observe their part in this universal flux and achieve a powerful sense of connection to the whole. | Owen Moore | https://medium.com/the-link-art-blocks/in-conversation-with-owen-moore-3bd6e43637d8 | 500 | 2022-4-19 | 163 | 69 | 0.88 | 311 | 62% | |||||||||||||||||||
57 | 720 Minutes | A real-time live interactive piece that also acts as a clock. 720 unique ways to show the current time, one per minute over twelve hours. Each clock will activate on its given minute, giving you a special moment every twelve hours to consider what one minute means to you. | Alexis André | https://beta.cent.co/artblocks/+epegr8 | 720 | 2021-3-6 | 2,776 | 23 | 408 | 3.29 | 455 | 63% | ||||||||||||||||||
58 | Sudfah | Sudfah (Arabic for "happy accident") is a generative collection celebrating the beauty that can emerge from chaos, mistakes, and accidents. A single calligraphic line intends to tell one story (sometimes wandering and confused in its own right, but always meandering from one side to the other). Digital liquid is spilled upon it and takes the ink in directions that are unexpected, uncontrolled, and tell a much more interesting story than the one the line intended.... and often more beautiful. | Melissa Wiederrecht | https://info.artblocks.io/spectrum/in-conversation-with-melissa-wiederrecht | 401 | 2022-6-30 | 840 | 12.5 | 20 | 1.39 | 256 | 64% | ||||||||||||||||||
59 | Act of Emotion | Learn more at https://kellymilligan.art/piece/act-of-emotion | Kelly Milligan | https://medium.com/the-link-art-blocks/in-conversation-with-kelly-milligan-1cafd7388108 | 400 | 2022-9-22 | 363 | 8 | 20 | 0.9 | 251 | 63% | ||||||||||||||||||
60 | Polychrome Music | Click to activate sound 🔈 The work is responsive, it will adapt to any screen size 🌹 | Rafaël Rozendaal & Danny Wolfers (Legowelt) | https://medium.com/the-link-art-blocks/in-conversation-with-rafa%C3%ABl-rozendaal-and-danny-wolfers-legowelt-e6d61f69efa9 | 400 | 2022-8-25 | 208 | 4.69 | 5 | 0.929 | 230 | 58% | ||||||||||||||||||
61 | Endless Nameless | Endless Nameless is an exploration of composition. We start with a square. The square is divided into sections. The sections are filled with color pairs. Sometimes all colors are used. Sometimes fewer colors are used. | Rafaël Rozendaal | https://info.artblocks.io/spectrum/in-conversation-with-rafael-rozendaal | 1000 | 2021-7-30 | 1,992 | 98000USDC | 49.99 | 0.62 | 570 | 57% | ||||||||||||||||||
62 | Fontana | Learn more at https://pattern.co/nft/fontana/ | Harvey Rayner | patterndotco | https://medium.com/the-link-art-blocks/in-conversation-with-harvey-rayner-7a49accb0f3b | 500 | 2022-10-6 | 1,778 | 27.79 | 196 | 10.95 | 274 | 55% | ||||||||||||||||||
63 | Pre-Process | Learn more at https://reas.com | Casey REAS | https://info.artblocks.io/spectrum/in-conversation-with-casey-reas | 120 | 2022-12-1 | 677 | 12 | 50 | 6.66 | 88 | 73% | ||||||||||||||||||
64 | CENTURY | CENTURY is my homage to paintings and drawings from the twentieth century and the countless hours I’ve spent looking at them. The references span the origins of concrete and non-objective art to color-field painting and minimalism. The strongest direct reference is a series of pictures created by Ellsworth Kelly in the 1950s where he cut his paintings into pieces and reassembled them in different orders. CENTURY creates a distinct picture for each unique transaction hash, and you can “cut” and “reassemble” it in different ways by pressing ‘1’ on your keyboard. Press ‘2’ to put the slices in the original order. These are landscapes; they look best large and in motion running as live code. | Casey REAS | https://info.artblocks.io/spectrum/in-conversation-with-casey-reas | 1000 | 2021-6-26 | 3,936 | 75 | 78 | 2.4269 | 533 | 53% | ||||||||||||||||||
65 | Primitives | Learn more at https://arandalasch.com/works/primitives/ | Aranda\Lasch | 400 | 2022-10-20 | 487 | 3.5 | 138 | 1.25 | 203 | 51% | |||||||||||||||||||
66 | Construction Token | Each Construction Token is unique and contains a randomized seed that determines the composition of the artwork. This includes the number, orientation, and placement of rectangles, as well as the color selections. Most tokens are monochromatic, with occasional light or dark variants. In some cases, the script will produce a token using complementary colors. | Jeff Davis | https://beta.cent.co/artblocks/+gxb7tz | 500 | 2020-11-28 | 2,324 | 30 | 125 | 8.88 | 263 | 55% | ||||||||||||||||||
67 | Frammenti | Memories define us. Made of countless fragments, they are an ever-changing snapshot of our past. Frammenti is a digital explosion of life, inspired by our most personal treasures. | Stefano Contiero | https://info.artblocks.io/spectrum/in-conversation-with-stefano-contiero | 555 | 2021-5-22 | 3,339 | 69 | 30 | 3 | 372 | 67% | ||||||||||||||||||
68 | Anticyclone | Project Description: Anticyclones are a weather phenomena. They pierce through darkness to instill peace and calm. Their planetary scale reminds us of how little we are and how powerful they can be.High pressure, rotation, air flow… The "Anticyclone" series is an artistic exploration and interpretation of those concepts.The rendering borrows its aesthetics from traditional and organic media like paper and crayons, to lend an analog/archival look."Can a computer draw like a human?" The question is asked and challenged once more through "Anticyclone".[Press the left/right keys to explore the different steps building the final image. Bottom/top for the first/last step. Can be intense for your machine] | William Mapan | https://info.artblocks.io/spectrum/in-conversation-with-william-mapan | 800 | 2022-4-30 | 4,640 | 37 | 200 | 8.69 | 399 | 50% | ||||||||||||||||||
69 | entretiempos | Project Description: Our lives are scattered across several time scales, and the meaning of every event that takes place depends on the time scale that we choose to define & observe them from. Yet we fail to fully comprehend this in our daily errands. Entretiempos is an artwork that reflects on this, based on an aesthetic that pays a tribute to the works of Sonia Delaunay, František Kupka and other painters from their era, recreated by the usage of intersecting rings that create a varied and rich space.The work plays with the time scales by painting dynamically and letting the viewer pause the work, restart, set it to loop indefinitely, painting and vanishing in an endless cycle. And it can be set to be done at varying speeds, to appreciate what happens in between the time scales ("entre tiempos", in Spanish).Also, there is a broader theme that I find of interest to explore from every work that I engage with. It has to do with the concept of what I call total cognitive space, or the total range of possibilities that can be expressed / achieved with a given scenario and set of conditions. In this case, I was interested in expanding my rendition of the works of Delaunay into a broader space. How does this approach scale with varying parameter ranges? Is the painting still interesting? Can it express something new? Connected to this, I am also interested in thinking about what emotions would mean for an artificial sentient being. We talk about artificial intelligence, but leave aside artificial emotions all too often. While artificial intelligences are indeed interesting, we fail to recognize the paramount importance of emotions in human behaviour. To this end, this work explores also the result of painting with machine-like precision vs. performing the artwork with a range of possible imprecisions. The perfection of the machine vs. the imperfection of the human, does it trigger different emotions in us humans? What will the reaction of a machine be whenever they develop a taste?This work exposes features that deal with its time and space scales, background colour, background elements, the palettes used, certain colour accents that may happen (golden accents, b&w tones), the style used to draw the geometric shapes (fill, lines, outline), the degree of paint precision and other features that influence the final result. The user may download a PNG file at any arbitrary resolution at any step of the paint process using the commands provided for that. A brief list of commands is as follows. Please note that you need to click on the artwork first to make sure it will receive the typed commands:p to pause/resume the work r followed by y to enter the looping mode d followed by +/- or any number from 1 to 9 to increase resolution s followed by c to save current image s+f to automatically save the final image when the system finishes painting s+m to restart and save a sequence of images of the process r+0 (zero) to reset all parameters and resolutions and restart k at any time to define keyframes, then r+0 to restart the work and it will automatically pause at defined steps, or s+i and the work will restart and automatically save an image at every keyframe defined with k. Reload browser to reset.There is an Easter egg hidden in every work.For the full project description, inspiration and rationale, as well as the full list of features and controls plus a hint at the Easter Egg, please visit the project homepage at https://www.iillucid.com/entretiempos | Marcelo Soria-Rodríguez | https://medium.com/the-link-art-blocks/in-conversation-with-marcelo-soria-rodr%C3%ADguez-7fdbe3034515 | 1000 | 2022-2-15 | 792 | 6 | 28 | 0.79 | 471 | 47% | ||||||||||||||||||
70 | ORI | Project Description: Ori is an art series that draws inspiration from paper folding to create deeply abstract and highly contrasting imagery. The loose interpretation of origami dynamics quickly dissolves as physical rules are bent and reimagined.An artifact of this process is the distinctive fold lines, which symbolize the Yoshizawa-Randlett diagrams that serve as instructions for Origami. The practice of Kirigami (folding and cutting paper) is also represented and is occasionally visible as highly destructured forms.Contrasting the precision of the folding engine is a spray paint simulation that gives the image its color. Paint is applied with a wandering nozzle, sometimes overflowing past boundaries and dripping downwards. Inspired by the freeform nature of graffiti, the spray paint layers are chaotic and unrefined.Note: The spray paint simulation may take many seconds to fully render.After the render is complete, press any key to destroy the artwork. | James Merrill | https://www.artblocks.io/collections/curated/projects/0x99a9b7c1116f9ceeb1652de04d5969cce509b069/379 | 450 | 2022-11-17 | 931 | 6.429 | 139 | 2.969 | 295 | 66% | ||||||||||||||||||
71 | Tide Predictor | Project Description: LoVid’s signature video work mixes handmade analog synthesizers with digital tools in immersive Red, Green, and Blue (RGB) compositions that celebrate luminosity, chaos, relationships between craft and engineering, and connections between body and tech.Tide Predictor, LoVid’s first onchain generative work, builds a bridge from video synthesizer patches to algorithmic code-derived imagery. This collection is formally and technically inspired by hardware-based image generation, and places experimental moving-image, circuit boards, and electrical signal-based video art at the conceptual roots of generative art.Tide Predictor is a modular video synthesizer patch model, designed to reflect the analog spirit by working with three channels: RGB. Tide Predictor reimagines NTSC-encoded, oscillator driven electrical current based video synthesis while adding digital randomness/unpredictability, and transformations based on code, along with each mint’s unique content.In the late 19th century, mechanical analog computers used rhythm and repetition to anticipate the rise and fall of water levels. In addition to “tides”, which are low frequency oscillations of the ocean, higher frequency changes or “waves” are frequently discussed in reference to both water and electrical signals. By working with looping - and explicitly addressing the period (=1/frequency) for each RGB color - Tide Predictor extends analogies between the flow of water and the flow of electricity.LoVid’s Tide Predictor brings these relationships from the blockchain, through your screen, straight to your retina! | LoVid | https://info.artblocks.io/spectrum/in-conversation-with-lovid | 400 | 2022-11-3 | 335 | 2.22 | 333 | 0.66 | 263 | 66% | ||||||||||||||||||
72 | Minting | 62348 | 31570 | |||||||||||||||||||||||||||
73 | artists | 68 | ||||||||||||||||||||||||||||
74 | collections | 70 | ||||||||||||||||||||||||||||
75 | Average Minting | 890.6857143 | Average Volume | 4753.642857 | ||||||||||||||||||||||||||
76 | Total Artists | 229 | ||||||||||||||||||||||||||||
77 | Total Mint | 235296 | ||||||||||||||||||||||||||||
78 | Total collections | 371 | ||||||||||||||||||||||||||||
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