| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | AE | AF | AG | AH | AI | AJ | |
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3 | Author | Drums | Bass | Pad | RG + Synths | Violins | Vocals | Lead (bar 145) | Vol Balance & Glue | Flow / transitions | Dynamics | Tonal balance | MIX ROUND 2 | ||||||||||||||||||||||
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5 | OVERALL | Drums are difficult to get right and sit in the mix. They need to be punchy but not too much, have body but not overpower, clarity but not sound too tinny. In some mixes the kick was boosted / boomed too much, which overpowered the song (and the sub bass). Sometimes it had a pronounced (often high-freq) reverb all by itself, which unglued the drums from the rest of the mix | Many of the mixes are too heavy in the sub 100Hz range, the Bass Hold instrument is a very deep sub and needs taming!! Sometimes the drum kick was boomed a lot, often adding to the problem. | The Blue in Grey Pad is, in its raw preset form, more like an organ sound. It is also horribly autopanned. In the reference track it has a space-type reverb which 1) turns it into a pad and 2) kills the autopan. Some of you tamed the autopan without killing it completely, which I liked, but left untreated, the autopan was too much. In some cases it sounded like a cheesy organ during the break in bar 89, which I really didn't like (although you wouldn't have known that so I ignored that in my assessment) | Since there are plenty of 'main' + 'filler' instruments, it's important not to overload with too many and choose the balance of them at different stages of the song. The RG guitar is great to introduce the song but then should fall back to make room for the new instruments. The synth tops risks being repetitive if over-used, especially if used only in its dry form. The sparkle is nice to add shimmer to the chorus. And the Synth Motion is delivering most of the harmony, so it needs to be heard | Although not the best in the business, this is still a great quality string preset (NI Session Strings). Many mixes gave the violins a quiet, background and/or flat treatment. After the vocals, the violins are, for me, the second best instrument to create emotion and dynamism. For me the best treatment is to give it broad wide stereo and make it sing, with volume dynamics and crescendos. | Not the easiest to get right, but I have found that when you have great vocals, and I'm super happy with the session singer's raw vocals by the way, it makes it easier to mix in. I prefer vocals to be up front but still very much in the mix, which usually means subtle reverb and FX whilst keeping the original character of the voice as much as I can. But in some styles a more pronounced reverb works, if the rest of the track sounds like it's in the same space | This is for me the climax of the song, with the lead riding and building on the energy that the vocals created in chorus 2. Many mixes treated it as a more relaxing way to come down from the chorus, but I really wanted to hear it literally crying out, to top off the already intense vocals. So if the lead was very quiet or weedy, it felt like a bit of a let down. I had assumed calling it a lead in the mix pack would be enough of a hint. However, I didn't specifically ask for the above, so I made it a less important criteria for my scoring in the end | It's important for me that main instruments get more airtime than supporting effects or high frequency rhythmic effects; the more repetitive they are, the less they should be up front. I don't like any hard panning of instruments unless they are far back in the mix and are well balanced. Hard-panned hihats tend to get irritating because they have high frequencies that can easily annoy, like flies buzzing behind the ears. I also find that lots of different reverbs applied to different instruments unglues the mix | When using the riser and crash FX, I want them to sound part of the song. In my mind, they need to lead into the next section of the song without then stopping dead, they need to flow. Also any creative changes in mix parameters can add more interest as the song passes from one section to the next. E.g. change in vocal character, reverb, violins swelling in, etc. | Apart from the break at bar 89 which should be a bit quieter and more dreamy interlude, the most important section for dynamics is the second pre-chorus from bar 113 going into chorus 2 at 129. This where the volume needs to build up, crescendo, especially in the violins which add so much emotional impact. In many cases I didn't feel this, apart from the vocals which already deliver an increase in emotion all by themselves. | I use iZotope's Tonal Balance 2 which is an excellent indicator of how our brain will perceive the spectral balance of a song. It's a pretty reliable indicator showing where the bass is too heavy, the mids are too thin, or the high is too strong or maybe even missing altogether. If I think a song is too bassy, muddy, tinny or hollow, then Tonal Balance pretty reliably confirms it. | |||||||||||||||||||||||
6 | AdamTownsend | Nice but a bit muted / tamed | Provides warm background | Too much like an organ in the break | RG lacks drive, needs motion (more delay), it's a bit too persistent hard panned L+R | A bit flat sounding | Good presence, lots of reverb though, and don't like the 1/4 bar delay in chorus | Lead is very quiet | Nice balance of instruments | Good flow | Fairly consistent | Great tonal balance overall | |||||||||||||||||||||||
7 | alavault | Drums energy boost ! Punchy and cut through the mix but sit well | Totally transformed, the Bass Hold becomes a deep growl and the Bass Stabs a kind of heavily distorted industrial sound. The Bass Stabs work at certain points in the song, when they could potentially have been an added FX. But it's not so great to hear it all the time as the core bass | A bit too organ-like, and dry, esp. in break at 89. Which really doesn't fit the new style at all | Good balance between instruments, choice of which to combine in each section works | Violins sit well in the mix, I think there is volume dynamics on them (although hard to say because rest of the song has so much energy already) | Normally I'm less keen on heavily reverbed vocals, but they work really well in the context of this style. Although I'd still up the delay decay rate a bit in the chorus | Lead is fairly strong, but for this style I might have expected something sounding more like a metal electric guitar | Feels well balanced and well glued | Risers, FX and bass meld together to give a really new and exciting drive to the song. Just at the very end, I find the bass a bit heavy as the song closes | The style imports a real drive to the song and makes it really exciting, it could belong in the climax of a film | Well balanced, doesn't suffer from too much sub like many other mixes | YES | ||||||||||||||||||||||
8 | Alexvanmixland | Fit in mix well | A but heavy below 80Hz | Sit well in mix | Synth tops a bit too prominent, obscuring the melody of the vocals, in both verse and chorus | Violins have some dynamics, to create interest, great | Reverb is good, but I'd prefer less reverb to make vocal more present. Especially needs to be stronger in 121 pre-chorus. Chorus 2, vocal not up front enough | Lead is a bit thin | Well glued together | Nice transition bar 57 to pre-chorus. Nice dreamy section in the break bar 89. Feels free-flowing | Generally quite dynamic on violins especially, would like more volume variations still! | A bit heavy in the 150-300Hz range | |||||||||||||||||||||||
9 | ArneB | Drums need to cut through the mix a bit more, kick is a bit boomy, hihats a bit tinny on the sides | Bass too heavy below 100Hz, makes a distorted buzzing sound, plus a peak at 200Hz | Too much like an organ in the break | The synths blend into each other creating a bit of a muddy feel. 'Synth Motion' very quiet | A bit flat at first, but some dynamism later | Too much delay and reverb, loses impact | Lead is very quiet | Over heavy bass and some instrument muddiness | Flows well, ending a bit abrupt | Good | Bass too heavy below 80Hz, there is a strange peak around 200Hz | |||||||||||||||||||||||
10 | Arthur_labus | Drum kick too heavy, lots of reverb which distracts. Snare is distinctive but doesn't fit, also lots of reverb - puts drums too much at the front | Way too heavy, below <200Hz. Combined with the kick, I sometimes hear it clipping or distorting | A bit too much like an organ, interesting effects on it though | Instruments reasonably well balanced (in their part of the mix). But 'Synth Motion' very quiet | Sit behind the synths in the mix, would be better a bit more forward especially during prechorus 2 | Vocals sound a bit 'radio' and are not standing out very well, reverb pushes the vocals further back. Need more body | Lead sings out more than most other mixes, good ! | Doesn’t glue so well, primarily the drums | First riser and subsequent transition FX are a bit over the top | Fairly constant, need crescendo in prechorus 2 | Too heavy below 200hz and dip in mid range 200-2000Hz, thus it loses body | |||||||||||||||||||||||
11 | Bexplorers | Drums nice and punchy | Bass is too strong below 100Hz | A bit too organ-like, esp. in break at 89 | Nice balancing of the instruments | Violins need more dynamics, sound a bit robotic | Sit nicely in the mix | Lead is a bit thin | Good balance of all instruments | Flows well between sections | Fairly constant, need crescendo in prechorus 2 | Slightly lacking in hid-mids and highs, needs more 'air' | |||||||||||||||||||||||
12 | Blang | Drums sit well, have punch | Buzzing sound on the sub bass. Very slightly too high below 50Hz | Autopan too strong at start. Interesting effects applied on the pads, but pads are pretty loud, a but too much for me | RG very strong. Synth motion also very loud, sounds like its distorting, synth tops too, need to reign in as vocals enter | A bit drowned out by the other synth tracks + vocals | Switch from clean to chorus effect in early verses works well to build interest. 'Radio' vocal bar 57 also is a great idea, it morphs to clean vocals as lyrics are about 'clarity', works well | Lead is prominent, but I'm not sure I like the sound, it's has an ever so slight buzz that makes me think of kids party buzzers. Maybe it was chorused ? | Quite a lot of competition between multiple loud synths at the same time, sounds a bit cluttered | Interesting use of filter on drums in build-ups, on riser FX. Creativity changing vocal character throughout | Energy build up nicely from first verse to prechorus | Good tonal balance | |||||||||||||||||||||||
13 | Brunobennet77mix | Some kind of phasing applied to the drums, I'd prefer it to be more punchy, the phased effect on share + HH gets annoying quickly (someone sharpening a knife sound) | Bass is heavy below 100Hz | Pads too prominent, often sound more like keys / organ than pads | Synth tops a bit too prominent, and too dry, needs to be more dreamy, supporting the rest. 'Synth Motion' hardly audible | No dynamics in violins volume | Full 1 bar delay is too corny for me, it reduces the impact of the vocals actually | Lead is a bit thin | Great | Break at 89 not dreamy enough, a but too dry for my taste. FX risers etc don't seem to blend into the next sections, kind of stop dead | Pre-chorus up to chorus 2, doesn’t do a crescendo | Slightly biased towards lower end of the spectrum, making it feel slightly less clear / airy | |||||||||||||||||||||||
14 | canese | Nice, clean and punchy, love the use of filters to create a build up in the prechorus | Bass a bit too strong below 100Hz, bit it bothers me less than the other mixes because the separation of instruments is so clean | A bit much autopan on BinG pad at beginning. But the break at bar 89 is really dreamy, I love it | I love the combinations of all the instruments. The timbre is changing and shifting on some which creates interest. Would like to dial down synth tops after the start when it's done it's job in the intro | They fit well and enrich, maybe a bit more reverb / widen to make a bit more enveloping ? | The subtle chorus effect on the voice works well, I like it. Some creative effects on the vocals add interest. But in prechorus 2, too much reverb to start with, makes the vocals swim a lot | Lead is a bit thin, need to boost it ! So it sings out and puts drums back in their place. | A very clean and punchy feel | Lots of creativity here, and it works really well. In prechorus, Bar 57-65 love the way the drums start on a low pass and open up progressively to lead into the chorus. And in prechorus 2 bar 113, a similar effect (+formant effect?) on the synth motion to create build up to the chorus 2. Plus reducing reverb on the vocal (gaining clarity as he sings 'clarity') as we approach the final chorus | Could add more crescendo in the prechorus, or the chorus leading up to the final 'lead', but the creative filter FX already create a dynamism of their own | Well balanced, slightly heavy on bass but not so bothersome | YES | ||||||||||||||||||||||
15 | Cantus Pro | Drums are in cotton wool, but with a high pass that lets through just the high end of the snare and hats | Bass in cotton wool too, sounds like I'm standing outside the nightclub | Autopan needs controlling | RG guitar interesting panned to right … but quickly becomes annoying, sounds a bit like a bee buzzing over my head | Violins don't sit in mix well, no dynamics, a bit thin | Vocals not forward enough | Lead is a bit thin | Doesn't feel glued | Hard to tell, because of overall imbalance | Everything feels a but far away and quiet, so difficult to engage in the song | Major dip in 200-2000Hz range, making it sound both too bassy and too tinny at the same time | |||||||||||||||||||||||
16 | cdj1000 | I really like the punchy snare, the drums site really well overall, maybe slightly too prominent ? | Bass too heavy below 100Hz | Not used so much, to give mix a more punchy feel, but I feel they are lacking e.g. in the chorus. Pad sounds like an organ | RG needs a longer delay to give it more driving energy | Violins need more dynamics, sound a bit robotic | Sit nicely, slightly too much reverb for my taste | Lead is too thin, no energy | Nice balance of instruments, but feels a little bit empty | Flows well between sections | Needs crescendo in pre-chorus 2 | Well balanced except heavy bass <100Hz | |||||||||||||||||||||||
17 | ConcreteMixer | Drums fit well, hits would be better in centre/right instead of left. Maybe a bit too forward ? Not sure | Too strong <100Hz | Would like BinG pad to be more pad-like. Also sounds distorted | RG guitar distorting, sounds like its clipping. Synth tops, sometimes left panned, sometimes right, gets annoying after a while; too dry + up front. 'Synth Motion' hardly audible | Not very dynamic | Like the clean, no-reverb sound, but don't like the | More energy than other mixes, but needs more | Nicely balanced and glued | Flows well | Needs crescendo in pre-chorus 2 | Dip in 200-4000Hz range, which the violins fill out later | |||||||||||||||||||||||
18 | cpsmusic | Nice and punchy | Bass super heavy below 150Hz | Not used so much, to give mix a more punchy feel, but I feel they are lacking e.g. in the chorus. Pad sounds like an organ | I'd prefer RG to be less tinny, synth tops less dry they stand out a bit much in the chorus. 'Synth Motion' very quiet | Delayed attack on violins makes them a bit late on the beat which lessens their impact | Sit well, have presence, prefer less reverb since all other racks have little or no reverb | Could be stronger and more characterful | Good balance except for bass and synth tops / seq hard | Nice transitions. Pre-chorus and chorus sounds a little light | Violins not leveraged to create crescendo and emotion | Bass quite heavy below 100-150Hz | |||||||||||||||||||||||
19 | diegonerysts | Kick drum has a high reverb which doesn't suit it. But when full drums come in, it's better | Bass is a bit heavy below 80Khz | Pads :-). Until the break when it sounds like an organ | Nice mix of synths to give dreamy effect in chorus | A bit flat sounding | Sit well in the mix, clean, maybe not quite up front enough ? | Lead is very quiet, overshadowed by rhythm synths (e.g. seq hard) | Nice balance between instruments | Flows well between sections | Good | Good, just a slight bass bias below 80Hz | |||||||||||||||||||||||
20 | dnlptn | Could be more punchy, snare is subdued, tend to hear hats more than the snare | Bass is well tamed, but sometimes feel slightly boomy | Nice pad atmosphere to start | Keeps synth effects light and subtle to start with, spacey verb works on synth motion | A bit quiet, although come to live a bit more in the chorus 2 | Vocals fit in the spacey reverb atmosphere | It's comparable presence to other synths but needs more body and character | Violins don't seem to glue into the mix | Could be a bit smoother on some of the rise -> crash transitions. I'm not hearing a strong riser effect to create more anticipation | Starts quiet, then builds up | Good tonal balance throughout | |||||||||||||||||||||||
21 | Dodgingrain | Snare is a bit distracting I don't know why, it cuts through right to the front of the mix | Bass slightly strong below 60Hz but not too noticeable | Too much like an organ | Phasing effect on RG works well. Good balance between instruments | Fluttering slightly (sidechained?). Would be nicer if they swell / crescendo with the song | Sit nicely | Fairly flat, needs a boost | Good balance of all instruments | Transitions well from one part to next | Would be good to feel more crescendo in the prechorus 2 | Good overall balance with only slight bass bias | |||||||||||||||||||||||
22 | Doobop | Drums could be a bit more punchy and cut through the mix better | A bit heavy <60hz | Sounds like an organ, and is too strong in the pre-chorus, overwhelms the vocals. Too strong in break bar 89, doesn't fit well, if it was converted into a pad would fit more naturally | RG is nice but it remains too strong through the whole first verses and becomes annoying, needs to fall back as the melody and synth motion comes in | Sound good, dynamic. A bit of reverb might help sit in the mix better | Nice and clean, need to be more up front | Lead is very quiet | RG guitar and pads were a bit too strong, overshadowing the vocals. Chorus 1 sounded more empty than the verse. BinG pad sounded like an organ and was too strong in many parts including final chorus and the end | Good | The violins seemed to crescendo a bit. A number of abrupt instrument changes, mainly the BinG 'organ' | Slight bias in bass but not bothersome, however important dip in frequencies above 400Hz, missing a bit of 'air' | |||||||||||||||||||||||
23 | dozzer61 | Drums are quiet, they need to cut through the mix more | Bass too heavy below 100Hz | Great | RG plus high freq reverb on it is a bit too up front, especially when the vocals come in, it masks them | Don't sit well in the mix, too loud in verse 3 & 4 (bar 97) and drown out the vocals | Vocals reverb too strong, dampens impact of the voice and pushes it back in the mix | Lead is a really thin | Sounds like a lot of reverb going on, muddies the mix in the mid range (esp. at bar 41). Violins don't sound like they are part of the mix | Flows well | Not enough use of volume variations, especially noticeable on the violins which seem to stay same volume throughout | A bit heavy below 60Hz | |||||||||||||||||||||||
24 | Dwic | Drums feel slightly flat, kick is maybe it bit boomy | Bass is a bit heavy below 80Khz | Pads a but loud in break, I think they're driving a peak at 200hz in the bass | RG reverb makes it sound a bit outside the mix | FX on violins in chorus makes them sound partly like a cathedral organ / but it could be bleed from the vocal chorus effect | Not so keen on slight right pan of voice, prefer in center. Chorus in verse 2 doesn't work. The FX (phasing ? slight detune?) on the voice appear to detune it around the true note, making it often sound slightly off-note | Lead has character, but sounds less present with its 'radio' like sound | A bit unbalanced between the tracks, so didn't really glue | FX transitions generally good, but could be more fluid | Fairly consistent | Bass a bit heavy below 80Hz, there is a strange peak around 200Hz, giving a woolly feel | |||||||||||||||||||||||
25 | EduardoDinis | Fit well in song, maybe slightly more punch needed in the kick & snare | Bass is a bit woolly, heavy below 60Khz | A bit too organ-like, esp. in break at 89 | RG a bit dry, need to drive more. Synth Motion almost completely cut out | Violins are panned slightly left and therefore lose their power, they should be in full stereo to bring them out | Sit well | Can hardly hear the lead | Could be glued a bit better, the panning of certain sounds left and right makes the nix feel less glued | Could be more fluid | Chorus feels a little flat, need more crescendo in prechorus 2 | Generally good, bass slightly heavy <60Hz | |||||||||||||||||||||||
26 | Elroms | Drums sit quite well but the reverb on them unglues them from the rest of the mix, snare+its reverb is too strong for me | Bass way too heavy below 120Hz, overpowering | Too much like an organ | Synth tops a bit too prominent, and too dry, needs to be more dreamy, supporting the rest. | Violins need to shine through more | Sit well | Lead too quiet | Synths seem to be competing a bit for space, lots going on | Flows well between sections | Not so much volume variation | Overpowered by bass | |||||||||||||||||||||||
27 | Elver | Drums nice and punchy. Less keen on the L-R panned hats which start to annoy a bit bouncing between the ears. | Bass too heavy below 120Hz | A bit too organ-like, esp. in break at 89 | RG needs more delay, more motion. Instruments are nicely balanced, all have their place | Violins are a bit quiet, and are drowned out by the reverb on the vocals | FX on vocals sounds a bit like a radio to start with, then changes to open & echoey in the pre-chorus. Panning changes regularly too. It's an interesting idea which seems to work to start with but then is overused, it's changing every section, so I lose the thread and the focus. Spacey reverb in chorus is too much for me. | Lead is really brought out, it really sings. Like an electric guitar, which was my intention in the reference track. Prolonged echo at end of the section works well | Generally a good balance, vocal keeps shifting with its changing FX though | Transitions & FX are well handled. Switch from 'radio' to reverb to cavernous echo on vocals is destabilising. Chorus really does sing out though compared to the verses | Violins not leveraged to create crescendo and emotion | Good apart from heavy sub | |||||||||||||||||||||||
28 | flat_hat | Sit well in the mix | Bass is slightly heavy below 80Khz but it fits the style which is a bit psychedelic | Original heavy LFO effect on pads, takes me back to Camden lock in London in the 90s. But careful not to overdo it | Lots of reverb, trippy effects | Fit in well | Vocals are clear and fit well into the style | A bit light, could have done more with it | So trippy I got lost in it, i.e yes it balances and glues very well | Flows very well | Overall feel is very laid back, so it's a chillout version | Quite a bassy overall balance, sounds a bit muted | YES | ||||||||||||||||||||||
29 | Franz | The reverb on the drums is too strong (upper-mid freq)and so they don't sit in the mix | Too heavy <100Hz | Good | RG too quiet at least during the intro, so we lose the driving effect it brings. Synth tops are out of sync with all other tracks so it unfortunately ruins the rest of the song. Synth tops too strong in chorus | Need to be more dynamic / volume changes to play their part | Too quiet, not out front enough | Could be more up front. Sounds a bit flat, needs to be more dynamic-sounding (tremolo, delay, reverb, distortion …) | Drums take up too much space (reverb) and vocals not our front enough | The FX don't feel glued into the mix, they are sometimes too loud, then stop dead, without a new instrument to take over or a reverb to smooth their exit | Could be more dynamic | Bit heavy in bass, and seems to be missing body in the midrange compared to other mixes | |||||||||||||||||||||||
30 | GB_Real | Punchy | Bass super heavy below 200Hz, really too much. Then even more heavy in chorus, which really upsets the balance | Too much like an organ in the break | RG lacks drive, needs motion (more delay). Rest of instruments sit well together though. 'Synth Motion' very quiet | They do add to the crescendo in prechorus 2 | Vocals sound a bit unglued from mix, with their own reverb. Short delay. They are up front though | Lead sings out more than most other mixes, has some character, tremolo | Good balance, but bass out of line and synth tops at the end panned left | Flows well between sections | Good use of violins for emotional impact | Too bass-heavy | |||||||||||||||||||||||
31 | Green-Dog | Cool driving drums, I like this new sound. Am wondering whether to hold back on their full power until after the break at 89 when the versus come back in. Maybe the kick drum is a tad loud ? | Bass character is different (raised an octave at least), and when playing alone from bar 17 to 25 doesn't sound quite right. But then when the verse gets going, then the drums in 41, the drums and bass combination work very well together, creating some real driving energy | Nice, used well to keep body. Very strong organ sound in break at 89 | RG nice but I feel it would fit better the darker beatbox style if it had less reverb and was more punchy. Synths all sound warm and fit together, sparkle used well to add 'sparkle' to the chorus | Violins are a bit lost behind the synths but otherwise good | Lots of reverb on vocals, makes them lose presence | Lead has been given some character, and it sings out well | Good balance between parts | Bar 57 prechorus, nice transition. Interesting how the pads are cut to give a cleaner chorus the first time, however it cuts the energy a bit. Then brought back for a fuller chorus 2 | Variation introduced via change in reverb style and switching certain synths on or off. How to create more tension in prechorus 2 ? | Great tonal balance overall | YES | ||||||||||||||||||||||
32 | hjchjc | Fit well in the mix, although have a strange reverb that mutes their punchiness | Bass too heavy, way too much below 100Hz | Dry blue in grey pad with autopan | RG too quiet, doesn't create interest, can hardly hear 'Synth Motion' synth, pads too strong | Violins not used to create emotion, very quiet in the back of the mix | Vocals don't sound settled in the song. Have a reverb that makes it sound like he's in a different room to the rest of the song. Too much infinite reverb in chorus, reduces impact | Lead a bit weedy, doesn't stand out like it should | Doesn't feel glued together, sounds like the pads are sidechained off the vocals and so fade in and out very strongly, upsets the balance | Flows well between sections | didn't notice any use of volume to create dynamics | Strongly skewed towards low end of the spectrum, balanced restored only with vocals. Overall sounds a bit like it's wrapped in cotton wool | |||||||||||||||||||||||
33 | IbanezoO | Drums are well placed, but the snare high-freq reverb singles it out | Bass Stabs buzzing sound | Too much like an organ in the break | Lots of delay on synths makes it sound really busy in the middle | A bit flat sounding | Up front, sit in mix, I don't like the 1/2 bar delay | Quiet lead | Good but drums and some rhythmic synths don't fit well | Great | Violins not leveraged to create crescendo and emotion | Good balance | |||||||||||||||||||||||
34 | ilrenton | Drums are a bit heavy and too much up front. Kick is very boomy | Quite strong below 80Hz but not too bad | Pads are fading in and out in opening verses, are they sidechained on another instrument ? | Generally fit together well | Violins remain flat in volume, in the background | Vocals sound quite far away, too much reverb ? | A bit weedy, but added tremolo to create more interest and character, plus long reverb at end is nice | Song feels to lack body, hollow sounding | Break at 89 is nice and dreamy. Flows well between sections | Could be more dynamic | Low in the 600-2000 mid-range, making it sound hollow | |||||||||||||||||||||||
35 | jeffssoloband | Sit well in the mix, keep their punch but not overpowering | Bass is a bit heavy below 80Khz | Phasing type FX on pad, it's a bit much for me | A bit too much emphasis on the repetitive Arpegg and not enough on the synth motion which brings the harmonies | A bit flat sounding, really quiet in fact, hidden behind other synths (esp. the Arpegg) | Clean and sit well in the mix | Lead is very quiet | A bit unbalanced between the tracks, so didn't really glue | Moves well from verse to chorus. Chorus feels a little flat compared to the verse | Could do more (violins) | Good but Bass is a bit heavy below 80Khz | |||||||||||||||||||||||
36 | Jerze | Drums nice and punchy, fit well in the mix, have drive / motion | Bass is a bit heavy below 80Khz. Bass is a bit buzzy (eg at bar 89) | Interesting subtle warm sound | Interesting granular / reverse effect on synth motion | A bit flat sounding | Sit nicely in the mix, would like to bring more forward | Lead is singing out, would prefer more saturation than the fast warble effect. Or maybe both ! | Nice balance between instruments | Good | Violins need to be treated to make them swell in and crescendo | Good but Bass is a bit heavy below 80Khz | YES | ||||||||||||||||||||||
37 | jetwolf | Thumping, super boomy kick clashes with bass | Out of time with rest of tracks. Too heavy <100Hz | Great | RG out of time with rest of tracks | Quiet | Too much reverb | Needs more volume / character | Misaligned tracks | Misaligned tracks | Misaligned tracks | Very bass heavy, mid range is not so strong | |||||||||||||||||||||||
38 | JohnK | Drums quite up front, hihats/shakers are too present / high frequency / persistent (on right pan) | A bit heavy, <100Hz | Pad sounds too much like an organ, very abrupt, esp. in the break (bar 89) | Nice RG sound, synth motion works well, synth tops would be nice with more dreamy sound. RG tone changes from intro bars 9+ to verse bars 17+, then back again in bar 25+ I'd prefer it to stay the same | Come in quite strong, they are also dynamic, with crescendos | Vocals nice and upfront. Reverb is good because it's subtle. Would have preferred reverb wasn't dialled up in the chorus though, it makes vocals less impactful, when it should be more impactful. Sound slightly thinner than other mixes | Doesn't really sing out like it should, would be better with more power, like an electric guitar ! | Parts generally well balanced. Push drums back but let them cut through a bit more, bring vocals forward | Transitions well from one part to next | Violins have volume dynamics, climax builds up nicely | Good, just the <100Hz bass to rein in | |||||||||||||||||||||||
39 | JulienMerione | Drums fit well, snare is too 'grungy/noisy' and so gets repetitive and attracts too much attention | Too much bass below 150Hz early on. Imbalance is better later, still a but heavy <80Hz | Pads really add body to the song. Autopan too strong at the beginning and end, would be good to tame it | RG comes in nice. Nice balance of instruments. Sparkle adds sparkle to chorus | Sit nicely, but need to be more dynamic | Well positioned in the mix | One of the best treatments of the lead I heard , made it stand out, one of the few mixes that applied tremolo to give it more life | All parts balanced and glue together really well, each has its place | Nice transitions create tension, Chorus sounds better / sweeter / fuller than verse (as it should) | Nice build ups from section to section. Violins could be more dynamic to create tension in prechorus 2 | A but heavy on bass <60hz, main thing is the dip in mid range from 300-2000Hz | YES | ||||||||||||||||||||||
40 | Kirurg | Sit well in the mix, punchy | Bass is slightly heavy below 60Khz but not very noticeable | Used well to build up, nice dreamy break at bar 89. I'd like to tame the autopan a bit | Strange noise artefact on RG. Nice strong synth motion sound, gives the harmony | Sound really nice | Clean and sit well in the mix | Lead signs out, tremolo adds interest | Feels to have good body, great balance | Good flow | Good use of violins for emotional impact | Good balance overall with very slightly heavy bass | YES | ||||||||||||||||||||||
41 | Lastdegree | Kick and Snare masked by the bass and vocals, but hi hats some through (a bit tinny) | Don | Strong pad with character. Too loud | Overpowered by the rest. Can't hear 'Synth Motion' | Overpowered by the rest | Loud, distorting too, unsure if it’s the vocal or bass or both doing that | Overpowered by the rest | Sounds like it's mastered for max loudness, but lots of things are distorting | Don't know | Max volume | Bass heavy below 60Hz | |||||||||||||||||||||||
42 | Lemmonz | Great, maybe turn down the snare hi freq reverb | Bass too heavy below 100Hz, and overpowers the other instruments it's a bit too loud throughout | Clean, do their job as pads should | RG sounds a bit thin | Good but, not very dynamic | Sit well, have presence | Better than some other mixes, want more energy | Bass out of balance, rest glues well together | Switch to radio vocal in pre-chorus is nice idea but the actual character of the sound makes it unglue from the mix | Fairly consistent | Heavy bass, dip in mids between 400 -1500Hz | |||||||||||||||||||||||
43 | Les Lingle | Nice and punchy but reverb (high freq on snare) feels out of place | Not too heavy, fits in well | Sound very quiet or non-existent in places | Rg, Synth motion sound nice and punchy. Synth tops maybe a little overused ? But not a big deal | A bit too quiet, not really exploited | Vocals nice and clear and up front. Not so keen on the faint long delay echo | Can barely hear the lead at all, violins + synth tops were given precedence | The mix of all the synths together, although clean, sounds a little mechanical, which makes the song feel a bit less glued | Sounds kind of halting, it must be the very clean, punchy style adopted, it's hard to put my finger on it. Maybe because the pads are hardly used ? Louder (halting sounding) synth tops ? | Not so much variation | Great tonal balance overall | |||||||||||||||||||||||
44 | Matik | Snare stands out a bit much, the strong punching sound + reverb diverts attention | Tamed ! | Too much like an organ in the break | Synth tops a bit dry and persistent. Synth motion is a bit hidden behind synth tops and arpegg | A bit flat sounding | Clean and sit well in the mix | Lead is loud enough but needs more character | Well balanced, just the snare + its reverb that unglue it a bit | Interesting FX on risers, flows well | Good | Good balance | |||||||||||||||||||||||
45 | Mattrocket | Sit well in the mix | Tamed and in their place | Nice ambience | Nice use of all the synths without getting a cacophony, each track has its place. Synth motion sometimes a bit lost. Synth tops too dry and persistent for me | Sound really nice, maybe try to warm them up more ? | Sit well, have presence | Creative treatment to turn the lead into an ambience effect. Works quite well | Good balance, just synth tops a bit dry | Flows well | Good use of violins for crescendo | Great tonal balance overall | YES | ||||||||||||||||||||||
46 | maxovdrdrive | Drums would be nice with a bit more punch | Well tamed, fit well, Bass Hold provides solid undertone | Phasing/flanging on pad is not unpleasant, although makes it sound to me like it's in a box | Flanged RG sounds nice. Like the open spacey synth motion feel. Dreamy use of sparkle / synth tops in chorus | Sit well but could be more dynamic and more up front at key 'high emotion' moments | Vocals sound a bit mid-range, lost the air. Sounds like there's an octave lower shadow / vox effect on them ? I prefer cleaner | Lead needs to be louder and the gating effect cuts its power | Would glue together more if vocals and drums were sat better in the mix | Good | Limited variation | Good tonal balance overall, but vocals need more 'air' | |||||||||||||||||||||||
47 | Mork | Drums fit well, a bit more punch ? | Bass too heavy below 100Hz | Autopan needs controlling. Organ sound in break | Synth tops a bit too prominent, and too dry, needs to be more dreamy, supporting the rest. | Fit in well, dynamic in prechorus 2 | Sits great … until chorus 2 when alien deep horror vox effect arrives and … hmm not what I was expecting! | Lead doesn't come out strong enough, a bit lost | Nicely balanced and glued | Good flow | Good | Good balance apart from bass <100Hz | |||||||||||||||||||||||
48 | ObaOzai (v2) | Kick drum is boomy, I can't hear the snare. Gives a deep sub thump too strong for the rest of the song. Hats need the highest frequencies rolling off, they get a bit bothersome over time | Bass sounds too low. Too heavy below 80Hz | A bit too organ-like, esp. in break at 89 | RG comes in nicely. Synth tops a bit loud and persistent. Synth motion is almost inaudible, it's a key element of the harmony. Feels like there are lots of instruments competing, don't fit together so well | Come in too loud and strong just 4 bars before chorus (bar 69), then are too loud during the chorus | Vocals are nice and clean, but don't seem to fit the mix, quite dry and panned slightly to the left, feels disconnected. | Lead doesn't come out strong enough, a bit lost | Feels like there are lots of instruments competing, don't fit together so well, Violins too loud, don't sit within the mix and overpower the vocals | Short term risers + crescendos leading up to next sections (eg bar 57) sometimes followed by a sharp volume drop that breaks the flow | Dynamics would be better if the violin didn't overpower the rest so much | A bit bass heavy <80Hz, otherwise overall tonal balance good | |||||||||||||||||||||||
49 | Odisdan | A little quiet / muted | Bass is slightly heavy below 60Khz but not very noticeable | Too much like an organ in the break, autopan too strong | The synth motion has added repeated chord elements but I'm not so keen, it might work better just before a new section of the song than every 4 bars | They do add to the crescendo in prechorus 2 | Sit well in the mix | Lead is very quiet | Good balance of all instruments | Great | Good use of violins for emotional impact. Maybe widen to make more enveloping ? | Good overall | |||||||||||||||||||||||
50 | pabloAT | Drums need a bit more punch | Bass too heavy below 120Hz | A bit too organ-like, esp. in break at 89 | Synth tops a bit too prominent, they create interest at beginning but get repetitive after. 'Synth Motion' very quiet | Like the way the violins swell, but they flutter (sidechained to vocals / synths?) | Sits well, maybe a tad more presence needed. Seems to be further back in the mix in some places (verse), and more up front in others (pre-chorus, chorus) | Lead is a bit thin | Reasonably balanced except for bass. Needs gluing a bit better | Chorus needs to sing more (pads, sparkle, violins) | Needs to build up better in lead-up to choruses. Violins have some dynamism but sidechaining dampens that | Too bass heavy | |||||||||||||||||||||||
51 | paglia | Drums are in cotton wool, kick a bit too boomy? Seem to distort/clip a bit, but it's probably the overlap with the bass doing that = muddy low end | Bass way too heavy below 100Hz | Great, a bit hidden behind the vocal reverb | RG has a nice sound and motion to it. 'Synth Motion' very quiet | Violins sound nice, they shine through quite well, need a bit more dynamics | A bit too much reverb, pulling the vocals back in the mix and losing presence | Lead has all but disappeared | Doesn't feel balanced, vocals in a reverb space of their own, the other instruments | Risers cut dead at end, need to flow into the following instruments or reverb tail them out | Some dynamics on violins, needs more | Apart from heavy subs, there is a dip in the mids from 400 -3000Hz which leaves the song feeling to lack body | |||||||||||||||||||||||
52 | PGPMixing | Slightly weedy, just a bit more punch would be good, but sit well in the mix | Sits well, sub has been tamed pretty well | Autopan is a bit overpowering throughout. Also sounds likes it's sidechained off vocals, fades in and out a lot ? Pad sounds like an organ, too abrupt (bars 57, 89) | Nice balancing of the instruments, except the synth tops is a bit dry and too up front for me. Synth motion high passed very high, very quiet | Nicely balanced, and dynamic later on | Sits well, subtle reverb keeps it up front but in its place | Less thin than other mixes but needs more ! | Feels well balanced and glued | Could be more fluid | Good crescendo in pre-chorus 2, violins are dynamic and add emotion | Good overall | |||||||||||||||||||||||
53 | Photonic | Drums nice and punchy, wondering whether the hats need to be made very slightly less harsh | Sub bass (Bass Hold) has been tamed ! And it gives a nice warm undercurrent to the whole song now. I like the delay added to the Bass stabs too, it fills in the low end a bit more | Pads sound good, the autopan is tamed | Nice balance of instruments. Each instrument has its place. RG guitar I'd like to hear a bit more motion. Synth motion really well placed | Come in nicely. Could crescendo more in pre-chorus 2 | Vocals nice and clear and in the mix. But don't like the echo / delay effect on them in the chorus or pre-chorus. I'm not so keen on the octave below chorus too much. | Lead sings out well, would be good to have more grit / body to it | Well balanced and glued together. Spacey (but not overdone) reverb sounds consistent for all parts, works really well | Some riser FX cut dead at end, need to flow into the following instruments or reverb tail them out. Ending of song a bit abrupt, again the riser just cuts dead at the end | Some dynamics on violins, needs more | Good tonal balance throughout | YES BUT DISQUALIFIED | ||||||||||||||||||||||
54 | qhtrvw425 | Sit well in the mix, a bit less reverb would be better | Bass is a bit heavy below 80Khz | Too much like an organ in the break, autopan too strong | Arpegg is a little too prevalent. Synth motion a bit drowned out by Seq hard | A bit flat sounding | Well positioned in the mix | Lead a bit in the background, needs more energy | Well balanced | Could be smoother eg move from break to verses 3&4 a bit abrupt | Fairly consistent | Overall sounds a bit bass-skewed, a bit low in the 1000-2000Hz range | |||||||||||||||||||||||
55 | rvalle | Drums nice and punchy, fit well in the mix | Tamed and in their place, add warmth | Emphasized pads in prechorus add to angst in the vocals. Organ again | Nice balance of instruments | Nice swells & dynamics | Sit well, clean, have presence | Lead is upfront but not sure about the volume LFO | Nicely balanced and glued | Nice | Great crescendos on violins | Great overall balance | YES | ||||||||||||||||||||||
56 | Samonov | Sit well in the mix, keep their punch but not overpowering | I can hardly hear the bass | Pad sounds like an organ in the break bar 89. But overall pads are in their place. Might have liked to hear them pad out the choruses more. But it's a punchy style so it works as is | RG intro is nice, maybe turn the RG down a tad once the verse gets going. Synth tops too dry and prominent, want to push way back in mix. Nice subtle mixing in of rhythmic synth sounds | Violins too much in background, need to create crescendo | Vocals sitting nicely up front, clear and strong | Lead is a bit thin | Nicely glued together, well balanced. Would be good to FX the rhythmic synths a bit more so they blend together better, they sometimes sound like they are competing for space | Flows well between sections | I'd like more variation in volume, especially crescendo leading up to chorus 2 and again leading up to the lead | Good | |||||||||||||||||||||||
57 | SamV | Snare doesn't;'t seem to fit with the rest of the drums, like only the snare has a reverb, so doesn't fit in the mix. Drums feel a bit to much up front overall, snare reverb is probably the reason | Bass is great, kept in its place | Pad sounds too much like an organ, very abrupt, esp. in the break (bar 89) | Arpegg is a bit too strong for me, overpowers the melody a bit. Synth tops in chorus is too dry and doesn't fit, overshadows the mix. | Pretty quiet, not brought out to create dramatic tension | I not keen on the 1/2 bar repeated delay on vocals, sounds a bit artificial. Would like vocals to be more up front | Lead is a bit thin, doesn't sing out | Drums don't sit well, vocals a bit lost | Move from one section to the next feels a bit abrupt, could be smoother | Didn't notice any particular use of volume changes / crescendos, so not very dynamic | Quite elevated in the highs, mids are a bit low - making the song overall lose body | |||||||||||||||||||||||
58 | satchboogie | Drums need to be a more punchy, cut through the mix better | Sub bass (Bass Hold) is untamed, but the bass stabs are too quiet | Sounds like an organ in the pre-chorus, overwhelms the vocals | In the chorus Sparkle effect has a fair bit of high frequency content that is overlaying the rest | Somewhat overwhelm the vocals in the chorus. Also a bit loud in the verses after the break | A little lost in the mix, would like to bring forward. Not so keen on chorus effect. Too quiet | Lead is too quiet | A few instrument imbalances | Flows well between sections | Dynamic violins in prechorus, but since they were loud before, the impact is lost | Good tonal balance | |||||||||||||||||||||||
59 | SDB_12 | Drums are nice and punchy. The low pitch noisy snare is too different in character though, it doesn't fit and stands out all the way through the song | Sub bass has been tamed pretty well | A bit too organ-like, esp. in break at 89 | RG clean and creates motion. Synth motion used sparingly | Violins very quiet, they are not leveraged to add emotion. They also sound sidechained by other synths (or the drums?) so they flutter | Sit well in the mix | Lead could have more presence, also sounds sidechained by the drums or synths so it flutters in and out | Instruments generally well balanced, vocal sits well | Flows well | Could be more dynamic | Low in the 300-2000 mid-range, missing body | |||||||||||||||||||||||
60 | Simola | Drums nice and punchy, fit well in the mix | Great | Prefer pad to organ ;-). Break at 89 is good though | RG lacks drive needs more delay to keep the motion. Like the phase / chorus effect on the Arpegg, maybe turn it down a tad to sit better. Would be good if the synth tops were less dry and insistent esp. in chorus | Work well | Nice and clear, up front. Not so keen on the 1/2 bar repeated delay on vocals. I understand the intention, but don't like distorted+doubled vocal in prechorus 2 | Good volume but a it of saturation to make it less pure would be good | Overall good balance, glues well, arpegg / synth tops (esp.) sometimes a bit strong | Good flow | Pretty good | Great tonal balance overall | |||||||||||||||||||||||
61 | Spaceman | Drums sound pretty good, maybe the best part of the track, full of energy and presence without overpowering | Too much 150-300Hz range, also <100hz | Pads sounds like reference track | Good sound to the RG Guitar. But overall too loud. The synth tops are too strong, need to be more subtle. Synth motion inaudible | Loud but so is everything else | Heavily processed, but fit the style, they really sing out | Lead could be more powerful, but it's nicely supported by other synth instruments | Too loud overall, a bit of an unrelenting assault on the ears from the start to the finish | Interesting pitch effects applied to risers. Also pitch effects on break (bar 89). All sections flow well from one into another. | Loud all the time, so very limited dynamics, which fatigues the ears | Good tonal balance | |||||||||||||||||||||||
62 | SuC76 | Drums could be a tad more punchy. Snare sounds stands out from the rest, and sticks in my head throughout the song | A rather bass-heavy sound, right up to 200Hz, creating muddiness | Would like to tame the autopan. Pads are a bit strong in verses. Organ sound in break | Good balance between instruments, although I'd like to turn down the synth tops after a while. Synth motion is pushed behind the pads, I'd prefer the other way round | Complement the vocals pretty well | Clean and sit well in the mix | Almost can't hear it, pads too strong | Pretty good balance, but pads too strong, the whole hangs together well | Great | Violins help add dynamics, not sure there is much volume variation | Quite bass-oriented, but overall tonal balance is good | |||||||||||||||||||||||
63 | TomFernsby | Drums have been mostly muted out (except hihats which sound a but strange alone) | Bass is a bit heavy below 60Khz | Clean, subtle effect to start with. Break at 89 is dreamy | RG sounds good, synth tops a bit persistent after intro. I like the fx treatment of the arpegg. 'Synth Motion' very quiet | Violins come in too strong just before first chorus, and then overpower a bit the track | Could be more present, less reverb would help | Lead sings out more than most other mixes, good. Needs a bit more character | A bit unbalanced between the tracks, so didn't really glue | Great | Violins need to be treated to make them swell in and crescendo | Noticeable dip between 100 and 300 Hz, particularly after the break | |||||||||||||||||||||||
64 | Tonnobass | Nice and punchy | Slightly heavy below 80Hz | Sounds like pads yay! | Nice use of all the synths without getting a cacophony, each track has its place | Sit really well in the mix, chords have a warm quality | Sit nicely, reverb not too overpowering | I like the sound, would like it stronger sounding | Overall clean and punchy feel | Great smooth transitions | Nice filling out of chorus to elevate it above the verses | Good balance overall with very slightly heavy bass | YES | ||||||||||||||||||||||
65 | TrueFlowStudio | Drums need to be a bit more punchy | Bass too heavy below 150Hz | Nice smooth pads | RG a bit dry, needs more motion, stays a bit too strong in verses, clashing with vocals a bit. Synth Motion very quiet | Not dynamic, no crescendo to add emotion / tension | Need a tad more presence, overshadowed by the RG guitar | Lead has been beefed up a bit, needs more | Song feels to lack a certain body, very light touch on instruments, sounds subdued. Pre-chorus bar 57, feels empty. Chorus needs more body and energy. Need to be more bold with volumes and carve out more place for instruments to fit together | Break bar 89 don't like the warble on the BinG pad, doesn't fit. Crash FX too strong and feels a bit outside of the mix | Instruments don't build up along with the rising vocal in prechorus 2, violins stay low volume | Leaning too much towards low end, mid-highs and highs from 1KHz up were les strong than the other mixes | |||||||||||||||||||||||
66 | VasDim | Drums sit well, but are a bit quiet in later sections of the song, don't cut through | Slightly heavy below 80Hz | Nice pad sounds, dreamy break at 89 | Nice rhythmic RG. In first verses, quite a lot going in the same space, but clears up in pre-chorus. But can hardly hear synth motion which delivers the harmony in the chords, hear the arpegg / seq hard all the time making it sound a bit mechanical | Nice and wide | Clean and up front, sit well | Treated nicely, distortion adds character | Well glued together, I'd prefer to turn down the rhythmic synths which are going all the way through the song, to make it sound a bit less mechanical | I'd prefer not to start fading out in the last bars, and bring the song to a close without fading out (but that's minor) | Feels fairly constant in volume throughout, with limited dynamic variation | Good balance overall with very slightly heavy bass | YES | ||||||||||||||||||||||
67 | Vongluck | Great | Bass is a bit heavy below 80Khz. Bass volume fluctuates, is it sidechained ? | Strange volume fluttering on pads. Sounds like they are sidechained to synths ? | RG needs more delay to give it motion. | Fairly quiet | Reverb a bit too long in verses. In prechorus, slightly distorts ? | Lead is super quiet | Fluttering in various instrument volumes leads to lack of balance and glue | Great | Fluttering volumes | Good balance, Bass is a tad heavy below 80Khz | |||||||||||||||||||||||
68 | Mark Andrews | Drums are nice and punchy but a bit too much in the background | Bass a bit heavy <100Hz. The bass stabs are very subtle | Starts nicely, but balance wise it is a bit in front of the other instruments and would fit better pushed back. Was the heavy distortion effect on the pad/organ at bar 89 intentional ? It sounds like it's clipping | Balance between instruments is good, but the pads and violins have been given precedence in the mix, so the other synths don't shine through enough | Nice sound, lots of stereo reverb giving them a rich velvety sound. But except for in the prechorus where the violins become more important, the other synths are behind the violins and masked by it too much | Vocals need to be more forward, they have a very spacey reverb on them that makes them feel far away. The long reverb tail is loud enough to overshadow the other tracks | Lead is 1/4 bar behind the rest of the song, which actually works out ~kind of~ ok. But wasn't the original intention. I would like it to be more meaty in character. | The pads and violins are given more presence than the rest of the mix, including the vocals. I think it would be better the other way round (except for violins coming up front in prechorus 2) | The whole feel of the song is spacey and laid back, with all the elements flowing one into the other, giving a very smooth feel but dissipating energy as a result. I'd like to hear more differentiation between verse and chorus, giving the chorus more energy | Violins are really brought forward for the prochorus, adding emotional effect | Good balance apart from bass <100Hz | |||||||||||||||||||||||
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