| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | AE | AF | AG | AH | AI | AJ | AK | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Album | Artist | date | Weekday | release decade | duration | time listened this year | Sequential Listen Count | Total Listen Count | First Listen | First Listen This Year | First Listen 2016 Release | Running Tally '16 | Date | Listens | First Listens | Time Spent Listening | Seconds spent listening | |||||||||||||||||||
2 | Blue As An Orange | Pierre Bastien | 1/1/2016 | 6 | 2010 | 0:40:01 | 2:40:04 | 1 | 4 | 1 | 1/1/2016 | 6 | 0 | 5:13:35 | 18815 | Month | Listens | First Listens | |||||||||||||||||||
3 | Miseri Lanes | Valerio Tricoli | 1/1/2016 | 6 | 2010 | 1:17:15 | 1:17:15 | 1 | 1 | 1 | First Listens: | 479 | Releases Heard Previously | 440 | 1/2/2016 | 8 | 1 | 8:11:20 | 29480 | January | 236 | 61 | |||||||||||||||
4 | Subtle Scatter | Max Eilbacher | 1/1/2016 | 6 | 2010 | 0:37:00 | 4:19:00 | 1 | 7 | 1 | Releases Listened This Year: | 919 | Artists Listened This Year | 663 | 1/3/2016 | 7 | 2 | 5:15:25 | 18925 | February | 212 | 48 | |||||||||||||||
5 | Extinguishment | Fraufraulein | 1/1/2016 | 6 | 2010 | 0:42:04 | 2:48:16 | 1 | 4 | 1 | 2016 Releases Listened: | 280 | Pre-2016 First Listens | 199 | 1/4/2016 | 7 | 1 | 4:16:32 | 15392 | March | 220 | 45 | |||||||||||||||
6 | Dangerous Orbits | Bérangère Maximin | 1/1/2016 | 6 | 2010 | 1:09:35 | 3:28:45 | 1 | 3 | 1 | Total Listens: | 2317 | 1/5/2016 | 10 | 0 | 6:22:01 | 22921 | April | 203 | 34 | |||||||||||||||||
7 | I Love You, Please Love Me Too | Joseph Hammer | 1/1/2016 | 6 | 2010 | 0:47:40 | 0:47:40 | 1 | 1 | 1 | Most Listened Album: | Painting With | (Times Played: | 36 | 1/6/2016 | 7 | 1 | 5:59:52 | 21592 | May | 167 | 41 | |||||||||||||||
8 | Spanish Fighters | AMM | 1/2/2016 | 7 | 2010 | 0:37:12 | 1:14:24 | 1 | 2 | 1 | 1 | 2nd Most Listened Album: | Zauberberg | (Times Played: | 22 | 1/7/2016 | 12 | 4 | 9:12:41 | 33161 | June | 133 | 20 | ||||||||||||||
9 | It's Cosy Inside | Woo | 1/2/2016 | 7 | 1980 | 0:43:34 | 2:10:42 | 1 | 3 | 1 | Only Listened Once | 468 | 1/8/2016 | 8 | 0 | 6:33:41 | 23621 | July | 140 | 23 | |||||||||||||||||
10 | TCFX | TCF | 1/2/2016 | 7 | 2010 | 3:09:24 | 3:09:24 | 1 | 1 | 1 | Only Listened Twice | 215 | 1/9/2016 | 6 | 3 | 4:08:56 | 14936 | August | 205 | 45 | |||||||||||||||||
11 | Tempo Furioso | Martin Davorin Jagodic | 1/2/2016 | 7 | 1970 | 0:43:25 | 0:43:25 | 1 | 1 | 1 | Listened Three Times | 77 | 1/10/2016 | 8 | 6 | 4:49:41 | 17381 | September | 251 | 56 | |||||||||||||||||
12 | Bidden | Angst Hase Pfeffer Nase | 1/2/2016 | 7 | 2010 | 0:59:22 | 0:59:22 | 1 | 1 | 1 | Listened Four Times | 46 | 1/11/2016 | 12 | 5 | 9:16:10 | 33370 | October | 189 | 33 | |||||||||||||||||
13 | Euclid | Kaitlyn Aurelia Smith | 1/2/2016 | 7 | 2010 | 0:42:23 | 3:31:55 | 1 | 5 | 1 | Listened Five Times | 19 | 1/12/2016 | 10 | 2 | 9:09:12 | 32952 | November | 180 | 41 | |||||||||||||||||
14 | Subtle Scatter | Max Eilbacher | 1/2/2016 | 7 | 2010 | 0:37:00 | 4:19:00 | 2 | 7 | Listened Six Times | 20 | 1/13/2016 | 10 | 1 | 6:47:51 | 24471 | December | 181 | 32 | ||||||||||||||||||
15 | Two Aspects Divided | Zaimph | 1/2/2016 | 7 | 2010 | 0:39:00 | 2:36:00 | 1 | 4 | 1 | Listened Seven Times | 18 | 1/14/2016 | 6 | 2 | 4:14:05 | 15245 | ||||||||||||||||||||
16 | Untitled | Brendan Murray / Perispirit | 1/3/2016 | 1 | 2010 | 0:35:00 | 0:35:00 | 1 | 1 | 1 | Listened Eight Or More Times | 56 | 1/15/2016 | 2 | 0 | 2:09:20 | 7760 | ||||||||||||||||||||
17 | EP7 | Autechre | 1/3/2016 | 1 | 1990 | 1:00:09 | 3:00:27 | 1 | 3 | 1 | 1/16/2016 | 4 | 0 | 5:26:54 | 19614 | ||||||||||||||||||||||
18 | Hot Shaker Meet Lead Donut | Prants | 1/3/2016 | 1 | 2010 | 0:28:36 | 4:46:00 | 1 | 10 | 1 | 1 | One Listen, But Listened Before | 265 | 1/17/2016 | 9 | 4 | 7:38:47 | 27527 | |||||||||||||||||||
19 | Reflekzionz | Ekoplekz | 1/3/2016 | 1 | 2010 | 0:53:02 | 1:46:04 | 1 | 2 | 1 | One Listen, First Listen | 203 | 1/18/2016 | 7 | 3 | 5:23:04 | 19384 | ||||||||||||||||||||
20 | Bastard | Gajek | 1/3/2016 | 1 | 2010 | 0:42:45 | 0:42:45 | 1 | 1 | 1 | 1/19/2016 | 5 | 2 | 4:15:07 | 15307 | ||||||||||||||||||||||
21 | The Feed-back | The Group | 1/3/2016 | 1 | 1970 | 0:27:55 | 1:51:40 | 1 | 4 | 1 | Days with no new listens | 131 | 1/20/2016 | 6 | 2 | 5:55:25 | 21325 | ||||||||||||||||||||
22 | Two Variations | M. Geddes Gengras | 1/3/2016 | 1 | 2010 | 1:07:58 | 1:07:58 | 1 | 1 | 1 | 1 | 1 | Days with no listens | 15 | 1/21/2016 | 8 | 3 | 7:10:16 | 25816 | ||||||||||||||||||
23 | Multiples | Keith Fullerton Whitman | 1/4/2016 | 2 | 2000 | 0:47:01 | 1:34:02 | 1 | 2 | 1 | 1/22/2016 | 8 | 0 | 6:16:45 | 22605 | ||||||||||||||||||||||
24 | Song Cycle | Van Dyke Parks | 1/4/2016 | 2 | 1960 | 0:39:04 | 0:39:04 | 1 | 1 | 1 | 1/23/2016 | 1 | 0 | 0:59:52 | 3592 | ||||||||||||||||||||||
25 | Five Pieces 1975 | Anthony Braxton | 1/4/2016 | 2 | 1970 | 0:40:14 | 0:40:14 | 1 | 1 | 1 | 1/24/2016 | 4 | 2 | 3:22:32 | 12152 | ||||||||||||||||||||||
26 | Blue As An Orange | Pierre Bastien | 1/4/2016 | 2 | 2010 | 0:40:01 | 2:40:04 | 2 | 4 | 1/25/2016 | 7 | 5 | 8:18:14 | 29894 | |||||||||||||||||||||||
27 | Rope Commercial Vol 2 | Three Legged Race | 1/4/2016 | 2 | 2010 | 0:17:03 | 0:17:03 | 1 | 1 | 1 | 1/26/2016 | 12 | 2 | 9:03:17 | 32597 | ||||||||||||||||||||||
28 | Technophelia | Geneva Jacuzzi | 1/4/2016 | 2 | 2010 | 0:36:09 | 1:48:27 | 1 | 3 | 1 | 1 | 1 | 1/27/2016 | 10 | 3 | 6:54:32 | 24872 | ||||||||||||||||||||
29 | Subtle Scatter | Max Eilbacher | 1/4/2016 | 2 | 2010 | 0:37:00 | 4:19:00 | 3 | 7 | 1/28/2016 | 10 | 4 | 7:08:16 | 25696 | |||||||||||||||||||||||
30 | Have You In My Wilderness | Julia Holter | 1/5/2016 | 3 | 2010 | 0:46:00 | 8:26:00 | 1 | 11 | 1 | 1/29/2016 | 9 | 1 | 7:32:09 | 27129 | ||||||||||||||||||||||
31 | Hot Shaker Meet Lead Donut | Prants | 1/5/2016 | 3 | 2010 | 0:28:36 | 4:46:00 | 2 | 10 | 1/30/2016 | 8 | 0 | 8:29:43 | 30583 | |||||||||||||||||||||||
32 | Quasars | Christian Clozier | 1/5/2016 | 3 | 1970 | 0:46:16 | 0:46:16 | 1 | 1 | 1 | 1/31/2016 | 9 | 2 | 7:36:13 | 27373 | ||||||||||||||||||||||
33 | Hosono House | Haruomi Hosono | 1/5/2016 | 3 | 1970 | 0:32:04 | 0:32:04 | 1 | 1 | 1 | 2/1/2016 | 4 | 0 | 2:58:56 | 10736 | ||||||||||||||||||||||
34 | La Triedre Fertile | Pierre Schaeffer | 1/5/2016 | 3 | 1970 | 0:28:35 | 0:57:10 | 1 | 2 | 1 | 2/2/2016 | 8 | 1 | 4:55:26 | 17726 | ||||||||||||||||||||||
35 | Tract: A Composition Of Agitprop Music For Electromagnetic Tape | Ilhan Mimaroglu | 1/5/2016 | 3 | 1970 | 0:35:52 | 0:35:52 | 1 | 1 | 1 | 2/3/2016 | 5 | 1 | 3:23:37 | 12217 | ||||||||||||||||||||||
36 | Always Offended Never Ashamed | Kerridge | 1/5/2016 | 3 | 2010 | 0:45:47 | 0:45:47 | 1 | 1 | 1 | 2/4/2016 | 1 | 1 | 0:00:00 | 0 | ||||||||||||||||||||||
37 | Ustensiles | Le Quan Ninh | 1/5/2016 | 3 | 1990 | 0:41:42 | 1:23:24 | 1 | 2 | 1 | 2/5/2016 | 11 | 5 | 8:18:52 | 29932 | ||||||||||||||||||||||
38 | The Prepaid Piano & Replayed | Andrew Pekler | 1/5/2016 | 3 | 2010 | 0:33:11 | 0:33:11 | 1 | 1 | 1 | 2/6/2016 | 0 | 0 | 0:00:00 | 0 | ||||||||||||||||||||||
39 | Baron's Court | Sarah Davachi | 1/5/2016 | 3 | 2010 | 0:43:58 | 0:43:58 | 1 | 1 | 1 | 2/7/2016 | 10 | 2 | 7:14:22 | 26062 | ||||||||||||||||||||||
40 | Futuristie | Pierre Henry | 1/6/2016 | 4 | 1980 | 0:55:26 | 1:50:52 | 1 | 2 | 1 | 2/8/2016 | 5 | 1 | 4:03:20 | 14600 | ||||||||||||||||||||||
41 | Without Knowing Why | Andrea Pensado | 1/6/2016 | 4 | 2010 | 0:29:40 | 1:29:00 | 1 | 3 | 1 | 2/9/2016 | 8 | 1 | 4:14:38 | 15278 | ||||||||||||||||||||||
42 | Kneedelus | Kneebody & Daedelus | 1/6/2016 | 4 | 2010 | 0:51:30 | 0:51:30 | 1 | 1 | 1 | 2/10/2016 | 7 | 1 | 5:01:56 | 18116 | ||||||||||||||||||||||
43 | Magnetoception | Joshua Abrams | 1/6/2016 | 4 | 2010 | 1:10:39 | 9:25:12 | 1 | 8 | 1 | 2/11/2016 | 7 | 3 | 1:38:10 | 5890 | ||||||||||||||||||||||
44 | Hot Shaker Meet Lead Donut | Prants | 1/6/2016 | 4 | 2010 | 0:28:36 | 4:46:00 | 3 | 10 | 2/12/2016 | 9 | 3 | 1:54:52 | 6892 | |||||||||||||||||||||||
45 | Rie Nakajima & Phill Niblock | Rie Nakajima & Phill Niblock | 1/6/2016 | 4 | 2010 | 1:00:39 | 1:00:39 | 1 | 1 | 1 | 2/13/2016 | 4 | 0 | 3:06:06 | 11166 | ||||||||||||||||||||||
46 | The Dried Rat-Dog | Brotzmann / Drake | 1/6/2016 | 4 | 1990 | 1:03:22 | 2:06:44 | 1 | 2 | 1 | 1 | 2/14/2016 | 8 | 5 | 1:50:16 | 6616 | |||||||||||||||||||||
47 | Awakening | Nicole Mitchell | 1/7/2016 | 5 | 2010 | 1:04:33 | 1:04:33 | 1 | 1 | 1 | 1 | 2/15/2016 | 8 | 1 | 4:43:23 | 17003 | |||||||||||||||||||||
48 | Knerpen (Bevel) | Vom Grill | 1/7/2016 | 5 | 2010 | 0:28:26 | 0:28:26 | 1 | 1 | 1 | 2/16/2016 | 9 | 0 | 2:29:24 | 8964 | ||||||||||||||||||||||
49 | Anoxia | L A N D | 1/7/2016 | 5 | 2010 | 0:41:11 | 1:22:22 | 1 | 2 | 1 | 2/17/2016 | 11 | 4 | 3:12:21 | 11541 | ||||||||||||||||||||||
50 | Alien Wildlife Estate | Tarzana | 1/7/2016 | 5 | 2010 | 0:38:07 | 3:48:42 | 1 | 6 | 1 | 1 | 2/18/2016 | 8 | 3 | 2:20:03 | 8403 | |||||||||||||||||||||
51 | Technophelia | Geneva Jacuzzi | 1/7/2016 | 5 | 2010 | 0:36:09 | 1:48:27 | 2 | 3 | 2/19/2016 | 12 | 0 | 4:19:34 | 15574 | |||||||||||||||||||||||
52 | The Rose Has Teeth In The Mouth Of A Beast | Matmos | 1/7/2016 | 5 | 2000 | 0:55:34 | 1:51:08 | 1 | 2 | 1 | 2/20/2016 | 9 | 1 | 3:38:24 | 13104 | ||||||||||||||||||||||
53 | Different Selves | Shapednoise | 1/7/2016 | 5 | 2010 | 0:50:37 | 5:03:42 | 1 | 6 | 1 | 2/21/2016 | 4 | 2 | 1:30:02 | 5402 | ||||||||||||||||||||||
54 | The Civil War | Matmos | 1/7/2016 | 5 | 2000 | 0:54:51 | 1:49:42 | 1 | 2 | 1 | 2/22/2016 | 8 | 3 | 2:04:48 | 7488 | ||||||||||||||||||||||
55 | The Great Learning | Cornelius Cardew & The Scratch Orchestra | 1/7/2016 | 5 | 1970 | 1:04:22 | 2:08:44 | 1 | 2 | 1 | 1 | 2/23/2016 | 8 | 1 | 1:22:11 | 4931 | |||||||||||||||||||||
56 | Electronics / Five Improvisations On Magnetic Tape | Remi Gassmann / Oskar Sala | 1/7/2016 | 5 | 1960 | 0:28:51 | 0:28:51 | 1 | 1 | 1 | 1 | 2/24/2016 | 9 | 1 | 3:26:07 | 12367 | |||||||||||||||||||||
57 | K / Weeds | David Cope | 1/7/2016 | 5 | 1970 | 0:42:23 | 0:42:23 | 1 | 1 | 1 | 2/25/2016 | 6 | 2 | 1:29:10 | 5350 | ||||||||||||||||||||||
58 | Clarinet And String Quartet (2015 Saltern) | Morton Feldman | 1/7/2016 | 5 | 2010 | 0:47:37 | 3:58:05 | 1 | 5 | 1 | 2/26/2016 | 9 | 3 | 3:08:59 | 11339 | ||||||||||||||||||||||
59 | Vignetting the Compost | Bibio | 1/8/2016 | 6 | 2000 | 1:04:52 | 2:09:44 | 1 | 2 | 1 | 2/27/2016 | 9 | 2 | 4:15:17 | 15317 | ||||||||||||||||||||||
60 | View | Rom=Pari | 1/8/2016 | 6 | 1990 | 0:47:58 | 1:35:56 | 1 | 2 | 1 | 2/28/2016 | 9 | 0 | 3:00:32 | 10832 | ||||||||||||||||||||||
61 | Metasplice | Metasplice | 1/8/2016 | 6 | 2010 | 0:57:38 | 5:45:48 | 1 | 6 | 1 | 2/29/2016 | 6 | 1 | 1:08:32 | 4112 | ||||||||||||||||||||||
62 | Kerrier District | Kerrier District | 1/8/2016 | 6 | 2000 | 1:02:00 | 2:04:00 | 1 | 2 | 1 | 3/1/2016 | 8 | 0 | 1:29:15 | 5355 | ||||||||||||||||||||||
63 | Daydreams Of Night | Big City Orchestra | 1/8/2016 | 6 | 1980 | 0:29:41 | 0:59:22 | 1 | 2 | 1 | 3/2/2016 | 8 | 0 | 3:41:49 | 13309 | ||||||||||||||||||||||
64 | Super Roots 7 | Boredoms | 1/8/2016 | 6 | 1990 | 0:33:11 | 0:33:11 | 1 | 1 | 1 | 3/3/2016 | 6 | 2 | 0:33:47 | 2027 | ||||||||||||||||||||||
65 | The Electric Lucifer | Bruce Haack | 1/8/2016 | 6 | 1970 | 0:42:08 | 1:24:16 | 1 | 2 | 1 | 3/4/2016 | 5 | 0 | 2:57:09 | 10629 | ||||||||||||||||||||||
66 | Persistence of Vision | VHS Head | 1/8/2016 | 6 | 2010 | 0:56:13 | 3:44:52 | 1 | 4 | 1 | 3/5/2016 | 4 | 0 | 0:41:03 | 2463 | ||||||||||||||||||||||
67 | Erstlive 006 | Keith Rowe & Taku Unami | 1/9/2016 | 7 | 2000 | 0:37:35 | 1:15:10 | 1 | 2 | 1 | 1 | 3/6/2016 | 6 | 0 | 1:34:19 | 5659 | |||||||||||||||||||||
68 | Alien Wildlife Estate | Tarzana | 1/9/2016 | 7 | 2010 | 0:38:07 | 3:48:42 | 2 | 6 | 3/7/2016 | 7 | 0 | 0:00:00 | 0 | |||||||||||||||||||||||
69 | Tra Scienza e Fatascienza | Moggi | 1/9/2016 | 7 | 1980 | 0:38:48 | 0:38:48 | 1 | 1 | 1 | 3/8/2016 | 6 | 0 | 2:18:03 | 8283 | ||||||||||||||||||||||
70 | Celadon | Maja S. K. Ratkje, Jon Wesseltoft, Camille Norment, Per Gisle Galåen | 1/9/2016 | 7 | 2010 | 1:02:31 | 3:07:33 | 1 | 3 | 1 | 1 | 3/9/2016 | 11 | 2 | 3:14:48 | 11688 | |||||||||||||||||||||
71 | Always | Matana Roberts | 1/9/2016 | 7 | 2010 | 0:43:19 | 1:26:38 | 1 | 2 | 1 | 1 | 3/10/2016 | 9 | 4 | 1:13:47 | 4427 | |||||||||||||||||||||
72 | Hot Shaker Meet Lead Donut | Prants | 1/9/2016 | 7 | 2010 | 0:28:36 | 4:46:00 | 4 | 10 | 3/11/2016 | 12 | 1 | 3:21:49 | 12109 | |||||||||||||||||||||||
73 | Hangable Auto Bulb | AFX | 1/10/2016 | 1 | 1990 | 0:34:45 | 1:09:30 | 1 | 2 | 1 | 3/12/2016 | 9 | 4 | 0:33:45 | 2025 | ||||||||||||||||||||||
74 | Izipho Zam | Pharoah Sanders | 1/10/2016 | 1 | 1970 | 0:50:27 | 7:34:03 | 1 | 9 | 1 | 3/13/2016 | 7 | 3 | 0:41:42 | 2502 | ||||||||||||||||||||||
75 | Sonambient: Recordings Of Harry Bertoia (Disc 1) | Harry Bertoia | 1/10/2016 | 1 | 1970 | 0:31:58 | 1:03:56 | 1 | 2 | 1 | 1 | The Margins (Shows I saw an other notes): | 3/14/2016 | 8 | 2 | 2:46:19 | 9979 | ||||||||||||||||||||
76 | Sonambient: Recordings Of Harry Bertoia (Disc 2) | Harry Bertoia | 1/10/2016 | 1 | 1970 | 0:29:56 | 0:59:52 | 1 | 2 | 1 | 1 | 3/15/2016 | 9 | 1 | 1:20:31 | 4831 | |||||||||||||||||||||
77 | Sonambient: Recordings Of Harry Bertoia (Disc 3) | Harry Bertoia | 1/10/2016 | 1 | 1970 | 0:22:08 | 0:44:16 | 1 | 2 | 1 | 1 | 3/16/2016 | 8 | 1 | 2:17:07 | 8227 | |||||||||||||||||||||
78 | Sonambient: Recordings Of Harry Bertoia (Disc 4) | Harry Bertoia | 1/10/2016 | 1 | 1970 | 0:33:20 | 1:06:40 | 1 | 2 | 1 | 1 | 3/17/2016 | 10 | 4 | 0:39:28 | 2368 | |||||||||||||||||||||
79 | Sonambient: Recordings Of Harry Bertoia (Disc 5) | Harry Bertoia | 1/10/2016 | 1 | 1970 | 0:33:47 | 1:07:34 | 1 | 2 | 1 | 1 | 3/18/2016 | 9 | 1 | 0:00:00 | 0 | |||||||||||||||||||||
80 | Motubachii | Annette Krebs & Taku Unami | 1/10/2016 | 1 | 2010 | 0:53:20 | 1:46:40 | 1 | 2 | 1 | 1 | 3/19/2016 | 5 | 1 | 1:29:57 | 5397 | |||||||||||||||||||||
81 | Sonambient: Recordings Of Harry Bertoia (Disc 6) | Harry Bertoia | 1/11/2016 | 2 | 1970 | 0:32:01 | 1:04:02 | 1 | 2 | 1 | 1 | 3/20/2016 | 3 | 2 | 0:46:00 | 2760 | |||||||||||||||||||||
82 | Sonambient: Recordings Of Harry Bertoia (Disc 7) | Harry Bertoia | 1/11/2016 | 2 | 1970 | 0:43:24 | 1:26:48 | 1 | 2 | 1 | 1 | 3/21/2016 | 13 | 5 | 0:00:00 | 0 | |||||||||||||||||||||
83 | Izlamaphobia | Muslimgause | 1/11/2016 | 2 | 1990 | 2:06:05 | 2:06:05 | 1 | 1 | 1 | 1 | 3/22/2016 | 7 | 2 | 0:00:00 | 0 | |||||||||||||||||||||
84 | Headboggle | Head Boggle | 1/11/2016 | 2 | 2010 | 0:40:43 | 0:40:43 | 1 | 1 | 1 | 3/23/2016 | 10 | 2 | 3:17:48 | 11868 | ||||||||||||||||||||||
85 | Jesus Freak | Eric Copeland | 1/11/2016 | 2 | 2010 | 0:34:12 | 0:34:12 | 1 | 1 | 1 | 1 | 3/24/2016 | 8 | 2 | 3:30:15 | 12615 | |||||||||||||||||||||
86 | Heroes | David Bowie | 1/11/2016 | 2 | 1970 | 0:40:33 | 0:40:33 | 1 | 1 | 1 | 3/25/2016 | 10 | 1 | 2:09:12 | 7752 | ||||||||||||||||||||||
87 | Low | David Bowie | 1/11/2016 | 2 | 1970 | 0:38:44 | 0:38:44 | 1 | 1 | 1 | 3/26/2016 | 5 | 0 | 0:38:39 | 2319 | ||||||||||||||||||||||
88 | Hot Shaker Meet Lead Donut | Prants | 1/11/2016 | 2 | 2010 | 0:28:36 | 4:46:00 | 5 | 10 | 3/27/2016 | 8 | 3 | 0:33:45 | 2025 | |||||||||||||||||||||||
89 | Yeppers! | Los Condenados | 1/11/2016 | 2 | 2010 | 0:38:40 | 1:17:20 | 1 | 2 | 1 | 1 | 3/28/2016 | 4 | 1 | 0:38:39 | 2319 | |||||||||||||||||||||
90 | Subtle Scatter | Max Eilbacher | 1/11/2016 | 2 | 2010 | 0:37:00 | 4:19:00 | 4 | 7 | 3/29/2016 | 0 | 0 | 0:00:00 | 0 | |||||||||||||||||||||||
91 | Traditional Music Of Notional Species Vol. 1 | Rashad Becker | 1/11/2016 | 2 | 2010 | 0:33:41 | 2:14:44 | 1 | 4 | 1 | 3/30/2016 | 2 | 1 | 0:47:37 | 2857 | ||||||||||||||||||||||
92 | Celadon | Maja S. K. Ratkje, Jon Wesseltoft, Camille Norment, Per Gisle Galåen | 1/11/2016 | 2 | 2010 | 1:02:31 | 3:07:33 | 2 | 3 | 3/31/2016 | 3 | 0 | 0:38:39 | 2319 | |||||||||||||||||||||||
93 | Hot Shaker Meet Lead Donut | Prants | 1/12/2016 | 3 | 2010 | 0:28:36 | 4:46:00 | 6 | 10 | 4/1/2016 | 8 | 1 | 0:38:39 | 2319 | |||||||||||||||||||||||
94 | Toxic Cosmopolitanism | Kassel Jaeger | 1/12/2016 | 3 | 2010 | 0:48:08 | 3:12:32 | 1 | 4 | 1 | 4/2/2016 | 6 | 1 | 2:27:29 | 8849 | ||||||||||||||||||||||
95 | Sonambient: Recordings Of Harry Bertoia (Disc 8) | Harry Bertoia | 1/12/2016 | 3 | 1970 | 0:41:53 | 0:41:53 | 1 | 1 | 1 | 1 | 4/3/2016 | 6 | 1 | 2:14:20 | 8060 | |||||||||||||||||||||
96 | Sonambient: Recordings Of Harry Bertoia (Disc 9) | Harry Bertoia | 1/12/2016 | 3 | 1970 | 0:25:04 | 0:25:04 | 1 | 1 | 1 | 1 | 4/4/2016 | 8 | 0 | 0:39:28 | 2368 | |||||||||||||||||||||
97 | Simple Songs | Jim O'Rourke | 1/12/2016 | 3 | 2010 | 0:37:33 | 1:15:06 | 1 | 2 | 1 | 4/5/2016 | 6 | 1 | 1:42:01 | 6121 | ||||||||||||||||||||||
98 | Merve Discount | 40 Sekunden Ohne Gewicht | 1/12/2016 | 3 | 1990 | 0:51:40 | 0:51:40 | 1 | 1 | 1 | 4/6/2016 | 10 | 1 | 2:35:24 | 9324 | ||||||||||||||||||||||
99 | Technological Music Vol. 2 | Kyle Bruckmann | 1/12/2016 | 3 | 2010 | 0:57:00 | 0:57:00 | 1 | 1 | 1 | 4/7/2016 | 7 | 1 | 1:38:16 | 5896 | ||||||||||||||||||||||
100 | Electronic Virtuosity | Oskar Sala | 1/12/2016 | 3 | 1970 | 0:38:19 | 3:11:35 | 1 | 5 | 1 | 4/8/2016 | 8 | 0 | 1:42:21 | 6141 |