| A | B | H | I | J | K | L | M | N | P | Q | R | S | T | U | V | W | X | Y | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Have you ever used AI within any of your music projects? | What have you used AI for? (Select all that apply) | Would you ever consider using AI for your songwriting? | Would you ever consider using AI for music production? | Would you ever consider using AI for music artwork? | Would you ever use AI for mastering your music? | What has put you off using AI? (Select all that apply) | What is your age? | What country are you based in? | ||||||||||
2 | No | No | Yes | No | Yes | Access to AI tools | 25-34 | Philippines | |||||||||||
3 | Yes | Songwriting Music production Music artwork Mastering services | Yes | Yes | Yes | Yes | 35-44 | Nigeria | |||||||||||
4 | Yes | No | Yes | Yes | Yes | 18-24 | South Africa | ||||||||||||
5 | No | No | No | No | No | Negative perception of AI | 18-24 | Germany | |||||||||||
6 | No | No | No | No | Yes | I haven't had time | 35-44 | Myanmar | |||||||||||
7 | No | No | No | Yes | Yes | Negative perception of AI | 25-34 | United Kingdom | |||||||||||
8 | Yes | Mastering services | No | Yes | No | Yes | 25-34 | United Kingdom | |||||||||||
9 | Yes | Music production Music artwork | No | Yes | Yes | Yes | 18-24 | South Africa | |||||||||||
10 | Yes | Mastering services | No | No | No | Yes | 35-44 | United Kingdom | |||||||||||
11 | No | No | No | Yes | Yes | I haven't had time | 25-34 | Netherlands | |||||||||||
12 | Yes | Music artwork Mastering services | No | Yes | Yes | Yes | 25-34 | United States | |||||||||||
13 | Yes | Mastering services | No | Yes | Yes | Yes | 25-34 | India | |||||||||||
14 | No | No | No | Yes | No | Affordability of AI Access to AI tools I haven't had time | 25-34 | Ghana | |||||||||||
15 | No | No | No | No | No | Lack of individual creativity | 35-44 | Switzerland | |||||||||||
16 | Yes | Songwriting | No | No | Yes | Yes | 18-24 | Mexico | |||||||||||
17 | No | Yes | No | Yes | No | Access to AI tools | 18-24 | United States | |||||||||||
18 | Yes | Mastering services | No | Yes | Yes | Yes | 25-34 | Nigeria | |||||||||||
19 | No | No | No | Yes | Yes | I haven't had time | 18-24 | Kenya | |||||||||||
20 | No | No | Yes | Yes | Yes | I haven't had time | 55+ | Romania | |||||||||||
21 | No | No | No | Yes | Yes | Lack of individual creativity Negative perception of AI Affordability of AI Access to AI tools | 55+ | United Kingdom | |||||||||||
22 | Yes | Songwriting Grammar check | Yes | Yes | Yes | Yes | 25-34 | Germany | |||||||||||
23 | No | Yes | Yes | Yes | Yes | Access to AI tools | 35-44 | Canada | |||||||||||
24 | No | No | No | Yes | No | Affordability of AI | 18-24 | Nigeria | |||||||||||
25 | Yes | Mastering services | No | No | No | Yes | 18-24 | United States | |||||||||||
26 | Yes | Music production Mastering services | Yes | Yes | Yes | Yes | 18-24 | United Kingdom | |||||||||||
27 | Yes | Music production | No | No | No | Yes | 18-24 | India | |||||||||||
28 | No | Yes | Yes | Yes | Yes | Access to AI tools | 45-54 | United States | |||||||||||
29 | No | Yes | Yes | Yes | Yes | I haven't had time I never heard of it | 25-34 | South Africa | |||||||||||
30 | Yes | Music artwork | No | No | Yes | No | 25-34 | Turkey | |||||||||||
31 | No | Yes | Yes | Yes | Yes | Negative perception of AI Access to AI tools | 25-34 | India | |||||||||||
32 | No | No | Yes | Yes | Yes | Access to AI tools | 25-34 | Philippines | |||||||||||
33 | Yes | Mastering services | No | No | Yes | Yes | 25-34 | South Africa | |||||||||||
34 | No | Yes | Yes | Yes | Yes | Affordability of AI | 25-34 | United States | |||||||||||
35 | No | No | No | Yes | No | Access to AI tools | 35-44 | United States | |||||||||||
36 | Yes | Music production | Yes | Yes | Yes | Yes | 25-34 | United Kingdom | |||||||||||
37 | No | No | No | No | No | Access to AI tools | 25-34 | Nigeria | |||||||||||
38 | Yes | Songwriting Music production Music artwork Mastering services | Yes | Yes | Yes | Yes | 25-34 | United States | |||||||||||
39 | No | No | No | Yes | No | Lack of individual creativity Negative perception of AI | 25-34 | Qatar | |||||||||||
40 | No | No | No | No | No | Lack of individual creativity I haven't had time | 18-24 | United States | |||||||||||
41 | No | No | No | No | No | Never heard of it | 55+ | United Kingdom | |||||||||||
42 | Yes | Music artwork | No | No | Yes | No | 18-24 | Germany | |||||||||||
43 | No | Yes | Yes | Yes | Yes | I haven't had time | 25-34 | Nigeria | |||||||||||
44 | No | No | No | No | No | I haven't had time | 35-44 | Nigeria | |||||||||||
45 | Yes | Music production Music artwork Mastering services | Yes | Yes | Yes | Yes | 25-34 | South Africa | |||||||||||
46 | No | Yes | Yes | Yes | Yes | Affordability of AI | 25-34 | South Africa | |||||||||||
47 | Yes | Songwriting Music production Music artwork Mastering services | Yes | Yes | Yes | Yes | 25-34 | Malawi | |||||||||||
48 | Yes | Mastering services | Yes | Yes | Yes | Yes | 35-44 | United Kingdom | |||||||||||
49 | Yes | Mastering services | Yes | Yes | Yes | Yes | 35-44 | United Kingdom | |||||||||||
50 | No | Yes | Yes | Yes | Yes | Access to AI tools | 25-34 | Albania | |||||||||||
51 | Yes | Music artwork | No | Yes | Yes | Yes | 25-34 | Colombia | |||||||||||
52 | Yes | Music production Music artwork | No | Yes | Yes | Yes | 25-34 | Pakistan | |||||||||||
53 | Yes | Mastering services | Yes | Yes | Yes | Yes | 35-44 | United States | |||||||||||
54 | No | Yes | Yes | Yes | Yes | Access to AI tools | 35-44 | United States | |||||||||||
55 | Yes | Music production Mastering services | Yes | Yes | No | Yes | 35-44 | Uganda | |||||||||||
56 | No | Yes | Yes | Yes | Yes | Access to AI tools | 25-34 | Uganda | |||||||||||
57 | No | No | No | No | No | don't really know much about it | 18-24 | United States | |||||||||||
58 | No | No | Yes | Yes | Yes | Affordability of AI | 18-24 | Zimbabwe | |||||||||||
59 | No | Yes | No | Yes | Yes | Lack of individual creativity | 25-34 | India | |||||||||||
60 | No | Yes | Yes | No | Yes | Not familiar with that technology yet/ I'd have to test it to see if it could interest me | 55+ | Belgium | |||||||||||
61 | No | No | Yes | No | Yes | Lack of individual creativity | 18-24 | South Africa | |||||||||||
62 | No | Yes | Yes | Yes | Yes | I haven't had time | 35-44 | India | |||||||||||
63 | Yes | Music artwork Mastering services | Yes | No | Yes | Yes | 25-34 | Colombia | |||||||||||
64 | No | No | No | Yes | No | Negative perception of AI | 25-34 | Brazil | |||||||||||
65 | No | Yes | Yes | Yes | Yes | I haven't had time | 35-44 | United Kingdom | |||||||||||
66 | No | No | No | No | No | Lack of individual creativity | 18-24 | India | |||||||||||
67 | No | No | No | Yes | No | Lack of individual creativity Affordability of AI Access to AI tools | 18-24 | South Africa | |||||||||||
68 | No | No | No | No | No | Lack of individual creativity | 35-44 | Bosnia Herzegovina | |||||||||||
69 | No | No | Yes | No | Yes | Lack of individual creativity Access to AI tools | 25-34 | Dominican Republic | |||||||||||
70 | Yes | Music artwork Mastering services | Yes | No | Yes | Yes | 0-17 | United Kingdom | |||||||||||
71 | No | Yes | Yes | Yes | No | Access to AI tools | 45-54 | Canada | |||||||||||
72 | No | Yes | Yes | Yes | Yes | 18-24 | Nigeria | ||||||||||||
73 | Yes | Music production Music artwork Mastering services | Yes | Yes | Yes | Yes | 0-17 | South Africa | |||||||||||
74 | No | No | No | No | No | never came across it | 25-34 | United States | |||||||||||
75 | Yes | Mastering services | No | No | No | Yes | 25-34 | Romania | |||||||||||
76 | No | No | No | No | No | I've never considered it but now you ask, I wouldn't use it | 25-34 | United Kingdom | |||||||||||
77 | No | No | No | No | No | Affordability of AI Access to AI tools | 25-34 | Mexico | |||||||||||
78 | No | No | No | Yes | Yes | I haven't had time | 25-34 | United Kingdom | |||||||||||
79 | Yes | Social content about a release | No | No | Yes | Yes | 25-34 | United Kingdom | |||||||||||
80 | Yes | Music production Mastering services | No | Yes | No | Yes | 25-34 | South Africa | |||||||||||
81 | No | Yes | Yes | Yes | No | Affordability of AI Access to AI tools I haven't had time | 18-24 | Philippines | |||||||||||
82 | Yes | Music production Music artwork | No | Yes | Yes | Yes | 18-24 | United Kingdom | |||||||||||
83 | Yes | Mastering services | No | Yes | No | Yes | 18-24 | Spain | |||||||||||
84 | Yes | Music artwork | Yes | No | Yes | Yes | 18-24 | South Africa | |||||||||||
85 | No | No | No | No | No | I haven't had time | 25-34 | United States | |||||||||||
86 | Yes | Music production | No | Yes | Yes | No | 18-24 | Zambia | |||||||||||
87 | No | Yes | No | Yes | Yes | Access to AI tools | 25-34 | Philippines | |||||||||||
88 | No | No | Yes | Yes | No | Lack of individual creativity | 25-34 | France | |||||||||||
89 | No | Yes | Yes | No | Yes | I haven't had time | 25-34 | United Kingdom | |||||||||||
90 | No | No | No | No | No | Lack of individual creativity | 25-34 | United States | |||||||||||
91 | Yes | Music artwork Mastering services | No | Yes | Yes | Yes | 18-24 | South Africa | |||||||||||
92 | Yes | Music artwork | No | Yes | Yes | Yes | 25-34 | South Africa | |||||||||||
93 | Yes | Music production Music artwork Mastering services | No | Yes | Yes | Yes | 35-44 | United Kingdom | |||||||||||
94 | No | Yes | Yes | Yes | Yes | I haven't had time | 25-34 | South Africa | |||||||||||
95 | Yes | Music artwork | No | Yes | Yes | No | 0-17 | Netherlands | |||||||||||
96 | No | No | Yes | Yes | Yes | Affordability of AI | 0-17 | United Kingdom | |||||||||||
97 | Yes | Music production Music artwork Mastering services | No | Yes | Yes | Yes | 25-34 | Dominican Republic | |||||||||||
98 | No | No | No | No | No | 25-34 | Israel | ||||||||||||
99 | No | No | Yes | Yes | No | 35-44 | South Africa | ||||||||||||
100 | No | Yes | Yes | Yes | Yes | Affordability of AI | 35-44 | United States |