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1 | Nafme Anchor Standards | Iowa Universal Constructs | Power Standard | Task Performance ( I can demonstrate...) | Fundamentals | Core Concepts | |||||||||||||||||||
2 | Creating - Imagine | ||||||||||||||||||||||||
3 | MU:Cr1.1.H.5a | Cr | Create personal musical ideas melodies, rhythms, and harmonies | Pattern recognition of repeated chord sequences, 12-bar blues pattern, A pentatonic scale, solo riff patterns, basic ABA (verse chorus verse structure), introduction of bridge within verse chorus structure, Identify a harmonic sequence. | Song structure | ||||||||||||||||||||
4 | MU:Cr1.1.H.5a | Cr | Create accompaniments for given melodies | ||||||||||||||||||||||
5 | Creating - Plan and Make | ||||||||||||||||||||||||
6 | MU: Cr2.1.H.5a | Cr | Select musical ideas from personal folder of ideas to show a specific expressive intent. | Expression | |||||||||||||||||||||
7 | MU: Cr2.1.H.5a | Cr | Use a notation method (standard, iconic, audio/video) to document personal musical ideas. | ||||||||||||||||||||||
8 | Creating - Evaluate and Refine | ||||||||||||||||||||||||
9 | MU:Cr3.1.H.5a | PA | Evaluate personal music ideas by applying teacher-provided musical criteria | ||||||||||||||||||||||
10 | MU:Cr3.1.H.5a | FA, PA | Explain reasons for making musical revisions based on teacher provided criteria and feedback | ||||||||||||||||||||||
11 | Creating - Present | ||||||||||||||||||||||||
12 | MU:Cr3.2.H.5a | FA, PA | Present a final version of simple melodies and chordal accompaniments. | Share Blues song with an audience. | Performance | ||||||||||||||||||||
13 | MU:Cr3.2.H.5a | FA, PA | Demonstrate understanding of developing and organizing personal musical ideas. | ||||||||||||||||||||||
14 | Performing - Select | ||||||||||||||||||||||||
15 | MU:Pr4.1.H.5a | CT, FA | Demonstrate how to choose music from a varied music repetoire based on personal musical skills and interests. | Student evaluation of skill set and repetoire pieces to choose appropriate performance material. | Performance | ||||||||||||||||||||
16 | Performing - Analyze | ||||||||||||||||||||||||
17 | MU:Pr4.2.H.5a | CC | Identify prominent melodies and harmonies in a variety of music requiring various music notation methods | Chord Progressions | Performance | ||||||||||||||||||||
18 | Performing - Interpret | ||||||||||||||||||||||||
19 | MU:Pr4.3.H.5a . | FA, PA | Demonstrate and describe performance intepretations of a variety of music | ||||||||||||||||||||||
20 | Performing - Rehearse, Evaluate and Refine | ||||||||||||||||||||||||
21 | MU: Pr5.1.H.5a | CT, CC | Identify and apply teacher-provided criteria to rehearse and refine and define when music is ready to perform | pick, thumb, pima (finger-picking) | Articulation | ||||||||||||||||||||
22 | MU: Pr5.1.H.5a | FA, PA | Apply practice strategies to address and refine performance challenges | ||||||||||||||||||||||
23 | Performing - Present | ||||||||||||||||||||||||
24 | Pr 6.1.H.5a | PA, Co | Perform with technical accuracy individually and in groups a varied repetoire of music | Demonstrating correct posture when standing or sitting | Technique / tone | Posture | |||||||||||||||||||
25 | Pr 6.1.H.5a | PA | Demonstrate performance decorum and respectful audience behavior | ||||||||||||||||||||||
26 | Responding - Select | ||||||||||||||||||||||||
27 | MU:Re7.1.H.5a | CT | Demonstrate and describe reasons for selecting music based on music charateristics, personal interest and experience | Student evaluation of skill set and repetoire pieces to choose appropriate performance material. | Performance | ||||||||||||||||||||
28 | Responding - Analyze | ||||||||||||||||||||||||
29 | MU:Re7.2.H.5a | Explain reponse to musical selections using musical and contextual language | |||||||||||||||||||||||
30 | Responding - Interpret | ||||||||||||||||||||||||
31 | MU:Re8.1.H.5a | CT | Identify expressive intent, context, and setting in musical selections | Loud vs Soft, Fast vs slow, minor vs major | Make expressive decisions based on historical context, genre, and style | Dynamics, Tempo, tonal centers | |||||||||||||||||||
32 | Responding - Evaluate | ||||||||||||||||||||||||
33 | MU:Re9.1.H.5a | CT | Identify how personal experience effects music evaluation | ||||||||||||||||||||||
34 | Connecting 10-11 (using all of above standards) | ||||||||||||||||||||||||
35 | MU:Cn10.0.H.5a | PA | Demonstrate and explain interests, skills, and knowlege relate to personal choices when responding to music. | Professionalism | |||||||||||||||||||||
36 | MU:Cn11.0.T.5a | CT, PA | Demonstrate understanding of music's relationship to other subjects and daily life | ||||||||||||||||||||||
37 | Literacy | ||||||||||||||||||||||||
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39 | Maintaining part with a small group, playing alone | Independence | |||||||||||||||||||||||
40 | Strumming Patterns | Rhythmic strumming | |||||||||||||||||||||||
41 | Recognition of out of tune, tuning to a tuner, tuning guitar itself, placement of fingers or capo within the fret for proper sound production | Intonation | |||||||||||||||||||||||
42 | Read notes on the staff in first position across all strings | Standard notation | |||||||||||||||||||||||
43 | Consitency of left and right hand position | Hand placement | |||||||||||||||||||||||
44 | Recognition that songs have a variety of tempi | Tempos | |||||||||||||||||||||||
45 | Can balance sound with others in ensemble | Balance/Blend | |||||||||||||||||||||||
46 | Chord progression and notation patterns, recognizing the difference between strumming patterns in varied styles of music. | Identify, label, define, and perform dynamics, articulation, and tempo markings | Phrasing | ||||||||||||||||||||||
47 | Chord progression and notation patterns | Patterns | |||||||||||||||||||||||
48 | Read notes on the staff in first position across all strings | Notate chords progressions, strumming rhythms, and melodies. | Standard notation | ||||||||||||||||||||||
49 | Appreciations of guitar music in various styles | Musical definitions | |||||||||||||||||||||||
50 | Exposure to influential guitar players in various styles | Music Appreciation / Music History | |||||||||||||||||||||||
51 | Ability to read tab notation across at least 3 strings (riff oriented), Bass guitar tab notation | Tab Notation | |||||||||||||||||||||||
52 | A pentatonic (8th), F pentatonic | Scale Performance | |||||||||||||||||||||||
53 | Basic chord progression patterns, Blues scale | Chord Progressions | |||||||||||||||||||||||
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55 | Rules of the classroom, Listening skills | Apply learned musical performance, literacy, and critical thinking skills to the music- making process with various sizes of ensembles | Rehearsal Etiquette | ||||||||||||||||||||||
56 | Maintaining and caring for the guitar and classroom materials | Stewardship | |||||||||||||||||||||||
57 | Group performance (small or large) | Collaboration | |||||||||||||||||||||||
58 | Responsibility for equipment and communication in class | Responsibility | |||||||||||||||||||||||
59 | Positive and constructive communication | Citizenship | |||||||||||||||||||||||
60 | Listening skills, tools for playing and learning | Employability Skills | |||||||||||||||||||||||
61 | Key to abbreviations: CT: Critical Thinking CC: Complex Communication Cr: Creativity Co: Collaboration FA: Flexibility & Adaptability PA: Productivity & Accountability | ||||||||||||||||||||||||
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