| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | Author 1 Last | Author 1 First | Editor 1 | Author 2 Last | Author 2 First | Editor 2 | Author 3 Last | Author 3 First | Editor 3 | Title | Year | Publisher | Format | ISBN | Subject 1 | Subject 2 | Subject 3 | DOI or URL | ||||||||
2 | Allen | Julie K. | Screening Europe in Australasia: Transnational Silent Film Before and After the Rise of Hollywood | 2022 | University of Exeter Press | 9.78E+12 | Silent films -- Europe -- History -- 20th century | Motion pictures -- Australasia -- European influences | https://doi.org/10.47788/ITZE9134 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||||||
3 | An | Jinsoo | Parameters of Disavowal: Colonial Representation in South Korean Cinema | 2018 | University of California Press | EPUB, MOBI, PDF | 978-0-520-96810-3 | Motion pictures -- Korea (South) -- History -- 20th century | Imperialism in motion pictures | Nationalism in motion pictures | https://doi.org/10.1525/luminos.51 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||
4 | Atkins | Thomas R. | Sexuality in the Movies | 1975 | Indiana University Press | EPUB | 978-0-253-05059-5 | Censorship | Sex in motion pictures | https://doi.org/10.2979/SexualityintheMovies | Creative Commons CC-BY-NC-ND | |||||||||||||||
5 | Baer | Hester | German Cinema in the Age of Neoliberalism | 2021 | Amsterdam University Press | 9.79E+12 | Motion pictures -- Germany -- History | Neoliberalism | https://www.aup.nl/en/book/9789048551958/german-cinema-in-the-age-of-neoliberalism | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||||
6 | Barnett | Christopher B. | editor | Elliston | Clark J. | editor | Scorsese and Religion | 2019 | Brilll | 978-90-04-41140-1 | Scorsese, Martin, 1942- -- Criticism and interpretation | Religion in motion pictures | Motion pictures -- Religious aspects -- Christianity | https://doi.org/10.1163/9789004411401 | Creative Commons Attribution Non-Commercial 4.0 International Licence | |||||||||||
7 | Blaetz | Robin | editor | Women's Experimental Cinema: Critical Frameworks | 2007 | Duke University Press | 9.78E+12 | Women motion picture producers and directors -- United States | Experimental films -- United States -- History and criticism | http://library.oapen.org/handle/20.500.12657/25768 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
8 | Blizzard | Monica Garcia | The White Indians of Mexican Cinema: Racial Masquerade throughout the Golden Age | 2022 | State University of New York Press | 9.78E+12 | Motion pictures -- Mexico -- History and criticism | Ethnicity in motion pictures | http://hdl.handle.net/20.500.12648/7153 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||||
9 | Burry | Alexander | editor | White | Frederick | editor | Border Crossing: Russian Literature into Film | 2017 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Russian literature -- Film adaptations | https://edinburghuniversitypress.com/book-border-crossing.html | Terms of Use | ||||||||||||
10 | Chen | Felicia | Cosmopolitan Cinema: Cross-Cultural Encounters in East Asian Film | 2017 | Bloomsbury Academic | 978-1-35098-587-2 | Cosmopolitanism | Motion pictures -- East Asia -- History | http://dx.doi.org/10.5040/9781350985872 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||||||
11 | Clemens | Michael D. | Screening Nature and Nation: The Environmental Documentaries of the National Film Board, 1939–1974 | 2022 | Athabasca University Press | EPUB, PDF | 9.78E+12 | National Film Board of Canada | Nature films -- Production and direction -- Canada -- History --20th century | Nature films -- Social aspects | https://doi.org/10.15215/aupress/9781771993357.01 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||||||||
12 | Connelly | Thomas J. | Cinema of Confinement: Diaeresis | 2019 | Northwestern University Press | 978-0-8101-3923-7 | Framing (Cinematography) -- Psychological aspects | Gaze in motion pictures | Motion pictures -- Setting and scenery | https://doi.org/10.21985/n2-yc4h-7p84 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
13 | Cowan | Michael | Film Societies in Germany and Austria 1910-1933: Tracing the Social Life of Cinema | 2023 | Amsterdam University Press | 9.79E+12 | Motion pictures -- Societies, etc | Motion pictures -- Social aspects -- Austria -- History -- 20th century | Motion pictures -- Social aspects -- Germany -- History -- 20th century | https://library.oapen.org/handle/20.500.12657/61198 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
14 | Cox | Geoffrey | editor | Corner | John | editor | Soundings: Documentary Film and the Listening Experience | 2018 | University of Huddersfield Press | EPUB, MOBI, PDF | 978-1-86218-154-0 | Sound in motion pictures | Documentary films | https://unipress.hud.ac.uk/plugins/books/17/ | Creative Commons Attribution 4.0 International Licence | |||||||||||
15 | Cripps | Thomas | Black Film as Genre | 1993 | Indiana University Press | HTML | 978-0-253-05097-7 | African Americans in motion pictures | Motion pictures -- Social aspects | https://doi.org/10.2979/BlackFilmasGenre | Creative Commons CC-BY-NC-ND | |||||||||||||||
16 | Curtin | Michael | Sanson | Kevin | Voices of Labor: Creativity, Craft, and Conflict in Global Hollywood | 2017 | University of California Press | EPUB, MOBI, PDF | 978-0-520-96819-6 | Motion picture industry -- Employees -- Interviews | Motion picture industry -- California -- Los Angeles | Mass media and globalization | https://doi.org/10.1525/luminos.26 | Creative Commons Attribution 4.0 International Licence | ||||||||||||
17 | Cuter | Elisa | editor | Kirsten | Guido | editor | Prenzel | Hanna | editor | Precarity in European Film{ Depictions and Discourses | 2022 | De Gruyter | EPUB, PDF | 9.78E+12 | Motion pictures -- Europe -- History | Social conflict in motion pictures | https://doi.org/10.1515/9783110707816 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||
18 | Dadi | Iftikhar | Lahore Cinema: Between Realism and Fable | 2022 | University of Washington Press | EPUB, PDF | 9.78E+12 | Motion pictures -- Pakistan -- Lahore -- History -- 20th century | https://doi.org/10.6069/9780295750804 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||||||||||
19 | De Luca | Tiago | Planetary Cinema: Film, Media and the Earth | 2021 | Amsterdam University Press | 9.79E+12 | Earth (Planet) In motion pictures | Earth (Planet) In art | Earth (Planet) -- Philosophy | https://library.oapen.org/handle/20.500.12657/52144 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
20 | de Valck | Marijke | editor | Damiens | Antoine | editor | Rethinking Film Festivals in the Pandemic Era and After | 2023 | Palgrave Macmillan | EPUB, MOBI, PDF | 978-3-031-14171-3 | Film festivals -- Social aspects | COVID-19 Pandemic, 2020- -- Social aspects | Motion pictures -- Distribution | https://doi.org/10.1007/978-3-031-14171-3 | Creative Commons Attribution 4.0 International Licence | ||||||||||
21 | Denison | Rayna | Princess Mononoke: Understanding Studio Ghibli’s Monster Princess | 2017 | Bloomsbury Academic | 978-1-5013-2973-9 | Miyazaki, Hayao, 1941- -- Criticism and interpretation | Mononoke-hime (Motion picture) | Animated films -- Japan -- 20th century -- History and criticism | http://dx.doi.org/10.5040/9781501329753 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | |||||||||||||||
22 | Dibbern | Doug | Cinema's Doppelgängers | 2021 | punctum books | 978-1-953035-62-2 | Cinema--Fiction | Counterhistory -- Fiction | https://punctumbooks.com/titles/cinemas-doppelgangers/ | Creative Commons Attribution-ShareAlike 4.0 International Licence | ||||||||||||||||
23 | Doty | Alexander | Ingham | Patricia Clare | The Witch and the Hysteric: The Monstrous Medieval in Benjamin Christensen's Häxan | 2014 | punctum books | 978-0-692-23015-2 | Christensen, Benjamin, 1879-1959 Criticism and interpretation | Häxan (Motion picture) | Witches in motion pictures | https://punctumbooks.com/titles/witch-hysteric/ | Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence | |||||||||||||
24 | Ehrlich | Nea | Animating Truth: Documentary and Visual Culture in the 21st Century | 2021 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Documentary films | Animation (Cinematography) | https://edinburghuniversitypress.com/book-animating-truth.html | Creative Commons Attribution 4.0 International Licence | |||||||||||||||
25 | Erens | Patricia | Issues in Feminist Film Criticism | 1990 | Indiana University Press | EPUB | 978-0-253-05578-1 | Feminism and motion pictures | Motion pictures -- History and criticism | Women in motion pictures | https://doi.org/10.2979/IssuesinFeministFilm | Creative Commons CC-BY-NC-ND | ||||||||||||||
26 | Erhart | Julia | Gillian Armstrong: Popular, Sensual & Ethical Cinema | 2020 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Armstrong, Gillian, -- 1950- | https://edinburghuniversitypress.com/book-gillian-armstrong.html | Creative Commons Attribution 4.0 International Licence | ||||||||||||||||
27 | Falkowska | Janina | editor | Loska | Krzysztof | editor | Conflict and Controversy in Small Cinemas | 2018 | Peter Lang | PDF, EPUB | 978-3-631-75517-4 | Politics in motion pictures | Minorities in motion pictures | Sex role in motion pictures | https://doi.org/10.3726/b14031 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||
28 | Fallon | Kris | Where Truth Lies: Digital Culture and Documentary Media after 9/11 | 2019 | University of California Press | EPUB, MOBI, PDF | 978-0-520-97211-7 | Documentary mass media -- United States -- 21st century | Digital media -- Political aspects -- United States -- 21st century | https://doi.org/10.1525/luminos.80 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
29 | Faulkner | Sally | editor | Middlebrow Cinema | 2016 | Taylor & Francis | PDF, HTML | 9.78E+12 | Motion pictures -- Social aspects | https://doi.org/10.4324/9781315630564 | Creative Commons CC-BY-NC-ND | |||||||||||||||
30 | Frank | Hannah | Morgan | Daniel | editor | Frame by Frame: A Materialist Aesthetics of Animated Cartoons | 2019 | University of California Press | EPUB, MOBI, PDF | 978-0-520-97277-3 | Animated films -- History and criticism | Motion pictures -- Aesthetics | https://doi.org/10.1525/luminos.65 | Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License | ||||||||||||
31 | Geduld | Harry A. | editor | Authors on Film | 1972 | Indiana University Press | HTML | 978-0-253-04930-8 | Motion pictures and literature | Screenwriting | Authorship | https://doi.org/10.2979/AuthorsonFilm | Creative Commons CC-BY-NC-ND | |||||||||||||
32 | Geduld | Harry A. | The Birth of the Talkies: From Edison to Joison | 1975 | Indiana University Press | EPUB | 978-0-253-05347-3 | Sound motion pictures -- History | https://doi.org/10.2979/TheBirthoftheTalkies | Creative Commons CC-BY-NC-ND | ||||||||||||||||
33 | Gemunden | Gert | A Foreign Affair: Billy Wilder's American Films | 2008 | Berghahn Books | PDF, EPUB | 978-1-78533-475-7 | Motion pictures -- History and criticism | Wilder, Billy, -- 1906-2002 | https://www.berghahnbooks.com/title/GemuendenForeign | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
34 | Goulding | Daniel | Post New Wave Cinema in the Soviet Union and Eastern Europe | 1989 | Indiana University Press | EPUB | 978-0-253-05557-6 | New wave films | Motion pictures -- Russia -- History and critiicism | Motion pictures -- Europe, Eastern -- History and criticism | https://doi.org/10.2979/PostNewWaveCinemaint | Creative Commons CC-BY-NC-ND | ||||||||||||||
35 | Grainge | Paul | editor | Memory and Popular Film | 2018 | Manchester University Press | 9.78E+12 | Memory | Motion pictures -- Social aspects -- United States | https://doi.org/10.7765/9781526137531 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | |||||||||||||||
36 | Gray | Jonathan | Show Sold Separately: Promos, Spoilers, and Other Media Paratexts | 2010 | New York University Press | EPUB | 9.78E+12 | Advertising -- Motion pictures -- Social aspects | Advertising -- Television programs -- Social aspects | Mass media and culture | https://doi.org/10.18574/nyu/9780814733158.001.0001 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||
37 | Greiner | Rasmus | Cinematic Histospheres: On the Theory and Practice of Historical Films | 2021 | Palgrave Macmillan | EPUB, PDF | 978-3-030-70590-9 | Historical films | Germany In motion pictures | https://doi.org/10.1007/978-3-030-70590-9 | Creative Commons Attribution 4.0 International Licence | |||||||||||||||
38 | Gubeck | Thomas H. | The International Film Industry: Western Europe and America Since 1945 | 1969 | Indiana University Press | EPUB | 978-0-253-04904-9 | Motion picture industry | https://doi.org/10.2979/TheInternationalFilm | Creative Commons CC-BY-NC-ND | ||||||||||||||||
39 | Han | Qijun | Curtis | Daniel R. | Infectious Inequalities: Epidemics, Trust, and Social Vulnerabilities in Cinema | 2021 | Routledge | EPUB | 9.78E+12 | Epidemics in motion pictures | Equality in motion pictures | Epidemics -- Social aspects | https://doi.org/10.4324/9781003261667 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 Licence | ||||||||||||
40 | Hedges | Inez | Breaking the Frame: Film Language and the Experience of Limits | 1991 | Indiana University Press | HTML | 978-0-253-05589-7 | Motion pictures and literature | Motion pictures -- Philosophy | https://doi.org/10.2979/BreakingtheFrame | Creative Commons CC-BY-NC-ND | |||||||||||||||
41 | Hedling | Erik | editor | Ingmar Bergman: An Enduring Legacy | 2021 | Lund University Press | 9.79E+12 | Bergman, Ingmar, -- 1918-2007 -- Criticism and interpretation | https://doi.org/10.7765/9789198557718 | Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence | ||||||||||||||||
42 | Henley | Paul | Beyond Observation: A History of Authorship in Ethnographic Film | 2020 | Manchester University Press | 9.78E+12 | Ethnographic films -- Authorship | Ethnographic films -- History and criticism | https://doi.org/10.7765/9781526147295 | Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence | ||||||||||||||||
43 | Hunningher | Joost | The Magic Screen: A History of Regent Street Cinema | 2015 | University of Westminster Press | EPUB, MOBI, PDF | 9.78E+12 | Motion pictures -- History and criticism | Regent Street Cinema | https://doi.org/10.16997/book10 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License | |||||||||||||||
44 | Ince | Kate | The Cinema of Mia Hansen-Love: Candour and Vulnerability | 2021 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Hansen-Love, Mia | https://edinburghuniversitypress.com/book-the-cinema-of-mia-hansen-love.html | Creative Commons Attribution Non-Commercial 4.0 International Licence | ||||||||||||||||
45 | Inglis | J. Ron | Todd | Sue | The Cultural and Economic Trends of Cinema in Ireland and Wales | 2004 | The Arts Council | 1-904291-11-2 | Motion pictures--Ireland | Motion pictures--Wales | https://www.artscouncil.ie/uploadedFiles/Main_Site/Content/Research_and_Publications/Film/The-cultura-%20and-economic-trends-of-cinema-in-Ireland-and-Wales.pdf | Terms of Use | ||||||||||||||
46 | Jones | D. B. | The Documentary Art of Filmmaker Michael Rubbo | 2017 | University of Calgary Press | 978-1-55238-872-3 | Rubbo, Michael | Documentary films | https://press.ucalgary.ca/books/9781552388709/ | Creative Commons Attribution Non-Commercial No Derivatives 4.0 Licence | ||||||||||||||||
47 | Kerner | Aaron | Knapp | Jonathan A. | Extreme Cinema: Affective Strategies in Transnational Media | 2017 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Violence in motion pictures | Sex in motion pictures | Motion pictures -- History | https://edinburghuniversitypress.com/book-extreme-cinema.html | Creative Commons Non-Commercial 4.0 International Licence | ||||||||||||
48 | Khouri | Malek | Filming Politics: Communism and the Portrayal of the Working Class at the National Film Board of Canada, 1939-46 | 2007 | University of Calgary Press | 978-1-55238-340-7 | National Film Board of Canada | Working class in film | Motion pictures -- Canada -- History | https://press.ucalgary.ca/books/9781552381991/ | Creative Commons Attribution-NonCommercial-NoDerivs 3.0 Unported Licence | |||||||||||||||
49 | King | Rob | Hokum!: The Early Sound Slapstick Short and Depression-Era Mass Culture | 2017 | University of California Press | EPUB, MOBI, PDF | 978-0-520-96316-0 | Comedy films -- United States -- History -- 20th century | https://doi.org/10.1525/luminos.28 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||||||||||
50 | Klein | Christina | Cold War Cosmopolitanism: Period Style in 1950s Korean Cinema | 2020 | University of California Press | EPUB, MOBI, PDF | 978-0-520-96898-1 | Motion picture producers and directors -- Korea (South) | Motion pictures -- Korea -- History -- 20th century | https://doi.org/10.1525/luminos.85 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
51 | Klein | Joanna | Making Pictures: the Pinter Screenplays | 1985 | Ohio State University Press | 9.78E+12 | Pinter, Harold, -- 1930-2008 -- Motion picture plays | https://ohiostatepress.org/books/Complete%20PDFs/klein_pictures/klein_pictures.htm | ||||||||||||||||||
52 | Klinkhammer | Lutz | editor | Zimmermann | Clemens | editor | Cinema as a Political Media Germany and Italy Compared, 1945–1950s | 2021 | Heidelberg University Publishing | 978-3-96822-015-4 | Politics in motion pictures | Motion pictures -- Germany -- History -- 20th century | Motion pictures -- Italy -- History -- 20th century | https://doi:10.17885/heiup.651 | Creative Commons Attribution-ShareAlike 4.0 International Licence | |||||||||||
53 | Kolker | Robert Phillip | The Altering Eye: Contemporary International Cinema | 2009 | Open Book Publishers | PDF, HTML | 978-1-906924-05-8 | Motion pictures | https://doi:10.11647/OBP.0002 | Creative Commons Attribution-Non-Commercial 2.0 UK: England & Wales Licence | ||||||||||||||||
54 | Lafia | Marcus | Everyday Cinema: The Films of Marc Lafia | 2017 | punctum books | 978-0-9985318-0-9 | Lafia, Marc, 1955- -- Criticism and interpretation | Film theory & criticism | https://punctumbooks.com/titles/everyday-cinema-the-films-of-marc-lafia/ | Creative Commons Attribution-ShareAlike 4.0 International Licence | ||||||||||||||||
55 | Li | Qiao | editor | Wilson | David | editor | Guan | Yanqiu | editor | The Global Film Market Transformation in the Post-Pandemic Era: Production, Distribution and Consumption | 2023 | Routledge | EPUB | 9.78E+12 | COVID-19 Pandemic, 2020- -- Social aspects | Motion picture industry -- History -- 21st century | https://doi.org/10.4324/9781003345251 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 Licence | ||||||||
56 | Lie | Nadia | The Motorcycle Diaries: Youth, Travel and Politics in Latin America | 2022 | Routledge | EPUB | 9.78E+12 | Salles, Walter, 1956- | Motorcycle diaries (Motion picture) | Guevara, Che, 1928-1967 -- Travel -- Latin America | https://doi.org/10.4324/9781003225409 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 Licence | ||||||||||||||
57 | Litvintseva | Sasha | Geological Filmmaking | 2022 | Open Humanities Press | 978-1-78542-109-9 | Motion pictures -- Production and direction | Film theory & criticism | http://www.openhumanitiespress.org/books/titles/geological-filmmaking/ | Creative Commons Attribution-ShareAlike 4.0 International Licence | ||||||||||||||||
58 | Lora-Mungai | Marie | Pimenta | Pedro | The African Film Industry: Trends, Challenges and Opportunities for Growth | 2021 | United Nations Educational, Scientific and Cultural Organization (UNESCO) | 9.79E+12 | Motion pictures -- Political aspects -- Africa | Motion pictures -- Africa -- History | https://unesdoc.unesco.org/ark:/48223/pf0000379165.locale=en | Creative Commons Attribution-ShareAlike 3.0 IGO License | ||||||||||||||
59 | Lurie | Peter | Vision's Immanence: Faulkner, Film, and the Popular Imagination | 2004 | Johns Hopkins Univerity Press | EPUB, PDF | 9.78E+12 | American fiction -- Film adaptations | Faulkner, William, 1897-1962 -- Film adaptations | Motion pictures -- United States -- History -- 20th century | https://doi.org/10.1353/book.60332 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||||
60 | Ma | Jean | At the Edges of Sleep: Moving Images and Somnolent Spectators | 2022 | University of California Press | EPUB, MOBI, PDF | 978-0-520-38452-1 | Dreams in motion pictures | Sleep -- Psychological aspects | Motion picture audiences | https://doi.org/10.1525/luminos.132 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License | ||||||||||||||
61 | Macbean | James Roy | Film and Revolution | 1975 | Indiana University Press | EPUB | 978-0-253-05065-6 | Motion pictures, European -- Political aspects | Godard, Jean-Luc, 1930-2022 -- Criticism, interpretation, etc | https://doi.org/10.2979/FilmandRevolution | Creative Commons CC-BY-NC-ND | |||||||||||||||
62 | Mackillop | Ian | editor | Sinyard | Neil | editor | British Cinema of the 1950s: A Celebration | 2018 | Manchester University Press | 9.78E+12 | Motion pictures -- Great Britain -- History -- 20th century | https://doi.org/10.7765/9781526137272 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||
63 | Mannani | Manijeh | editor | Thompson | Veronica | Familiar and Foreign: Identity in Iranian Film and Literature | 2015 | Athabasca University Press | 9.78E+12 | Motion pictures -- Iran -- History | Iranian literature | https://doi.org/10.15215/aupress/9781927356869.01 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||
64 | Manning | Sam | Cinemas and Cinema-Going in the United Kingdom: Decades of Decline, 1945-65 | 2020 | University of London Press | 978-1-912702-36-7 | Motion picture audiences -- Great Britain -- History | Motion picture theaters -- Great Britain -- History | https://doi:10.14296/320.9781912702367 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||||
65 | Marston | Kendra | Postfeminist Whiteness: Problematising Melancholic Burden in Contemporary Hollywood | 2018 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Women, White, in motion pictures | Feminism and motion pictures | Melancholy in motion pictures | https://edinburghuniversitypress.com/book-postfeminist-whiteness.html | Creative Commons Attribution-NonCommercial licence | ||||||||||||||
66 | Mayer | Vicki | Almost Hollywood, Nearly New Orleans: The Lure of the Local Film Economy | 2017 | University of California Press | EPUB, MOBI, PDF | 978-0-520-96717-5 | Motion picture industry -- Louisiana -- New Orleans | https://doi.org/10.1525/luminos.25 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||||||||||
67 | Mayne | Judith | The Woman at the Keyhole: Feminism and Women's Cinema | 1999 | Indiana University Press | HTML | 9.78E+12 | Women in motion pictures | Feminism and motion pictures. | Feminist films | https://publish.iupress.indiana.edu/projects/the-woman-at-the-keyhole | Creative Commons Attribution NonCommercial ShareAlike 4.0 License | ||||||||||||||
68 | Mazierska | Ewa | From Self-fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present | 2015 | Berghahn Books | 978-1-78920-474-2 | Motion pictures -- Europe -- History -- 20th century | Work in motion pictures | https://www.berghahnbooks.com/title/MazierskaFrom | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||||
69 | McDonald | Archie P. | Shooting Stars: Heroes and Heroines of Western Film | 1987 | Indiana University Press | EPUB | 978-0-253-05575-0 | Western films -- History and criticism | Motion picture actors and actresses -- United States -- Biography | https://doi.org/10.2979/ShootingStarsHeroesa | Creative Commons CC-BY-NC-ND | |||||||||||||||
70 | McGrath | Jason | Chinese Film: Realism and Convention from the Silent Era to the Digital Age | 2022 | University of Minnesota Press | EPUB | 978-1-4529-6947-3 | Motion pictures -- China -- History | Realism in motion pictures | https://doi.org/10.5749/9781452969473 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
71 | Meis | Morgan | Tyree | J. M. | Wonder, Horror, Mystery: Letters on Cinema and Religion in Malick, Von Trier, and Kieślowski | 2021 | punctum books | 978-1-68571-008-8 | Kieślowski, Krzysztof 1941-1996 -- Criticism and interpretation | Malick, Terrence 1943- -- Criticism and interpretation | Trier, Lars von 1956- -- Criticism and interpretation | https://punctumbooks.com/titles/wonder-horror-mystery/ | Creative Commons Attribution NonCommercial ShareAlike 4.0 License | |||||||||||||
72 | Melnyk | George | Film and the City: the Urban Imaginary in Canadian Cinema | 2014 | Athabasca University Press | 9.78E+12 | Motion pictures -- Canada -- History | City and town life in motion pictures | https://doi.org/10.15215/aupress/9781927356593.01 | Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Canada License | ||||||||||||||||
73 | Mihaela | Mihailova | editor | Coraline: A Closer Look at Studio LAIKA’s Stop-Motion Witchcraft | 2021 | Bloomsbury Academic | PDF, HTML | 978-1-5013-4788-7 | Stop-motion animation films -- Production and direction | Gaiman, Neil. -- Coraline -- Film adaptations | LAIKA (Firm) | 10.5040/9781501347894 | Creative Commons Attribution Non-Commercial No Derivatives 3.0 Licence | |||||||||||||
74 | Mna | Ilias Ben | Echoes of Reaganism in Hollywood Blockbuster Movies from the 1980s to the 2010s | 2021 | Peter Lang | PDF, EPUB | 978-3-631-84350-5 | Motion pictures -- Political aspects -- United States | Conservatism in motion pictures | Neoliberalism in motion pictures | https://doi.org/10.3726/b17914 | Creative Commons Attribution 4.0 Licence | ||||||||||||||
75 | Moure | Jose | editor | Chateau | Dominique | editor | Post-cinema: Cinema in the Post-art Era | 2020 | Amsterdam University Press | 9.79E+12 | Film theory & criticism | Motion pictures -- Philosophy | https://library.oapen.org/handle/20.500.12657/42407 | Creative Commons Attribution 4.0 International Licence | ||||||||||||
76 | Nagib | Lucia | Realist Cinema as World Cinema: Non-cinema, Intermedial Passages, Total Cinema | 2020 | Amsterdam University Press | 9.79E+12 | World cinema | Film theory & criticism | Realism in motion pictures | https://library.oapen.org/handle/20.500.12657/42528 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
77 | National Film Preservation Foundation | The Film Preservation Guide: The Basics for Archives, Libraries, and Museums | 2004 | National Film Preservation Foundation | 0-9747099-0-5 | Motion picture film -- Preservation | https://www.filmpreservation.org/preservation-basics/the-film-preservation-guide-acknowledgments | Terms of Use | ||||||||||||||||||
78 | Nornes | Marcus | Brushed in Light: Calligraphy in East Asian Cinema | 2021 | University of Michigan Press | EPUB, PDF, HTML | 978-0-472-90243-9 | Calligraphy in motion pictures | Credit titles (Motion pictures, television, etc.) -- East Asia | https://doi.org/10.3998/mpub.11373292 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
79 | O'Brien | Adam | Transactions with the World: Ecocriticism and the Environmental Sensibility of New Hollywood | 2016 | Berghahn Books | 978-1-78920-468-1 | Motion pictures -- United States -- History and criticism | Environmentalism in motion pictures | https://www.berghahnbooks.com/title/OBrienTransactions | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | ||||||||||||||||
80 | Pallant | Chris | editor | Holliday | Christopher | editor | Snow White and the Seven Dwarfs: New Perspectives on Production, Reception, Legacy | 2021 | Bloomsbury Academic | 978-1-5013-5120-4 | Snow White and the seven dwarfs (Motion picture) | Animated films -- United States -- History and criticism | http://dx.doi.org/10.5040/9781501351198 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||
81 | Paszkiewicz | Katarzyna | Genre, Authorship and Contemporary Women Filmmakers | 2019 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Women motion picture producers and directors | https://edinburghuniversitypress.com/book-genre-authorship-and-contemporary-women-filmmakers.html | Creative Commons Attribution-NonCommercial licence | ||||||||||||||||
82 | Rajala | Anne | editor | Lindblom | Daniel | editor | Stocchetti | Matteo | editor | The Political Economy of Local Cinema: A Critical Introduction | 2020 | Peter Lang | 978-3-631-81330-0 | Motion picture industry | Motion pictures -- Economic aspects | https://doi:10.3726/b16846 | Creative Commons Attribution 4.0 International Licence | |||||||||
83 | Ramanthan | Gettha | Kathleen Collins: The Black Essai Film | 2020 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Collins, Kathleen, -- 1942-1988 | Moion pictures -- Production and direction | African Americans in motion pictures | https://edinburghuniversitypress.com/book-kathleen-collins.html | Creative Commons Attribution Non-Commercial 4.0 International Licence | ||||||||||||||
84 | Resmini | Mauro | Italian Political Cinema: Figures of the Long ’68 | 2023 | University of Minnesota Press | EPUB | 978-1-4529-7015-8 | Motion pictures -- Italy -- History -- 20th century | https://doi.org/10.5749/9781452970158 | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | ||||||||||||||||
85 | Richardson | Robert | Literature and Film | 1969 | Indiana University Press | EPUB | 978-0-253-04906-3 | Literature and motion pictures | Motion pictures -- History and criticism | https://doi.org/10.2979/LiteratureandFilm | Creative Commons CC-BY-NC-ND | |||||||||||||||
86 | Rocha | Carolina | Argentine Cinema and National Identity (1966-1976) | 2018 | Liverpool University Press | EPUB, PDF | 9.78E+12 | Motion pictures -- Argentina -- History | National characteristics in motion pictures | https://doi.org/10.2307/j.ctt1ps32cc | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
87 | Rogers | Anna Backman | Still Life: Notes on Barbara Loden's "Wanda" (1970) | 2021 | punctum books | 978-1-953035-68-4 | Loden, Barbara, 1932-1980 | Wanda (Motion picture) | Women in motion pictures | https://punctumbooks.com/titles/still-life-notes-on-barbara-lodens-wanda-1970/ | Creative Commons Attribution-ShareAlike 4.0 International Licence | |||||||||||||||
88 | Rogers | Anna Backman | editor | Mulvey | Laura | editor | Feminisms: Diversity, Difference and Multiplicity in Contemporary Film Cultures | 2015 | Amsterdam University Press | 9.79E+12 | Feminist film criticism | Feminism and motion pictures | Women in motion pictures | https://doi:10.1515/9789048523634 | All rights reserved | |||||||||||
89 | Royer | Michelle | The Cinema of Marguerite Duras: Multisensoriality and Female Subjectivity | 2019 | Edinburgh University Press | EPUB, PDF | 9.78E+12 | Duras, Marguerite, -- 1914-1996 | Motion pictures--Technical aspects | Women in motion pictures | https://edinburghuniversitypress.com/book-the-cinema-of-marguerite-duras.html | Creative Commons Attribution-NonCommercial licence | ||||||||||||||
90 | Rusr | Stephen | editor | Monani | Salma | editor | Cubitt | Sean | editor | Ecocinema Theory and Practice 2 | 2022 | Routledge | EPUB | 9.78E+12 | Documentary films -- History and criticism | Ecology in motion pictures | Ecocritiicism | https://doi.org/10.4324/9781003246602 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 License | |||||||
91 | Ryan | Michael | Kellner | Douglas | Camera Politica: The Politics and Ideology of Contemporary Hollywood Film | 1990 | Indiana University Press | EPUB | 978-0-253-05577-4 | Motion pictures -- Political aspects -- United States | Motion pictures -- History and criticism | https://doi.org/10.2979/CameraPoliticaThePol | Creative Commons CC-BY-NC-ND | |||||||||||||
92 | Scott | Ian | Thompson | Henry | The Cinema of Oliver Stone: Art, Authorship and Activism | 2019 | Manchester University Press | 9.78E+12 | Stone, Oliver, 1946- -- Criticism and interpretation | Film theory & criticism | https://doi.org/10.7765/9781526147240 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||||
93 | Seiler | Robert M. | Seiler | Tamara P. | Reel Time: Movie Exhibitors and Movie Audiences in Prairie Canada, 1896 to 1986 | 2013 | Athabasca University Press | 9.78E+12 | Motion picture theaters -- Economic aspects -- Prairie Provinces -- History | https://www.aupress.ca/books/120213-reel-time/ | Creative Commons Attribution-NonCommercial-NoDerivs 2.5 Canada License | |||||||||||||||
94 | Smoodin | Eric | Paris in the Dark: Going to the Movies in the City of Light, 1930-1950 | 2022 | Duke University Press | 9.78E+12 | Motion picture theaters -- France -- Paris -- History | National characteristics in motion pictures | https://doi.org/10.1215/9781478090281 | Creative Commons Attribution Non-Commercial 4.0 International Licence | ||||||||||||||||
95 | Spencer-Hall | Alicia | Medieval Saints and Modern Screens: Divine Visions as Cinematic Experience | 2017 | Amsterdam University Press | 9.79E+12 | Christian saints--Middle Ages, 600-1500 | Cinematography | Mass communications | https://www.aup.nl/en/book/9789048532179/medieval-saints-and-modern-screens#toc | Creative Commons Attribution + Noncommercial + NoDerivatives 4.0 International License | |||||||||||||||
96 | Starr | Deborah | Togo Mizrahi and the Making of Egyptian Cinema | 2020 | University of California Press | EPUB, MOBI, PDF | 978-0-520-97612-2 | Motion picture producers and directors -- Egypt | Motion pictures -- Egypt -- 20th century | https://doi.org/10.1525/luminos.91 | Creative Commons Attribution NonCommercial ShareAlike 4.0 License | |||||||||||||||
97 | Steedman | Robin | Creative Hustling: Women Making and Distributing Films from Nairobi | 2023 | MIT Press | 9.78E+12 | Women motion picture producers and directors -- Kenya -- Nairobi | Motion pictures -- Kenya -- Nairobi -- Distribution | Women in the motion picture industry | https://doi.org/10.7551/mitpress/14127.001.0001 | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||||
98 | Stehle | Maria | Weber | Beverly | Precarious Intimacies: The Politics of Touch in Contemporary Western European Cinema | 2020 | Northwestern University Press | 9.78E+12 | Intimacy (Psychology) in motion pictures | Film theory & criticism | Touch in motion pictures | https://doi.org/10.2307/j.ctv14161gx | Creative Commons Attribution Non-Commercial No Derivatives 4.0 International Licence | |||||||||||||
99 | Torre | Dan | Torre | Leonora | Grendel Grendel Grendel: Animating Beowulf | 2021 | Bloomsbury Academic | 978-1-5013-3780-2 | Grendel, Grendel, Grendel (Motion picture) | Film theory & criticism | http://dx.doi.org/10.5040/9781501337796 | Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License | ||||||||||||||
100 | Turquety | Benoit | Medium, Format, Configuration: The Displacements of Film | 2019 | Meson Press | 978-3-95796-004-7 | Motion pictures -- History and criticism | https://meson.press/books/medium-format-configuration/ | Creative Commons Attribution-ShareAlike 4.0 International Licence | |||||||||||||||||