A | B | C | |
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1 | Character | Dialog | Notes |
2 | Truck driver | To be, or not to be--that is the question: | |
3 | Posh British | Whether 'tis nobler in the mind to suffer | |
4 | Ed Wynn | The slings and arrows of outrageous fortune | |
5 | Wimpy guy | Or to take arms against a sea of troubles | |
6 | Villain | And by opposing end them. To die, to sleep-- | |
7 | Latina | No more--and by a sleep to say we end | |
8 | Peter Lorre | The heartache, and the thousand natural shocks | |
9 | Boris Karloff | That flesh is heir to. 'Tis a consummation | |
10 | Bela Lugosi | Devoutly to be wished. To die, to sleep-- | |
11 | Walter Brennan | To sleep--perchance to dream: ay, there's the rub, | |
12 | Harvey Fierstein | For in that sleep of death what dreams may come | |
13 | Falsetto Lady | When we have shuffled off this mortal coil, | |
14 | Winston Churchill | Must give us pause. There's the respect | |
15 | Cockney | That makes calamity of so long life. | |
16 | Irish | For who would bear the whips and scorns of time, | |
17 | Antonio Banderas | Th' oppressor's wrong, the proud man's contumely | ˈkɑːn.tuː.mᵊl|.i, Noun:Insolent or insulting language or treatment. |
18 | Walter Winchell | The pangs of despised love, the law's delay, | |
19 | Top 40 DJ | The insolence of office, and the spurns | |
20 | Droopy Dog | That patient merit of th' unworthy takes, | |
21 | Country Bumpkin | When he himself might his quietus make | |
22 | John F. Kennedy | With a bare bodkin? Who would fardels bear, | ˈfɑːr.t ̬ᵊl |
23 | Upstate New York | To grunt and sweat under a weary life, | |
24 | Indian | But that the dread of something after death, | |
25 | Native American | The undiscovered country, from whose bourn | |
26 | Russian | No traveller returns, puzzles the will, | |
27 | German | And makes us rather bear those ills we have | |
28 | French | Than fly to others that we know not of? | |
29 | Humphrey Bogart | Thus conscience does make cowards of us all, | |
30 | Japanese | And thus the native hue of resolution | |
31 | Nutty Professor | Is sicklied o'er with the pale cast of thought, | |
32 | Scots | And enterprise of great pitch and moment | |
33 | Lateral Lisp | With this regard their currents turn awry | |
34 | Quietly Creepy | And lose the name of action. -- Soft you now, | |
35 | Sheldon Leonard | The fair Ophelia! -- Nymph, in thy orisons | ˈɔːr.ɪ.zᵊnz prayers |
36 | Mike Pollock | Be all my sins remembered. | |
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