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1 | PURPOSE: To confirm that the horse demonstrates correct basics, is supple and moves freely forward in a clear rhythm with a steady tempo, accepting contact with the bit. All trot work may be ridden sitting or rising, unless stated. Halts may be through the walk. | RIDER # | 8165 | Link: | https://youtu.be/J91i8wdX9m8 | |||||||||||||||||||||
2 | NAME: | Laura Brubaker | Notes: | |||||||||||||||||||||||
3 | JUDGE: | Ida Norris | ||||||||||||||||||||||||
4 | Points Possible: | 260 | ||||||||||||||||||||||||
5 | Final Score: | 52.885% | ||||||||||||||||||||||||
6 | ||||||||||||||||||||||||||
7 | USDF TRAINING LEVEL TEST 1 | |||||||||||||||||||||||||
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9 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
10 | 1 | A X | Enter working trot Halt, salute Proceed working trot | Regularity and quality of trot; willing, calm transitions; straightness; attentiveness; immobility (min. 3 seconds) | 6 | 6 | counter bendt in turn and no video detail: need zoom , shoulder falling right rider leaning on left stirrup | |||||||||||||||||||
11 | 2 | C E | Track left Circle left 20m | Regularity and quality of trot; shape and size of circle; bend; balance | 5 | 2 | 10 | bend rt and went left at G horse above the bit rider leans in to turn, horse hollow topline | ||||||||||||||||||
12 | 3 | A | Circle left 20m developing left lead canter in first quarter of circle | Willing, calm transition; regularity and quality of gaits; shape and size of circle; bend; balance | 5 | 5 | topline hollow rider leans in to turn ; mostly above the bit and some bracing | |||||||||||||||||||
13 | 4 | A-F-B | Working canter | Regularity and quality of canter; bend and balance in corner; straightness | 5 | 5 | slightly flipping head and slightly counterbend | |||||||||||||||||||
14 | 5 | Between B & M | Working trot | Willing, calm transition; regularity and quality of gaits; straightness; bend and balance in corner | 5.5 | 2 | 11 | riders 4 arms braced : hands to be softer and more independent , horse to accept rounder connection with lighter softer hand | ||||||||||||||||||
15 | 6 | C | Medium walk | Willing, calm transition; regularity and quality of walk; bend and balance in corner | 5 | 2 | 10 | horse left camera frame : can be cause for elimination in some online shows. needs to prepare and sit down sooner for trans and use the corners | ||||||||||||||||||
16 | 7 | E-F F | Change rein, free walk Medium walk | Regularity and quality of walks; reach and ground cover of free walk allowing complete freedom to stretch the neck forward and downward; straightness; willing, calm transitions | 4 | 2 | 8 | non zoom used: no details. looks braced and is clearly above the bit ; did not release the reins or stretch | ||||||||||||||||||
17 | 8 | A | Working trot | Willing, calm transition; regularity and quality of trot; bend and balance in corner; straightness | 5 | 5 | need to be actively forward t A and with lower neck and softer connection to hand | |||||||||||||||||||
18 | 9 | E | Circle right 20m | Regularity and quality of trot; shape and size of circle; bend; balance | 5 | 2 | 10 | flipping head, short steps and some bracing of riders arms | ||||||||||||||||||
19 | 10 | C | Circle right 20m developing right lead canter in first quarter of circle | Willing, calm transition; regularity and quality of gaits; shape and size of circle; bend; balance | 5 | 5 | flipping head and counter bend, needs more impulsion | |||||||||||||||||||
20 | 11 | C-M-B | Working canter | Regularity and quality of canter; bend and balance in corner; straightness | 6 | 6 | looked a bit better here | |||||||||||||||||||
21 | 12 | Between B & F | Working trot | Willing, calm transition; regularity and quality of gaits; straightness; bend and balance in corner | 5.5 | 2 | 11 | against the hand and need balance , still hollow in topline needs balance in corners | ||||||||||||||||||
22 | 13 | A X | Down centerline Halt, salute | Bend and balance in turn; regularity and quality of trot; willing, calm transition; straightness; attentiveness; immobility (min. 3 seconds) | 6 | 6 | to be straight and in softer connection and bala | |||||||||||||||||||
23 | Leave arena in free walk. Exit at A. | |||||||||||||||||||||||||
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25 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
26 | 1 | Gaits | Freedom and regularity | 6.5 | 6.5 | |||||||||||||||||||||
27 | 2 | Impulsion | Desire to move forward with suppleness of the back and steady tempo. | 6 | 2 | 12 | not clearly active especially in the "up" transitions | |||||||||||||||||||
28 | 3 | Submission | Acceptance of steady contact, attention, and confidence. | 5 | 2 | 10 | mostly braced and above the bit today , | |||||||||||||||||||
29 | 4 | Rider’s Position and Seat | Keeping in balance with the horse | 5.5 | 5.5 | braced arms, balanced often on on stirrup to turn | ||||||||||||||||||||
30 | 5 | Rider’s Correct and Effective Use of the Aids | Correct bend and preparation of transitions | 5.5 | 5.5 | effect connection, bend and accuracy | ||||||||||||||||||||
31 | this team has potential. Horse needs to accept softer connection and be schooled to rounder acceptance of the rein. Rider to be more balanced and use correct turning aid . elastic independent arms are needed for more correct connection. keep working! | |||||||||||||||||||||||||
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36 | POINTS: | 137.5 | ||||||||||||||||||||||||
37 | ERRORS: | 0 | ||||||||||||||||||||||||
38 | SUBTOTAL: | 137.5 | ||||||||||||||||||||||||
39 | SCORE: | 52.885% | ||||||||||||||||||||||||
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41 | Directions for the camera person: | |||||||||||||||||||||||||
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43 | 1. Camera must be in LANDSCAPE orientation, Place the camera directly centered at/ behind “C” 3 to 6 feet from the rail (for competition this is not possible but they are right next to the judge) stand on a mounting block ( this is the same heigh as the judge viewing stand) | |||||||||||||||||||||||||
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45 | me height/ view as from of the stand the judges table is on). The horse must not be out of the camera frame at any time in the test. | |||||||||||||||||||||||||
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47 | 2. Keep the camera centered on the horse on the centerlines. | |||||||||||||||||||||||||
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49 | Keep the horse in the LAST one third of the viewing screen in Landscape view ( 2/3 of the viewscreen in front of moving horse). This will allow the “judge” to see approximately two letters in front of the horse which is necessary for depth peception and line evaluation. In general, keep the horse’s feet in the bottom 1/3 of the viewfinder. | |||||||||||||||||||||||||
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51 | 3. Zoom is ABSOLUTELY necessary. On a camera or iPhone/Droid (most have a capability of 10X) for the 20x60 ring zoom for the far end of the ring is generally 3.5 to 4 (horse to take up 1/3 of the view finder and must not exceed ½) . Try to zoom only once on a movement .( although it may be necessary to also reduce zoom in the same movement ) For the small ring 20x40 zoom for the upper half or the ring generally tends to be 2 or 2.5 . | |||||||||||||||||||||||||
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53 | 4. Reduce Zoom back to 1x as the horse comes past X towards / near the “C” end . You will naturally have a moment of two where the horse passes directly in front of / and near the camera. It is not always a whole horse view but keep the camera moving with the horse. If the horse is required to perform a movement directly at “C”,be sure to move the camera so the viewer sees the feet/steps and head/neck connection throughout the movement. This simulates what a judge actually sees when a horse is so close. | |||||||||||||||||||||||||
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