| A | B | C | D | E | F | G | H | I | J | K | L | M | |
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1 | Lance Tschirhart's "Shadow System" | HELPFUL PREREQUISITES: | |||||||||||
2 | https://forum.artofmemory.com/t/a-new-2-card-system/28633/88 | Understaning of Major System phonetics and the | |||||||||||
3 | (Worksheets based on BradenExplosion's document) | "Memory Palace" or "Method Of Loci" technique | |||||||||||
4 | |||||||||||||
5 | The Shadow System is a technique for compressing the Suit and Value information of a pair of cards (4 pieces of info) down to a single word to generate a simple single mental image. | ||||||||||||
6 | Once mastered, a deck of cards can be memorized incredibly fast, using only a handful of "scenes." | ||||||||||||
7 | Shadow is more of a time commitment to learn than traditional PAO approach, but reportedly gives consistently better results in competition. | ||||||||||||
8 | An additional benefit in learning Shadow, is that it is based on the Major System and provides a nearly complete built-in 3-digit number system. | ||||||||||||
9 | |||||||||||||
10 | |||||||||||||
11 | |||||||||||||
12 | CARD VALUE PHONETICS: | ||||||||||||
13 | (Based on Major System) | ||||||||||||
14 | |||||||||||||
15 | NUMBER CARDS: | ||||||||||||
16 | 10 | S/Z | |||||||||||
17 | A | T/D | |||||||||||
18 | 2 | N | |||||||||||
19 | 3 | M | |||||||||||
20 | 4 | R | |||||||||||
21 | 5 | L | |||||||||||
22 | 6 | J/SH/CH/ZH | |||||||||||
23 | 7 | K/G | |||||||||||
24 | 8 | F/V | |||||||||||
25 | 9 | B/P | |||||||||||
26 | |||||||||||||
27 | |||||||||||||
28 | PICTURE CARDS: | ||||||||||||
29 | J (in [J][x] or [J][J]) | F/V (when in the 1ST pair position, or, when in BOTH pair positions) | |||||||||||
30 | J (in [x][J]) | T/D (when in the 2ND pair position) | |||||||||||
31 | Q | R | |||||||||||
32 | K (in [K][x]) | H (when in the 1ST pair position) *exception to traditional Major System rules. | |||||||||||
33 | K (in [x][K]) | SILENT (when in the 2ND pair position) | |||||||||||
34 | |||||||||||||
35 | The sounds that JACKS and KINGS make depend on their position within certain pair combinations. | ||||||||||||
36 | JACKS and QUEENS share sounds with "10/A" and "4" cards respectively. This is accounted for by altering the suit-pair sound. | ||||||||||||
37 | Detailed rules for exceptions and alterations are outlined in the "card pair phonetic construction" section. | ||||||||||||
38 | |||||||||||||
39 | |||||||||||||
40 | |||||||||||||
41 | SUIT PHONETICS: | ||||||||||||
42 | (Based on Major System) | ||||||||||||
43 | |||||||||||||
44 | There are 16 possible combinations of suit pairs. | ||||||||||||
45 | Each suit pair shares phonetics with one other "shadow pair," so only 8 phonetic values are assigned to cover all 16. | ||||||||||||
46 | |||||||||||||
47 | Primary Suit-Pair | Shadow Suit-Pair | Suit-Pair Phonetic | ||||||||||
48 | ♠♠ | ♥♥ | S/Z | ||||||||||
49 | ♠♥ | ♥♠ | T/D | ||||||||||
50 | ♣♠ | ♦♥ | N | ||||||||||
51 | ♠♦ | ♦♠ | M | ||||||||||
52 | ♣♥ | ♥♣ | L | ||||||||||
53 | ♠♣ | ♥♦ | J/CH/SH/ZH | ||||||||||
54 | ♣♣ | ♦♦ | K/G | ||||||||||
55 | ♣♦ | ♦♣ | P/B | ||||||||||
56 | |||||||||||||
57 | TO FIND THE ALTERNATE PAIRS THAT SHARE THE PHONETIC: | ||||||||||||
58 | If the two suits are different colors: | ||||||||||||
59 | swap the suits to get the pair that the image should be shared with | ||||||||||||
60 | example: [2♠][3♦] becomes [2♦][3♠] | ||||||||||||
61 | If the two suits are the same color: | ||||||||||||
62 | replace the suits with the "opposite" suits. | ||||||||||||
63 | SPADES becomes HEARTS. CLUBS becomes DIAMONDS | ||||||||||||
64 | example: [2♣][3♠] becomes [2♦][3♥] | ||||||||||||
65 | |||||||||||||
66 | |||||||||||||
67 | |||||||||||||
68 | CARD PAIR PHONETIC CONSTRUCTION: | ||||||||||||
69 | PAIRS CONTAINING ONLY NUMBER CARDS: | ||||||||||||
70 | The pair's word/image is constructed logically via [SUIT] [#1] [#2] phonetic. | ||||||||||||
71 | EXAMPLE: | ||||||||||||
72 | [2♣] [3♥] | ||||||||||||
73 | Spades / Hearts = "L." | ||||||||||||
74 | 2 = "N." | ||||||||||||
75 | 3 = "M." | ||||||||||||
76 | So, this pair generates L-N-M, maybe giving an image of "LiN Manuel" or "LawNMower" | ||||||||||||
77 | |||||||||||||
78 | *NOTE: When constructing words for each of the card pairs in the "[#♠] [#♠]" category (words generated via 000-099 phonetics): | ||||||||||||
79 | It is important that the leading S/Z "0" suit value sound NOT be blended with the second consonant. It needs to stand alone with a vowel separation from the second consonant sound. | ||||||||||||
80 | If it is blended, there can be a conflict with the "[#] [JACK]" and "[#] [QUEEN]" combinations which add a leading "S" blend to the suit phonetic. (more info on that in the next section) | ||||||||||||
81 | EXAMPLE: | ||||||||||||
82 | [A♠] [2♠] translates to "[S/Z(suit)] [T/D] [N]," and could be something like "SaTaN," not "STaN." | ||||||||||||
83 | [2♠] [J♥] translates to "[S][T(suit)] [N] [T/D]," which could be "STuNT." | ||||||||||||
84 | If both "STaN" and "STuNT" are used as keywords, they could be confused on recall, especially if you're used to translating 3-digit numbers into words that have extra unused consonants at the end. | ||||||||||||
85 | |||||||||||||
86 | |||||||||||||
87 | PAIRS CONTAINING PICTURE CARDS: | ||||||||||||
88 | if the pair is "[PICTURE] [#]" | ||||||||||||
89 | the suit phonetic is placed in the second position. | ||||||||||||
90 | |||||||||||||
91 | if the pair is "[PICTURE] [PICTURE]" | ||||||||||||
92 | the suit phonetic is placed in the final position | ||||||||||||
93 | |||||||||||||
94 | If the pair is "[#] [PICTURE]" | ||||||||||||
95 | the picture card's phonetic is placed last (Kings are silent) | ||||||||||||
96 | the suit-pair sound will stay in the first position within the phonetic. | ||||||||||||
97 | the suit-pair sound MAY be augmented with an "S" (see below) | ||||||||||||
98 | |||||||||||||
99 | If the pair is "[#] [QUEEN]" | ||||||||||||
100 | An extra “S” is read before the suit combination |