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1 | Student first name | Student last name | Title of text | Author of the text | Your reason/s for choosing this text | Key passage from the text (<150 words) | Key passage II (optional) | gitHub link to your code (in progress) Week 9 | what i'm looking at Week 9 [code from somewhere else] | i need help with... [describe the desired outcome and/or the bug] | WEEK 10 screenshot 240px x 160px | MOST RECENT Link to working sketch (web view) | MOST RECENT Link to working sketch (code view) | Question, demo request or feature wishlist (be specific if possible) | Your most urgent Question/Issue/Problem | Week 11 Feedback Andy schedule | Week 11 Feedback Karen schedule | FINAL_PUBLIC_WORKING_SKETCH_GITHUB.IO_VERSION | CODE_VIEW | ||||||||
2 | Fergus | Arundel | An appeal for an Alternative | Joseph Beuys | I find Beuy's appeal for a radical alternaitve to be very compelling and specifically think his idea for a FREE INTERNATIONAL UNIVERSITY will respond well in new media. Although there are many ways in which the text could be interpretted. | The process of recasting hardened concepts and theoretical attempts is under way. It has led to a BIG DIALOGUE, to a communication between factions, disciplines and nations on the alternative models for a solution. The FREE INTERNATIONAL UNIVERSITY (Free University for Creativity and Interdisciplinary Research) is the permanent bid to organise and develop this communication. The FREE INTERNATIONAL UNIVERSITY as a place for organization also includes all the groups and live cells in our society in which people have banded together to think through the questions of the future of our society together. The greater the numbers that collect together for this work, the stronger and more effective the alternative ideas will be. Here then, is our appeal: Let us create jobs at the FREE INTERNATIONAL UNIVERSITY, the university of the people. | https://fergarundel.github.io/CODE-WORDS/week_09/cells/ | https://www.youtube.com/watch?v=4hA7G3gup-4&ab_channel=TheCodingTrain | - changing the desired location for the cells to created new words with mousePressed |  | WEB LINK | GITHUB LINK | - need to be able to change text while keeping the same number of cells or by merging cells. Currently can't do this because the inital text is set in the setup. | changing text with this effect | Need consecutive mousePressed to continue to change the cells location after the initial looping of text. Also want to add the sound to the sketch that changes intensity based on the cells movement speed. + need the loop to be refined. | 1:30:00 PM –– Amazing place to be! Why the blue (it means peaceful, water, sky). Consider gradient (suggest 3d space) - black suggests stars, black with red ...? etc | 14:30 | ||||||||||
3 | Thomas | Bellamy | Generative design: Redefining the designer | Yolanda Zappaterra | I find it really interesting how the role of the designer is explored and how it is always changing and evolving and how designers must learn to adapt. | With generative design, the performance criteria are embedded in the process itself, which produces a wide population of informed possible solutions. A shift from building to growing, sculpting to breeding. In this sense, generative designers become closer to scientists on the one hand, gardeners on the other. | onformative and FIELD show us how generative design is changing and will continue to change the role of the designer into something far more fluid: a combination of designer, programmer, producer and curator. And as the field develops, who knows what else? | http://tommybellamy.github.io/CodeWords/week-10/SketchOct7 | https://github.com/tommybellamy/CodeWords/blob/master/week-10/SketchOct7/SketchOct7.js | I want to try to make mic input work with either shape morphing or flocking so that when the reader says a key word like "Building, sculpting, gardeners" the text or a shape can generate into into something resembling the key word, so when the reader says building, it turns into a building. However this might be me thinking too far ahead, as I currently only have type on my sketch and any tutorials i've found relating are quite complex and difficult to understand. | start from the beginning | 11:30:00 AM –– my take is to focus on the words as shapes, and not overelap them to the paragraph. So cycle through a series of word/shapes that sit in the centre of the canvas... that way you have a strong "basecamp" before attempting other features. Use keypressed to make a simple interaction to read key words. Na suggested to add to each new word so the piece "grows" over time, as more keys are pressed. | 13:30 | ||||||||||||||
4 | Peem | Thaugsuban | The Glitch Moment ( Um ) | Rosa Menkman | I like how glitch practices and theory can generate awareness through technically, culturally, critically,aesthetically and finally as genre. Glitch makes sense differently in terms of noise, failure and accident which can also be use to shown in different contexts such as political and social uses. | Within the constructed ruins of glitch, new possibilities and new meaning arise. There is something more than just destruction: new understandings lie just beyond the tipping point. The glitch generates new understanding of techno-culture through the gestations of Glitchspeak, glitch’s constantly growing vocabulary of new expressions. | The absence of meaning its in this case the presence of all meanings, absolute ambiguity, a construction outside meaning. | https://github.com/ptpeem/EdmCodeWorld/tree/master/Week_09 | https://creative-coding.decontextualize.com/making-games-with-p5-play/ |  | https://ptpeem.github.io/EdmCodeWorld/Week_12/GlitchSpeakGameLatest/ | https://ptpeem.github.io/EdmCodeWorld/Week_12/GlitchSpeakGameLatest/ | Adding more visual to look more interacting = (in progress) Maybe adding sound as well ( May/not ) Adding StartingGame (Page) = Enter to start the game ( In progress ) = ( In progress ). https://editor.p5js.org/ptpeem/sketches/sCKX3OfPb | Instead of random "Numbers" = 1-6 (Keys) —> changing to "Alphabets" ( in-order ) ( G, L, I, T, C, H )= ( In progress ). Trying to do something like this : https://editor.p5js.org/ptpeem/sketches/umubD0E_X Instead of appear random messages when the answer is “true” —> change to messages ( in-order ) = ( In progress ). Match (G) = message result : ABSENCE..., Match (L) = message result : MEANING..., Match (I) = message result : CONSTRUCT..., Match (T) = message result : DESTRUCT... Match (C) = message result : GENERATE..., Match (H) = message result : EXPRESSIONS) = ( In progress ). Match something wrong key = message result : random ( false message ) The final outcome that i am trying to achieve follow my NewPlan = something like this new GIF https://docs.google.com/presentation/d/1dX_ZDAdoo_U-JSXTtUxhwClVBWJZjEu7X48fx6t4-Zc/edit#slide=id.ga0301ed005_0_0 | 1:30:00 PM –– Game logic for reading. Fascinating concept, needs work on the UI to indicate the "gameness"... gamifying reading, glitch-aesthetic. At the moment the original text seems secondary, or at least it doesn't jump out as much the generated text. So in general, make the game more obvious, and bring out the original theory... | 14:30 | |||||||||||
5 | Finn | Arundel | Time and space in the age of information. Chapter 5.3 | Nicola Green | I chose this text because I find the effects of the internet and mobile technology have had on life and communication, as well as the compression of time and space very interesting. This new technology allows individuals to freely and quickly interact, and has created a world in which I am able to talk to someone on the other side of the world instantly. The "compression" of time and space is a result of this. | “The decentralization of communication creates new webs of potential interaction between atomized individuals, which on the one hand increases the communication activities carried out, while at the same time fragmenting that communication into more numerous communications of shorter duration." "time and space both become abstractions and cease to have meaning or value in themselves." | https://finnarundel.github.io/codewordsRMIT/week_09/week_09_end_sketch/ | https://www.openprocessing.org/sketch/28023 | When I connect the lines together this seems to stop the frameCount??? don't know why. SOLVED THIS, THANKS KAREN |  | https://finnarundel.github.io/codewordsRMIT/week_10/WIP_WEBGL_recent/ | https://github.com/FinnArundel/codewordsRMIT/tree/master/week_10/WIP_WEBGL_recent | Want space (top) slider to work in real time. Also want to move through the different sentences | recombination over time? interaction for next para? | Want space (top) slider to work in real time. Want the time (bottom) slider to work only when resetting sketch. currently working the opposite way I want | 12:00:00 PM ––– amazing work. The UI is fighting with the work now, so try experimenting with styling (CSS) or simply use those elements in a more organic way eg. drop them centred under the work, so the slider becomes a kind of "underline" and mimics the lines of the work. IDK if this will work, its an example of what you can try... have fun | 14:00 | ||||||||||
6 | Bridie | O'Toole | Cyberpsychogeography | Mark Amerika | Reflective memoir on the process of creating. I love the dream-like state called ‘unrealtime’ Amerika refers to. This stopping of time resonates with me. He resolves, the consciousness can be achieved anywhere at anytime. | And yet this naked body of words just now starting to play out its creative potential is not really my own. It’s part of something much larger than me— some kind of dynamic, shape-shifting intersubjectivity where I am always losing sight of myself as I improvisationally interact with The Network and, without thinking about it, intuitively manipulate the pulse of Time (as if such a thing as Time could actually exist). | github.com/bridieotoole/codewords/tree/master/week_09 | Having words appear with framecount ellapsed |  | https://bridieotoole.github.io/codewords/week_11/Whitewashtext/ | https://github.com/bridieotoole/codewords/blob/master/week_11/Whitewashtext/Whitewashtext.js | Working now to have words dissapear/dissolve/'float' down window with mouse pressed function, or mouse hover. Even find a way to redraw the background and fade the 'old' words. | make fit, degeration of sorts? | redraw text after mouse hover/ click to drop words (make words fall and settle at bottom of page) | 2:30:00 PM ––– at the moment a very stylish clean sketch, exploring reading left-to-right. Experiments could include - adding acceleration to the timings... eg get faster as they appear. Dropping words away, and float to the "floor"... or float away... Experiment with colour or gradient... find a dynamic or an energy. Introduce sound... music... e.g piano keys... | 11:30 | https://bridieotoole.github.io/codewords/week_12/LostInTime/ | ||||||||||
7 | Kristine | Gudmundsen | Generation Flash | Lev Manovich | Generation Flash describes how the internet is an always-existing loop of cultural production where works will be taken apart and turned into samples, modified and then be sent back into circulation. Even though the text addresses flash graphics in the early 2000s, I believe the text is relevant to how we design today. | "Think image. Compare it to sound. It seems possible to layer many many many sounds and tracks together while maintaining legibility. The results just keep getting more complex, more interesting. Vision seems to work differently. Of course commercial images we see everyday on TV and in cinema are often made from layers as well, sometimes as many as thousands—but these layers work together to create a single illusionistic (or super-illusionistic) space. In other words, they are not heard as separate sounds." | "Think loop. The basic building block of an electronic sound track, the loop also conquered a surprisingly strong position in contemporary visual culture. Left to their own devices, Flash animations, QuickTime movies, and the characters in computer games loop endlessly—until the human user intervenes by clicking." | https://kristinegudmundsen.github.io/CodeWords/SKO/Week_09/MajorProjectSketch02/ | I need help with how to play or unmute sounds depending on where you are at the screen. Do I need to find the coordinates of the screen/3D space to make an array of coordinates that will trigger the sounds? |  | https://kristinegudmundsen.github.io/CodeWords/SKO/Week_11/MajorProjectSketch10/ https://kristinegudmundsen.github.io/CodeWords/SKO/Week_11/MajorProjectSketch11/ | https://github.com/KristineGudmundsen/CodeWords/tree/master/SKO/Week_11/MajorProjectSketch10 https://github.com/KristineGudmundsen/CodeWords/tree/master/SKO/Week_11/MajorProjectSketch11 | From line 78 - 114 I’ve tried to trigger a new sound to start playing every time I scroll through a new ‘plane’. In the mouseWheel function all the sounds starts playing as soon as I start scrolling.. I haven’t found the right parameters for this function, and I don’t know how to connect the “sound triggering” to the ‘planes’ in the nested loop. | controlling triggers from scroll, separating words from sentences | Need to make text texture responsive to windowWidth and windowHeight. Also when I fade in the sounds in the second sketch, the sounds break.. | 2:00:00 PM –– wonderful idea, and working (mostly) ...needs broader optimisation (so ask for help from friends/peers). Possibly some code is slowing things down, or file size (e.g. mp3s are too heavy?). Things to look for - typeface and layout? colours/palette of greys? Remember to add specific technical needs to the didactic - e.g. "requires sound" | 12:00 | ||||||||||
8 | Tayla | Rogic | Blackletter and Black metal or The Posthuman | Metahaven/Rosi Braidotti | I like this idea of illegibility as code in Blackletter. The encoding and encryption of the intricate, maze-like type, as opposed to clear communication is an interesting concept. Anthropocentrism is an interesting concept and narrative in Posthuman. | The logo is a password-behind it, a secret world is waiting. Illegible logos and messages are an unprecedented brand of fantasy in the otherwise rationalised world of visual trademarks, especially when seen in public. Their coded, forbidding appearance negates common assumptions on how to properly visualise an organisation…Black metal logos, by contrast, are perhaps pseudo-religious or faux ideographic forms more akin to encoding and encryption than they are to clear (‘public’) communication. | https://github.com/taylarogic/codeWords/blob/master/09/readme.md |  | https://taylarogic.github.io/codeWords/11/metahaven2/ | https://github.com/taylarogic/codeWords/blob/master/10/spinningmaze/spinningmaze.js | i need help playing sound when mouse hovers over text. NEVERMIND I DID IT | password -> function change text? | Can get sound to play but can’t get it to stop. | 1:30:00 PM – where to go next!? colours and sound are great. right level of chaos i think. possible experiments could include using outlines of actual logos (nike, chanel, banks)... instead of the word death. | 14:30 | ||||||||||||
9 | Hamish | Payne | Bodies and Digital Utopia | Catherine Bernard | Accessible, relevent to current interests of the relationship between physical and digital, full of examples and references | In the age of new eugenic consciousness, physical bodies are cumbersome: their opacity is opposed to the transparence of the digital utopia that promotes a distance from experienced reality and a uniform space and time. The body and physical experiences are disruptive, because physical functions are both unpredictable and difficult to quantify. Within the digital economy, desire is given a privileged place, because it can be rerouted into consumerism. Body politics, then need to be orchestrated within this frame of organized consumption and fabrication: fit bodies, perfect health, eugenic ideology and neo-natal procedures organize the comprehension and use of the body within specific parameters. | https://hamishpayne.github.io/CODE-WORDS/Classroom/Week-09/text_reacts_to_mic/ |  | Main Project 8/10/20 (web) | Main Project 8/10/20 (code) | blur and? | Limit mouse scroll, load a different font each time the page is loaded, apply whole numbers instead of decimals for a smoother sketch. | 2:00:00 PM ––– amazing aesthetic. dreamy reading space... and perfect font. digital utopia that explores digital materiality. loss of physical body (use of mic). take care of scrolling... what about floating the rock so that it returns into view... | 12:00 | |||||||||||||
10 | Jamie | Tung | Viruses Are Good for You | Julian Dibbell | Dibbell talks about viruses in a way that is rather interesting and unknown to myself. It's a new perspective on why people design Virusus and their intentions behind this unknown fear. He interviews mutliple creators which follow their journey creating Viruses and their effects on the world. | "Why then, after a decade of coesistence with computer viruses, does our default response to them remain a mix of bafflement and dread? Can it be that we somehow refuse to recognize in them the traces of our fellow earthlings' shaping hands and minds? And if we could shake those hands and get acquainted with those minds, would their creations scare us any less?" | https://jamtt.github.io/Codewords/Files/StartofSomething/ | https://laterdate.net/plans/ Just something I found really inspiring |  | https://jamtt.github.io/Codewords/Week%209/StartofSomething/ | https://github.com/Jamtt/Codewords/blob/master/Week%209/StartofSomething/StartofSomething.js | 1.) Removing commas from array when being pushed. 2.) Since I am adding letters into an array to display one by one, I am using the backgrond(0) in my draw. Is there any way to add letters to the array without looping background so I can do other things behind the text? Thanks Karen and Andy! | expand repertoire, make more conversational | 2:00:00 PM ––– great typography, sound, vibe to this! Conversation with a virus, to create a human-machine link? Text entry box needs to proportional to the typeface... at the moment a bit dinky and small. How to ensure that the narrative you want will happen, i.e. that the specific whitelisted words will be entered. How to drive the text... even when the reader doesn't enter the whitelist word? | 12:00 | ||||||||||||
11 | Natasha | Nathania | Other Spaces | Michel Foucault | An interesting approach on what and how space works, like utopias (sites with no real space). Foucault also describes mirrors as heterotopias, a place where we see ourselves there, where we are not. | First there are the utopias. Utopias are site with no real place. They are sites that have a general relation of direct or inverted analogy with the real space of society. They present society itself in a perfected form, or else society turned upside down, but in any cases these utopias are fundamentally unreal spaces. I believe that between utopias and these quite other sites, these heterotopias, there might be a sort of mixed, joint experience, which would be the mirror. I see myself there where I am not, in an unreal, virtual space that opens up behind the surface I am over there, there where I am not, a sort of shadow that gives my own visibility to myself, that enables me to see myself there where I am absent; such is the utopia of the mirror. | https://github.com/natnathania/Codewords-2020/blob/master/Week%209/readme.md | https://editor.p5js.org/kan352/sketches/BkMtGLIJx, https://www.openprocessing.org/sketch/813395 | keyTyped function - want the user to type a certain letter, and a phrase will appear on the screen. Left canvas - normal looking text, Right canvas - distort text: textToPoint on one of my canvases which is flipped |  | https://natnathania.github.io/Codewords-2020/Processing/Week_11onProg_majorproject/ | https://github.com/natnathania/Codewords-2020/tree/master/Processing/Week_11onProg_majorproject | typography? | some text is not in the center | 2:30:00 PM ––– some small bugs in this groovy abecedarium! what about if the words on the right panel were "in place" within the entire text (paragraph). Great interpretation of Foucalt's text. Really iron out the kinks, to get this to its maximum. Maybe experiment with top/bottom split layout (rather than right/left) which may work better for small devices. | 11:30 | |||||||||||
12 | Yutang | Mu | OK Texts | Mark Amerika | Easily expandible, systematic and logical in nature, self-loathing, and gave me the Marvin from Hitchhiker's Guide to the Galaxy vibe. | Technological determinism will cause you great pain. | A transfer of $247,789.40 is about to download. Are you sure you want to disconnect? OK | What worked (modified by Finn): https://yutangmoo.github.io/MakeCode/Week_09/Text_Cloud/ | https://p5js.org/examples/simulate-particles.html PARTICLE!!! | Not now but, probably gonna run into trouble with creating animation. |  | My rewrite that didnt works: https://yutangmoo.github.io/MakeCode/Week_10/New_Floating_Texts/ | https://yutangmoo.github.io/MakeCode/Week_11/Semi_Final_Project/ | 1. I couldn't figure out the logic of how to make my texts stop stacking with each other. HELLLPPP 2. [working on it] Is it possible to make each individual floating words to form a sentence in an animated fashion (triggered by mouseclick)? If not i have another approach. | words vs sentence | just figured out how to use mousePressed and since time is running out, im changing my visual approach a little bit to: When user click mouse, floating word disappear one by one, and in the middle of the scrn, display the disappeard word one by one. Currently no issue but still need a lot of work :D | 12:00:00 PM ––– looking great! slight 3d effect, 2.5 effect works really well. Haunting effect. What about typefaces? more experimentation could help at this stage. UI needs work (how to indicate to user what to do, without detracting from visuals). | 14:00 | https://yutangmoo.github.io/MakeCode/Week_12/Final_Project/ | ||||||||
13 | Un ian | Lai | Other spaces | Michael Founcault | Mysterious texts are really catching me. | we live inside a set of relations that delineates sites which are irreducible to one another and absolutely not superimposable on one another. These spaces, as it were, which are linked with all the others, which however contradict all the other sites. |  | https://unianlai.github.io/codewode/Major%20project/ | https://github.com/unianlai/codewode/blob/master/Major%20project/sketch.js | ||||||||||||||||||
14 | Ziyun | Yuan | Abstraction / class | McKenzie Wark | I liked these texts because Wark creatively explained how abstraction and history accomplished each other by using metaphor. He focused on the good side of human activities, whether its conflict, compromise or collusion, he thinks they are the causes of new things and promote the development of the society. I liked the way that he made a political analysis sounds imaginative but thoughtful. | "We are the hackers of abstractions. We produce new concepts, new productions, new sensations.""Hackers create the possibility of new things entering the world. Not always great things, or even good things, but new things." | "The sectoral world is dynamic. All classes enter into relations of conflict, collusion and compromise. Their relations are not necessarily dialectical. Classes may form alliances of mutual interest against other classes, or may arrive at a “historic compromise,” for a time. Yet despite pauses and setbacks, the class struggle drives history into abstraction and abstraction into history." | https://github.com/cielziyun/CODEWORDs/tree/master/SKO/WEEK%209/week_09 | https://p5js.org/examples/objects-array-of-objects.html. wanna replace circles in this example to letters, and use it as a background for my sketch |  | https://cielziyun.github.io/CODEWORDs/SKO/WEEK%2010/week%2010%20milestone/ | https://github.com/cielziyun/CODEWORDs/blob/master/SKO/WEEK%2010/week%2010%20milestone/sketch_200930a.js | It's it possible to let each wiggle show up one by one (to setup a time for them to show up) | framcount or millis for time track & reveal | 12:00:00 PM ––– great place to be. Colours? rainbows? radical departure! but could really add a new energy/dimension... looking for libraries/functions to play with colour/gradient. What about the typeface Futura? or are there other geometric fonts which could be good to experiment with? Futura/geometric fonts remind us of the Bauhaus... Use relative measurements, work to 100% browserWidth... so that it works on small devices. | 14:00 | |||||||||||
15 | Amy | Ledger | Viruses are Good for You | Julian Dibbell | The creativity of "living forever" through compters is so fasinating! The people that Dibbell explore within the text all have this rebellion within them and esspecially the line "Viruses are like the electronic form of graffiti" is a line that would be interesting to create in a digital space. | But as the subculture Hellraiser helped build will always remember, every virus turned out into the computer wilds – like every tag sprayed onto the hard urban landscape – is also a carrier for the purest and strongest signal a human being can send. “Remember my name,” the virus says, which – after all – is another way of saying; “I’m alive.” | A brush that generates type to fan out https://www.openprocessing.org/sketch/143842 | !!CURRENTLY WORKING ON TURNING LINKED SKETCH INTO A P5.JS FORMAT, I will then upload as soon as I modify it into typography !! |  | https://astlcreations.github.io/codewords-codes-words/p5.js%20Coding%20Files/Week%20011/MainProject_FIREFLIESW11/ | https://github.com/astlcreations/codewords-codes-words/blob/master/p5.js%20Coding%20Files/Week%20011/MainProject_FIREFLIESW11/MainProject_FIREFLIESW11.js | 1. Images sticking to corners! I tried imageMode(corner) but that didnt seem to work? | what does 'flip on side' mean? perhaps you mean rotate? | Making fireflies randomise without getting too big or small | 12:00:00 PM –– text readable even without fireflies... great place to be. Now you can experiment. Perhaps - moving fireflies YES, add wiggle. Flying fireflies, even better! Hand-written is nice, experiment with additional elements on the page (eg leaves or other natural things)...? will this be too much, or should it go "maximal"! If all else is working, consider a sound? in summary, darker "night" moving flies, maybe some sound... | 14:00 | |||||||||||
16 | Roby | Manlongat | OK Texts | Mark Amerika | I think this text is becoming more relevant as we become more reliant on technology. The repetiveness of the "OK" I think would be really interesting to present through code. | "Multinational corporations create user-friendly shortware so that you will always depend on their lens to the world. More codependency? OK" | https://robymanlongat.github.io/c0dewords/week09 |  | https://robymanlongat.github.io/c0dewords/week10/majorProject_all/ | https://github.com/robymanlongat/c0dewords/blob/master/week10/majorProject_all/majorProject_all.js | https://robymanlongat.github.io/c0dewords/week10/majorProject_all/ | convert to canvas-relative size/positions. | https://p5js.org/examples/input-clock.html | 1:30:00 PM ––– questioning if to use so many mouse clicks in order tto read? concept of "getting past" the reading, click-crazy reading... make the OK even bigger, louder, and add a satsifyign "bell" or something. change the mouse to a more deliberate gesture. use a giant thumbs up, or something. great use of page space, and layout dynamic works. | 14:30 | https://robymanlongat.github.io/c0dewords/week12/majorProject_finalefinale/ | |||||||||||
17 | Celia | Mance | The Time of Digital Poety: From Object to Event | N. Katherine Hayles | I liked her analysis of electronic materiality and the way that changes the interpretation of a text in comparison to a physical format | Although these structures occupy the same space, they organize it differently and thereby create mutating patterns of signification. Translated into a digital medium, V's line sequences reorganize yet again, using the flexibility offered by appearing and disappearing text to create a possibility-space even greater than the print book.' | "Rather than think about the materiality of texts as a fixed set of physical properties characteristic of an object, we might consider it as emerging from the ways a text mobilizes the physical characteristics of the technology in which it is instantiated to create meaning. Materiality in this view is a different concept than physicality." | https://celiamance.github.io/codewords/SKO/WEEK9/paragraph2/ | making words appear automatically as if they were being typed. | https://celiamance.github.io/codewords/SKO/WEEK11/week11updated/ https://celiamance.github.io/codewords/SKO/WEEK11/week11progress3/ | https://github.com/celiamance/codewords/blob/master/SKO/WEEK11/week11updated/week11updated.js | using the lerp function (I think) to make the words transition between their randomly assigned order and their 'correct' order / some alternative like scrolling between the two | go from 'shuffled version back to 'correct reading' ? | 1. Help to structure a class to work between sorted and shuffled positions 2. make specifc words a different colour | 2:30:00 PM – great concept of 2 paras at once... how to emphasise this effect? typeface looks great, but a little too much glare (use grey bg? or heavier type?) - remember to acknowledge typefoundry/designer. Spacing is also maybe a bit loose? -adding more features worth experimenting. | 11:30 | |||||||||||
18 | Ruby | Brown | Dispersion | Seth Price | I love how Seth Price questions Conceptual art, and I think it is a great starting place to discover code. | What does seem to hold true for today's normative conceptualism is that the project remains 'radically incomplete'. | Claim new territory for practice | https://github.com/rubybrown101/codewordsstudio/create/master/SKOfinal | https://github.com/rubybrown101/codewordsstudio/blob/master/SKOfinal/endofclasswk9 | want to be able to turn the page with my mouse |  | https://rubybrown101.github.io/codewordsstudio/SKO1/week12/boxupdated2/ | https://github.com/rubybrown101/codewordsstudio/tree/master/SKO1/week12/boxupdated2 | Making gravity functions only happen inside a box | 14:00:00 PM | 11:30 | rotation=map(mouseX, 0, width, 0, 360); | https://p5js.org/examples/input-clock.html | |||||||||
19 | Jackie | Liu | What's next for text? | Richard A. Lanham | This text covers many ideas but I'm especially interested in what he says about change, and seeing attention as the true commodity. I love the idea that the move from print to digital text reflects an entire society's change. | Static, static, static! Be static! Be static! Movement is static! Movement is static! Movement is static because it is the only immutable thing—the only certainty, the only unchangeable. — Jean Tinguely | We cannot exist, after all, only by breathing out abstraction, alphabets which do not think; nor only by breathing in animation, alphabets which do; but only by respiration, the life-giving oscillation of the two. That oscillation is what’s next for text. When the scarce commodity is not stuff, however, but the attention we bestow on it, then change is not the special case of stasis but vice versa. Stasis is the printout, the snapshot; change is the underlying reality, the enduring code. | https://github.com/jackieliiu/CODEWORDS/tree/master/Week09/PoseNet101/ | Words appearing triggered by pose detection | need help with getting my text to reveal itself one word at a time with every oscillation! Currently can only get the same word appearing, even in a split string. |  | https://jackieliiu.github.io/CODEWORDS/Week10/NewTypefaces_FlyingCam/ | https://github.com/jackieliiu/CODEWORDS/blob/master/Week10/NewTypefaces_FlyingCam/NewTypefaces_FlyingCam.js | make slightly more consistent (size/resolution/action) reveal words for each action | Still trying to make only one word appear each time user chages side | 14:00 | 12:00 | ||||||||||
20 | Taj | Healy | Black Letter and Black Metal | Metahaven | Love black letter aesthetically and think the history and sub-cultures surrounding it are very interesting. Illegible type in the digital world seems fun. | At the Guantanamo Bay prison in Cuba, an American extra-legal bastion located outside of any jurisdiction, prisoners caught in the ‘War on Terror’ were exposed to a range of experimental punitive methods, in order to have them disclose information about their alleged membership to terrorist networks. One of those advanced torture methods consisted of exposing kneeled, chained prisoners to (black) metal music played at concert volume with the same song repeating for hours. | https://tajhealy.github.io/CodeWords/week_09/ |  | https://tajhealy.github.io/CodeWords/week_11/tinkeredWeek11/ | https://github.com/TajHealy/CodeWords/blob/master/week_11/tinkeredWeek11/tinkeredWeek11.js | Trying to figure out [how to manipulate the x, y points of my textToPoint paragraph] but haven't been able to figure it out. Would like to be able to draw/branch the points out and taper them using a class or random walk function. Just getting them to move would be a good first step. | Getting the sketch to work on different sized displays. | 2:30:00 PM –– making the sketch relative to various browser sizes. conceptually works well. pulls in many of the ideas from the course. great use of blacklette in digital space. red = torture and blood = punishment for scrolling/reading. Brief 1 line instruction where needed to the user can be added to the form/didactics. Comment the code! | 11:30 | |||||||||||||
21 | Zhongrui | FENG | GRAMMATRON | Mark Amerika | The idea of how ads pops up in the Human/data interface described in the story is fancinating. It would be great to make that happen during the reading. Could be annoying :) But definitely gonna be fun | IT IS WORTHLESS, he entered his opening salvo of this particular day into the electrosphere. Then he backspaced over the word WORTHLESS and typed in DATA. By the time he was finished with his first line, it read IT IS DATA THAT WORRIES ME. “WELL,YEAH ABE-BABES,WE’RE ALL HOME NOW! HOME ALONE! TOUCH ME YOU DIE!” | GOT BLUE BALLS, BUDDY? SAME OLD SAME OLD? FUCK THAT SHIT MAN....GO MONSTER! MONSTER IS THE MOST POTENT FORM OF DAMI- ANA EVER GROWN. AND WE GOT IT HERE IN CUM CITY! TAKE A TRIP TO CUM CITY AND WATCH YOUR LIFE TURN FROM SHITTY TO . . . WORSE! | https://github.com/Raymondvonz/CodeWords/tree/master/W9 | avoiding mouse ads |  | https://raymondvonz.github.io/CodeWords/W9/largewindow/ https://raymondvonz.github.io/CodeWords/W9/TYPING_WINDOW/ | https://raymondvonz.github.io/CodeWords/W10/final/ | I am currently working on seperate parts and have trouble puting them together. | multiple windows and responsive sizes (kinda fixed that--RAY)etc. | I managed to get multiple windows running. NEED HELP with improving the growing window. I noticed that it stucks when it gets too big https://github.com/Raymondvonz/CodeWords/blob/master/W10/final/p5js-temp-final3367529077101457216.js | 2:30:00 PM –– relative measurements for different browser sizes... needs to either scroll or adapt font size. --- doesn't load well on small devices... new experiments - adding new popups. Keep going with the experiments. Amazingly frustrating and revealing... | 11:30 | ||||||||||
22 | Faye (Feitong) | Chen | Poetics in the Expanded Field: Textual, Visual, Digital | Barrett Watten | Reading with this passage inspires me the beauty of language, and also open my mind to an area that I am not familar with but would like to explore | A new framework, of visual projection, overlays the “speech chain” of the communication model, and we begin to complicate, beyond the possibility of a comprehensive reading, the display with textual blocks and graphic elements that cancel each other out until there is only one exit available— the looming eye at the bottom of the page | https://github.com/Faye12/CodeWord/tree/master/majorProject | https://www.openprocessing.org/sketch/956235 | My final will be based on "the tryout 6", but currently I am stuck here and not sure where to continue next, because there are a lot of limitation in 3D perspective. I am thinking after that I could do: mouse click on the circle, they disappear one by one and a looming eye appear in the end (base on the article text). Do you have any suggestion on that? |  | https://faye12.github.io/CodeWord/majorProject/majorProject_tryout13/ | https://github.com/Faye12/CodeWord/blob/master/majorProject/majorProject_tryout13/majorProject_tryout13.js | What I need help with: 1. song auto-play when starts to load instead of mousepress; 2. differentiate the texture of foreground box and background rotating text, the foreground texture is "image", the background texture is "bubble"; 3. the mouse movement only affect background rotating text, not foreground box. | extra features: camera track, pan/zoom, interact with mouse/touch | What I need help with: 1. song auto-play when starts to load instead of mousepress; 2. differentiate the texture of foreground box and background rotating text, the foreground texture is "image", the background texture is "bubble"; 3. the mouse movement only affect background rotating text, not foreground box. | 11:30:00 AM –– | 13:30 | ||||||||||
23 | Win(Siyang) | Wen | The Time of Digital Poetry: From Object to Event | N. Katherine Hayles | I think the subject matter of visual poetry gives me a lot of freedom to interpret into ways I wanted to | As Cayley (1998b) points out, alphabetic language can be considered a digital structure because it consists of a small symbol set that can be endlessly combined and recombined to produce an infinite number of words and texts. The computer (or, as he prefers to call it, the “programmaton”) is the most conspicuous instance of networked and programmable media (in Cayley’s terms, “npm”) that rely on binary code, but it is by no means the first medium to use digitized language. | Electronic literature can exploit characteristics, intensifying their effects through reflexive strategies about use the processual nature of electronic texts to create aesthetic experiences unique to digital media These poem- events, similar to the readers they construct and require, are rivers that flow, processes that evolve, materiality that emerge contingently, flickering in the constantly changing plays of meanings. | https://github.com/WWsiyang/CODEWORD/blob/master/SKO/Week_09/readme.md | word morphing: https://editor.p5js.org/tom.smith/sketches/YEEdV1KCF | I need to get my text transform randomly among all of those different text context, right now it is only generating random result each time but i need to able to see the process of morphing in animation |  | https://wwsiyang.github.io/CODEWORD/SKO/Week_10/Textparticle_customised_formation/ | https://github.com/WWsiyang/CODEWORD/tree/master/SKO/Week_10/Textparticle_customised_formation | Already acheived what I previously wanted. Now just want to add more excitement into this and make it different. | changing from dots already acheived | 1. I wanted to have my particle text has variations of sizes and not affecting my body text(top) 2.a particle of array texts constantly forming into 'inifnite' symbols at the background 3. possible to form the text filled instead of text outline? | 1:30:00 PM ––– great scripting! particles work well and quickly! Experiment with typograph and the colours. Firstly, gather the browser dimensions, and then position at a division of those in order to centre. Try a black bg, so the colours really pop! Try (maybe) only white on black... ? Consider how the animated and the static typography mix in size/position, at the moment the static text feels "tacked on" - it doesn't feel like it quite belongs yet (indeed i think you may have added it last :). | 14:30 | |||||||||
24 | Samantha | Ng | The Glitch Moment(um) | Rosa Menkman | I like the idea of spontaneity in the accident form. The book also makes me question what a mistake really is as well. | I don’t use the accident. I deny the accident. There is no accident, just as there is no beginning and no end. -Jackson Pollock You cannot prohibit the catastrophe, you must surf it! -Paul Virilio The only resolution to the problem of non-communication was to incorporate it within the system. -Friedrich Kittler | Our taverns and our metropolitan streets, our offices and furnished rooms, our railroad stations and our factories appeared to have us locked up hopelessly. Then came the film and burst this prison-world asunder by the dynamite of the tenth of the second, so that now, in the midst of its far-flung ruins and debris, we calmly and adventurously go traveling. -Walter Benjamin Malfunction and failure are not signs of improper production. On the contrary, they indicate the active production of the “accidental potential” in any product. The invention of the ship implies its wreckages, the steam engine and the locomotive discover the derailment. -Paul Virilio | https://github.com/samanthangsy/codewords/tree/master/Milestone%20Check%201 | UPDATE: I am exploring other options that put the focus on type rather than the aforementioned graphics. The first option involves cleaning/messing up jumbled up text while the second option has type that goes from legible to distorted and vice versa. Both options conceal and reveal the key quotes. | IMAGE REPRESENTING TEXT: Create a legend of some sort where every character represents a certain graphic (may be with specific x,y coordinates or not depending on how different the outcomes are). TOGGLE VIEW: With either a press of spacebar or a click of a button, the viewer can toggle between text and graphic view of the quotes. TYPE FUNCTION: Direct user interaction through being able editing the quotes (removing or adding letters, jumbling up the text etc) |  | https://samanthangsy.github.io/codewords/Weekly%20Diary/11/PaulVirilio1/ https://samanthangsy.github.io/codewords/Weekly%20Diary/11/PaulVirilio2/ https://samanthangsy.github.io/codewords/Weekly%20Diary/11/WalterBenjamin/ https://samanthangsy.github.io/codewords/Weekly%20Diary/11/JacksonPollock/ | https://github.com/samanthangsy/codewords/blob/master/Weekly%20Diary/11/PaulVirilio1/PaulVirilio1.js https://github.com/samanthangsy/codewords/blob/master/Weekly%20Diary/11/PaulVirilio2/PaulVirilio2.js https://github.com/samanthangsy/codewords/blob/master/Weekly%20Diary/11/WalterBenjamin/WalterBenjamin.js https://github.com/samanthangsy/codewords/blob/master/Weekly%20Diary/11/JacksonPollock/JacksonPollock.js | keyTyped 1-5 to toggle between 5 different sketches ^how to do this? was researching and one option was to have a main .js file and other house the 5 variations in individual source .js files to add into the main index.html. Is there a better way to do this? | finding a balance & combination of different styles | Currently working on housing each sketch in separate canvases. Will check in on any issues with the code. | 2:00:00 PM –– great "gym" of different sketches. you clearly are building lots of "coding" muscles. Choose one to play with... at most develop into multiple paragraphs. | 12:00 | |||||||||
25 | Millie | Corbett | The Unmaking of Art | Walter Benjamin | I personally love the Walter Benjamin's theories but this one especially. The change in context between the habitat of art is really interesting and could be an interesting ground for a piece of work. | 11:30 | 13:30 | ||||||||||||||||||||
26 | Na (Napasorn) | Chotnoparatpat | Viruses are Good for You | Julian Dibbell | I change my text mid way from Black letter, well..yesterday. Viruses are good for you was my second fav. Like the idea that he propose the idea of being less scary of computer virus by studying it. | In short, virus enthusiasts relate to the virus as a fascinating and powerful form, whether fot the fertile creation of yet more powerful digital devices, as an entity for study in itself,or,in the case of one renegade coder, for, reckless individual expression. ' 'Once quite cavalier about releasing virues that intentioanlly deleted files or otherwise "**** people's ****up"(afther all, what better way to make your tag linger on in their memory?)....thenceforth to produce viruses with more or less benign payloads only.' | https://github.com/napasornc/c0dew0rd/tree/master/week%209 | https://www.openprocessing.org/sketch/376739 |  | https://napasornc.github.io/c0dew0rd/processing/MajorProjectFlocking18 | https://github.com/napasornc/c0dew0rd/blob/master/processing/MajorProjectFlocking17/MajorProjectFlocking17.js | I want to change the dots to words. Right now the points combine into small words. I am looking at flocking, making the words move with mouse, then expand /fan out to reveal the paragrah. The behavior of the words (fanning)is goign to tide to sound?(going to look at FFT). Here what I'm going to attemp: 1. Figure out how to turn point into words. 2. Figure out how to add long sentence - for some reason the paragraph won't split: only split letters. 3. Figure out how the flocking behavior will work? | 1. the pause function isn't working or instead of pause set a random target 2. Haven't figure out how to move on to new paragraph (I have written a function fot this but not sure what how to write a for loop for it) 3. Haven't figure out how to assign different break up words into each boid 4. Need to figure out how to arrange words into a readable paragraph or get the flocking break from the a readable paragraph - class to align it? | 11:30:00 AM –– sliders can sit on the black...? so how to add them to the canvas? from a visual perspective this really is fascinating. A great experiment in how we read online. --- typeface choices : experiment, colours--? i dont mind the b/w because focuses on the words... but def experiment... | - maybe try putting noid into one sketch 1. think about the structure | ||||||||||||
27 | Lauren | Tan | The Forbidden Worlds of Haruki Murakami | Matthew Carl Strecher | How Murakami, as well as other writers utilise language to both define and create other realities really moved me and interested me further in the art of language itself. | "When I write, I’m kind of like a god, creating everything. I create what looks real to me." - Haruki Murakami "We are not gods; can we, therefore, merely speak (or write) and cause new realities to come into being? Is the reality that exists outside our minds and our consciousness truly there, does it exist? If so, how does it exist? How do we comprehend its existence? And if, as a result of our speaking, some new reality comes into being, what qualities must that reality possess for others to accept its existence as legitimate? Who, in fact, is qualified to speak, and who is not? Some of these questions lie within that branch of philosophy known as phenomenology, the chief interest of which is how the sentient human being perceives and makes sense of the world external to his or her mind. My own phenomenological approach—one supported by the texts that will be treated below—is grounded inthe idea that nothing meaningfully exists outside the human mind" | https://renpapers.github.io/codeword/Processing%20Sketches/AT2_Trial5/ | https://github.com/renpapers/codeword/tree/master/Week%2009 | getting stars to twinkle/glow both in background and with the mousePressed stars, how to add more than one star when user clicks on the page, hyperlinking the mousePressed stars to another page...these are all things I would like to add |  | https://renpapers.github.io/codeword/Processing%20Sketches/AT2_Trial5/ | https://renpapers.github.io/codeword/Processing%20Sketches/AT2_Trial6/ | - For some reason I'm un able to split sentences/words to individual letters (the words 'HARUKI MURAKAMI'. Also for these to be centered within the circles - Fading effect on mousepressed function that show the circles (gradually appearing when you click) - Glow effect on circles + hyperlinking them to another page.Fade effect on quote (I managed to create this on its own, but not with the rest of my code). I'd also like the stars in the bg to fade in and out more subtly | - Fading effect on mousepressed function that show the circles (gradually appearing when you click) - Glow effect on circles + hyperlinking them to another page.Fade effect on quote | 11:30:00 AM –– dreamy starry atmosphere... needs experimentation with typeface, perhaps position of text. Creating worlds, realities, galazies... try removing either the creation of the circle OR the letter... maybe clicking generates a galaxy of letters and words... which mix with the background stars. Note the layout of the text needs to be relative to 100% browserWidth... | 13:30 | |||||||||||
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