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1 | No. | Genre | Book Title | Author | Difficulty | Format | Series 📚 | Setting | Rating (Out of 10) | Comments | ||||||||||||||||
2 | 1 | Literary Classics | Pride and Prejudice | Jane Austen | Easy / Accessible | No | Rural Regency England | |||||||||||||||||||
3 | 2 | Literary Classics | The Great Gatsby | F. Scott Fitzgerald | Easy / Accessible | No | 1920s Long Island & NYC, USA | |||||||||||||||||||
4 | 3 | Literary Classics | The Catcher in the Rye | J.D. Salinger | Easy / Accessible | No | 1950s New York City, USA | |||||||||||||||||||
5 | 4 | Literary Classics | Fahrenheit 451 | Ray Bradbury | Easy / Accessible | No | Dystopian Future America | |||||||||||||||||||
6 | 5 | Literary Classics | The Picture of Dorian Gray | Oscar Wilde | Easy / Accessible | No | Victorian London, England | |||||||||||||||||||
7 | 6 | Literary Classics | To Kill a Mockingbird | Harper Lee | Easy / Accessible | No | 1930s Maycomb, Alabama, USA | |||||||||||||||||||
8 | 7 | Literary Classics | A Christmas Carol | Charles Dickens | Easy / Accessible | No | Victorian London, England | |||||||||||||||||||
9 | 8 | Literary Classics | 1984 | George Orwell | Moderate Length or Style | No | Dystopian Airstrip One (London) | |||||||||||||||||||
10 | 9 | Literary Classics | Jane Eyre | Charlotte Brontë | Moderate Length or Style | No | 19th-Century Yorkshire, England | |||||||||||||||||||
11 | 10 | Literary Classics | Beloved | Toni Morrison | Moderate Length or Style | No | Post-Civil War Ohio, USA | |||||||||||||||||||
12 | 11 | Literary Classics | The Count of Monte Cristo | Alexandre Dumas | Moderate Length or Style | No | 19th-Century France & Mediterranean | |||||||||||||||||||
13 | 12 | Literary Classics | Wuthering Heights | Emily Brontë | Moderate Length or Style | No | 18th-Century Yorkshire Moors, England | |||||||||||||||||||
14 | 13 | Literary Classics | The Grapes of Wrath | John Steinbeck | Moderate Length or Style | No | 1930s Dust Bowl & California, USA | |||||||||||||||||||
15 | 14 | Literary Classics | Brave New World | Aldous Huxley | Moderate Length or Style | No | Dystopian World State (London) | |||||||||||||||||||
16 | 15 | Literary Classics | Great Expectations | Charles Dickens | Moderate Length or Style | No | Victorian London & Kent, England | |||||||||||||||||||
17 | 16 | Literary Classics | East of Eden | John Steinbeck | Moderate Length or Style | No | Salinas Valley, California, USA | |||||||||||||||||||
18 | 17 | Literary Classics | Catch-22 | Joseph Heller | Moderate Length or Style | No | World War II Pianosa Island, Italy | |||||||||||||||||||
19 | 18 | Literary Classics | Crime and Punishment | Fyodor Dostoevsky | Complex, Dense, or Monumental Length | No | 19th-Century Saint Petersburg, Russia | |||||||||||||||||||
20 | 19 | Literary Classics | One Hundred Years of Solitude | Gabriel García Márquez | Complex, Dense, or Monumental Length | No | Fictional Macondo, Colombia | |||||||||||||||||||
21 | 20 | Literary Classics | Anna Karenina | Leo Tolstoy | Complex, Dense, or Monumental Length | No | 19th-Century Imperial Russia | |||||||||||||||||||
22 | 21 | Literary Classics | Lolita | Vladimir Nabokov | Complex, Dense, or Monumental Length | No | Mid-20th Century USA Road Trip | |||||||||||||||||||
23 | 22 | Literary Classics | The Master and Margarita | Mikhail Bulgakov | Complex, Dense, or Monumental Length | No | 1930s Moscow, USSR & Ancient Jerusalem | |||||||||||||||||||
24 | 23 | Literary Classics | The Sound and the Fury | William Faulkner | Complex, Dense, or Monumental Length | No | Early 20th-Century Mississippi, USA | |||||||||||||||||||
25 | 24 | Literary Classics | Invisible Man | Ralph Ellison | Complex, Dense, or Monumental Length | No | 1930s American South & Harlem, NYC | |||||||||||||||||||
26 | 25 | Literary Classics | Madame Bovary | Gustave Flaubert | Complex, Dense, or Monumental Length | No | 19th-Century Normandy, France | |||||||||||||||||||
27 | 26 | Literary Classics | Middlemarch | George Eliot | Complex, Dense, or Monumental Length | No | 1830s Midlands, England | |||||||||||||||||||
28 | 27 | Literary Classics | The Brothers Karamazov | Fyodor Dostoevsky | Complex, Dense, or Monumental Length | No | 19th-Century Provincial Russia | |||||||||||||||||||
29 | 28 | Literary Classics | War and Peace | Leo Tolstoy | Complex, Dense, or Monumental Length | No | Napoleonic-Era Imperial Russia | |||||||||||||||||||
30 | 29 | Literary Classics | Moby-Dick | Herman Melville | Complex, Dense, or Monumental Length | No | Whaling Ship Pequod, Global Oceans | |||||||||||||||||||
31 | 30 | Literary Classics | Don Quixote | Miguel de Cervantes | Complex, Dense, or Monumental Length | No | 17th-Century La Mancha, Spain | |||||||||||||||||||
32 | 31 | Literary Classics | Les Misérables | Victor Hugo | Complex, Dense, or Monumental Length | No | 19th-Century France (1832 Uprising) | |||||||||||||||||||
33 | 32 | Literary Classics | A Portrait of the Artist as a Young Man | James Joyce | Complex, Dense, or Monumental Length | No | Late 19th-Century Dublin, Ireland | |||||||||||||||||||
34 | 33 | Modern & Contemporary Fiction | The Kite Runner | Khaled Hosseini | Easy / Accessible | No | Kabul, Afghanistan & California, USA | |||||||||||||||||||
35 | 34 | Modern & Contemporary Fiction | The Book Thief | Markus Zusak | Easy / Accessible | No | World War II Nazi Germany | |||||||||||||||||||
36 | 35 | Modern & Contemporary Fiction | Life of Pi | Yann Martel | Easy / Accessible | No | Pacific Ocean Lifeboat & India | |||||||||||||||||||
37 | 36 | Modern & Contemporary Fiction | A Gentleman in Moscow | Amor Towles | Easy / Accessible | No | Hotel Metropol, Moscow, USSR | |||||||||||||||||||
38 | 37 | Modern & Contemporary Fiction | The Shadow of the Wind | Carlos Ruiz Zafón | Easy / Accessible | Yes | 1940s–1950s Barcelona, Spain | |||||||||||||||||||
39 | 38 | Modern & Contemporary Fiction | All the Light We Cannot See | Anthony Doerr | Easy / Accessible | No | WWII Saint-Malo, France & Germany | |||||||||||||||||||
40 | 39 | Modern & Contemporary Fiction | The Alchemist | Paulo Coelho | Easy / Accessible | No | Andalusia, Spain & Egyptian Pyramids | |||||||||||||||||||
41 | 40 | Modern & Contemporary Fiction | Things Fall Apart | Chinua Achebe | Easy / Accessible | No | Late 19th-Century Pre-Colonial Nigeria | |||||||||||||||||||
42 | 41 | Modern & Contemporary Fiction | The Stranger | Albert Camus | Easy / Accessible | No | 1940s French Algiers, Algeria | |||||||||||||||||||
43 | 42 | Modern & Contemporary Fiction | Normal People | Sally Rooney | Easy / Accessible | No | Modern Dublin & Sligo, Ireland | |||||||||||||||||||
44 | 43 | Modern & Contemporary Fiction | A Fine Balance | Rohinton Mistry | Moderate Length or Style | No | 1970s Unnamed City, India | |||||||||||||||||||
45 | 44 | Modern & Contemporary Fiction | Never Let Me Go | Kazuo Ishiguro | Moderate Length or Style | No | Dystopian Alternative 1990s England | |||||||||||||||||||
46 | 45 | Modern & Contemporary Fiction | Homegoing | Yaa Gyasi | Moderate Length or Style | No | 18th–21st Century Ghana & USA | |||||||||||||||||||
47 | 46 | Modern & Contemporary Fiction | Half of a Yellow Sun | Chimamanda Ngozi Adichie | Moderate Length or Style | No | 1960s Biafran War, Nigeria | |||||||||||||||||||
48 | 47 | Modern & Contemporary Fiction | Pachinko | Min Jin Lee | Moderate Length or Style | No | 20th-Century Korea & Japan | |||||||||||||||||||
49 | 48 | Modern & Contemporary Fiction | Station Eleven | Emily St. John Mandel | Moderate Length or Style | No | Post-Apocalyptic Great Lakes Region | |||||||||||||||||||
50 | 49 | Modern & Contemporary Fiction | The God of Small Things | Arundhati Roy | Moderate Length or Style | No | 1960s Kerala, India | |||||||||||||||||||
51 | 50 | Modern & Contemporary Fiction | The Remains of the Day | Kazuo Ishiguro | Moderate Length or Style | No | 1950s Post-WWII Oxfordshire, England | |||||||||||||||||||
52 | 51 | Modern & Contemporary Fiction | The Trial | Franz Kafka | Moderate Length or Style | No | Unnamed Surreal European City | |||||||||||||||||||
53 | 52 | Modern & Contemporary Fiction | Midnight's Children | Salman Rushdie | Complex, Dense, or Monumental Length | No | 20th-Century Post-Independence India | |||||||||||||||||||
54 | 53 | Modern & Contemporary Fiction | A Little Life | Hanya Yanagihara | Complex, Dense, or Monumental Length | No | Modern New York City, USA | |||||||||||||||||||
55 | 54 | Sci-Fi, Fantasy & Speculative | The Hitchhiker's Guide to the Galaxy | Douglas Adams | Easy / Accessible | Yes | Deep Space & Earth | |||||||||||||||||||
56 | 55 | Sci-Fi, Fantasy & Speculative | Ender's Game | Orson Scott Card | Easy / Accessible | Yes | Earth Orbit Battle School & Space | |||||||||||||||||||
57 | 56 | Sci-Fi, Fantasy & Speculative | Piranesi | Susanna Clarke | Easy / Accessible | No | An Infinite Labyrinthine House | |||||||||||||||||||
58 | 57 | Sci-Fi, Fantasy & Speculative | The Hobbit | J.R.R. Tolkien | Easy / Accessible | No | Fictional Middle-earth | |||||||||||||||||||
59 | 58 | Sci-Fi, Fantasy & Speculative | The Lion, the Witch and the Wardrobe | C.S. Lewis | Easy / Accessible | Yes | Magical Realm of Narnia | |||||||||||||||||||
60 | 59 | Sci-Fi, Fantasy & Speculative | Harry Potter and the Philosopher's Stone | J.K. Rowling | Easy / Accessible | Yes | Hogwarts Castle, Scotland | |||||||||||||||||||
61 | 60 | Sci-Fi, Fantasy & Speculative | The Neverending Story | Michael Ende | Easy / Accessible | No | Magical Realm of Fantastica | |||||||||||||||||||
62 | 61 | Sci-Fi, Fantasy & Speculative | The Ocean at the End of the Lane | Neil Gaiman | Easy / Accessible | No | Rural Sussex, England | |||||||||||||||||||
63 | 62 | Sci-Fi, Fantasy & Speculative | Good Omens | Terry Pratchett & Neil Gaiman | Easy / Accessible | Yes | Modern Oxfordshire & London, UK | |||||||||||||||||||
64 | 63 | Sci-Fi, Fantasy & Speculative | The Time Machine | H.G. Wells | Easy / Accessible | No | Year 802,701 AD Future Earth | |||||||||||||||||||
65 | 64 | Sci-Fi, Fantasy & Speculative | The War of the Worlds | H.G. Wells | Easy / Accessible | No | Victorian Surrey & London, England | |||||||||||||||||||
66 | 65 | Sci-Fi, Fantasy & Speculative | Slaughterhouse-Five | Kurt Vonnegut | Easy / Accessible | No | WWII Dresden & Planet Tralfamadore | |||||||||||||||||||
67 | 66 | Sci-Fi, Fantasy & Speculative | Dune | Frank Herbert | Moderate Length or Style | Yes | Desert Planet Arrakis | |||||||||||||||||||
68 | 67 | Sci-Fi, Fantasy & Speculative | The Fellowship of the Ring | J.R.R. Tolkien | Moderate Length or Style | Yes | Fictional Middle-earth | |||||||||||||||||||
69 | 68 | Sci-Fi, Fantasy & Speculative | Foundation | Isaac Asimov | Moderate Length or Style | Yes | Galactic Empire (Trantor & Terminus) | |||||||||||||||||||
70 | 69 | Sci-Fi, Fantasy & Speculative | Do Androids Dream of Electric Sheep? | Philip K. Dick | Moderate Length or Style | No | Post-Apocalyptic San Francisco, USA | |||||||||||||||||||
71 | 70 | Sci-Fi, Fantasy & Speculative | Kindred | Octavia Butler | Moderate Length or Style | No | Antebellum Maryland & 1970s California | |||||||||||||||||||
72 | 71 | Sci-Fi, Fantasy & Speculative | American Gods | Neil Gaiman | Moderate Length or Style | No | Small-Town Road Trip across USA | |||||||||||||||||||
73 | 72 | Sci-Fi, Fantasy & Speculative | The Handmaid's Tale | Margaret Atwood | Moderate Length or Style | Yes | Dystopian Republic of Gilead | |||||||||||||||||||
74 | 73 | Sci-Fi, Fantasy & Speculative | A Game of Thrones | George R.R. Martin | Moderate Length or Style | Yes | Fictional Continents of Westeros & Essos | |||||||||||||||||||
75 | 74 | Sci-Fi, Fantasy & Speculative | The Once and Future King | T.H. White | Moderate Length or Style | No | Legendary Medieval Mythic Britain | |||||||||||||||||||
76 | 75 | Sci-Fi, Fantasy & Speculative | The Earthsea Trilogy (A Wizard of Earthsea) | Ursula K. Le Guin | Moderate Length or Style | Yes | Archipelago of Earthsea | |||||||||||||||||||
77 | 76 | Sci-Fi, Fantasy & Speculative | Neuromancer | William Gibson | Complex, Dense, or Monumental Length | Yes | Cyberpunk Chiba City & Orbital Sprawl | |||||||||||||||||||
78 | 77 | Sci-Fi, Fantasy & Speculative | The Name of the Wind | Patrick Rothfuss | Complex, Dense, or Monumental Length | Yes | Fictional Fantasy World of Temerant | |||||||||||||||||||
79 | 78 | Sci-Fi, Fantasy & Speculative | Hyperion | Dan Simmons | Complex, Dense, or Monumental Length | Yes | Far-Future Planet Hyperion | |||||||||||||||||||
80 | 79 | Sci-Fi, Fantasy & Speculative | The Left Hand of Darkness | Ursula K. Le Guin | Complex, Dense, or Monumental Length | Yes | Ice Planet Gethen | |||||||||||||||||||
81 | 80 | Sci-Fi, Fantasy & Speculative | The Three-Body Problem | Cixin Liu | Complex, Dense, or Monumental Length | Yes | Cultural Revolution China & Outer Space | |||||||||||||||||||
82 | 81 | Mystery, Thriller & Crime | And Then There Were None | Agatha Christie | Easy / Accessible | No | Isolated Soldier Island, Devon, UK | |||||||||||||||||||
83 | 82 | Mystery, Thriller & Crime | Gone Girl | Gillian Flynn | Easy / Accessible | No | Suburbia North Carthage, Missouri, USA | |||||||||||||||||||
84 | 83 | Mystery, Thriller & Crime | The Girl with the Dragon Tattoo | Stieg Larsson | Easy / Accessible | Yes | Hedeby Island & Stockholm, Sweden | |||||||||||||||||||
85 | 84 | Mystery, Thriller & Crime | The Maltese Falcon | Dashiell Hammett | Easy / Accessible | Yes | 1920s San Francisco, USA | |||||||||||||||||||
86 | 85 | Mystery, Thriller & Crime | Shutter Island | Dennis Lehane | Easy / Accessible | No | Ashecliffe Hospital, Boston Harbor, USA | |||||||||||||||||||
87 | 86 | Mystery, Thriller & Crime | The Murder of Roger Ackroyd | Agatha Christie | Easy / Accessible | Yes | Fictional English Village King's Abbot | |||||||||||||||||||
88 | 87 | Mystery, Thriller & Crime | The Hound of the Baskervilles | Arthur Conan Doyle | Easy / Accessible | Yes | Dartmoor, Devon, England | |||||||||||||||||||
89 | 88 | Mystery, Thriller & Crime | The Big Sleep | Raymond Chandler | Easy / Accessible | Yes | 1930s Los Angeles, USA | |||||||||||||||||||
90 | 89 | Mystery, Thriller & Crime | Rebecca | Daphne du Maurier | Easy / Accessible | No | Manderley Estate, Cornwall, England | |||||||||||||||||||
91 | 90 | Mystery, Thriller & Crime | The Spy Who Came in from the Cold | John le Carré | Easy / Accessible | Yes | Cold War Berlin & London | |||||||||||||||||||
92 | 91 | Mystery, Thriller & Crime | The Silence of the Lambs | Thomas Harris | Moderate Length or Style | Yes | FBI Quantico & Baltimore, USA | |||||||||||||||||||
93 | 92 | Mystery, Thriller & Crime | In Cold Blood | Truman Capote | Moderate Length or Style | No | 1959 Holcomb, Kansas, USA | |||||||||||||||||||
94 | 93 | Mystery, Thriller & Crime | The Secret History | Donna Tartt | Moderate Length or Style | No | Elite Hampden College, Vermont, USA | |||||||||||||||||||
95 | 94 | Mystery, Thriller & Crime | The Talented Mr. Ripley | Patricia Highsmith | Moderate Length or Style | Yes | 1950s NYC & Amalfi Coast, Italy | |||||||||||||||||||
96 | 95 | Mystery, Thriller & Crime | Tinker Tailor Soldier Spy | John le Carré | Complex, Dense, or Monumental Length | Yes | Cold War London, UK | |||||||||||||||||||
97 | 96 | Horror & Gothic Fiction | Dracula | Bram Stoker | Easy / Accessible | No | Transylvania & Victorian Whitby, UK | |||||||||||||||||||
98 | 97 | Horror & Gothic Fiction | Frankenstein | Mary Shelley | Easy / Accessible | No | Geneva, Switzerland & Arctic Circle | |||||||||||||||||||
99 | 98 | Horror & Gothic Fiction | The Haunting of Hill House | Shirley Jackson | Easy / Accessible | No | Isolated Rural Hill House Mansion | |||||||||||||||||||
100 | 99 | Horror & Gothic Fiction | The Turn of the Screw | Henry James | Moderate Length or Style | No | Victorian Bly Country Estate, England |