A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | ||
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1 | --- | Yn | ы | |||||||||||||
2 | PP8*te* | PP9 | PP5 | ; hen | ||||||||||||
3 | SOURCE | Frank Glencairn adapted by Michael Tapp | Steve Keller | Miguel de Olaso | Michael Tapp, most copied from Erik Naso | Frank Glencairn adapted by Claus Andersen | Abel Cine Tech | Abel Cine Tech | Abel Cine Tech | Abel Cine Tech | Jason Li by Jeremy Dulac | Cody Blue | ||||
4 | NAME | ,g.tr | Cine Gamma All-Around | Macgregor's Cine 4 | Tapp Baked In 1 | G-LOG Ultimate for FS100 | JR45 Cine | JR45VIDEO | AB NORM | AB HighSAT | PPOFF Autumn Leaves | "Cinematic" | https://www.youtube.com/watch?time_continue=477&v=jxqVL2txv20 | |||
5 | Baked in or to be graded?deesed. Sessszz deer reef | baked in outdoor shots joif ( | to be graded | to be graded | Baked in | to be graded | to be graded | baked in | baked in | baked in | to be graded | baked in (* denotes alt settings if you want to grade) | Picture Profile: PP1 (although you can use any) | |||
6 | Black Levelsx | 11 | -9 | 0 | 15 | 0 | variable | 1 (-10 to +10, depending on desired contrast, and if you are grading. May need to adjust saturation if you change this) | Black Level: +2 | |||||||
7 | Gamma | cine 1 outdoors | Cine 3 | cine 4 (cine 1 alt for flatter image) | Cine 4 | Cine4 | cine 2 | Cine 1 | Cine 3 | Cine 1 | Cine 1 | Still | Gamma: Cine4 | |||
8 | ||||||||||||||||
9 | Black Gamma Range | Middle | Wide cn | Wide (Middle alt with cine 1) | Wide | Middle | Wide | Color Mode: Pro | ||||||||
10 | Black gamma Level | 7 | 2 | 7 (3 alt with cine 1) | 7 | 0 | Dynamic Range Optimization (DRO) Level 4 | 0 (* up to +7 if you are grading) | Black Gamma: Wide, +4 | |||||||
11 | Knee mode | manual | Auto | Auto | Auto | Manual | Manual | Black Level: +2 | ||||||||
12 | Auto set max point | manual in of q. v. v. v v. v v. v. v. vv | 95 | 0 | 100 | 80 | Knee: Manual, Point: 80%, Slope +2 | |||||||||
13 | Knee auto sensitivity | mid | mid | mid | 1 | |||||||||||
14 | Knee manual=( point: | 90 | 95 | 97.50% | Color Phase: 0 | |||||||||||
15 | Knee manual slope | 2 | 5 | 4 | Color Depth: R: +3, G: +1, B: -1, C: -4, M: -4, Y: +3 | |||||||||||
16 | Color Modei.(n | ITU 709 | Pro | Pro | Pro | Pro | Cinema | Still | Movie | Movie | ITU 709 Matrix | Autumn Leaves -3, 0, -3 | Still (or use Cinema but bump saturation up) | Detail: When shooting 4K: -6, When shooting in slow-motion: 0 | ||
17 | Saturation | 4 | 4 | 4 | 4 | 4 | 4 | 1122 | -1 | 1 | 2 | -12 (around -5 for Cinema color mode) | ||||
18 | Color Phase | -7 | 0 | -2 | -2 | -7 | 1 | 2 | 2 | |||||||
19 | Color Depth R | 7 | 3 | 5 | 0 | -3 | -2 | 1 | 3 | 7 | ||||||
20 | Color Depth G | 0 | -3 | 2 | 0 | 2 | 2 | 6 | ||||||||
21 | Color Depth B | 6 | 1 | 0 | -4 | |||||||||||
22 | Color Depth C | 5 | -3 | 5 | 0 | 5 | -4 | -2 | ||||||||
23 | Color Depth M | 6 | -3 | 0 | 0 | -3 | ||||||||||
24 | Color Depth Y | 5 | -1 | 7 | 3 | 0 | 4 | 4 | ||||||||
25 | Detail Level | 0 | -2 | -5 | 1 | -3 | -7 | |||||||||
26 | Detail Mode | Manual | Manual | Auto | Manual | manual | Manual | |||||||||
27 | Detail V/H Balance | 0 | 0 | 0 | 0 | 0 | ||||||||||
28 | B/W Balance type | type 3 | type3 | type 5 | type 3 | type 3 | Type3 | |||||||||
29 | Limit | 7 | 7 | 7 | 7 | 7 | ||||||||||
30 | Crispning | 0 | 0 | 0 | 0 | 0 | ||||||||||
31 | Hi-Light Detial | 0 | 0 | 0 | 0 | 0 | ||||||||||
32 | White Balance Tweak? | LB-5, CC+2 | no | no | no | set custom for shooting cond. | ||||||||||
33 | Preferred LUT? | K-Tone LUT in Magic Bullet | Filmconvert cine4, pro color | |||||||||||||
34 | Example footage | http://www.dvxuser.com/V6/showthread.php?327893-A7s-S-log2-too-noisy-Then-underexpose-cine4 | 1 | . | https://vimeo.com/106292534 | http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 | http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 | http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 | https://vimeo.com/116044343 | https://vimeo.com/287942002 | ||||||
35 | NOTES | Edit | et | Color depth is altered for fleshtones. Color phase adj affects hue a little bit. | Make sure you dial in the color temperature (WB) manually with the little wheel, don`t do auto or push button (greycard) balance, since that will screw up your color on the magenta/cyan axis. | In a bright, high contrast scene, you may choose to go with S-Log2 for more range in the highlights. | It is designed to give you nice colors and a good amount of contrast. We used Cine 3 gamma as a starting place, which provides a nice fall-off in the highlights, but with enough contrast so that it doesn’t require much post correction. | With this look, we used Cine 1 for a good amount of range, but if you like it, then also try it with Cine 3 or 4 for more contrast. | We used Cine 1 to match our other files, but you could use Cine 3 or 4 for more contrast. | Created this for times I want to do zero-to-minimal grading. Looks best (to my eye) when *slightly* underexposed, or exposed for the highlights. Custom WB is essential. After using this, I no longer use anything else. If I plan on adding a LUT, just I just raise the Black Level to around +10, then tweak the contrast/lut intensity in Premiere. Enjoy, comment with any thoughts. -Tim | ||||||
36 | Add your comments for the profile in its column | |||||||||||||||
37 | B/W Balance type type3 3 type 3 3 | |||||||||||||||
38 | Limit 7 0 7 0 | Flesh tones are whacked. Adds in green. | Color plase/depth is off | питання муару із загостренням повернув весь шлях вниз | ||||||||||||
39 | Crispning 0 0 0 0 | |||||||||||||||
40 | Hi-Light Detial 0 0 0 0 | |||||||||||||||
41 | White Balance Tweak? no Grid setting B1 | |||||||||||||||
42 | Preferred LUT? Vision Colour 6 | |||||||||||||||
43 | http://www.similaar.com/foto/a | |||||||||||||||
44 | 7s/lut.html | |||||||||||||||
45 | FilmConvert setting is | |||||||||||||||
46 | Arri Alexa as the | |||||||||||||||
47 | camera. logC. | |||||||||||||||
48 | Example footage https://www.youtube.com/wa https://www.youtube.co https://youtu.be/u4Wuo8NAa5 | |||||||||||||||
49 | http://www.dvxuser.com/ | |||||||||||||||
50 | V6/showthread.php?326 | |||||||||||||||
51 | 049-A7S-PicPro-Settings | |||||||||||||||
52 | NOTES http://www.dvxuser.com/V6/s | |||||||||||||||
53 | howthread.php?328495- | |||||||||||||||
54 | Flaat-for-the-a7s | |||||||||||||||
55 | Add your comments for the profile in its | |||||||||||||||
56 | column | |||||||||||||||
57 | Hey guys | |||||||||||||||
58 | movie color mode is more | |||||||||||||||
59 | accurate than pro | |||||||||||||||
60 | After using a color chart I | |||||||||||||||
61 | think pro color mode is more | |||||||||||||||
62 | accuarte than movie | |||||||||||||||
63 | Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t | |||||||||||||||
64 | After you test out a profile pls leave a comment in the blue section. |