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---Ynы
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PP8*te*PP9PP5; hen
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SOURCEFrank Glencairn adapted by Michael Tapp Steve KellerMiguel de OlasoMichael Tapp, most copied from Erik NasoFrank Glencairn adapted by Claus Andersen Abel Cine Tech Abel Cine TechAbel Cine TechAbel Cine Tech Jason Li by Jeremy DulacCody Blue
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NAME,g.trCine Gamma All-AroundMacgregor's Cine 4Tapp Baked In 1G-LOG Ultimate for FS100JR45 CineJR45VIDEOAB NORMAB HighSATPPOFF Autumn Leaves"Cinematic"https://www.youtube.com/watch?time_continue=477&v=jxqVL2txv20
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Baked in or to be graded?deesed. Sessszz deer reefbaked in outdoor shots joif (to be gradedto be graded Baked into be graded to be graded baked in baked in baked in to be gradedbaked in (* denotes alt settings if you want to grade)Picture Profile: PP1 (although you can use any)
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Black Levelsx11-90150variable 1 (-10 to +10, depending on desired contrast, and if you are grading. May need to adjust saturation if you change this)Black Level: +2
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Gammacine 1 outdoors Cine 3cine 4 (cine 1 alt for flatter image)Cine 4Cine4cine 2Cine 1Cine 3Cine 1Cine 1StillGamma: Cine4
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Black Gamma RangeMiddle Wide cnWide (Middle alt with cine 1)Wide Middle WideColor Mode: Pro
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Black gamma Level 727 (3 alt with cine 1)70Dynamic Range Optimization (DRO) Level 40 (* up to +7 if you are grading)Black Gamma: Wide, +4
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Knee mode manual Auto AutoAutoManual ManualBlack Level: +2
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Auto set max pointmanual in of q. v. v. v v. v v. v. v. vv95010080Knee: Manual, Point: 80%, Slope +2
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Knee auto sensitivity mid midmid1
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Knee manual=( point:909597.50%Color Phase: 0
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Knee manual slope254Color Depth: R: +3, G: +1, B: -1, C: -4, M: -4, Y: +3
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Color Modei.(nITU 709Pro ProPro Pro Cinema Still Movie Movie ITU 709 Matrix Autumn Leaves -3, 0, -3Still (or use Cinema but bump saturation up)Detail: When shooting 4K: -6, When shooting in slow-motion: 0
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Saturation 4444441122-112-12 (around -5 for Cinema color mode)
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Color Phase -70-2-2-7122
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Color Depth R7350-3-2137
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Color Depth G0-320226
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Color Depth B61 0-4
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Color Depth C5-3505-4-2
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Color Depth M6-300-3
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Color Depth Y5-173044
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Detail Level 0-2-51-3-7
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Detail Mode Manual Manual AutoManual manual Manual
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Detail V/H Balance00000
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B/W Balance type type 3type3type 5type 3type 3Type3
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Limit 77777
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Crispning 00000
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Hi-Light Detial 00000
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White Balance Tweak? LB-5, CC+2nono noset custom for shooting cond.
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Preferred LUT?
K-Tone LUT in Magic Bullet
Filmconvert cine4, pro color
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Example footagehttp://www.dvxuser.com/V6/showthread.php?327893-A7s-S-log2-too-noisy-Then-underexpose-cine41.https://vimeo.com/106292534http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 http://blog.abelcine.com/2015/03/12/a7s-scene-files-from-abelcine/#more-38306 https://vimeo.com/116044343https://vimeo.com/287942002
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NOTESEditetColor depth is altered for fleshtones. Color phase adj affects hue a little bit. Make sure you dial in the color temperature (WB) manually with the little wheel, don`t do auto or push button (greycard) balance, since that will screw up your color on the magenta/cyan axis.In a bright, high contrast scene, you may choose to go with S-Log2 for more range in the highlights. It is designed to give you nice colors and a good amount of contrast. We used Cine 3 gamma as a starting place, which provides a nice fall-off in the highlights, but with enough contrast so that it doesn’t require much post correction.With this look, we used Cine 1 for a good amount of range, but if you like it, then also try it with Cine 3 or 4 for more contrast.We used Cine 1 to match our other files, but you could use Cine 3 or 4 for more contrast. Created this for times I want to do zero-to-minimal grading. Looks best (to my eye) when *slightly* underexposed, or exposed for the highlights. Custom WB is essential. After using this, I no longer use anything else. If I plan on adding a LUT, just I just raise the Black Level to around +10, then tweak the contrast/lut intensity in Premiere. Enjoy, comment with any thoughts. -Tim
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Add your comments for the profile in its column
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B/W Balance type type3 3 type 3 3
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Limit 7 0 7 0
Flesh tones are whacked. Adds in green.
Color plase/depth is off
питання муару із загостренням повернув весь шлях вниз
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Crispning 0 0 0 0
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Hi-Light Detial 0 0 0 0
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White Balance Tweak? no Grid setting B1
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Preferred LUT? Vision Colour 6
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http://www.similaar.com/foto/a
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7s/lut.html
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FilmConvert setting is
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Arri Alexa as the
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camera. logC.
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Example footage https://www.youtube.com/wa https://www.youtube.co https://youtu.be/u4Wuo8NAa5
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http://www.dvxuser.com/
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V6/showthread.php?326
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049-A7S-PicPro-Settings
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NOTES http://www.dvxuser.com/V6/s
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howthread.php?328495-
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Flaat-for-the-a7s
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Add your comments for the profile in its
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column
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Hey guys
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movie color mode is more
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accurate than pro
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After using a color chart I
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think pro color mode is more
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accuarte than movie
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Please paste your settings into a column! SCROLL RIGHT to start a new column. Please add your comments for a profile in t
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After you test out a profile pls leave a comment in the blue section.