A | B | C | D | E | F | G | H | I | |
---|---|---|---|---|---|---|---|---|---|
1 | Surname | First name | Title | Year | Pitch | Exit | Discussed in | Position (if not start) | Classification |
2 | Eastman | Julius | Crazy [n-word] | 1979 | B♭5 | W | Gottschalk 2016, 47; Hanson-Dvoracek 2015; Hisama 2014, 276–79 | 1: ends on harmonic series | |
3 | Grisey | Gérard | Periodes | 1974 | D4 | AG | Baillet 2000, 11–14, 113; Drott 2013, 25; Féron 2010; 2021, Jakubowski 2019, 68–69, 201–3 | 1: ends on harmonic series | |
4 | Hosokawa | Toshio | Fragmente II | 1989 | F♯4 | AG | 1: ends on harmonic series | ||
5 | Lamb | Catherine | diviso spiralis | 2019 | B♭5 | W | 1: ends on harmonic series | ||
6 | Lamb | Catherine | Prisma Interius IX | 2018 | G4 | WA | 1: ends on harmonic series | ||
7 | Tenney | James | Critical Band | 1988 | A4 | WA | Fakhrtabatabaie and Jennings 2021; Wannamaker 2021a, 225–231 | 1: ends on harmonic series | |
8 | Grisey | Gérard | Solo pour deux | 1982 | D3 | W | Brown 2023, 161 | 2: other acoustic reference | |
9 | Harvey | Jonathan | Bhakti, Mvt. 1 | 1982 | G4 | AW | Harvey 1999, 77–78; Metzer 2009, 58 | 2: other acoustic reference | |
10 | Lamb | Catherine | Prisma Interius IV | 2017 | C4 | WA | 2: other acoustic reference | ||
11 | Lamb | Catherine | Prisma Interius V | 2017 | E♭4 | AW | 2: other acoustic reference | ||
12 | Lamb | Catherine | Prisma Interius VIII | 2018 | G4 | W | 2: other acoustic reference | ||
13 | Lanzilotti | Leilehua | On Stochastic Wave Behavior | 2021 | E3 | AW | 2: other acoustic reference | ||
14 | Løkkegaard | Niels Lyhne | Music for 30 Chromatic Tuners | 2015 | A4 | W | 2: other acoustic reference | ||
15 | Lucier | Alvin | Canon | 1996 | B3 | G | 2: other acoustic reference | ||
16 | Lucier | Alvin | Check | 2011 | G6 | G | 2: other acoustic reference | ||
17 | Lucier | Alvin | Corner Church and High | 2019 | D4 | W | 2: other acoustic reference | ||
18 | Lucier | Alvin | Fan | 2003 | [depends on tuning] | G | 2: other acoustic reference | ||
19 | Lucier | Alvin | Fideliotrio | 1987 | A3 | W | Lucier and Tenney 1988, 12; Lucier 1998, 8 | 2: other acoustic reference | |
20 | Lucier | Alvin | Indian Summer | 1993 | C (any) | W | 2: other acoustic reference | ||
21 | Lucier | Alvin | Intervals | 1983 | A3 | WG | Lucier 1995, 290 | 2: other acoustic reference | |
22 | Lucier | Alvin | Step, Slide and Sustain | 2014 | D4 | WG | 2: other acoustic reference | ||
23 | Murail | Tristan | Mémoire/Erosion | 1976 | C4 | A | Murail (1980) 2005, 125–33 | 2: other acoustic reference | |
24 | Murail | Tristan | Treize Coleurs du Soleil Couchant | 1978 | E6 | A | 2: other acoustic reference | ||
25 | Nørgård | Per | String Quartet No. 5 “Inscape” | 1988 | D4 | WG | 2: other acoustic reference | ||
26 | Pluta | Sam | Broken Symmetries | 2012 | D4 | WA | 2: other acoustic reference | ||
27 | Saariaho | Kaija | Lichtbogen | 1986 | F♯4 | WA | Drott 2017, 271–80; Saariaho 1987, 129–31 | 2: other acoustic reference | |
28 | Scelsi | Giacinto | L'âme ouverte and L'âme ailée | 1973 | D5 | W | DeLio 2017 | 2: other acoustic reference | |
29 | Schafer | R. Murray | String Quartet No. 3, Mvt. 1 | 1981 | A3 | W | Elliott 1997, 145–47 | 2: other acoustic reference | |
30 | Soper | Kate | “Across the Turbid Waves/In a Silent Valley” from Here be Sirens Suite | 2013 | C5 | W | 2: other acoustic reference | ||
31 | Tan | Anthony | OntheSensationsofTone_II | 2016 | D4 | A | 2: other acoustic reference | ||
32 | Tenney | James | Glissade, “Trias Harmonica” | 1982 | D3 | W | Wannamaker 2021b, 207–12 | 2: other acoustic reference | |
33 | Tenney | James | Diapason | 1996 | B♭6 | AW | Wannamaker 2021b, 333–37 | 2: other acoustic reference | |
34 | Tenney | James | Saxony | 1978 | E♭2 | A | Wannamaker 2021b, 169–72 | 2: other acoustic reference | |
35 | Tenney | James | Septet | 1981 | A2 | A | Wannamaker 2021b, 193–99 | 2: other acoustic reference | |
36 | Abrahamsen | Hans | Ten Preludes/Ten Sinfonias, Mvt 2 | 1973 | G3 | A | 3: others with open strings | ||
37 | Andre | Mark | Riss 1 | 2017 | D4 | A | 3: others with open strings | ||
38 | Berio | Luciano | Corale | 1981 | A4 | WG | Roberts 2007, 127–30 | 3: others with open strings | |
39 | Berio | Luciano | Sequenza VIII for solo violin | 1976 | A4 | WG | 3: others with open strings | ||
40 | Birtwistle | Harrison | Nomos | 1971 | G4 | G | 3: others with open strings | ||
41 | Birtwistle | Harrison | Silbury Air | 1977/2003 | E4 | A | 3: others with open strings | ||
42 | Brook | Taylor | Amalgam | 2015 | D4 | G | 3: others with open strings | ||
43 | Carter | Elliott | Sonata for Flute, Oboe, Cello, and Harpsichord, Mvt. 2 | 1952 | G4 | A | DeLio 2021, 106 | 3: others with open strings | |
44 | Cerrone | Christopher | New Addresses, "To Breath" | 2020 | C4 | A | 3: others with open strings | ||
45 | Cheung | Anthony | Bagatelles, Mvt 2 | 2014 | G4 | A | 3: others with open strings | ||
46 | Cox | Jessie | Alien Stories | 2020 | G4 | WA | 3: others with open strings | ||
47 | Gravgaard Madsen | Allan | SUITE, "Overture" | 2016 | D6 | W | 3: others with open strings | ||
48 | Grisey | Gérard | Dérives | 1974 | A4 | WA | Brown 2023, 96 | 3: others with open strings | |
49 | Gubaidulina | Sofia | Seiltanzer | 1993 | A4 | W | Birch 2017, 31–69 | 3: others with open strings | |
50 | Gubaidulina | Sofia | Sieben Worte, Mvt 1 | 1982 | A3 | WA | 3: others with open strings | ||
51 | Gubaidulina | Sofia | String Quartet No 2 | 1987 | G4 | WG | Lochhead 2016, 123–46 | 3: others with open strings | |
52 | Haas | Georg Friedrich | in nomine | 1999 | D4 | A | 3: others with open strings | ||
53 | Horst | Marta | The Universe Remembers Gravitational Waves | 2021 | G4 | W | 3: others with open strings | ||
54 | Ludwig | David | Pale Blue Dot | 2014 | A5 | W | 3: others with open strings | ||
55 | Kurtág | György | Kafka-Fragmente, Part 1, No 16 “No Going Back” | 1992 | D4 | AG | 3: others with open strings | ||
56 | Kyriakides | Yannis | Paramyth | 2010 | D4 | G | 3: others with open strings | ||
57 | Montgomery | Jessie | Break Away, Mvt. 4 "Quick Pass" | 2013 | D4 | G | 3: others with open strings | ||
58 | Montgomery | Jessie | Source Code | 2013 | A4 | G | 3: others with open strings | ||
59 | Nemtsov | Sarah | SKOTOM | 2019 | A4 | G | 3: others with open strings | ||
60 | Neuwirth | Olga | In the realms of the unreal | 2009 | A4 | G | 3: others with open strings | ||
61 | Saariaho | Kaija | Nymphea Reflection, Mvt 1 | 2015 | A4 | G | 3: others with open strings | ||
62 | Satoh | Somei | Kyokoku | 1991 | F♯4 | W | 3: others with open strings | ||
63 | Saunders | Rebecca | To and Fro | 2013 | D4 | W | 3: others with open strings | ||
64 | Saunders | Rebecca | Vermillion | 2003 | A3 | WG | 3: others with open strings | ||
65 | Scelsi | Giacinto | Voyages, Mvt 2 | 1985 | D4 | A | 3: others with open strings | ||
66 | Scelsi | Giacinto | Xnoybis | 1965 | E5 | WG | Dickson 2012, 223–26 | 3: others with open strings | |
67 | Schafer | R. Murray | String Quartet. No. 2 "Waves" | 1976 | D4 | WA | 3: others with open strings | ||
68 | Soper | Kate | Cipher | 2012 | D5 | A | 3: others with open strings | ||
69 | Soper | Kate | The Ultimate Poem is Abstract | 2016 | D4 | W | 3: others with open strings | ||
70 | Sørensen | Bent | It Is Pain Flowing Down Slowly on a White Wall | 2010 | A4 | A | 3: others with open strings | ||
71 | Sørensen | Bent | Sirenengesang | 1994 | D4 | W | 3: others with open strings | ||
72 | Sørensen | Bent | String Quartet 1 No. "Alman", Mvts 1 and 2 | 1986 | D4 | WA | 3: others with open strings | ||
73 | Sorey | Tyshawn | Sentimental Shards | 2014 | F♯6 | A | 3: others with open strings | ||
74 | Spahlinger | Mathias | Gegen unendlich, Mvt 1 | 1997 | D5 | AG | Menke 2001 | 3: others with open strings | |
75 | Szmytka | Jagoda | f* for music | 2012 | A5 | G | 3: others with open strings | ||
76 | Tenney | James | Harmonium 5 | 1978 | E5 | A | 3: others with open strings | ||
77 | Tenney | James | Seeds, Mvts 1 and 2 | 1956 | E5 | A | Wannamaker 2021a, 25–30 | 3: others with open strings | |
78 | Tenney | James | Song 'n' Dance for Harry Partch, Mvt 2 | 1999 | G5 | A | Wannamaker 2021b, 346–49 | 3: others with open strings | |
79 | Tulve | Helena | L'ombre derrière toi | 2011 | D4 | AG | Bauer 2021 | 3: others with open strings | |
80 | Wijeratne | Dinuk | Tabla Concerto (Mvt 1) | 2011 | D4 | WA | 3: others with open strings | ||
81 | Wooley | Nate | Experiment Three Modney Roberts Take Two | 2023 | D4 | AW | 3: others with open strings | ||
82 | Zimmermann | Bernd Alois | Stille und Umkehr | 1970 | D4 | A | Decroupet 2022, 184 | 3: others with open strings | |
83 | Abrahamsen | Hans | String Quartet No. 2, Mvt. 1 | 1987 | A♭3 | WG | 4: remaining acoustic-only unison openings | ||
84 | Abrahamsen | Hans | Ten Pieces for Orchestra, Mvt. 10 | 2020 | B3 | WA | 4: remaining acoustic-only unison openings | ||
85 | Abrahamsen | Hans | The Snow Queen | 2018 | E♭4 | A | 4: remaining acoustic-only unison openings | ||
86 | Albright | William | Alto Saxophone Sonata | 1984 | A4 | A | 4: remaining acoustic-only unison openings | ||
87 | Alit | Dewa | Ngejuk Memedi | 2016 | scale tone 7, precise height varies by ensemble | A | Tenzer 2018 | 4: remaining acoustic-only unison openings | |
88 | Akinmusire | Ambrose | "The Beauty Of Dissolving Portraits" from The Imagined Savior Is Far Easier To Paint | 2014 | E♭5 | A | 4: remaining acoustic-only unison openings | ||
89 | Berio | Luciano | Chemins IV | 1975 | B4 | W | Oliveira, Taffarello, and Garcia 2019, 12–20; Roberts 2007, 125–27 | 4: remaining acoustic-only unison openings | |
90 | Berio | Luciano | O King | 1968 | F4 | A | 4: remaining acoustic-only unison openings | ||
91 | Berio | Luciano | Requies | 1985 | C♯5 | W | 4: remaining acoustic-only unison openings | ||
92 | Bertrand | Christophe | Aus | 2003 | F4 | A | 4: remaining acoustic-only unison openings | ||
93 | Birkenkotter | Jorg | In Nomine | 1999 | D4 | A | 4: remaining acoustic-only unison openings | ||
94 | Birtwistle | Harrison | Duets for Storab: VI. Crunluath | 1983 | D4 | A | 4: remaining acoustic-only unison openings | ||
95 | Birtwistle | Harrison | Hoquetus Petrus | 1995 | E5 | A | 4: remaining acoustic-only unison openings | ||
96 | Birtwistle | Harrison | Meridian | 1971 | E4 | A | 4: remaining acoustic-only unison openings | ||
97 | Birtwistle | Harrison | String quartet: The Tree of Strings | 2008 | E5 | WA | 4: remaining acoustic-only unison openings | ||
98 | Causton | Richard | Phoenix | 2006 | C5 | WA | 4: remaining acoustic-only unison openings | ||
99 | Cheah | Victoria | Walk for a shell | 2023 | A4 | WG | 4: remaining acoustic-only unison openings | ||
100 | Cheung | Anthony | A line can go anywhere, Mvt. 1 | 2019 | E♭4 | A | 4: remaining acoustic-only unison openings |