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1 | Unit: Part 3 Textual Analysis | |||||||||||||||||||||||||
2 | Teachers: M. Sippel and J. Vivian | |||||||||||||||||||||||||
3 | Time Frame | Lessons | Essential Questions | Standards | Vocabulary | Content/Skills | Resources | Specially Designed Instruction | Assessment/Common Assessments | |||||||||||||||||
4 | ||||||||||||||||||||||||||
5 | Introduction - 1 Week | Literary Elements Definitions and Effects | What are the most common literary elements used by authors? How are literary elements defined? How can literary elements be identified in passages? What is the effect of each literary element on the reader? How is a central idea of the text recognized? | RL. 11-12. 1 | plot | conflict | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. | Literary Element Notes | Close Read Notes | Small group adminstration of lessons | Lesson 1: Plot, Theme, Conflict RC WS | |||||||||||||||
6 | Lesson 1: Plot, Theme, Conflict | RL. 11-12.2 | characterization | theme | Sandwich Notes | Modeling, prompting, scaffolding, guided practice, | Lesson 2: Point of View RC WS | |||||||||||||||||||
7 | Lesson 2: Point of View | RL. 11-12. 3 | point of view | omniscient | Transition Notes | Direct instruction in literary elements, central idea, close reading, writing with details, formal writing, and English conventions | SRI every 5 weeks | |||||||||||||||||||
8 | Completing a Close Read | RL. 11-12. 4 | irony | tone | Lesson 1 : Plot, Theme, Conflict WS | Specific feedback and further instruction based on student need | ||||||||||||||||||||
9 | Writing Review | W 11-12. 1a | allusion | symbolism | Lesson 2: Point of View WS | |||||||||||||||||||||
10 | W 11-12. 1a | figurative language | imagery | |||||||||||||||||||||||
11 | W 11-12. 1a | central idea | ||||||||||||||||||||||||
12 | "Women and Children First" - 2 Weeks | Lesson 14: Imagery and Motif | What is imagery? How is a central idea found in a given text? How is close reading implemented? How is strong and thorough evidence found in a text? How can evidence by discussed? How is a Part 3 writing structured? | RI. 11-12. 1 | imagery | motif | Recognize, define, and give examples of imagery and motif. Read and annotate texts to increase understanding of text. Understand the requirements of a Part 3 writing. Complete pre-writing to help organize Part 3 writing. Find stong pieces of evidence to demonstrate central idea and literary element. Learn the structure of a Part 3 writing. | Lesson 14: Imagery and Motif WS | Sample Part 3 Writing - "Women and Children First" | Small group adminstration of lessons | Lesson 14: Imagery and Motif RC WS | |||||||||||||||
13 | "Women and Children First" - read and annotate together | RI. 11-12. 2 | central idea | evidence | "Women and Children First" Text | Modeling, prompting, scaffolding, guided practice, | Observation of student answers in whole group practice | |||||||||||||||||||
14 | Intro Writing a Part 3 Text Analysis | W. 11-12. 2 | Notes: Part 3 Writing | Direct instruction in literary elements, central idea, close reading, writing with details, formal writing, and English conventions | ||||||||||||||||||||||
15 | Central Idea - Evidence and Discussion Chart together | W. 11-12. 4 | Notes: Formal Writing | Specific feedback and further instruction based on student need | ||||||||||||||||||||||
16 | Literary Element - Evidence and Discussion Chart together | W. 11-12. 5 | Central Idea Chart | |||||||||||||||||||||||
17 | Read and annotate sample "Women and Children First" Part 3 Writing together | W 11-12. 1c | Literary Element Chart | |||||||||||||||||||||||
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19 | Reading Comprehension - 1 Week | Annotating reading comprehension passages based on given multiple choice questions | What is the underlying messages in the text? What is the history surrounding the text? How do the words show mood and tone? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? | RL. 11-12. 2 | flashback | audience | Learn how to annotate reading comprehension passages based on multiple choice questions. Recognize main ideas in reading. Continue to work on recognizing author's messages, literay elements, and how those literary elements develop the author's message. Apply process of elimination to multiple choice questions. Use context and word part clues to determine meanings of unknown words. | June 2015 Regents Exam - Part 1 | Small group adminstration of lessons | Passage C - Patrick Henry | ||||||||||||||||
20 | Passage C - Patrick Henry | RL. 11-12. 3 | infer | satirical | Modeling, prompting, scaffolding, guided practice, | Passage A - Countess Olenska | ||||||||||||||||||||
21 | Passage A - Countess Olenska | RL. 11-12. 4 | characterized | passionate | Direct instruction in close reading | Passage B - Machines | ||||||||||||||||||||
22 | Passage B - Machines | RL. 11-12. 5 | customs | contented | Specific feedback and further instruction based on student need | |||||||||||||||||||||
23 | L. 11-12. 4 | argument | ||||||||||||||||||||||||
24 | L. 11-12. 5 | rhetorical | ||||||||||||||||||||||||
25 | ||||||||||||||||||||||||||
26 | Boy Joseph - 2 Weeks | Read, reread, annotate, discuss "Under the Eye of the Clock" - start together, allow some independent work, and discuss | How is a strong Part 3 writing written? | RL. 11-12. 1 | conflict | tone | Students will increase ability to independently read and annotate Regents level texts. Students will learn to more independently recognize possible central ideas and literary elements. Students will learn to more independently complete pre-writing activities like evidence and discussion charts. Given the beginning of a Part 3 writing, students will complete the Part 3 writing. | June 2015 - Regents Exam - Part 3 | Small group adminstration of lessons | Student writing sample | ||||||||||||||||
27 | Central Idea - some independent, then discuss together | RL. 11-12. 1. 2 | characterization | central idea | Central Idea Chart | Modeling, prompting, scaffolding, guided practice, | Observation of student answers in whole group practice | |||||||||||||||||||
28 | Literary Devices - some independent, then discuss together | RL. 11-12. 3 | theme | imagery | Literary Device Chart | Direct instruction in close reading, writing with details, formal writing, and English conventions | SRI every 5 weeks | |||||||||||||||||||
29 | Plan writing together | W. 11-12. 2 | Partially written Part 3 | Specific feedback and further instruction based on student need | ||||||||||||||||||||||
30 | Provide writing started, students finish | W. 11-12. 4 | Part 3 Writing Sample | |||||||||||||||||||||||
31 | Provide feedback on student work and show students a well-written sample writing | W. 11-12. 5 | ||||||||||||||||||||||||
32 | ||||||||||||||||||||||||||
33 | Constitution - 1 Week | U.S. History DBQ assignment | Who attended the Philadelphia Convention and what roles did various leaders play? What were the major conflicts presented at the Convention? How were these conflicts resolved? Who were the supporters and opponents of the Constitution? What were their concerns? How does the reader make meaning from historical texts? | RI.11-12.9 | delegate | Great Compromise | Read and understand historical documents. Formulate answers to questions about historical documents. Plan essay, picking out important ideas and details to support. Write essay, using explanation and smooth transitions. Revise and edit essay. | U.S. History DBQ Essay from past Regents Exam | Small group adminstration of lessons | U.S. History DBQ Essay from past Regents Exam | ||||||||||||||||
34 | - Teacher will read the documents and questions to the students | RI.11-12.8 | Constitution | 3/5 Compromise | Modeling, prompting, scaffolding, guided practice, | |||||||||||||||||||||
35 | - Students will answer the document questions in writing | RI. 11-12.1-3 | compromise | legislative branch | Extra time and support for 1st U.S. History DBQ Essay of year | |||||||||||||||||||||
36 | - Teacher will discuss the topic with the students and assist the students in planning the essay | W. 11-12. 2 | New Jersey Plan | bicameral legislature | Specific feedback and further instruction based on student need | |||||||||||||||||||||
37 | - Students will write the DBQ essay | W 11-12. 9b | Virginia Plan | Bill of Rights | ||||||||||||||||||||||
38 | topic | supporting details | ||||||||||||||||||||||||
39 | transitions | |||||||||||||||||||||||||
40 | Andrew Jackson - 1 Week | Lesson 8: Tone and Diction | What is diction? How can tone and diction be described? What is the difference between dramatic and situational irony? How can historical texts be read and viewed today? | RL. 11-12. 1 | tone | diction | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. Determine an author’s point of view or purpose in a text in which the rhetoric is particularly effective, analyzing how style and content contribute to the power, persuasiveness, or beauty of the text. | Lesson 8: Tone and Diction | Small group adminstration of lessons | Andrew Jackson Speech to Congress on Indian Removal reading comprehension | ||||||||||||||||
41 | Lesson 6: Dramatic and Situational Irony | RL. 11-1. 2 | irony | dramatic irony | Lesson 6: Dramatic and Situational Irony | Modeling, prompting, scaffolding, guided practice, | Observation of student answers in whole group discussion | |||||||||||||||||||
42 | Andrew Jackson Speech to Congress on Indian Removal reading comprehension | RL. 11-12. 3 | situational irony | benevolent | Andrew Jackson Speech to Congress on Indian Removal reading comprehension | Direct instruction in literary elements, central idea, close reading, rhetoric | ||||||||||||||||||||
43 | RI.11-12.6 | rhetoric | consummation | Specific feedback and further instruction based on student need | ||||||||||||||||||||||
44 | RI. 11-12. 3 & 9a | provision | pecuniary | |||||||||||||||||||||||
45 | RI. 11-12. 3 & 9a | adjacent | occupancy | |||||||||||||||||||||||
46 | RI. 11-12. 3 & 9a | retard | savages | |||||||||||||||||||||||
47 | Quarter 1 Assessment - 2 Weeks | Passage A - Sherlock Holmes | What is the underlying messages in the text? How do the words show create meaning for a reader? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? What is the history surrounding the text? How does the reader make meaning from historical texts?How can historical texts be read and viewed today? | RL 11-12.2 | petulance | repetition | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. | June 2014 CC ELA Regents Exam | Small group adminstration of assessment | Passage A - Sherlock Holmes | ||||||||||||||||
48 | Passage B - Money Musk | RL 11-12.1 | puerile | prevailing | August 2014 CC ELA Regents Exam | Part 3 - Textual Analysis Read to Students | Passage B - Money Musk | |||||||||||||||||||
49 | Passage C - Red Jacket Speech | RL 11-12 9a | unified | condemnation | Specific feedback and further instruction based on student need | Passage C - Red Jacket Speech | ||||||||||||||||||||
50 | Part 3 Textual Analysis - Anna Howard Shaw on Women's Suffrage | RL 11-12.3 | criticism | suffrage | Read and annotate texts to increase understanding of text. Understand the requirements of a Part 3 writing. Complete pre-writing to help organize Part 3 writing. Find stong pieces of evidence to demonstrate central idea and literary element. Demonstrate the structure of a Part 3 writing. | Part 3 Textual Analysis - Anna Howard Shaw on Women's Suffrage | ||||||||||||||||||||
51 | imbued | sublimest | SRI every 5 weeks | |||||||||||||||||||||||
52 | - Students will complete Passages A, B, and C independently | RL 11-12.1 | hieracrchy | oligarcy | ||||||||||||||||||||||
53 | - Teacher will read Part 3 to the students multiple times, students will make annotations, plan writing, write 2-3 paragraphs, and revise and edit writing | W 11-12. 1-2 | symbolism | superiority | ||||||||||||||||||||||
54 | Unit 2 - Part 2: Argument Writing - 8 Weeks | Intro Arguments | Can I infer an author’s purpose or point of view and analyze how he/she responds to conflicting evidence? Can I write arguments to support claims in an analysis of a topic or text using valid reasoning and sufficient, relevant evidence? | RST 11-12. 6 | claim | counter claim | Students will read and analyze arguments made by others. Students will recognize strong arguments. Students will establish own claim. Students will distinguish own claim from opposing claims. Students will demonstrate the use of specific, relevant, and sufficient evidence. Students will correctly identify sources. Students will organize writing in a cohesive and coherent manner, maintaining a formal style of writing, follows conventions of standard written English. | Argument Notes | Example Regents Argument - Consumer Tracking - June 2014 | Small group adminstration of lessons | Writings related to each article | |||||||||||||||
55 | Arguments and Counter Arguments | WHST 11-12.1 | argument | counter argument | Lesson 20: Arguments and Counter Arguments WS | Modeling, prompting, scaffolding, guided practice, | Quiz: Should Pledge of Allegiance be Revised? | |||||||||||||||||||
56 | Credibility | W 11-12. 1-2 | evidence | credibility | Lesson 15: Credibility WS | Direct instruction in close reading, claims, counter claims, arguments, counter arguments, evidence, credibility, emotional appeals, agreement, rhetoric | Parts of Olympic Bid Argument completed independently | |||||||||||||||||||
57 | Read, Discuss, Analyze and Write about Sample Arguments (Homeschooler, Undercover Parent, Letter of Reponse, Pledge of Allegiance Quiz, Integrated Devices) | RI 11-12.5 | appeal to emotion | agreement | Should Homeschool Students be Allowed to Play on Public School Sports Teams? | Undercover Parent and Letter of Response | Should the Pledge of Allegiance be Revised? | Specific feedback and further instruction based on student need | Observation of student answers in whole group practice/discussion | |||||||||||||||||
58 | Example Regents - Host Olympics | W 11-12.1e | Are Integrated Devices Safer than Handheld Devices While Driving? | SRI every 5 weeks | ||||||||||||||||||||||
59 | August 2014 Regents - Should U.S. Bid to Host Future Olympics? | |||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||
61 | Quarter 2 Assessment - 3 Weeks | Passage A - magic mirror - August 2018 Regents | What is the underlying messages in the text? How do the words show create meaning for a reader? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? What is the history surrounding the text? How does the reader make meaning from historical texts?How can historical texts be read and viewed today? | RL 11-12.2 | oracle | arbiter | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. Read and annotate texts to increase understanding of text. Understand the requirements of a Part 3 writing. Complete pre-writing to help organize Part 3 writing. Find stong pieces of evidence to demonstrate central idea and literary element. Demonstrate the structure of a Part 3 writing. | Regents Exam - August 2018 | Small group adminstration of assessment | Regents Exam - August 2018 | ||||||||||||||||
62 | Passage B - Amazement Awaits - January 2019 Regents | RL 11-12.2 | disdain | spectral | Regents Exam - January 2019 | Part 2 - Argument and Part 3 - Textual Analysis Read to Students | Regents Exam - January 2019 | |||||||||||||||||||
63 | Passage C - Out of Africa - August 2018 Regents | RL 11-12.3 | faux pas | conviviality | Regents Exam - August 2017 | Specific feedback and further instruction based on student need | Regents Exam - August 2017 | |||||||||||||||||||
64 | Part 2 Argument - Should self-driving cars replace human drivers? - August 2017 Regents | WHST 11-12.1 | machinations | indifferent | Regents Exam - August 2015 | Regents Exam - August 2015 | ||||||||||||||||||||
65 | Part 3 - Textual Analysis - Dracula - August 2015 Regents | W 11-12.11 | limpid | scabrous | SRI every 5 weeks | |||||||||||||||||||||
66 | RI 11-12.1 | akimbo | maws | |||||||||||||||||||||||
67 | RI 11-12.3 | lintel | stanza | |||||||||||||||||||||||
68 | Historical Fiction - Excerpts, Short Stories, Poems - 4 Weeks | Grapes of Wrath excerpt - Intro history, read excerpt, watch movie, complete movie guide packet | What is the underlying messages in the text? How do the words show create meaning for a reader? How can the intonation of a reading of a text change the text's meaning? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? What is the history surrounding the text? How does the reader make meaning from historical texts?How can historical texts be read and viewed today? | RI 11-12.9 | Dust Bowl | circumvent | Students will interpret, analyze, and evaluate narratives, poetry, and drama, aesthetically and ethically by making connections to: other texts, ideas, cultural perspectives, eras, personal events and situations. Students will analyze multiple interpretations of a story, drama, or poem (e.g., recorded or live production of a play or recorded novel or poetry), evaluating how each version interprets the source text. | Grapes of Wrath excerpt, history notes, movie, movie guide packet | Small group adminstration of lessons | Grapes of Wrath packet | ||||||||||||||||
69 | A Rose for Emily - Intro author and history, listen/read story, timeline and thorough understanding, vocab in context, quiz | RI 11-12.1 | edict | temerity | Rose for Emily story, audio recording, timeline, thorough understanding ws, vocab in context ws, quiz | Modeling, prompting, scaffolding, guided practice, | Rose for Emily Thorough Understanding, Vocab in Context, Quiz | |||||||||||||||||||
70 | Story of an Hour - Intro presentation, listen/read 2x, thorough understanding, quiz | L 11-12.3 | virulent | afflicted | Story of an Hour text, audio recording, thorough understanding ws, quiz | Direct instruction in close reading, inferring meaning from narrative texts, literary elements used in narrative texts, effects of those literary elements, formal writing, and conventions of English | Story of an Hour Thorough Understanding, Quiz | |||||||||||||||||||
71 | Poems - Intro, Words and Images, My Papa's Waltz (different tones depending on how read), Alliteration, Repetition, Rhyme, Figurative Language in Poetry, House of Yemanja, Quiz) | RL 11-12.4 | forestall | repression | Poetry worksheets - Words and Images, Tone, Alliteration, Repetition and Rhyme, and Figurative Language, My Papa's waltz recordings, House of Yemanja reading comprehension, poetry quiz | Specific feedback and further instruction based on student need | Poetry worksheets, House of Yemanja reading comprehension, Poetry Quiz | |||||||||||||||||||
72 | RL 11-12.4 | tumultuous | Yemanja | Observation of student answers in whole group practice/discussion | ||||||||||||||||||||||
73 | RL 11-12.4 | Depression | pallis | |||||||||||||||||||||||
74 | RL 11-12.4 | divulge | elusive | |||||||||||||||||||||||
75 | Miss Peregrine's Home for Peculiar Children - 6 Weeks | Intro Ransom Riggs | Do you believe that there is such a thing as time travel? | RI 11-12.3 | inoculate | apocalyptic | SWBAT cite specific examples from the text when responding to questions about literature. SWBAT identify the central idea of literature and analyze its progression throughout a novel. SWBAT analyze how elements of a story interact within a text. SWBAT describe how a plot unfolds.SWBAT identify how characters respond to plot developments. SWBAT analyze how specific incidences in a text affect plot and character developments. SWBAT determine how words and phrases are used in text. SWBAT use evidence from literature to support analysis, and reflection about a text. SWBAT write for a range of tasks, time periods, and audiences. | Miss Peregrine's Home for Peculiar Children by Ransom Riggs Novels (enough for class) | Small group adminstration of lessons | Chapter Quizzes | ||||||||||||||||
76 | Discuss pictures as inspiration of story | Do you think there could be another type of person out there we don't know about? | W 11-12. 3d | placate | misanthropic | Miss Peregrine audio | Modeling, prompting, scaffolding, guided practice, | Text-based writings | ||||||||||||||||||
77 | Listen/read, discuss chapters | Do you believe in monsters? | SL 11-12.1 | grandiose | malevolent | Miss Peregrine Study Guide | Direct instruction in reading novels, reading comprehension, text analysis, literary elements, character development, vocabulary, formal writing, using details/evidence/support/explanation in writing, English conventions | End of Book Test | ||||||||||||||||||
78 | Reading comprehension and writing tasks for various chapters | Do you believe in people having special powers? | W 11-12. 3b | assailant | intuited | Miss Peregrine Movie | Specific feedback and further instruction based on student need | Comparison Writing | ||||||||||||||||||
79 | Foreshadowing and Review | How can pictures inspire and add meaning to writing? | W 11-12. 3d | prophetic | errant | Observation of student answers in whole group practice/discussion | ||||||||||||||||||||
80 | End of Book Test | Rl 11-12.1 | audacity | fabricate | SRI every 5 weeks | |||||||||||||||||||||
81 | Watch movie and compare | RL 11-12.11 | ||||||||||||||||||||||||
82 | Quarter 3 Assessment - 3 Weeks | Part 1 - Passage A - The Overcoat - January 2018 Regents Exam | What is the underlying messages in a text? How do the words create meaning for a reader? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? What is the history surrounding the text? How does the reader make meaning from historical texts? How can historical texts be read and viewed today? How can a writer clearly identify and support his/her message? | RL 11-12.1 | vacuous | poigniant | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. Read and annotate texts to increase understanding of text. Understand the requirements of a Part 3 writing. Complete pre-writing to help organize Part 3 writing. Find stong pieces of evidence to demonstrate central idea and literary element. Demonstrate the structure of a Part 3 writing. | NYS CC Regents Exam June 2014 | Small group adminstration of assessment | Part 1 - Passage A - The Overcoat - January 2018 Regents Exam | ||||||||||||||||
83 | Part 1 - Passage B - Give Us Peace by Langston Hughes - June 2014 Regents Exam | RI 11-12.9 | condemnation | appeal | NYS CC Regents Exam January 2016 | Part 2 - Argument and Part 3 - Textual Analysis Read to Students | Part 1 - Passage B - Give Us Peace by Langston Hughes - June 2014 Regents Exam | |||||||||||||||||||
84 | Part 1 - Passage C - Russell - Einstein Manifesto - January 2016 Regents Exam | RI 11-12.2 | imminent | futility | NYS CC Regents Exam January 2018 | Specific feedback and further instruction based on student need | Part 1 - Passage C - Russell - Einstein Manifesto - January 2016 Regents Exam | |||||||||||||||||||
85 | Part 2 - Is Graffiti Vandalism - June 2018 Regents Exam | RI 11-12.5 | in situ | gentrification | NYS CC Regents Exam June 2018 | Part 2 - Is Graffiti Vandalism - June 2018 Regents Exam | ||||||||||||||||||||
86 | Part 3 - The Edge of the Sea by Rachel Carson - August 2019 Regents Exam | W 11-12.1 | polemics | ubiquitous | NYS CC Regents Exam August 2019 | Part 3 - The Edge of the Sea by Rachel Carson - August 2019 Regents Exam | ||||||||||||||||||||
87 | RL 11-12.1 | spars | chitinous | SRI every 5 weeks | ||||||||||||||||||||||
88 | W 11-12.2 | Lilliputain | ||||||||||||||||||||||||
89 | Final Exam Review - 6 Weeks | Regents Exam Review Notes | What is the underlying messages in a text? How do the words create meaning for a reader? How is the theme supported in the text? How does a reader draw meaning and understanding from a text? What is the history surrounding the text? How does the reader make meaning from historical texts? How can historical texts be read and viewed today? How can I writer clearly identify and support his/her message? | RL 11-12.1 | disinterest | bazaar | Define various literary elements. Recognize literary elements present in a text. Determine various central ideas present in a text. Read and annotate texts to increase understanding of text. Understand the requirements of a Part 3 writing. Complete pre-writing to help organize Part 3 writing. Find stong pieces of evidence to demonstrate central idea and literary element. Demonstrate the structure of a Part 3 writing. | June 2016 CC ELA Regents Exam | Practice different parts of the Regents Exam with guided practice, individually and as a whole group with an emphasis on recognizing individual strengths and weaknesses, with a goal of each student feeling confident that they will do his/her very best on the Regents exam and has the capability of passing, and even doing well on the Regents Exam. | June 2016 CC ELA Regents Exam | ||||||||||||||||
90 | Practice different parts of the Regents Exam with guided practice, individually and as a whole group with an emphasis on recognizing individual strengths and weaknesses, with a goal of each student feeling confident that they will do his/her very best on the Regents exam and has the capability of passing, and even doing well on the Regents Exam. | RL 11-12.2 | parallel | resignation | January 2017 CC ELA Regents Exam | Part 2 - Argument and Part 3 - Textual Analysis Read to Students | January 2017 CC ELA Regents Exam | |||||||||||||||||||
91 | Great care will be taken to go over each part of the Regents exam completed so that students can recognize how to optimize their own performance on the Regents Exam with a greater understanding of what is expected by the Regents. | RI 11-12.9 | guttural | counterpoint | June 2017 CC ELA Regents Exam | Specific feedback and further instruction based on student need | June 2017 CC ELA Regents Exam | |||||||||||||||||||
92 | W 11-12.1 | disillusionment | linguistic | Answer keys to all parts of the Regents Exams - either given by the Regents or created by teacher | Great care will be taken to go over each part of the Regents exam completed so that students can recognize how to optimize their own performance on the Regents Exam with a greater understanding of what is expected by the Regents. | SRI given every 5 weeks | ||||||||||||||||||||
93 | W 11-12.11 | justify | incite | |||||||||||||||||||||||
94 | RL 11-12.4 | intentions | estranged | |||||||||||||||||||||||
95 | RL 11-12.1 | unconventional | diminutive | |||||||||||||||||||||||
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100 |