| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | Freya Waley-Cohen | Additionally, please feel free to contact me at jwdoyle@adams.edu should you have any questions or concerns. Thank you!! | Number of Players | |||||||||||||||||||||||
2 | Abbie Betinis | Begin to Move Around | Manipulated voice, Timpani | https://www.abbiebetinis.com/works_other.html | 1'52" | Bridget Bourne | ||||||||||||||||||||
3 | Addie Camsozou | Pressure System | 3 | https://www.addiecamsuzou.com/compositions | Delaney Armstrong | |||||||||||||||||||||
4 | Agata Zubel | Suite | 3 | http://www.zubel.pl/index.php/en/utwory | 14' | http://www.zubel.pl/index.php/en/utwory | Emily Johnson | |||||||||||||||||||
5 | Agata Zubel | Nelumbo | 4 | Marimbas | http://www.zubel.pl/index.php/en/utwory | 8' | Emily Johnson | |||||||||||||||||||
6 | Agata Zubel | Re-Cycle | 5 | http://www.zubel.pl/index.php/en/utwory | 16' | http://www.zubel.pl/index.php/en/utwory | Emily Johnson | |||||||||||||||||||
7 | Agata Zubel | Double Battery | instrumental ensemble | https://zubel.pl/en/works | ossia: with augmented sound space | 20' | https://zubel.pl/en/works | Bridget Bourne | ||||||||||||||||||
8 | Agata Zubel | Maximum Load | Percussion & Computer | http://www.zubel.pl/index.php/en/utwory | 14' | http://www.zubel.pl/index.php/en/utwory | Emily Johnson | |||||||||||||||||||
9 | Agata Zubel | Percussion Store | percussion ensemble and orchestra | https://zubel.pl/en/works | 15' | https://zubel.pl/en/works | Bridget Bourne | |||||||||||||||||||
10 | Agata Zubel | The Streets of a Human City | instrumental ensemble | https://zubel.pl/en/works | 16' | https://zubel.pl/en/works | Bridget Bourne | |||||||||||||||||||
11 | Agata Zubel | Where To | instrumental ensemble | https://zubel.pl/en/works | 20' | https://zubel.pl/en/works | Bridget Bourne | |||||||||||||||||||
12 | Alex Shapiro | Kettle Brew | 2 | Timpani, percussion, audio track | https://www.alexshapiro.org/ASWorks.html#percussion | 8' | Bridget Bourne | |||||||||||||||||||
13 | Alex Shapiro | At the Abyss | 3 | piano, marimba, vibraphone and percussion | https://www.alexshapiro.org/ASWorks.html#percussion | 14' | Bridget Bourne | |||||||||||||||||||
14 | Alexandra Bryant | Circuits and Breakers | 4 | Marimba and 3 percussionists | Intermediate | http://www.alexandratbryant.com/works.html | 5'40" | Delaney Armstrong | ||||||||||||||||||
15 | Alexandra Gardner | Earthmoves | 2 | 2 pair tom-toms, roto-toms or congas, bass drum (optional) | https://alexandragardner.net/music/earthmoves/ | 7' | Bridget Bourne | |||||||||||||||||||
16 | Alexandra Gardner | Coyote | 4 | 2 marimbas (5.0 shared) for three players, vibraphone | medium | Composer's website: http://www.alexandragardner.net/ | 5 mvt work | 16' | James Doyle | |||||||||||||||||
17 | Alexis Alrich | Muse of Fire | 4 | finger cyms, tri, 5 suspended rebar pieces, small chinese opera gong, snare drum, temple blocks, chinese drum, 2 cowbells, tambourine, sus cym, bass drum, vibraphone X2, marimba X2, high hand drum, low hand drum, gong, | adv | http://www.alexisalrich.com/discography.html | James Doyle | |||||||||||||||||||
18 | Alexis Bacon | Three Pieces in Brazil | 6 | Pitched: 4.3 Octave Marimba5 Octave MarimbaVibraphoneGlockenspiel3 Crotales (B, D, F)3 TimpaniNon-pitched:1-2 Small Triangles, hand-heldMedium Triangle, hand-held1-2 Small Tambourines, hand-held Pandeiro or Large Hand-held TambourineAgogo BellsSuspended CymbalChina Cymbal1-2 Small Caxixes or Shakers1-2 Medium Caxixes or ShakersLarge Shaker, preferably of the type used in Candomblé (dull metal rattles)ShekereSand Blocks4 Wood Blocks CuicaSea Drum2 Timbales or other small drums1-2 Snare Drums, samba-style if possible Djembe1-2 Small Bass DrumsBamboo ChimesMuted FlexatoneBird Call (short tone)Twittering Bird Call (long tone)Siren WhistleFrog Call or Small Guiro | adv | http://www.alexisbacon.com/Three_Places_in_Brazil_audio_files_and_notes.html | 20' | Delaney Armstrong | ||||||||||||||||||
19 | Alice Gomez | Echo Echo | 4 | Percussion quartet | https://www.musicroom.com/product/hl03775850/alice-gomez-echo-echo-percussion-ensemble.aspx | Bridget Bourne | ||||||||||||||||||||
20 | Alice Gomez | Heartbeat | 4 | Player I: Suspended Cymbal Player II: Small Gong, Snare Drum Player III: 3 Tom-Toms Player IV: Bass Drum | easy | https://www.steveweissmusic.com/product/23858/percussion-ensemble-sheet-music#full-description | James Doyle | |||||||||||||||||||
21 | Alice Gomez | Rainbows | 4 | Vibraphone, Xylophone, 2 Marimbas | grade 4+ | https://www.steveweissmusic.com/product/22747/mallet-ensemble | 7'30" | https://www.youtube.com/watch?v=yLQ6W8gMR_8 | Bridget Bourne | |||||||||||||||||
22 | Alice Gomez | Afterthoughts | 8 | Player I: Xylophone Player II: 1st Marimba Player III: 2nd Marimba Player IV: Bells Player V: Snare Drum Player VI: Claves Player VII: Gong, Bass Drum Player VIII: Bongos | easy | https://www.steveweissmusic.com/product/23838/percussion-ensemble-sheet-music#full-description | James Doyle | |||||||||||||||||||
23 | Alice Gomez/Marilyn Rife | Mambo Africano | 6 | Player I: Maracas Player II: Claves Player III: Bongos Player IV: Congas Player V: 1st Marimba *Player VI: 2nd Marimba | easy | https://www.steveweissmusic.com/product/23877/percussion-ensemble-sheet-music#full-description | James Doyle | |||||||||||||||||||
24 | Allison Cameron | Decorated Shed | 5 | https://jenniferbutlercomposer.ca/list-of-works/ | 2 Movements | 18' | Delaney Armstrong | |||||||||||||||||||
25 | Alyssa Weinberg | Table Talk | 2 | Prepared vibraphone | https://weinbergmusic.com/purchase/table-talk-physical-score | 8' | https://youtu.be/ttF4dWnuhdM | Bridget Bourne | ||||||||||||||||||
26 | Alyssa Weinberg | Ember II | 4 | prepared snare drums | https://weinbergmusic.com/purchase/ember-ii | 7' | https://youtu.be/VCzJrwn_cks?list=PLQ74rKOGSb25Qvs4a5WSi6jV4tU6cGzgV | Bridget Bourne | ||||||||||||||||||
27 | Amy Williams | Dream Landscape | 4 | 2 Vibraphones, 2 Glockenspiels, 8 Triangles | 10' | http://amywilliamsmusic.com/works/ | Emily Johnson | |||||||||||||||||||
28 | Anahita Abbasi | Situation III | 3 | http://anahitaabbasi.com/compositions-by-instrumentation/ | 13' | Emily Johnson | ||||||||||||||||||||
29 | Andrea Clearfield | Round for Three Muses | 4 | Gong, vibes x2, bows (6-8), Angklung, Sandblocks (2 pr), Snare, toms x6, BD x2, mark tree, finger cymbals x4, singing bowl x3, pebbles in bowl x3, sus cym x3, seed pods, guiro, roto toms x3, marimba, shekere, metal sound, pre-recorded tracks | difficult | Composer's website: http://www.andreaclearfield.com/ | For soloist with percussion trio, all parts sing | 15' | https://www.youtube.com/watch?v=kJlDzwv91fM | James Doyle | ||||||||||||||||
30 | Andrea Clearfield | TRAX | 4 | 4 marimbas, opt. vibraphone | difficult | http://www.andreaclearfield.com/works/chamber/trax-for-marimba-quartet/ | mallet quartet | 6:22' | James Doyle | |||||||||||||||||
31 | Andrea La Rose | Canon for 4 Snare Drums | 4 | 4 snare drums | easy | http://reloadsanear.com/composer.html | 3' | James Doyle | ||||||||||||||||||
32 | Andrea La Rose | There Were Once | 4 | Spoken word-all players. player one: agogo bells, drumstick, a medium rubber mallet, a brush. player two: suspended cymbal, using drumsticks, soft mallets, medium rubber mallets, a coin or washer, brushes. player three: sandblocks. player four: vibraslap. | medium | http://reloadsanear.com/composer.html | https://www.youtube.com/watch?v=IDmAcpDUxKk | |||||||||||||||||||
33 | Andrea La Rose | Two Thoughts | 5 | 5 different pitched triangles, 5 temple blocks, 5 toms, 5 almglocken, 5 cyms, 5 police whistles, guiro | medium | http://reloadsanear.com/composer.html | 8' | James Doyle | ||||||||||||||||||
34 | Andrea Reinkenmeyer | #@&%!* (expletive deleted) | 4 | Percussion 1. Timpani, Roto-toms, Bass Drum, Bongos, Small Cowbell, Mounted Tambourine, Suspended Cymbal; 2. Marimba, Bass Drum with Pedal, Mounted Tambourine, Temple Blocks, Large Cowbell, Hand Chimes, China Cymbal, Sizzle Cymbal, Chinese Gong, Hi-hat, Suspended Cymbal; 3. Timbales, Cowbell, Xylophone; 4. Floor Toms, Congas, Wood Block, Triangle | Med | https://www.adjectivenewmusic.com/store/p26/Expletive_Deleted.html | #@&%!* (expletive deleted) for Percussion Quartet was premiered in Ann Arbor, Michigan in December 2000. This dynamic piece exhibits a heightened state of frenetic energy through explosive outbursts and a bubbling undercurrent of churning rhythmic figures. It explores disparate musical influences like popular and world music, while highlighting the flexibility and virtuosity of the percussion ensemble. The title reflects the demanding physicality of the individual parts and the tricky ensemble work. In fact, I was once told the expletive should have been inserted! | 6:30 | http://www.instantencore.com/work/work.aspx?work=5055269 | James Doyle | ||||||||||||||||
35 | Andrea Venet | Refrakt | 4 | marimba quartet | medium | not yet published | Gloria Yehilevsky | |||||||||||||||||||
36 | Andrea Venet | Kibo | 5 | Solo Snare Drum + Mallet Quartet (2 mar., 2 vibes) | Medium-adv | https://www.tapspace.com/percussion-ensemble/kibo | 5' | https://www.youtube.com/watch?v=sn9wy_MSHCQ | Conner Viets | |||||||||||||||||
37 | Andrea Venet | White Ranger | 5 | Vibraphone solo + Percussion Quartet | Medium-adv | https://www.andreavenet.com/Store | The piece is written for solo vibraphone and percussion quartet. The percussion parts are scored for recycled materials which include glass bottles, scrap metal, brake drums, trash cans, an empty beer keg, and a brand new instrument I have created for this piece named the 'Lagerine'. Finding sounds and assembling the necessary instrumentation should provide a creative and fun project for performers. | 7' | https://www.youtube.com/watch?v=qURBMIlcico&feature=emb_title | Chase Banks | ||||||||||||||||
38 | Angela Kepley | From the Inside Out | 4 | Body Percussion, Snare | Easy-Med | http://c-alanpublications.com/from-the-inside-out/ | From the Inside Out is written for body percussion and snare drums. The snare parts cover many of the basic rudiments and give the students a chance to solo. | 3'40'' | http://c-alanpublications.com/from-the-inside-out/ | Emily Johnson | ||||||||||||||||
39 | Angela Kepley | Syncoshift | 4 | one 3-octave vibraphone | Med | http://c-alanpublications.com/syncoshift/ | One vibraphone & four players! If you are looking for a great mallet quartet for your students but have limited instruments, SyncoShift is the piece for you! | 7'15'' | http://c-alanpublications.com/syncoshift/ | Emily Johnson | ||||||||||||||||
40 | Angela Kepley | QUINTESSENTIAL QUINTETS | 5 | Quintet Threat: 2 Snare Drums, 2 Kick Drums, 3 Toms Peel: 4 Drums for 5 Players Warrior Chant: Bongos, 2 Toms, 2 Bass Drums, 3 Crash Cymbals, 2 Splash Cymbals | Easy-Med | http://c-alanpublications.com/quintessential-quintets/ | Quintessential Quintets is a collection of three "drummy" pieces for 5 young percussionists. Using limited and/or flexible instrumentation, these works will help student grow as musicians while simultaneously impressing & exciting audiences | 4'30'' | http://c-alanpublications.com/quintessential-quintets/ | Emily Johnson | ||||||||||||||||
41 | Angela Kepley | Battle Royale | 20+4 | Referee (Medium Tom) Team 1 (High Toms) Team 2 (Low Toms) | Easy-Med | http://c-alanpublications.com/battle-royale/ | The “referee” monitors the Battle Royale between two teams. This piece requires each team to work together to create a monstrous sound and battle out their rhythms. Which team wins? You decide! | 2' | http://c-alanpublications.com/battle-royale/ | Emily Johnson | ||||||||||||||||
42 | Angela Kepley | Circles | 4 groups of percussions | 3+ buckets | Easy-Med | http://c-alanpublications.com/circles/ | Circles is mostly comprised of accent patterns over a solid underlying sixteenth note foundation. This piece requires the players to control accents and taps while playing a fun, relaxed groove. | 3' | http://c-alanpublications.com/circles/ | Emily Johnson | ||||||||||||||||
43 | Anna Brake | To Elsewhere | 4 | https://www.annabrake.com/compositions.html | Delaney Armstrong | |||||||||||||||||||||
44 | Anna Ignatowicz | Passacaglia | 2 | marimba and vibraphone | advanced | 8:30 | https://www.youtube.com/watch?v=CqZTX38aiDw | James Doyle | ||||||||||||||||||
45 | Anna Ignatowicz | Preludes | 2 | marimba and vibraphone | https://www.steveweissmusic.com/product/preludes-preludia-ignatowicz-glinska/mallet-solo#full-description | James Doyle | ||||||||||||||||||||
46 | Anna Ignatowicz | The Silence Pierced By Distraction | 2 | Two 4.3 octave marimbas | https://www.steveweissmusic.com/product/the-silence-pierced-by-distraction-ignatowicz-glinska/mallet-duet | James Doyle | ||||||||||||||||||||
47 | Anna Meadors | fragment / segment | 4 | 2 Marimba, 2 Vibrapone + additional drums/cymbals | adv. | http://www.annameadors.com | ||||||||||||||||||||
48 | Anna Meadors | Interstice | 4 | Per player: 2-3 crotales, 3 pieces of wood, 3 pieces of metal, 1 cymbal | adv. | http://www.annameadors.com | 9" | https://www.youtube.com/watch?v=WzfU9zlhsnA | Korry Friend | |||||||||||||||||
49 | Anna Meadors | static/surge | 4 | Percussion Quartet | meadorsanna@gmail.com | 10' | Bridget Bourne | |||||||||||||||||||
50 | Anna Meadors | Impulse | 6 | 2 Marimba, 2 Vibraphones, 2 Glock., Drum-set, and multi set-up | med-adv. | http://www.annameadors.com | 9" | https://www.youtube.com/watch?v=WzfU9zlhsnA | Korry Friend | |||||||||||||||||
51 | Anna Pidgorna | Weeping for a dead love | 5, 4, and 9 | 3 shakers, 6 toms, 4 cowbells (different sizes), suspended cymbal, concert bass drum, 4 Noah bells (C, Eb, E, F) | easy | contact composer at info@annapidgorna.com | This is a theatrical piece with composer performing the vocal part while moving around the performance space. The piece is easy to put together: the percussion parts are metrically loose and follow the vocal line. The composer provides the appropriate Noah Bells. | 15' | https://soundcloud.com/annapidgorna/weeping-for-a-dead-love | Anna Pidgorna | ||||||||||||||||
52 | Anna Thorvaldsdottir | Aura | 4 | adv | http://www.annathorvalds.com/ensemblemusic/ | lighting and staging considerations | 6.5' | https://www.youtube.com/watch?v=e2BTAfLfFbk | Sean Connors | |||||||||||||||||
53 | Anne Neikirk | Opus Abaci | Percussion ensemble | https://annieneikirk.com/contact/ | 5' | Bridget Bourne | ||||||||||||||||||||
54 | Annika Socolofsky | the dictionary of obscure sorrows: ambedo | 4 | 1 five oct marimba, 1 vibraphone | medium | http://www.aksocolofsky.com/the-dictionary-of-obscure-sorrows-ambedo | some singing, need bango picks | 8' | https://www.youtube.com/watch?v=MDAYGyCrFtY | Sean Connors | ||||||||||||||||
55 | Annika Socolofsky | Bellow | 5 | Percussion quartet, violin, electronics | annika@socolofsky.org | 11' | https://soundcloud.com/aksoco/bellow-third-coast-percussion | Bridget Bourne | ||||||||||||||||||
56 | Augusta Read Thomas | Con Moto | 4 | http://www.augustareadthomas.com/composition/con-moto.html | (yet to be performed) | 6' | Sean Connors | |||||||||||||||||||
57 | Augusta Read Thomas | Qi | 4 | 5 octave marimba, 4.3 octave marimba | adv | http://www.augustareadthomas.com/composition/qi.html | 5' | https://www.youtube.com/watch?v=NU-xHpRwJEM | Sean Connors | |||||||||||||||||
58 | Augusta Read Thomas | Resounding Earth | 4 | roughly 125 bells from around the world | adv | http://www.augustareadthomas.com/composition/resounding.html | 4 movements | 35' | https://www.youtube.com/watch?v=mbt2KGisBD4 | Sean Connors | ||||||||||||||||
59 | Augusta Read Thomas | Star Box | 4 | Percussion quartet | http://www.augustareadthomas.com/composition/starbox.html | Note from composer: "This composition can be paired with CON MOTO. The instrumentations and layout of the two scores are very similar but not identical." | 6'30" | http://www.augustareadthomas.com/composition/starbox.html | Bridget Bourne | |||||||||||||||||
60 | Augusta Read Thomas | Selene | 8 (string quartet, percussion quartet) | String quartet, percussion quartet | adv | http://www.augustareadthomas.com/composition/selene.html | 14' or 18' | Sean Connors | ||||||||||||||||||
61 | Augusta Read Thomas | Magic Box | 8+ | string quartet, percussion quartet | http://www.augustareadthomas.com/composition/magicbox.html | 7' | Bridget Bourne | |||||||||||||||||||
62 | Ayanna Woods | Triple Point | 4 | 5 octave marimba, two vibraphones, drumset, small instruments | medium-adv | https://www.youtube.com/watch?v=izE1iIGT7z8 | commissioned by Third Coast Percusison through the Emerging Composer Partnership | 6' | Sean Connors | |||||||||||||||||
63 | Barbara Bennett | Shadow Boxes | 8 | Player 1 (4-octave marimba) Player 2 (4-octave marimba) Player 3 (4.3-octave marimba, xylophone) Player 4 (4.3-octave marimba, 3-octave vibraphone) Player 5 (4 timpani) Player 6 (guiro, woodblock, medium tom, medium suspended cymbal, orchestra bells) Player 7 (tambourine, snare drum, 3 temple blocks, medium suspended cymbal, tam-tam) Player 8 (triangle, tam-tam, large suspended cymbal, bass drum, chimes) | Med | http://c-alanpublications.com/shadow-boxes/ | 10'20'' | http://c-alanpublications.com/shadow-boxes/ | Emily Johnson | |||||||||||||||||
64 | Barbara White | Waking | 2 | One marimba | 6.5' | https://www.youtube.com/watch?v=6GswNFkF7BE | Sean Connors | |||||||||||||||||||
65 | Beth Wiemann | Ingrained | 2 | Marimbas | https://bethwiemann.com/list-of-compositions/ | Emily Johnson | ||||||||||||||||||||
66 | Beth Wiemann | Among the Cats of Zanzibar | 4 | https://bethwiemann.com/list-of-compositions/ | Emily Johnson | |||||||||||||||||||||
67 | Bridget Bourne | Con Sequence | 3 | Vibraphone, 4.3 octave Marimba, 5 octave Marimba | bbourne016@gmail.com | 4'30" | https://www.youtube.com/watch?v=TzIJ4xZnSoQ | Bridget Bourne | ||||||||||||||||||
68 | Caroline Ahn | Deep, Deep | 4 | http://www.carolineahncomposer.com/compositions | Delaney Armstrong | |||||||||||||||||||||
69 | Caroline Mallonee | North South East West | 4 | https://www.carolinemallonee.com/instrumental-music-1/ | 15' | Emily Johnson | ||||||||||||||||||||
70 | Caroline Shaw | so I hear you're into TAXIDERMY | 4 | 12 flower pots, marimba, vibes | medium | Composer's website: https://caroline-shaw-editions.myshopify.com/products/taxidermy | spoken parts for all players | 9' | https://caroline-shaw-editions.myshopify.com/products/taxidermy | James Doyle | ||||||||||||||||
71 | Caroline Wilkins | Bird organ is made of wood | 3 | Herd bells, side drum, glass chimes, 6 temple blocks, 3 wood blocks. Glockenspiel, vibraphone, 2 crotales, 2 cymbals. Bambus, guiro, 2 reco-recos, 3 maracas, cabaca, 2 mexican beans, shocallo, sand blocks, bass drum, side drum. | adv | https://www.australianmusiccentre.com.au/workversion/wilkins-caroline-bird-organ-is-made-of-wood/3733 | The work consists of 3 movements, taking as their starting point my interest in early forms of automata and their parallel with natural, environmental sound. Each movement explores the timbral properties of percussion instruments grouped according to their materials: metal, wood, membranes, tuned and untuned; merging certain timbral colours together. | 9' | Emily Johnson | |||||||||||||||||
72 | Carolyn Bremer | Circadian Rhythms | 10 | glock, xylo, vibes, 4 marimbas, timpani, 3 woodblocks, tambourine, castanets, triangle, snare drum | adv | http://c-alanpublications.com/circadian-rhythms/ | 10' | http://c-alanpublications.com/circadian-rhythms/ | Gene Fambrough | |||||||||||||||||
73 | Carolyn Chen | Throw Me Light | 3 | lights x3, woodblock x3, bamboo wind chimes x2, marimba, vibraphone, wooden ball, gong, top octave of crotales, BD x2, snare x2, temple blocks, cym | adv | https://walkingmango.wordpress.com/work/instrumental/ | theatric | 12' | James Doyle | |||||||||||||||||
74 | Carolyn Chen | Non-stick Properties | 4 | Steel pan quartet and objects | https://walkingmango.wordpress.com/work/instrumental/ | 12' | Bridget Bourne | |||||||||||||||||||
75 | Carolyn Chen | Hamlet | 6 | glass x6, mixing bowl x6, glockenspiel, tabla (2 bayan, 1 dayan), marimba, large gong, peking gong, steel drum, 2 timpani, metal on timpani, paper, musical saw, sword/knife sharpener, mouth siren x3, fighting robots-2 sets, flexatone, tile, vegetable, electronic fighting sword | adv | https://walkingmango.wordpress.com/work/instrumental/ | 30' | https://www.youtube.com/watch?v=5ZEfNRp8igQ&feature=mfu_in_order&list=UL | James Doyle | |||||||||||||||||
76 | Cassie Wieland | Weeds | 3 | Vibraphone, 2 kick drums, low tom, high tom, snare, hi-hat, crash cymbal, 2 metal bowls, 1 plastic bowl, BBs, buttons | adv | Contact composer at cassie.wieland1@gmail.com | Commissioned by line upon line percussion | 8" | Cassie Wieland | |||||||||||||||||
77 | Catherine Likhuta | Rondo | 2 | vibraphone and marimba | http://www.catherinelikhuta.com/PercPiano.htm | 3'30" | https://www.youtube.com/watch?v=rxq94vU2-D4 | Bridget Bourne | ||||||||||||||||||
78 | Cayenna Ponchione | Rumble-Stiltskins | 2 | two marimbas, two pairs of bongos | cayenna@cayennaponchione.com | 8' | https://www.harukafujii.com/products/utari-cd-album | Bridget Bourne | ||||||||||||||||||
79 | Cayenna Ponchione | The Creation | 6 | Marimba 1 - 5-octave marimba, uses toms of Percussion 4 Marimba 2 - 5-octave marimba, uses toms of Percussion 2 Percussion 1 - 5 log drums, 5 brake drums, 3 small tam tams, temple blocks, orchestra bells, chimes, crotales, bass bow Percussion 2 - 5 log drums, 3 brake drums, 3 suspended cymbals, 5 toms, medium cowbell, small woodblock, crotales, bass bow Percussion 3 - 2 snare drums, tenor drum, 3 cymbals, large tam tam, vibraphone, bass bow Percussion 4 - bass drum, 5 toms, medium tam tam, large tam tam, 3 triangles, bass bow | http://www.cayennaponchione.com/compositions.html | James Doyle | ||||||||||||||||||||
80 | Cayenna Ponchione | Consecration | 3 dancers, 3 perc | saxophone quartet and 20 percussionists http://www.cayennaponchione.com/FILES/COMPOSITION/Ponchione_Consecration_Instrumentation.pdf | cayenna@cayennaponchione.com | 9' | https://www.youtube.com/watch?v=ME6GlkcUJ9U | Bridget Bourne | ||||||||||||||||||
81 | Cayenna Ponchione | Contagion | 8 (string quartet, percussion quartet) | http://www.cayennaponchione.com/FILES/COMPOSITION/Ponchione-Bailey_Contagion_Instrumentation.pdf | cayenna@cayennaponchione.com | 14' | https://www.youtube.com/watch?v=YalBUxzlSq4&feature=youtu.be | Bridget Bourne | ||||||||||||||||||
82 | Cecilia Livingston | Troy | 4 | 4 vibraphones | adv | Composer's website: https://cecilialivingston.com (use contact form) | 7' | https://soundcloud.com/cecilia_livingston/troy-2014-for-vibraphone-quartet | ||||||||||||||||||
83 | Claudia Molitor | Entangled | 3 | http://www.claudiamolitor.org/list-of-compositions/ | Commissioned by line upon line percussion | Delaney Armstrong | ||||||||||||||||||||
84 | Composer | Title | 2 | Instrumentation | Level | How to Purchase | Notes | Length | Link to performance | added by | ||||||||||||||||
85 | Courtney Brian | Journey Home | Intermediate | https://www.courtneybryan.com/works | Premiered by SO Percussion | Delaney Armstrong | ||||||||||||||||||||
86 | Da Jeong Choi | Different But One Body | 4 | Percussion 1 - vibraphone solo, surdo or large chinese drum, highest tom tom Percussion 2 - medium high tom tom, E crotale, 3 congas, 2 triangles Percussion 3 - medium low tom tom, medium cowbell, bongos, tambourine, temple blocks, woodblock (small), triangle, 2 splash cymbals, Chinese cymbal Percussion 4 - (shares splash cymbals and Chinese cymbal with percussion 3), high tom tom, medium high tom tom, medium low tom tom, lowest tom tom, djembe, glockenspiel | https://www.steveweissmusic.com/product/different-but-one-body-choi/percussion-ensemble-sheet-music#full-description | vibraphone solo with trio | James Doyle | |||||||||||||||||||
87 | Dani Howard | What Lies Beneath | 8 | https://docs.wixstatic.com/ugd/b88acd_bb342102586e4ff38414cbca06781807.pdf | Contact to enquire about availability | 15' | https://soundcloud.com/danihoward/sets/what-lies-beneath-rings-for-percussion-octet | Emily Johnson | ||||||||||||||||||
88 | Dani Howard | Introspection | 1-3 | https://www.howardcoll.com/large-ensemble | 8' | https://vimeo.com/108578357 | Emily Johnson | |||||||||||||||||||
89 | Donna Bohn | Walk in the Park | Percussion 1 (bells and/or xylophone, woodblock) Percussion 2 (optional 4-octave marimba or vibraphone) Percussion 3 (triangle) Percussion 4 (snare drum) Percussion 5 (bass drum) Percussion 6 (4 Timpani) | Easy | http://c-alanpublications.com/walk-in-the-park/ | This delightful musical representation of a casual walk in the park will challenge most beginning ensembles through it's tight rhythmic integration. Like all pieces in the Ignite Series, the instrumentation is flexible to suit the needs of any school program. | 2'30'' | http://c-alanpublications.com/walk-in-the-park/ | Emily Johnson | |||||||||||||||||
90 | Dosia McKay | Inspector Bergen Returns | 8 | Vibraphone, Marimba, Timpani, Claves, Woodblocks, High Bongo, Low Conga, Shaker, Suspended Cymbal, Crash Cymbal | Advanced | http://www.dosiamckay.com/music/bergen.shtml | I love British drama on PBS, especially the detective series, such as The Prime Suspect with Helen Mirren, The Inspector Lynley Mysteries with Nathaniel Parker, Second Sight with Clive Owen, and Touching Evil starring Robson Green. The present work Inspector Bergen Returns seeks to paint a similar suspenseful mood as the soundtrack to the adventures of an imaginary character unfolds. I have had a lot of fun writing the piece and I anticipate that the percussionists will find it exciting to perform. | 3'20'' | http://www.dosiamckay.com/music/bergen.shtml | Emily Johnson | ||||||||||||||||
91 | Elizabeth Hoffman | Geminis | 2 | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | 12' | Delaney Armstrong | ||||||||||||||||||||
92 | Elizabeth Hoffman | Immer Inner | 3 | Tam Tams and Thai Gongs | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | 7' | Delaney Armstrong | |||||||||||||||||||
93 | Elizabeth Hoffman | In Red Weather | 3 | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | 10' | Delaney Armstrong | ||||||||||||||||||||
94 | Elizabeth Kelly | S.O.S. | Two amplified thundersheets (one wooden, one metal) | https://www.youtube.com/watch?v=-myCqo5JdpY | Sean Connors | |||||||||||||||||||||
95 | Ellen Reid | Fear | Release | 4 | https://ellenreidmusic.com/work/fear-release/ | commissioned by Los Angeles Percussion Quartet | 5' | https://ellenreidmusic.com/work/fear-release/ | Sean Connors | ||||||||||||||||||
96 | Emily Doolittle | night black bird song | 5 | 3 percussionists and 2 flute/piccolos | adv | https://www.musiccentre.ca/node/27743 | 7'30" | Emily Doolittle | ||||||||||||||||||
97 | Emily Joy Sullivan | Mallet Quartet | 4 | 2 marimbas 2 vibes | med-adv | not yet published | 10' | https://soundcloud.com/emily-joy-sullivan/mallet-quartet | Gloria Yehilevsky | |||||||||||||||||
98 | Emma Lou Dimer | Toccata for Six | 6 | Xylophone 1 Xylophone 2 Marimba 1 (5-octave) Marimba 2 (5-octave) Vibraphone 1 (3-octave Vibraphone 2 (3-octave) | Med | http://c-alanpublications.com/toccata-for-six/ | 6' | http://c-alanpublications.com/toccata-for-six/ | Emily Johnson | |||||||||||||||||
99 | Emma O'Halloran | Land Electric | 4 | https://www.emma-ohalloran.com/store/land-electric | 9' | https://soundcloud.com/emmaohalloran/land-electric | Emily Johnson | |||||||||||||||||||
100 | Emma O'Halloran | SHELL | 4 | 1-4 marimbas | medium | www.emma-ohalloran.com | commissioned by X4 Percussion Quartet | 6' | https://www.youtube.com/watch?v=0OFuNzOsSE0 | Shane Jones |