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1 | x | Additionally, please feel free to contact me at jwdoyle@adams.edu should you have any questions or concerns. Thank you!! | ||||||||||||||||||
2 | Composer | Title | Number of Players | Instrumentation | Level | How to Purchase | Notes | Length | added by | Link to performance | ||||||||||
3 | Alex Shapiro | Kettle Brew | 2 | Timpani, percussion, audio track | https://www.alexshapiro.org/ASWorks.html#percussion | James Doyle | ||||||||||||||
4 | Alexandra Gardner | Earthmoves | 2 | 2 pair tom-toms, roto-toms or congas, bass drum (optional) | https://alexandragardner.net/music/earthmoves/ | 20' | Delaney Armstrong | https://www.katherinebergman.net/land-of-cloud-tinted-water.html | ||||||||||||
5 | Alyssa Weinberg | Table Talk | 2 | Prepared vibraphone | https://weinbergmusic.com/purchase/table-talk-physical-score | 18' | Emily Johnson | http://c-alanpublications.com/classics-for-marimba-trio/ | ||||||||||||
6 | Anna Ignatowicz | Preludes | 2 | marimba and vibraphone | https://www.steveweissmusic.com/product/preludes-preludia-ignatowicz-glinska/mallet-solo#full-description | 3'20'' | Emily Johnson | http://www.dosiamckay.com/music/bergen.shtml | ||||||||||||
7 | Anna Ignatowicz | The Silence Pierced By Distraction | 2 | Two 4.3 octave marimbas | https://www.steveweissmusic.com/product/the-silence-pierced-by-distraction-ignatowicz-glinska/mallet-duet | 6'30" | Gordon Hughes / Rhythmscape Publishing | https://youtu.be/ealrjIfGcWg | ||||||||||||
8 | Barbara White | Waking | 2 | One marimba | 5' | Sean Connors | https://www.youtube.com/watch?v=NU-xHpRwJEM | |||||||||||||
9 | Beth Wiemann | Ingrained | 2 | Marimbas | https://bethwiemann.com/list-of-compositions/ | James Doyle | ||||||||||||||
10 | Catherine Likhuta | Rondo | 2 | vibraphone and marimba | http://www.catherinelikhuta.com/PercPiano.htm | 7' | https://soundcloud.com/cecilia_livingston/troy-2014-for-vibraphone-quartet | |||||||||||||
11 | Cayenna Ponchione | Rumble-Stiltskins | 2 | two marimbas, two pairs of bongos | cayenna@cayennaponchione.com | 15' | Anna Pidgorna | https://soundcloud.com/annapidgorna/weeping-for-a-dead-love | ||||||||||||
12 | Elizabeth Hoffman | Geminis | 2 | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | 1' | Delaney Armstrong | ||||||||||||||
13 | Jessica Rudman | Black Sails | 2 | http://www.jessicarudman.com/product/black-sails/ | 15' | Emily Johnson | http://c-alanpublications.com/carmen-suite-bizet/ | |||||||||||||
14 | Jessica Rudman | She Walks, Burning Bright | 2 | https://www.jessicarudman.com/compositions/chamber/ | 8' | James Doyle | ||||||||||||||
15 | Keiko Abe | Conversation in the Forest | 2 | Two marimbas | https://www.steveweissmusic.com/product/23452/mallet-duet | Delaney Armstrong | http://www.wendymae.com/percussion.html | |||||||||||||
16 | Kerryn Joyce | Shichi-Karak | 2 | Vibraphone (four mallets), Marimba (5.0 octave, four mallets) | Advanced-Artist | Shichi-Karak – Vibraphone and Marimba Duet – Rhythmscape Publishing | This highly tonal work gives opportunity for both players to shine within an approachable framework. Simple four-mallet parts enable both students and more advanced player to enjoy this piece. An energetic opening is contrasted with a lyrical dance like middle section before the exciting finale brings the piece together. You want a great concert opener? You need, Entrata. | 6'30'' | Emily Johnson | http://c-alanpublications.com/caboo/ | ||||||||||
17 | Kerryn Joyce | TANK GIRL | 2 | Vibraphone (four mallets), Marimba (5.0 octave, four mallets) | Advanced-Artist | TANK GIRL – Marimba and Vibraphone Duet – Rhythmscape Publishing | Jazz, Latin and modern aspects blend artfully together in this gloriously tonal duet. Both instruments have opportunity to shine; moving the listener along with energy and passion. | 16' | James Doyle | |||||||||||
18 | Laurie San Martin | Layover/Overlay Two | 2 | 2 Marimbas | http://lauriesanmartin.com/wordpress/works | 8' | Emily Johnson | |||||||||||||
19 | Missy Mazzoli | Volume | 2 | 2 vibraphones or vibraphone and steel drum with 2 kick drums and 5 glass bottles of water | http://www.missymazzoli.com/chamber-ensemble/ | Emily Johnson | ||||||||||||||
20 | Molly Joyce | Less is More | 2 | Percussion (kick drum, glockenspiel, cymbals) & Piano | https://mollyjoycemusic.com/works/chamber-ensemble/ | 6' | Emily Johnson | http://www.sarahrimkus.com/blackbird | ||||||||||||
21 | Molly Joyce | Queen | 2 | percussion 1: glockenspiel, desk bells; percussion 2: vibraphone, kick drum | https://mollyjoycemusic.com/works/chamber-ensemble/ | James Doyle | ||||||||||||||
22 | Olivia Kieffer | Reflection Canon | 2 | two vibraphones | http://oliviakieffer.com/percussion/ | 4 mvts | 35' | Bridget Bourne | ||||||||||||
23 | Olivia Kieffer | Down the Hatch, She Wrote | 2 | two vibraphones | http://oliviakieffer.com/percussion/ | 14' | Sean Connors | https://www.youtube.com/watch?v=bc8AVnc-S9w | ||||||||||||
24 | Sarah Graves | Artifacts: Souvenirs of Time Travel | 2 | http://www.sarahgracegraves.com | Written for percussionists Lucas Sanchez and Keith Hammer III, Artifacts premiered in March 2015 at Rice University's Shepherd School of Music. The piece is comprised of a set of miniatures, with titles and positions as follows: | James Doyle | ||||||||||||||
25 | Sarah Hennies | Flourish | 2 | two vibraphones | http://www.sarah-hennies.com/store/?category=Scores | 15' | Emily Johnson | https://soundcloud.com/danihoward/sets/what-lies-beneath-rings-for-percussion-octet | ||||||||||||
26 | Sofia Gubaidulina | Sonata for two percussionists | 2 | 2 perc (I: timp, tambourine, 5 tom, Turkish cym, tubular bells, 2 aluminium discs, vibr - II: tgl, crot, cast, temple bl, tambourine, Chinese cym or tam-t) | http://www.musicsalesclassical.com/composer/work/2908/37734 | James Doyle | ||||||||||||||
27 | Susan Powell | Carpe Diem | 2 | Bongos, 2 snare drums, 5 toms, china cymbal, tambourine, piggyback cymbal, 3 woodblocks, triangle, bass drum, opera gong | https://www.steveweissmusic.com/product/20733/multi-percussion-duet | Mutli-Percussion | 15' | Emily Johnson | ||||||||||||
28 | TIne Surel Lange | Organized Sound for Sounding Objects II: Metal and Glass | 2 | Wineglasses and Bowed Glockenspiel | http://tinesurel.com/wp-content/uploads/2018/12/Tine-Surel-Lange_Metal-and-glass_2018_5.8.18.pdf | 30' to 7hrs | Bridget Bourne | http://milker.org/volunteerchorus | ||||||||||||
29 | Anna Ignatowicz | Passacaglia | 2 | Marimba and vibraphone | adv | 13' | Payton MacDonald | |||||||||||||
30 | JL Marlor | Cut/Stitch | 2 | vibraphone and kit | adv | https://youtu.be/N2G__fiCF-A | ||||||||||||||
31 | Juri Seo | Spoons | 2 | 10 spoons | adv | 11' | Emily Johnson | http://www.jessicarudman.com/product/black-sails/ | ||||||||||||
32 | Katherine Rawlings | Athenas Garden | 2 | Glockenspiel, vibraphone, marimba (five octaves) | adv | https://www.australianmusiccentre.com.au/workversion/rawlings-katherine-anthea-s-garden/29167 | For me, this piece was about conveying a children's story through the use of music and images, rather than words. This work includes eight drawings that may be projected onto a screan or shown in a program format. It conveys the story of a little girl asleep on a rug next to her cat and her much loved sunflower pot plant. When the girl awakes she has shrunk, the cat has disappeared, and the sunflower has sprouted legs and is running away. We witness the girl chasing the sunflower and then suddenly running away from her giant cat. In her travels she discovers in her garden; two fairies dancing, and later, a gathering of large insects discover her. The piece concludes in the same way as it began. The little girl is sleeping as she was in the beginning, representing that she had in fact been asleep all this time, and dreaming. | 5' | Abbey Mellado | https://youtu.be/9wqPw8DCGaI | ||||||||||
33 | Keiko Abe | Works for Marimba Duo | 2 | Two Marimbas | adv | https://www.steveweissmusic.com/product/1102064/mallet-duet | 8' | |||||||||||||
34 | Kerryn Joyce | DTKT | 2 | Six Concert Toms, Two Snare Drums, Bongos | adv | DTKT – Percussion Duet – Rhythmscape Publishing | DTKT is an exploration of rhythmic cells for untuned percussion instruments inspired by the vocal sounds of Indian rhythms. The particular rhythmic cell featured here is the Dha Tit Kit Tak (pronounced dha titta kitta takka). The opening explodes with vitality and then it is pure groove to the end. | Gloria Yehilevsky | ||||||||||||
35 | Kerryn Joyce | Entrata | 2 | Vibraphone (four mallets), Marimba (4.3 octave, four mallets) | Adv | Entrata – Marimba and Vibraphone Duet – Rhythmscape Publishing | This highly tonal work gives opportunity for both players to shine within an approachable framework. Simple four-mallet parts enable both students and more advanced player to enjoy this piece. An energetic opening is contrasted with a lyrical dance like middle section before the exciting finale brings the piece together. You want a great concert opener? You need, Entrata. | https://www.youtube.com/watch?v=IDmAcpDUxKk | ||||||||||||
36 | Libby Larsen | Like Blind Men Tapping in the Dark | 2 | marimba | adv | Composer's website: https://libbylarsen.com/index.php?contentID=242&profileID=1600&startRange= | one marimba-players on opposite sides | Delaney Armstrong | ||||||||||||
37 | Lila Meretzky | Don't look for me where birds sing | 2 | 4 toms (low to high), medium gong (unspecified pitch), dustpan, kick drum, brake drum, 1 Bb crotale, fixed electronics | adv | Contact the composer at lila.meretzky@gmail.com | With fixed electronics (notes on them in the score), fast and chaotic | 10' | Bridget Bourne | |||||||||||
38 | Lila Meretzky | Lunch | 2 | 1 5 octave marimba, 1 vibraphone | adv | Contact the composer at lila.meretzky@gmail.com | Kaleidescopic | 6' | Sean Connors | |||||||||||
39 | Addie Camsozou | Pressure System | 3 | https://www.addiecamsuzou.com/compositions | 9' | Emily Johnson | ||||||||||||||
40 | Agata Zubel | Suite | 3 | http://www.zubel.pl/index.php/en/utwory | 12' | James Doyle | ||||||||||||||
41 | Alex Shapiro | At the Abyss | 3 | piano, marimba, vibraphone and percussion | https://www.alexshapiro.org/ASWorks.html#percussion | 8:50' | Gloria Yehilevsky | https://vimeo.com/74374718 | ||||||||||||
42 | Anahita Abbasi | Situation III | 3 | http://anahitaabbasi.com/compositions-by-instrumentation/ | 3' | James Doyle | http://www.taolimusic.com/?page=compositions | |||||||||||||
43 | Bridget Bourne | Con Sequence | 3 | Vibraphone, 4.3 octave Marimba, 5 octave Marimba | https://www.bridgetbourne.com/con-sequence | James Doyle | ||||||||||||||
44 | Claudia Molitor | Entangled | 3 | http://www.claudiamolitor.org/list-of-compositions/ | Commissioned by line upon line percussion | 4'30'' | Emily Johnson | http://c-alanpublications.com/quintessential-quintets/ | ||||||||||||
45 | Elizabeth Hoffman | In Red Weather | 3 | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | 9" | Korry Friend | https://www.youtube.com/watch?v=WzfU9zlhsnA | |||||||||||||
46 | Elizabeth Hoffman | Immer Inner | 3 | Tam Tams and Thai Gongs | https://wp.nyu.edu/elizabeth_hoffman/workslist/percussion/ | |||||||||||||||
47 | Hannah Lash | Glockenliebe | 3 | glockenspiel trio | Difficult | James Doyle | ||||||||||||||
48 | Jennifer Walsh | Everything you own has been taken to a depot somewhere | 3 | unspecified | http://milker.org/jenniferwalsheworklist | James Doyle | ||||||||||||||
49 | Juri Seo | Shui | 3 | 6 crotales and water | http://juriseomusic.com/shui | 4'30'' | Emily Johnson | https://www.jessicarudman.com/compositions/chamber/ | ||||||||||||
50 | Juri Seo | Triangle Trio | 3 | triangle, tambourine, castanets | https://squareup.com/store/juriseomusic/ | James Doyle | ||||||||||||||
51 | Keiko Abe | The Wave Impressions | 3 | marimba and two percussionists | https://www.steveweissmusic.com/product/1129120/mallet-accompaniment#full-description | 11' | Delaney Armstrong | |||||||||||||
52 | Louise Fristensky | The Ravening Clouds: Don't kill us, cumulonimbus! | 3 | https://www.louisefristensky.com/list-of-works.html | 12' | Bridget Bourne | ||||||||||||||
53 | Louise Fristensky | Il dolce suono... | 3 | Player 1: Glockenspiel Player 2: Vibraphone Player 3: Timpani | https://www.louisefristensky.com/list-of-works.html | James Doyle | ||||||||||||||
54 | Maxine Lefever | Sonora | 3 | 3 Snare Drums | https://southernpercussion.com/1092-lefever-maxine | 5' | Bridget Bourne | |||||||||||||
55 | Miriama Young | Iron Tongues | 3 | Marimba, brake drums, drum kit | https://miriamayoung.com/ | James Doyle | http://juriseomusic.com/vv | |||||||||||||
56 | Molly Joyce | Chic | 3 | Percussion 1 - snare drum/triangle/kick drum Percussion 2 - Cabasa Percussion 3 - Glockenspiel | https://mollyjoycemusic.com/works/chamber-ensemble/ | 6'30'' | Emily Johnson | |||||||||||||
57 | Nell Shaw Cohen | Three Decorations | 3 | Vibraphone + xylophone, Tubular bells + Marimba, Drum kit | http://www.nellshawcohen.com/three-decorations/ | Three short movements for three percussionists. Each movement is a musical response to, or evocation of, a favorite image from European decorative arts. | 8' | Emily Johnson | https://vimeo.com/108578357 | |||||||||||
58 | Persis Vehar | Whimsies | 3 | http://www.persisvehar.com/works.html | James Doyle | |||||||||||||||
59 | Tawnie Olson | As Rain Hollows Stone | 3 | Player 1 - Bongos, congas, bass drum (shared w/ player 2), 23" timpani, cym Player 2 - Bongos, bass drum (shared w/ player 1) crotales, gong, Player 3 - 2 medium-low toms, congas, djembe, 25" timpani, cym | http://www.musiccentre.ca/node/63814 | variable | James Doyle | |||||||||||||
60 | Tine Surel Lange | ORGANIZED SOUND FOR SOUNDING OBJECTS II: METAL AND METAL | 3 | hree Metal Bowls and Metal Chop Sticks / Metal Knives | Emily Johnson | |||||||||||||||
61 | Caroline Wilkins | Bird organ is made of wood | 3 | Herd bells, side drum, glass chimes, 6 temple blocks, 3 wood blocks. Glockenspiel, vibraphone, 2 crotales, 2 cymbals. Bambus, guiro, 2 reco-recos, 3 maracas, cabaca, 2 mexican beans, shocallo, sand blocks, bass drum, side drum. | adv | https://www.australianmusiccentre.com.au/workversion/wilkins-caroline-bird-organ-is-made-of-wood/3733 | The work consists of 3 movements, taking as their starting point my interest in early forms of automata and their parallel with natural, environmental sound. Each movement explores the timbral properties of percussion instruments grouped according to their materials: metal, wood, membranes, tuned and untuned; merging certain timbral colours together. | James Doyle | ||||||||||||
62 | Carolyn Chen | Throw Me Light | 3 | lights x3, woodblock x3, bamboo wind chimes x2, marimba, vibraphone, wooden ball, gong, top octave of crotales, BD x2, snare x2, temple blocks, cym | adv | https://walkingmango.wordpress.com/work/instrumental/ | theatric | James Doyle | ||||||||||||
63 | Cassie Wieland | Weeds | 3 | Vibraphone, 2 kick drums, low tom, high tom, snare, hi-hat, crash cymbal, 2 metal bowls, 1 plastic bowl, BBs, buttons | adv | Contact composer at cassie.wieland1@gmail.com | Commissioned by line upon line percussion | James Doyle | ||||||||||||
64 | Gemma Peacocke | all corners of these floating worlds, swept | 3 | vibraphone, marimba, tamtam, 2 shakers, 2 tambourines, 2 bongos, small drum, large drum | adv | http://www.gemmapeacocke.com/contact | Premiered by NYU | 5' | James Doyle | https://www.youtube.com/watch?v=eOfGISmsZCo | ||||||||||
65 | Jane Boxall | Bucketheads | 3 | Player I: Bucket, Cowbell Player II: Bucket, Suspended Cymbal Player III: Bucket, Wood Block | adv | https://www.steveweissmusic.com/product/31228/percussion-ensemble-sheet-music | James Doyle | |||||||||||||
66 | Jeanette Little | Shifting Worlds | 3 | 3 metal tubes, 3 wooden planks, 3 gongs each | adv | https://jeanettelittle.net | James Doyle | |||||||||||||
67 | Jessie Marino | The Flower Episode (after Toshi Makihara) | 3 | one timpani | adv | gesture | James Doyle | |||||||||||||
68 | Julie Herndon | Transparentudes (Can’t ____ You) | 3 | Marimba, Light, Technology, Timpani, Vocals | adv | https://www.julieherndonmusic.com/work/ | 8' | Bridget Bourne | https://www.harukafujii.com/products/utari-cd-album | |||||||||||
69 | Karen Erving | Three-Play | 3 | Player I: 4 Cowbells, Suspended Cymbal Player II: 4 Temple Blocks, Wood Block Player III: Tenor Drum, Snare Drum, 2 Bongos | adv | https://www.steveweissmusic.com/product/three-play-ervin/percussion-ensemble-sheet-music | 8'30'' | Emily Johnson | https://soundcloud.com/sarah-g-graves/artifacts | |||||||||||
70 | Kate Soper | In the Reign of Harad IV | 3 | PC 1: 2 octaves crotales set up in a line, splash cymbal, hi-hat, china cymbal PC 2: glock, 3 woodblocks (low-med-hi), log drum (2 pitches) PC 3: vibraphone, 3 toms (low-med-hi) | adv | http://katesoper.com/works.htm | Uses spoken parts and large percussion setup Commissioned by line upon line percussion | 30' | James Doyle | https://www.youtube.com/watch?v=LSnr9eUDoEw | ||||||||||
71 | Katherine Bergman | Land of Cloud-Tinted Water | 3 | adv | https://www.katherinebergman.net/land-of-cloud-tinted-water.html | 22'' | Emily Johnson | |||||||||||||
72 | Laura Steenberge | Perseus Slays the Gorgon Medusa | 3 | Suspended cymbals - Literally Piano, Knife, Snare Drum, Baby Powder | adv | https://laurasteenbergeportfolio.com/compositions/perseus-slays-the-gorgon-medusa/ | Very avante garde | 6' | Sean Connors | |||||||||||
73 | Laurie Lafferty | Trio for Snare Drums | 3 | three snare drums with suspended cymbal and wood block | adv | https://www.jwpepper.com/Trio-for-Snare-Drums/5982409.item#/submit | 6.5' | |||||||||||||
74 | Li Tao | Chou Xi | 3 | bongos, 5 wood blocks, chinese gong 7", gong 9", finger cymbals, hihat, low tom | adv | Composer's website: http://www.taolimusic.com/?page=biography | small set ups | 3'28" | ||||||||||||
75 | Maxine Lefever | Bandelier | 3 | 3 Snare Drums | adv | https://southernpercussion.com/1092-lefever-maxine | 11.5' | Delaney Armstrong | ||||||||||||
76 | Molly Herron | Spring Planting | 3 | 2 gongs, 2 crotales, 2 flower pots, 3 rulers | adv. | available soon! | Commissioned by James Doyle and Adams State University | 18' | Emily Johnson | |||||||||||
77 | Olivia Kieffer | Play the Robot | 3 | 3 multipercussion | adv. | https://oliviakieffer.com/percussion/ | 18' | Delaney Armstrong | ||||||||||||
78 | Ritsuko Nasu | Classics for Marimba Trio | 3 | Fugue in G Minor: 1 4-oct marimba, 1 5-oct marimba Tritsch-Tratsch Polka: 2 4-oct marimbas, 1 5-oct marimba Pizzicato Polka: 1 5-oct marimba Ballet of the Unhatched Chicks: 2 4-oct marimbas Humoreske: 1 4-oct marimba, 1 4.3-oct marimba, 1 5-oct marimba Danza Ritual del Fuego: 2 4-oct marimbas, 1 5-oct marimba | adv. | http://c-alanpublications.com/classics-for-marimba-trio/ | 10' | Bridget Bourne | ||||||||||||
79 | Sarah Wald | Percussion Trio | 3 | glockenspiel (shared), xylophone, vibraphone, bongos, three toms, BD, tam tam | adv. | https://www.sarah-wald-composer.com/works-list | sections of improv | Emily Johnson | ||||||||||||
80 | Alexandra Bryant | Circuits and Breakers | 4 | Marimba and 3 percussionists | adv. | http://www.alexandratbryant.com/works.html | James Doyle | |||||||||||||
81 | Alexandra Gardner | Coyote | 4 | 2 marimbas (5.0 shared) for three players, vibraphone | adv. | Composer's website: http://www.alexandragardner.net/ | 5 mvt work | Delaney Armstrong | ||||||||||||
82 | Alexis Alrich | Muse of Fire | 4 | finger cyms, tri, 5 suspended rebar pieces, small chinese opera gong, snare drum, temple blocks, chinese drum, 2 cowbells, tambourine, sus cym, bass drum, vibraphone X2, marimba X2, high hand drum, low hand drum, gong, | adv. | http://www.alexisalrich.com/discography.html | Delaney Armstrong | |||||||||||||
83 | Alice Gomez | Heartbeat | 4 | Player I: Suspended Cymbal Player II: Small Gong, Snare Drum Player III: 3 Tom-Toms Player IV: Bass Drum | advanced | https://www.steveweissmusic.com/product/23858/percussion-ensemble-sheet-music#full-description | 7'30" | Emily Doolittle | ||||||||||||
84 | Alice Gomez | Rainbows | 4 | Vibraphone, Xylophone, 2 Marimbas | advanced | https://www.steveweissmusic.com/product/22747/mallet-ensemble | James Doyle | |||||||||||||
85 | Andrea La Rose | Canon for 4 Snare Drums | 4 | 4 snare drums | Advanced | http://reloadsanear.com/composer.html | 14' | Emily Johnson | http://www.zubel.pl/index.php/en/utwory | |||||||||||
86 | Andrea La Rose | There Were Once | 4 | Spoken word-all players. player one: agogo bells, drumstick, a medium rubber mallet, a brush. player two: suspended cymbal, using drumsticks, soft mallets, medium rubber mallets, a coin or washer, brushes. player three: sandblocks. player four: vibraslap. | Advanced | http://reloadsanear.com/composer.html | 8" | ? | ||||||||||||
87 | Andrea Reinkenmeyer | #@&%!* (expletive deleted) | 4 | Percussion 1. Timpani, Roto-toms, Bass Drum, Bongos, Small Cowbell, Mounted Tambourine, Suspended Cymbal; 2. Marimba, Bass Drum with Pedal, Mounted Tambourine, Temple Blocks, Large Cowbell, Hand Chimes, China Cymbal, Sizzle Cymbal, Chinese Gong, Hi-hat, Suspended Cymbal; 3. Timbales, Cowbell, Xylophone; 4. Floor Toms, Congas, Wood Block, Triangle | advanced | https://www.adjectivenewmusic.com/store/p26/Expletive_Deleted.html | #@&%!* (expletive deleted) for Percussion Quartet was premiered in Ann Arbor, Michigan in December 2000. This dynamic piece exhibits a heightened state of frenetic energy through explosive outbursts and a bubbling undercurrent of churning rhythmic figures. It explores disparate musical influences like popular and world music, while highlighting the flexibility and virtuosity of the percussion ensemble. The title reflects the demanding physicality of the individual parts and the tricky ensemble work. In fact, I was once told the expletive should have been inserted! | 8:30 | James Doyle | https://www.youtube.com/watch?v=CqZTX38aiDw | ||||||||||
88 | Andrea Venet | Refrakt | 4 | marimba quartet | Advanced | not yet published | 7' | Lila Meretzky | https://soundcloud.com/lila-meretzky/lunch | |||||||||||
89 | Angela Kepley | From the Inside Out | 4 | Body Percussion, Snare | advanced | http://c-alanpublications.com/from-the-inside-out/ | From the Inside Out is written for body percussion and snare drums. The snare parts cover many of the basic rudiments and give the students a chance to solo. | 10' | Delaney Armstrong | |||||||||||
90 | Angela Kepley | Syncoshift | 4 | one 3-octave vibraphone | advanced | http://c-alanpublications.com/syncoshift/ | One vibraphone & four players! If you are looking for a great mallet quartet for your students but have limited instruments, SyncoShift is the piece for you! | 7' | Delaney Armstrong | |||||||||||
91 | Anna Meadors | fragment / segment | 4 | 2 Marimba, 2 Vibrapone + additional drums/cymbals | advanced | http://www.annameadors.com | 7:30 | James Doyle | http://juriseomusic.com/shui | |||||||||||
92 | Anna Meadors | Interstice | 4 | Per player: 2-3 crotales, 3 pieces of wood, 3 pieces of metal, 1 cymbal | Advanced | http://www.annameadors.com | 7'30" | Gordon Hughes / Rhythmscape Publishing | https://youtu.be/N_zY_T4qMHI | |||||||||||
93 | Anna Thorvaldsdottir | Aura | 4 | advanced | http://www.annathorvalds.com/ensemblemusic/ | lighting and staging considerations | Emily Johnson | |||||||||||||
94 | Annika Socolofsky | the dictionary of obscure sorrows: ambedo | 4 | 1 five oct marimba, 1 vibraphone | Advanced | http://www.aksocolofsky.com/the-dictionary-of-obscure-sorrows-ambedo | some singing, need bango picks | Delaney Armstrong | ||||||||||||
95 | Augusta Read Thomas | Qi | 4 | 5 octave marimba, 4.3 octave marimba | easy | http://www.augustareadthomas.com/composition/qi.html | 15'' | Emily Johnson | ||||||||||||
96 | Augusta Read Thomas | Resounding Earth | 4 | roughly 125 bells from around the world | beginner - intermediate | http://www.augustareadthomas.com/composition/resounding.html | 4 movements | 5' | Emily Johnson | |||||||||||
97 | Agata Zubel | Nelumbo | 4 | Marimbas | http://www.zubel.pl/index.php/en/utwory | 8" | Cassie Wieland | |||||||||||||
98 | Ayanna Woods | Triple Point | 4 | 5 octave marimba, two vibraphones, drumset, small instruments | easy | https://www.youtube.com/watch?v=izE1iIGT7z8 | commissioned by Third Coast Percusison through the Emerging Composer Partnership | 6.5' | Sean Connors | https://www.youtube.com/watch?v=e2BTAfLfFbk | ||||||||||
99 | Caroline Shaw | so I hear you're into TAXIDERMY | 4 | 12 flower pots, marimba, vibes | easy | Composer's website: https://caroline-shaw-editions.myshopify.com/products/taxidermy | spoken parts for all players | James Doyle | ||||||||||||
100 | Alice Gomez | Echo Echo | 4 | Percussion quartet | https://www.musicroom.com/product/hl03775850/alice-gomez-echo-echo-percussion-ensemble.aspx | 9" | James Doyle |