| B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | |
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1 | name | synonyms | description | history | origins | adjectives | type | holding | year | predecessors | parent | influence | family | region | source | root | partner | group | related | music | timing |
2 | Afro House | Social dance | Afro House | African | yes | kwaito, tribal, deep house, soulful house | |||||||||||||||
3 | Afrobeats | Afro, Afro-pop, Afro-fusion, Afropop, Afrofusion | Nigeria, Ghana, UK | Afrobeats | African | yes | |||||||||||||||
4 | Allemande | Social dance | open-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
5 | Bachata | Dominican Republic | Social dance | Bachata | Afro-Caribbean | yes | yes | no | |||||||||||||
6 | Bachata Moderna | Spain | Social dance | Bachata | Afro-Caribbean | yes | no | ||||||||||||||
7 | Bachatango | US | Social dance | Bachata | Afro-Caribbean | yes | no | bachata, tango | |||||||||||||
8 | Balboa | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
9 | Ballet | Classical dance | Italy | Performance dance | Ballet | European | yes | ||||||||||||||
10 | Ballroom | Ballroom Standard, Smooth | International Ballroom | Ballroom | International | https://en.wikipedia.org/wiki/Ballroom_dance | yes | yes | |||||||||||||
11 | Belly Dance | Arabic dance | Egypt | Performance dance | Belly Dance | Oriental | yes | ||||||||||||||
12 | Bhangra | India | Indian Folk Dance | Indian | |||||||||||||||||
13 | Bharatanatyam | India | Indian Classical Dance | Indian | |||||||||||||||||
14 | Bolero | Spanish dance | Folk dance | Bolero | European | yes | yes | yes | Sevillanas | ||||||||||||
15 | Bollywood | India | Indian | Indian | |||||||||||||||||
16 | Boogie-woogie | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
17 | Breaking | Break Dance, b-boying, b-girling, Toprock, downrock, Floorwork | Social dance | Street dance | Afro-American | ||||||||||||||||
18 | Bump | Raggaeton | Afro-Caribbean | Funk | |||||||||||||||||
19 | Burlesque | Italy | Performance dance | Burlesque | European | yes | |||||||||||||||
20 | Capoeira | Martial art | Capoeira | Afro-Brazilian | yes | ||||||||||||||||
21 | Casino | Son Casino, Cuban Salsa, Salsa Cubana | Cuba | Social dance | closed-couple | 1980s | Salsa | Afro-Caribbean | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | yes | |||||||||||
22 | Cha-cha-cha (ballroom) | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
23 | Cha-cha-chá | Cuba | Social dance | closed-couple | 1950s | Son | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | ||||||||||||||
24 | Chaconne | Social dance | open-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
25 | Charleston | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
26 | Collegiate Shag | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
27 | Columbia | Rumba Columbia, Rumba Cubana, Afro Cubano | The columbia is a dance for men who individually enter the circle and compete against each other. They may use candles balanced on their heads, carry knives that they move around their bodies, or place on the floor items such as bottles or hats, around which they perform acrobatic movements. | Afro-Cuban | Folkloric dance | solo | Cuban rumba | Salsa | Afro-Caribbean | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | |||||||||||
28 | Commercial | USA | Commercial | American | yes | ||||||||||||||||
29 | Contact Tango | Tango | South American | ||||||||||||||||||
30 | Contemporary | US | Performance dance | Ballet | European | ||||||||||||||||
31 | Contredanse | contradanza criolla, danza, danza criolla, habanera | Cuba | Social dance | interdependent-couple | 16xx | Contradanza | https://www.britannica.com/art/Latin-American-dance#ref279309 | yes | yes | 2/4 or 6/8 | ||||||||||
32 | Cotillion | Social dance | interdependent-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
33 | Country Dance | Contradanse | British Isles | Social dance | Country dance | European | yes | yes | |||||||||||||
34 | Cuban bolero | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
35 | Cubaton | perreo | Sexy, wild and powerful but also smooth and erotic, just like perreo, the dance that goes with it. Europeans have been shaking their butts to the crazy sounds of Latin American rhythms ever since. The butt is actually the center of attention during this dance. The vigorous shaking of the female Culo, as the deified backside is called in Latin America, is compulsory for perreo. | Young musicians tinkered with new beats, lyrics and vocals, inspired by Sean Paul, Bob Marley, Daddy Yankee or Don Omar to develop their own style: CUBATON. | Santiago de Cuba, Cuba | Social dance | solo | 1990s | Cubaton, Raggaeton, Reggae, Dancehall, Hispanic Hip Hop, Rap, European Club music | Salsa | Afro-Caribbean | https://www.facebook.com/cubanfusion/posts/722349201176769/ | |||||||||
36 | Cumbia | Colombia | folkloric | Cumbia | South American | https://en.wikipedia.org/wiki/Cumbia | yes | ||||||||||||||
37 | Dancehall | Jamaica | Social dance | Dancehall | Afro-Caribbean | yes | Reggae | ||||||||||||||
38 | Danzón | The danzón allowed couples to dance even more closely together, thereby directing the movement toward fluid and soft sways. The closeness of partners in the ballroom position, the swaying hips, and the minimal use of floor space created the danzón’s characteristic look: a couple would be no more than 4 inches (about 10 cm) apart, dance on a single floor tile (ladrillo), and slide the entire foot on the floor for a small step (about 2 inches [5 cm]). The dance structure alternated between the basic step and paseos or descansos (rests), which allowed the dancers a moment to stop, listen to the orchestra, converse, and watch others at the gathering. | The first Cuban danzón is credited to Cuban cornet player Miguel Faílde, who composed “Las Alturas de Simpson” (1879; “Simpson Heights”). | Cuba | Social dance | closed-couple | 1890s | Waltz, Schottische, Polka | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | ||||||||||||
39 | Dembow | Jamaica | Reggaeton | Afro-Caribbean | reggaeton, dancehall | ||||||||||||||||
40 | Discofox | Social dance | Discofox | European | yes | yes | no | 2/4 or 4/4 | |||||||||||||
41 | Dominican Bachata | Dominican Republic | Social dance | Bachata | Afro-Caribbean | yes | no | ||||||||||||||
42 | East Coast Swing | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
43 | East Coast Swing | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
44 | Electric Boogaloo | Street dance | Afro-American | Funk | |||||||||||||||||
45 | Finnish Tango | Tango | South American | ||||||||||||||||||
46 | Flamenco | Spain | Performance dance | Flamenco | European | yes | |||||||||||||||
47 | Forró | Brazil | Social dance | Forró | Afro-Caribbean | https://en.wikipedia.org/wiki/Forr%C3%B3 | yes | yes | |||||||||||||
48 | Foxtrot | Slow Fox | Ballroom/Standard | Ballroom | International | https://en.wikipedia.org/wiki/Ballroom_dance | |||||||||||||||
49 | Funk Carioca | favela funk, baile funk | Social dance | Street dance | Afro-American | Funk | |||||||||||||||
50 | Galliard | Social dance | open-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
51 | Garba | India | Indian Folk Dance | Indian | |||||||||||||||||
52 | Ghoomar | India | Indian Folk Dance | Indian | |||||||||||||||||
53 | Grinding | Reggaeton | Afro-Caribbean | reggaeton | |||||||||||||||||
54 | Guaguancó | Rumba Guaguanco, Cuban rumba, Afro Cubano | Guaguancó places the man and woman in opposition, as they circle each other in symbolic sexual play. The dance is characterized by the vacunao, a hip-thrusting gesture by the man toward his partner; to avoid his advances, the woman must immediately turn away from him or use her skirts to cover her pelvic area. | Afro-Cuban | Folkloric dance | solo | Cuban rumba | Salsa | Afro-Caribbean | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | yes | ||||||||||
55 | Hand Dancing | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
56 | High Heels | heels | USA | High Heels | American | yes | |||||||||||||||
57 | Hip Hop | US | Social dance | Street dance | Afro-American | no | yes | ||||||||||||||
58 | House | USA | House | American | yes | ||||||||||||||||
59 | Indian Classical Dance | Indian | Indian | yes | |||||||||||||||||
60 | Indian Folk Dance | India | Indian Folk Dance | Indian | yes | ||||||||||||||||
61 | Jazz | US | Performance dance | Swing | Afro-American | ||||||||||||||||
62 | Jig | port-cruinn | England | Folk dance | Jig | European | no | yes | |||||||||||||
63 | Jive | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
64 | Jive | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
65 | K-Pop | korea, korean | South Korea | K-Pop | Asian | yes | |||||||||||||||
66 | Kathak | India | Indian Classical Dance | Indian | |||||||||||||||||
67 | Kathakali | India | Indian Classical Dance | Indian | |||||||||||||||||
68 | Krump | Krumping | US | Street dance | Afro-American | ||||||||||||||||
69 | Kuchipudi | India | Indian Classical Dance | Indian | |||||||||||||||||
70 | Kuduru | Kizomba | African | ||||||||||||||||||
71 | Lambada | Brazil | Social dance | Lambada | South American | yes | yes | no | forró, salsa, merengue, maxixe, carimbó | ||||||||||||
72 | Lancer | Social dance | interdependent-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
73 | Lavani | India | Indian Folk Dance | Indian | |||||||||||||||||
74 | Lindy Hop | US | Social dance | Swing | Afro-American | yes | no | jazz, tap, breakaway, charleston | |||||||||||||
75 | Locking | Street dance | Afro-American | Funk | |||||||||||||||||
76 | Mambo | The mambo was made popular by the Cuban musician Pérez Prado and developed in the 1940s as a marriage between son and swing. | Cuba | Social dance | closed-couple | 1940s | Son | Swing | Salsa | Afro-Caribbean | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | yes | |||||||||
77 | Manipuri | India | Indian Classical Dance | Indian | |||||||||||||||||
78 | Maxixe | Brazilian tango | Social dance | Maxixe | Afro-Brazilian | yes | no | choro | |||||||||||||
79 | Merengue | Dominican Republic | Social dance | Merengue | Afro-Caribbean | yes | yes | ||||||||||||||
80 | Minuet | Social dance | open-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
81 | Modern | Germany, US | Performance dance | Ballet | European | ||||||||||||||||
82 | Modern Jive | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
83 | Mohiniyattam | India | Indian Classical Dance | Indian | |||||||||||||||||
84 | Moonwalk | Street dance | Afro-American | Popping | |||||||||||||||||
85 | Odissi | India | Indian Classical Dance | Indian | |||||||||||||||||
86 | Pachanga | "A happy-go-lucky dance" of Cuban origin with a Charleston flavor due to the double bending and straightening of the knees. It is danced on the downbeat of four-four time to the usual mambo offbeat music characterized by the charanga instrumentation of flutes, violins, and drums. | Cuba | Social dance | solo | 1950s | Charleston | Son montuno, Merengue, Mambo | Salsa | Afro-Caribbean | https://en.wikipedia.org/wiki/Pachanga | yes | |||||||||
87 | Pasodoble | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
88 | Pavane | Social dance | open-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
89 | Perreo | Sandungueo | Reggaeton | Afro-Caribbean | reggaeton | ||||||||||||||||
90 | Pole Dancing | US | Performance dance | Pole Dancing | American | yes | |||||||||||||||
91 | Polka | Social dance | closed-couple | 18xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
92 | Popping | Street dance | Afro-American | Funk | |||||||||||||||||
93 | Quadrille | Social dance | interdependent-couple | 16xx | https://www.britannica.com/art/Latin-American-dance#ref279309 | ||||||||||||||||
94 | Quickstep | Ballroom/Standard | Ballroom | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
95 | Rasleela | India | Indian Folk Dance | Indian | |||||||||||||||||
96 | Reggaeton | Social dance | Reggaeton | Afro-Caribbean | yes | yes | |||||||||||||||
97 | Rhumba | Ballroom/Latin | Latin | International | https://en.wikipedia.org/wiki/Ballroom_dance | ||||||||||||||||
98 | Robot | mannequin | Street dance | Afro-American | Popping | ||||||||||||||||
99 | Rock and Roll | US | Social dance | Swing | Afro-American | yes | no | ||||||||||||||
100 | Rueda de Casino | Cuba | fun | Social dance | interdependent-couple | 1980s | Casino | Salsa | Afro-Caribbean | https://www.britannica.com/art/Latin-American-dance/The-Caribbean | yes |