| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Période | Image | Mot-clé | Lien | Licence | Crédit (titre-auteur) | PD | |||||||||||||||||||
2 | 1 | au 15e | https://commons.wikimedia.org/wiki/File:AMH-6603-KB_Map_of_the_West_African_coast.jpg | PD | AMH-6603-KB Map of the West African coast - Dutch National Library | |||||||||||||||||||||
3 | 2 | pendant | https://commons.wikimedia.org/wiki/File:Thomas_Rowlandson_-_The_Ivory_Coast,_West_Africa_-_Google_Art_Project.jpg | PD | Thomas Rowlandson - The Ivory Coast, West Africa | |||||||||||||||||||||
4 | 3 | mais aussi | https://www.britishmuseum.org/collection/object/E_Af1934-0308-1-a-b | CC BY 4.0 | Arm-dagger; sheath - The Trustees of the British Museum | |||||||||||||||||||||
5 | 4 | dans ce contexte | https://www.britishmuseum.org/collection/object/E_Af1934-1011-29-g-m | CC BY 4.0 | Arrow - The Trustees of the British Museum | |||||||||||||||||||||
6 | 5 | aussi bien | https://commons.wikimedia.org/wiki/File:AMH-6862-KB_Map_of_south_west_Africa.jpg | PD | AMH-6862-KB Map of south west Africa - Dutch National Library | |||||||||||||||||||||
7 | 6 | un campement | https://commons.wikimedia.org/wiki/File:Captives-being-brought-on-board-a-slave-ship-on-the-west-coast-of-africa--slave-coast--c1880-802464822-59fb46fc0d327a003632d7d3.jpg | CC BY 4.0 | Captives-being-brought-on-board-a-slave-ship-on-the-west-coast-of-africa--slave-coast--c1880-802464822-59fb46fc0d327a003632d7d3 - Nagyfaszu.velociraptor | |||||||||||||||||||||
8 | 7 | en effet | https://commons.wikimedia.org/wiki/File:A_century_of_discovery;_biographical_sketches_of_the_Portuguese_and_Spanish_navigators_from_Prince_Henry_to_Pizarro;_(1877)_(14783465792).jpg | CC BY | A century of discovery; biographical sketches of the Portuguese and Spanish navigators from Prince Henry to Pizarro; (1877) (14783465792) - Fæ | |||||||||||||||||||||
9 | 8 | le traité | https://commons.wikimedia.org/wiki/File:CantinoPlanisphere.png | PD | Cantino Planisphere - Bibliothèque de Modène | |||||||||||||||||||||
10 | 9 | au 16e | https://commons.wikimedia.org/wiki/File:India_tupi.jpg | PD | Albert Eckhout - India tupi - National Museum of Denmark | |||||||||||||||||||||
11 | 10 | mais le | https://commons.wikimedia.org/wiki/File:Travail_des_esclaves_dans_le_moulin_%C3%A0_sucre,_1681,_par_C%C3%A9sar_de_Rochefort.jpg | PD | Travail des esclaves dans le moulin à sucre, 1681, par César de Rochefort | |||||||||||||||||||||
12 | 11 | du coup | https://commons.wikimedia.org/wiki/File:The_history_of_slavery_and_the_slave_trade,_ancient_and_modern_-_the_forms_of_slavery_that_prevailed_in_ancient_nations,_particularly_in_Greece_and_Rome;_the_African_slave_trade_and_the_political_(14598547047).jpg | CC BY | The history of slavery and the slave trade, ancient and modern - the forms of slavery that prevailed in ancient nations, particularly in Greece and Rome; the African slave trade and the political (14598547047) - Fæ | |||||||||||||||||||||
13 | 12 | leur | https://commons.wikimedia.org/wiki/File:Gilberto_Ferrez,_Getty_Museum,_Abolition_of_slavery_by_Princess_Isabel_of_Bresil,_1888.png | PD | Gilberto Ferrez, Getty Museum, Abolition of slavery by Princess Isabel of Bresil, 1888 - | |||||||||||||||||||||
14 | 13 | et de | https://commons.wikimedia.org/wiki/File:Johann_Moritz_Rugendas_in_Brazil_2.jpg | PD | Johann Moritz Rugendas in Brazil 2 | |||||||||||||||||||||
15 | 14 | on les | https://commons.wikimedia.org/wiki/File:A_Rebel_Negro_armed_and_on_his_guard,_(Francesco_Bartolozzi,_1796).jpg | PD | A Rebel Negro armed and on his guard, (Francesco Bartolozzi, 1796) | |||||||||||||||||||||
16 | 15 | le petit | https://commons.wikimedia.org/wiki/File:Debret_-_N%C3%A9gres_%C3%A0o_Tronco.jpg | PD | Debret - Négres ào Tronco | |||||||||||||||||||||
17 | 16 | mais le | https://commons.wikimedia.org/wiki/File:Pork_butcher_and_slaves.jpg | PD | Pork butcher and slaves | |||||||||||||||||||||
18 | 17 | au Brésil | https://commons.wikimedia.org/wiki/File:Plantation_de_canne_%C3%A0_sucre._NY_Public_Library,_digital_collections.jpg | PD | Plantation de canne à sucre. NY Public Library, digital collections | |||||||||||||||||||||
19 | 18 | la première | https://commons.wikimedia.org/wiki/File:Morr%C3%A3o,_no_Parque_Nacional_da_Chapada_Diamantina_-_Bahia_crop_2.jpg | CC BY 3.0 | Morrão, no Parque Nacional da Chapada Diamantina - Bahia crop 2 - Julian Herzog | |||||||||||||||||||||
20 | 19 | quoi qu'il | https://commons.wikimedia.org/wiki/File:Ita%C3%BAna_-_State_of_Minas_Gerais,_Brazil_-_panoramio.jpg | CC BY 3.0 | Itaúna - State of Minas Gerais, Brazil - panoramio - Eduardo Betim | |||||||||||||||||||||
21 | 20 | la plupart | https://commons.wikimedia.org/wiki/File:Fazenda_Quilombo,_Taubat%C3%A9-SP,_Vladimir_Benincasa_19.jpg | CC BY 4.0 | Fazenda Quilombo, Taubaté-SP, Vladimir Benincasa 19 - Vladimir Benincasa | |||||||||||||||||||||
22 | 21 | comme il | https://commons.wikimedia.org/wiki/File:Brazil,_the_Amazons_and_the_coast_(1879)_(14783388225).jpg | CC BY | Brazil, the Amazons and the coast (1879) (14783388225) - Fæ | |||||||||||||||||||||
23 | 22 | par exemple | https://commons.wikimedia.org/wiki/File:Giovanni_Paolo_Oliva.png | CC BY 4.0 | Giovanni Paolo Oliva - Zumalabe | |||||||||||||||||||||
24 | 23 | car oui | https://commons.wikimedia.org/wiki/File:Nat_Turner%27s_slave_rebellion_(cropped).jpg | CC BY | Nat Turner's slave rebellion (cropped) - The Midnite Wolf | |||||||||||||||||||||
25 | 24 | libèrent | https://commons.wikimedia.org/wiki/File:Slave_Revolt_of_Saint_Domingue_1791.jpg | CC BY 4.0 | Slave Revolt of Saint Domingue 1791 - Aearthrise | |||||||||||||||||||||
26 | 25 | mais il | https://artlist.io/stock-footage/clip/books-library-shelves-education/56793 | |||||||||||||||||||||||
27 | 26 | en fait | https://knowyourmeme.com/memes/stonks | PD | Stonks Meme | |||||||||||||||||||||
28 | 27 | en effet | https://commons.wikimedia.org/wiki/File:Two_Male_Street_Vendors_in_Profile_with_Baskets,_Brazil-_MET_DP-15801-125.jpg | PD | Two Male Street Vendors in Profile with Baskets, Brazil- MET DP-15801-125 | |||||||||||||||||||||
29 | 28 | et récupèrent | https://commons.wikimedia.org/wiki/File:Elbaite_with_albite_-_S%C3%A3o_Jos%C3%A9_da_Safira,_Minas_Gerais,_Brazil.jpg | CC BY 4.0 | Elbaite with albite - São José da Safira, Minas Gerais, Brazil - lifar | |||||||||||||||||||||
30 | 29 | ensuite | https://commons.wikimedia.org/wiki/File:Albert_Eckhout_Tapuia_woman_1641.jpg | PD | Albert Eckhout - Tapuia woman 1641 - National Museum of Denmark | |||||||||||||||||||||
31 | 30 | ce qui | https://www.britishmuseum.org/collection/object/E_Af1944-04-7 | CC BY 4.0 | Figure - Benin City 18th century - The Trustees of the British Museum | |||||||||||||||||||||
32 | 31 | c'est toute | https://commons.wikimedia.org/wiki/File:Brazil_map_1602.jpg | PD | Brazil map 1602 | |||||||||||||||||||||
33 | 32 | en périphérie | https://commons.wikimedia.org/wiki/File:Tucano_no_cajueiro._Viagem_Filos%C3%B3fica_de_Alexandre_Rodrigues_Ferreira.jpg | PD | Tucano no cajueiro. Viagem Filosófica de Alexandre Rodrigues Ferreira | |||||||||||||||||||||
34 | 33 | n'oublions | https://commons.wikimedia.org/wiki/File:West_Indies-_manufacture_of_sugar_LCCN2003663735.jpg | PD | West Indies- manufacture of sugar LCCN2003663735. | |||||||||||||||||||||
35 | 34 | si on | https://commons.wikimedia.org/wiki/File:Fazenda_Quilombo,_Taubat%C3%A9-SP,_Vladimir_Benincasa_20.jpg | CC BY 4.0 | Fazenda Quilombo, Taubaté-SP, Vladimir Benincasa 20 - Vladimir Benincasa | |||||||||||||||||||||
36 | 35 | par exemple | https://artlist.io/stock-footage/clip/forest-mysterious-mystic-spain/6250543 | |||||||||||||||||||||||
37 | 36 | imaginons | https://commons.wikimedia.org/wiki/File:The_Slave_market_at_Rio.jpg | PD | The Slave market at Rio | |||||||||||||||||||||
38 | 37 | tout autour | https://artlist.io/stock-footage/clip/river-rocks-flowing-rainforest/486849 | |||||||||||||||||||||||
39 | 38 | les entrées | https://artlist.io/stock-footage/clip/india-fortress-forest-vasai-fort/6268401 | |||||||||||||||||||||||
40 | 39 | ensuite | https://commons.wikimedia.org/wiki/File:The_Unionist%27s_daughter_-_a_tale_of_the_rebellion_in_Tennessee;_(and,)_Maum_Guinea_and_her_plantation_%22children,%22_or,_Holiday-week_on_a_Louisiana_estate_-_a_slave_romance_(1861)_(14759484231).jpg | CC BY | The Unionist's daughter - a tale of the rebellion in Tennessee; (and,) Maum Guinea and her plantation "children," or, Holiday-week on a Louisiana estate - a slave romance (1861) (14759484231) - Fæ | |||||||||||||||||||||
41 | 40 | si l'attaque | https://artlist.io/stock-footage/clip/powerful-water-forest-bali/692356 | |||||||||||||||||||||||
42 | 41 | la retraite | https://commons.wikimedia.org/wiki/File:The_Unionist%27s_daughter_-_a_tale_of_the_rebellion_in_Tennessee;_(and,)_Maum_Guinea_and_her_plantation_%22children,%22_or,_Holiday-week_on_a_Louisiana_estate_-_a_slave_romance_(1861)_(14782520223).jpg | CC BY | The Unionist's daughter - a tale of the rebellion in Tennessee; (and,) Maum Guinea and her plantation "children," or, Holiday-week on a Louisiana estate - a slave romance (1861) (14782520223) - Fæ | |||||||||||||||||||||
43 | 42 | ces | https://commons.wikimedia.org/wiki/File:Hills_in_Alagoas_Brazil.jpg | CC BY 4.0 | Hills in Alagoas Brazil - Mario2gomes | |||||||||||||||||||||
44 | 43 | tous ensemble | https://commons.wikimedia.org/wiki/File:Carand%C3%A1_Wax-palms_(Copernicia_alba)_(28272438693).jpg | CC BY 2.0 | Carandá Wax-palms (Copernicia alba) (28272438693) - Helmy oved | |||||||||||||||||||||
45 | 44 | le vaste | https://commons.wikimedia.org/wiki/File:Navio_Negreiro_by_Johann_Moritz_Rugendas_(1830)_(no_borders).jpg | PD | Navio Negreiro by Johann Moritz Rugendas (1830) (no borders) | |||||||||||||||||||||
46 | 45 | les marrons | https://commons.wikimedia.org/wiki/File:R%C3%A9bellion_d%27un_esclave_sur_un_navire_n%C3%A9grier._E._Renard,_1839._MNM_La_Rochelle.JPG | CC BY 4.0 | Rébellion d'un esclave sur un navire négrier. E. Renard, 1839. MNM La Rochelle - Ismoon | |||||||||||||||||||||
47 | 46 | les estimations | https://commons.wikimedia.org/wiki/File:Saint_Dominican_Slave_Revolt_1791.jpg | CC BY 4.0 | Saint Dominican Slave Revolt 1791 - Aearthrise | |||||||||||||||||||||
48 | 47 | mais après | https://commons.wikimedia.org/wiki/File:The_Unionist%27s_daughter_-_a_tale_of_the_rebellion_in_Tennessee;_(and,)_Maum_Guinea_and_her_plantation_%22children,%22_or,_Holiday-week_on_a_Louisiana_estate_-_a_slave_romance_(1861)_(14739654086).jpg | CC BY | The Unionist's daughter - a tale of the rebellion in Tennessee; (and,) Maum Guinea and her plantation "children," or, Holiday-week on a Louisiana estate - a slave romance (1861) (14739654086) - Fæ | |||||||||||||||||||||
49 | 48 | à force | https://commons.wikimedia.org/wiki/File:R%C3%A9volte_des_noirs_%C3%A0_Saint-Domingue,_gravure_d%27%C3%89mile_Thomas,_XIXe_si%C3%A8cle.jpg | PD | Révolte des noirs à Saint-Domingue, gravure d'Émile Thomas, XIXe siècle | |||||||||||||||||||||
50 | 49 | dans son | https://commons.wikimedia.org/wiki/File:Plate_2_Retreat_of_Lt_Brady.jpg | PD | Plate 2 Retreat of Lt Brady | |||||||||||||||||||||
51 | 50 | les bâtiments | https://commons.wikimedia.org/wiki/File:Church_of_Carmel,_Olinda20150715-DSC05360.JPG | CC BY 4.0 | Church of Carmel, Olinda20150715-DSC05360 - MB-one | |||||||||||||||||||||
52 | 51 | mais attention | https://commons.wikimedia.org/wiki/File:17_-_Lavanderia_-_Kampa_Tollavejo._Alag%C3%B4as_-_Brazil_(IO)_(1)_-_1-03781-0000-0000,_Acervo_do_Museu_Paulista_da_USP.jpg | PD | 17 - Lavanderia - Kampa Tollavejo. Alagôas - Brazil (IO) (1) - 1-03781-0000-0000, Acervo do Museu Paulista da USP | |||||||||||||||||||||
53 | 52 | mais les | https://commons.wikimedia.org/wiki/File:Artur_Tim%C3%B3teo_da_Costa_-_%C3%8Dndia.jpg | PD | Artur Timóteo da Costa - Índia | |||||||||||||||||||||
54 | 53 | mais même | https://commons.wikimedia.org/wiki/File:Rugendas_-_Aldea_des_Tapuyos.jpg | PD | Rugendas - Aldea des Tapuyos | |||||||||||||||||||||
55 | 54 | pour renforcer | https://commons.wikimedia.org/wiki/File:Fers_esclave.jpg | CC BY 3.0 | Fers esclave - Antoinetav | |||||||||||||||||||||
56 | 55 | ils ont | https://commons.wikimedia.org/wiki/File:Slaved_Guarani_Family.jpg | PD | Slaved Guarani Family | |||||||||||||||||||||
57 | 56 | sauf | https://artlist.io/stock-footage/clip/anciant-feather-pen-compass-letter/224449 | |||||||||||||||||||||||
58 | 57 | mais | https://commons.wikimedia.org/wiki/File:African_slaves_washing_for_diamonds_at_Mandanga_on_the_River_Jigitonhonha_in_Cerro_de_Frio,_Brazil,_1815.jpg | PD | African slaves washing for diamonds at Mandanga on the River Jigitonhonha in Cerro de Frio, Brazil, 1815 - Jefunky | |||||||||||||||||||||
59 | 58 | par exemple | https://artlist.io/stock-footage/clip/drawer-cabinet-files-clinic/112004 | |||||||||||||||||||||||
60 | 59 | et encore | https://commons.wikimedia.org/wiki/File:The_Slave_Scene_by_Nji_Gbetkom_Salifou_(Tikar_Bamum).jpg | CC BY 4.0 | The Slave Scene by Nji Gbetkom Salifou (Tikar Bamum) - MiddleOfAfrica | |||||||||||||||||||||
61 | 60 | les colons | https://commons.wikimedia.org/wiki/File:Pessoas_do_Brasil_colonial._Obra_de_Carlos_Juli%C3%A3o.png | PD | Pessoas do Brasil colonial. Obra de Carlos Julião | |||||||||||||||||||||
62 | 61 | en effet | https://artlist.io/stock-footage/clip/judge-courthouse-court-legal/6048523 | |||||||||||||||||||||||
63 | 62 | le plus | https://commons.wikimedia.org/wiki/File:Ant%C3%B4nio_Parreiras_-_Zumbi.jpg | PD | Antônio Parreiras - Zumbi | |||||||||||||||||||||
64 | 63 | il est | https://commons.wikimedia.org/wiki/File:Desperate_Conflict_in_a_Barn.png | PD | Desperate Conflict in a Barn | |||||||||||||||||||||
65 | 64 | chaque | https://artlist.io/stock-footage/clip/vegetation-garden-ancient-ruins/6117930 | |||||||||||||||||||||||
66 | 65 | enfin | https://artlist.io/stock-footage/clip/jungle-trees-macaw-parrot/469186 | |||||||||||||||||||||||
67 | 66 | les premiers | https://commons.wikimedia.org/wiki/File:Famille_d%E2%80%99un_Chef_Camacan_se_pr%C3%A9parant_pour_une_F%C3%AAte.jpg | PD | Famille d’un Chef Camacan se préparant pour une Fête | |||||||||||||||||||||
68 | 67 | pour une | https://commons.wikimedia.org/wiki/File:Indian_rubber_gatherers_on_the_upper_Amazon,_Brazil_LCCN2001705614.jpg | PD | Indian rubber gatherers on the upper Amazon, Brazil LCCN2001705614 | |||||||||||||||||||||
69 | 68 | et il | https://commons.wikimedia.org/wiki/File:Brazil_16thc_map.jpg | PD | Brazil 16thc map | |||||||||||||||||||||
70 | 69 | finalement | https://commons.wikimedia.org/wiki/File:Evert_Oudendijck_-_A_military_encampment_with_soldiers_carousing_before_a_tent.jpg | PD | Evert Oudendijck - A military encampment with soldiers carousing before a tent | |||||||||||||||||||||
71 | 70 | d'au moins | https://commons.wikimedia.org/wiki/File:Feliz_e_pronta_reedifica%C3%A7%C3%A3o_da_igreja_do_antigo_Recolhimento_de_Nossa_Senhora_do_Parto_come%C3%A7ada_no_dia_25_de_agosto_de_1789_e_conclu%C3%ADda_em_02_de_dezembro_do_mesmo_ano.jpg | PD | Feliz e pronta reedificação da igreja do antigo Recolhimento de Nossa Senhora do Parto começada no dia 25 de agosto de 1789 e concluída em 02 de dezembro do mesmo ano | |||||||||||||||||||||
72 | 71 | puis dans | https://commons.wikimedia.org/wiki/File:Atlas_Van_der_Hagen-KW1049B13_095-PRAEFECTURAE_PARANAMBUCAE_PARS_BOREALIS,_una_cum_PRAEFECTURA_de_ITAMARACA.jpeg | PD | Atlas Van der Hagen-KW1049B13 095-PRAEFECTURAE PARANAMBUCAE PARS BOREALIS, una cum PRAEFECTURA de ITAMARACA - National Museum of denmark | |||||||||||||||||||||
73 | 72 | ils occupent | https://commons.wikimedia.org/wiki/File:Reduto_da_Boa_Vista.jpg | PD | Reduto da Boa Vista | |||||||||||||||||||||
74 | 73 | leurs | https://commons.wikimedia.org/wiki/File:DUYSTER,_Willem_Cornelisz_-_Card-Playing_Soldiers.jpg | PD | DUYSTER, Willem Cornelisz - Card-Playing Soldiers | |||||||||||||||||||||
75 | 74 | les journaux | https://artlist.io/stock-footage/clip/candlelight-historic-ancient-candle/224426 | |||||||||||||||||||||||
76 | 75 | comme les | https://commons.wikimedia.org/wiki/File:Pieter_Symonsz._Potter_-_Guardroom_Interior_-_WGA18225.jpg | PD | Pieter Symonsz. Potter - Guardroom Interior - WGA18225 | |||||||||||||||||||||
77 | 76 | mais le | https://commons.wikimedia.org/wiki/File:A_Dutch_Squadron_attacking_a_Spanish_Fortress_RMG_BHC0801.tiff | PD | A Dutch Squadron attacking a Spanish Fortress RMG BHC0801 | |||||||||||||||||||||
78 | 77 | les évasions | https://commons.wikimedia.org/wiki/File:Image_of_a_woman_escaping_from_American_slavery_-_fugitive_slaves_in_the_United_States_02.jpg | PD | Image of a woman escaping from American slavery - fugitive slaves in the United States 02 | |||||||||||||||||||||
79 | 78 | 1677 | https://commons.wikimedia.org/wiki/File:Mathias_D%27Albuquerque.jpg | PD | Mathias D'Albuquerque | |||||||||||||||||||||
80 | 79 | il parvient | https://commons.wikimedia.org/wiki/File:Albert_Eckhout_painting.jpg | PD | Albert Eckhout - african man | |||||||||||||||||||||
81 | 80 | dès l'année | https://artlist.io/stock-footage/clip/writing-feather-pen-hand-vintage/282989 | |||||||||||||||||||||||
82 | 81 | de l'autre | https://commons.wikimedia.org/wiki/File:Metmuseum-carpeaux-why-born-a-slave-DP-18132-003.jpg | PD | Metmuseum-carpeaux-why-born-a-slave-DP-18132-003 | |||||||||||||||||||||
83 | 82 | les termes | https://commons.wikimedia.org/wiki/File:Slaves_drying_coffee_circa_1870.jpg | PD | Slaves drying coffee circa 1870 | |||||||||||||||||||||
84 | 83 | en gros | https://commons.wikimedia.org/wiki/File:Ganga_Zumba.jpg | CC BY 4.0 | Ganga Zumba - Chargel | |||||||||||||||||||||
85 | 84 | deux | https://commons.wikimedia.org/wiki/File:Afonsoviportugal.jpg | PD | Afonsoviportugal | |||||||||||||||||||||
86 | 85 | trois | https://commons.wikimedia.org/wiki/File:A_Brazilian_family_in_Rio_de_Janeiro_by_Jean-Baptiste_Debret_1839.jpg | PD | A Brazilian family in Rio de Janeiro by Jean-Baptiste Debret 1839 | |||||||||||||||||||||
87 | 86 | la paix | https://artlist.io/stock-footage/clip/crime-mirror-weapon-glass/333140 | |||||||||||||||||||||||
88 | 87 | pendant | https://www.rijksmuseum.nl/en/collection/object/Design-for-a-Statue-of-Anton-de-Kom--40a346ce6dfc0850580644a0e2487e5f?query=slaves&collectionSearchContext=Art&page=2&sortingType=Popularity | PD | Design for a Statue of Anton de Kom - Rijksmuseum | |||||||||||||||||||||
89 | 88 | celles-ci | https://commons.wikimedia.org/wiki/File:Portugal_1729_8_Escudos.jpg | PD | Portugal 1729 8 Escudos | |||||||||||||||||||||
90 | 89 | en 1694 | https://commons.wikimedia.org/wiki/File:Domingos_Jorge_Velho.jpg | PD | Domingos Jorge Velho | |||||||||||||||||||||
91 | 90 | ce qui | https://commons.wikimedia.org/wiki/File:L%27Ex%C3%A9cution_de_la_Punition_de_Fouet_by_Jean-Baptiste_Debret_2.jpg | PD | L'Exécution de la Punition de Fouet by Jean-Baptiste Debret 2 | |||||||||||||||||||||
92 | 91 | après | https://artlist.io/stock-footage/clip/steam-jungle-indonesia-bali/556837 | |||||||||||||||||||||||
93 | 92 | les 6000 | https://commons.wikimedia.org/wiki/File:Guerra_de_Arauco_-_Ger%C3%B3nimo_de_Bibar.jpg | PD | Guerra de Arauco - Gerónimo de Bibar | |||||||||||||||||||||
94 | 93 | mais pas | https://commons.wikimedia.org/wiki/File:Brazil,_the_Amazons_and_the_coast_(1879)_(14780959984).jpg | CC BY | Brazil, the Amazons and the coast (1879) (14780959984) - Fæ | |||||||||||||||||||||
95 | 94 | on le | https://artlist.io/stock-footage/clip/lava-rocks-church-ruins/106674 | |||||||||||||||||||||||
96 | 95 | pour prouver | https://artlist.io/stock-footage/clip/wind-waving-black-flags-holding/192265 | |||||||||||||||||||||||
97 | 96 | certains | https://commons.wikimedia.org/wiki/File:Parlamento_de_Quilin_1641_-_Alonso_de_Ovalle.JPG | PD | Parlamento de Quilin 1641 - Alonso de Ovalle | |||||||||||||||||||||
98 | 97 | mais | https://commons.wikimedia.org/wiki/File:Vue_des_40_jours_d%27incendie_des_Habitations_de_la_plaine_du_Cap_Fran%C3%A7ais_-_Gravure_de_J.-B._Chapuy_d%E2%80%99apr%C3%A8s_J.-L._Boquet,_1795_-_Archives_d%C3%A9partementales_de_la_Gironde,_cote_61_J_66.94.jpg | PD | Vue des 40 jours d'incendie des Habitations de la plaine du Cap Français - Gravure de J.-B. Chapuy d’après J.-L. Boquet, 1795 - Archives départementales de la Gironde, cote 61 J 66.94 | |||||||||||||||||||||
99 | 98 | les quilombos | https://commons.wikimedia.org/wiki/File:HABITA%C3%87%C3%83O_DE_ESCRAVOS_(Slaves_habitation)_-_Quadro_de_Johann_Moritz_Rugendas_-_1802-1858_(13060535135).jpg | CC BY 2.0 | HABITAÇÃO DE ESCRAVOS (Slaves habitation) - Quadro de Johann Moritz Rugendas - 1802-1858 (13060535135) - Sturm | |||||||||||||||||||||
100 | 99 | mais | https://commons.wikimedia.org/wiki/File:Negros_novos_by_Johann_Moritz_Rugendas_1835.jpg | PD | Negros novos by Johann Moritz Rugendas 1835 |