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2 | Please contribute to this growing collection of resource lists, navigable by the tabs at the bottom of the page. It is a collective work-in-progress. | ||||||||||||||||||||||||||||||||||
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4 | BIPOC History, Theory, & Criticism | ||||||||||||||||||||||||||||||||||
5 | Author | Essay / Article / Chapter title | Book / Journal / Project title | Editor(s) | Publisher | Year | Pages | ISBN | URL | Keywords | Annotation | ||||||||||||||||||||||||
6 | Aimee Lee | Hanji Unfurled: One Journey Into Korean Papermaking | |||||||||||||||||||||||||||||||||
7 | Amos Paul Kennedy, Jr. | Social Book Building | Talking the Boundless Book: Art, Language, and the Book Arts | Charles Alexander | MN Center for the Book/Distributed Art Publisher | 1995 | 45 - 55 | 978-1879832091 | Minnesota Center for the Book, social printing, Langston Hughes, DIY, book arts for children, african-american, black | ||||||||||||||||||||||||||
8 | Brigitte Fielder (Editor), Jonathan Senchyne (Editor) | Against a Sharp White Background:Infrastructures of African American Print | |||||||||||||||||||||||||||||||||
9 | Candace Wolf | ONEIL CANNON: The Story of a Radical Black Printer | |||||||||||||||||||||||||||||||||
10 | Caroline Fazzini | Bookworks as Networks: Feminist Artists' Book Projects of the 1980-90s | 2018 | http://d-scholarship.pitt.edu/35433/ | Connections project/Conexus, Coast to Coast: A Women of Color National Artists' Book Project, Josely Carvalho, Sabra Moore, Clarissa Sligh, Faith Ringgold, book arts exhibitions, feminist art | unpublished undergraduate thesis, University of Pittsburgh | |||||||||||||||||||||||||||||
11 | Cecilia Vicuña | "Knotations on a Quipu" | Threads Talks | Steve Clay and Kyle Schlesinger | Granary Books and Cuneiform Press | 2016 | 978-1-88-712384-6 | Book: https://www.granarybooks.com/book/1185/Steven_Clay_Kyle_Schlesinger+Threads_Talk_Series/ | Audio: https://writing.upenn.edu/pennsound/x/Threads.php | ||||||||||||||||||||||||||
12 | Cecilia Vicuña | Libro Desierto/Desert Book | The Book of the Book | Jerome Rothenberg and Steve Clay | Granary Books and Cuneiform Press | 2000 | 1-887123-29-6 | ||||||||||||||||||||||||||||
13 | Colette Gaiter | "Navigating My Electronic Books" | Talking the Boundless Book: Art, Language, and the Book Arts | Charles Alexander, Dick Higgins | MN Center for Book Arts/Distributed Art Publisher | 1995 | 107-116 | 978-1879832091 | Minnesota Center for the Book, HyperCard, interactive books | Interactive digital book projects discussed | |||||||||||||||||||||||||
14 | Colette Gaiter | "Reading Photographs" | Graphic Design & Reading: explorations of an uneasy relationship | Gunnar Swanson, ed. | Allworth Press | 2000 | 61-71 | 1-58115-063-6 | https://books.google.com/books?id=fBLZ8ctGVLEC&newbks=0&hl=en&source=newbks_fb | Design, graphic arts, graphic design, photography and text | Discussion of "Modern Life Stories" artist book | ||||||||||||||||||||||||
15 | Danky, James P., and Wayne A. Wiegand, eds. | Print Culture in a Diverse America | |||||||||||||||||||||||||||||||||
16 | Derrick R. Spires | The Practice of Citizenship: Black Politics and Print Culture in the Early United States | |||||||||||||||||||||||||||||||||
17 | Divya Victor | >>[WOMAN WAILING]: On the problem of Representing Trauma as a Brown Woman Within the Institution of Poetry | Poetry Foundation | 2019 | https://www.poetryfoundation.org/harriet/2019/04/woman-wailing-on-the-problem-of-representing-trauma-as-a-brown-woman-within-the-institution-of-poetry?fbclid=IwAR0VIp6XbFd52GLOU2CrSxmhi0P_t4B7qanfreKJjTTrniEHabnCmdFYmNM | Poetry, trauma, pain, postcolonial studies, social media, academia | |||||||||||||||||||||||||||||
18 | Eric Gardner | Black Print Unbound: The Christian Recorder, African American Literature, and Periodical Culture | |||||||||||||||||||||||||||||||||
19 | Felipe Ehrenberg | "Cutting and pasting, metaphor of life" | Book Art Object | David Jury | Codex Foundation | 2008 | 57-65 | 978-0-9817914-0-1 | https://www.codexfoundation.org/publications/book-art-object | ||||||||||||||||||||||||||
20 | Felipe Ehrenberg, Magali Lara, and Javier Cadena | "Independent Publishing in Mexico" | Artists' Books: A Critical Anthology and Sourcebook | Joan Lyons | Visual Studies Workshop Press | 1985 | 167-185 | 0-89822-041-6 | |||||||||||||||||||||||||||
21 | George Henderson and John K. Young, eds. | Publishing Blackness: Textual Constructions of Race since 1850 | |||||||||||||||||||||||||||||||||
22 | Hala Auji | Printing Arab Modernity: Book Culture and the American Press in Nineteenth-Century Beirut | |||||||||||||||||||||||||||||||||
23 | Jesse Erickson | “The Gentleman’s Ghost: Patriarchal Eurocentric Legacies in Special Collections Design” | Archives and Special Collections as Sites of Contestation | Mary Kandiuk | 2020 | 978-1-63400-062-8 | |||||||||||||||||||||||||||||
24 | Joycelyn Moody and Howard Rambsy, II | African American Print Cultures | MELUS, Volume 40, Issue 3, Fall 2015, Pages 1–11 | ||||||||||||||||||||||||||||||||
25 | Juan Pascoe | An Early Mexican Typographic Ornament | |||||||||||||||||||||||||||||||||
26 | Lara Langer Cohen (Editor), Jordan Alexander Stein (Editor) | Early African American Print Culture | https://www.upenn.edu/pennpress/book/14971.html | ||||||||||||||||||||||||||||||||
27 | Marcy J. Dinius | “Look!! Look!!! at This!!!!”: The Radical Typography of David Walker’s Appeal | PMLA Volume 126, Number 1 | 2011 | 55–72 | Book history, typography, slavery, free blacks, 19th century, abolitionism, african-american | |||||||||||||||||||||||||||||
28 | Robert Fraser | Book History Through Postcolonial Eyes: Rewriting the Script | Routledge | 2008 | 9780415402934 | Book history, postcolonial studies, Africa, South Asia, oral tradition, | |||||||||||||||||||||||||||||
29 | Saki Mafundikwa | Afrikan Alphabets: The Story of Writing in Afrika | Mark Batty Publisher | 2006 | 978-0972424066 | typography, graphic design, Africa, Zimbabwe, Zimbabwe Institute of Vigital Arts | Out of print currently, at talk in early 2020 the author said it should go back into print soon. Talk is here: https://vimeo.com/showcase/5951685/video/413703126 | ||||||||||||||||||||||||||||
30 | Tia Blassingame | Dear Book Arts: African American Artists and the Book Form | Freedom of the Presses: Artists' Books in the Twenty-First Century | Booklyn | 2018 | 5-13 | 978-0692166789 | book arts, book artists, students, scholars, african-american, black book artists, education | |||||||||||||||||||||||||||
31 | Pushing the Margins Women of Color and Intersectionality in LIS | Rose L. Chou and Annie Pho | 2018 | 978-1-63400-052-9 | |||||||||||||||||||||||||||||||
32 | Phillip H. Round | Removable Type: Histories of the Book in Indian Country, 1663-1800 | University of North Carolina Press, 2010 | 978-0-8078-7120-1 | |||||||||||||||||||||||||||||||
33 | BIPOC Historical Figures, Movements, Publications | ||||||||||||||||||||||||||||||||||
34 | Name | Notes | Website for further info | ||||||||||||||||||||||||||||||||
35 | Broadside Press | Detroit based press that printed affordable black poetry broadsides (now Broadside Lotus Press) | http://www.broadsidelotuspress.org/dudley-randall-broadside-press | ||||||||||||||||||||||||||||||||
36 | Cherokee Phoenix | 1530 mesoamerican codex / Aztec, Mexica, migration, Tenochtitlan, Aztlán, colonization | https://www.cherokeephoenix.org/Article/Index/9955 | ||||||||||||||||||||||||||||||||
37 | Codex Azcatitlan | https://www.wdl.org/en/item/15280/ | |||||||||||||||||||||||||||||||||
38 | David Driskell | (1931-2020) visual artist and scholar of African American art | |||||||||||||||||||||||||||||||||
39 | Dox Thrash | (1893-1965), black American artist, printer, and printmaker, inventor carborundum print, WWI, WPA Graphic Arts Division | https://www.philamuseum.org/doc_downloads/education/ex_resources/doxThrash.pdf | ||||||||||||||||||||||||||||||||
40 | Eclipse Archive, The Black Radical Tradition | "Eclipse is a free on-line archive focusing on digital facsimiles of the most radical small-press writing from the last quarter century." | http://eclipsearchive.org/black.html | poetry, black radical, digital facsimiles, online archive | |||||||||||||||||||||||||||||||
41 | Elizabeth Catlett | (1915-2012), black American artist, printmaker, Mexico, University of Iowa, Taller de Gráfica Popular | http://www.artnet.com/artists/elizabeth-catlett/ | ||||||||||||||||||||||||||||||||
42 | Emma Amos | (1937-2020), black American artist, painter, printmaker | https://emmaamos.com/ | ||||||||||||||||||||||||||||||||
43 | Emory Douglas | (1943-) Black Panther Minister of Culture, political graphics, black graphic design | https://www.culturetype.com/2019/04/23/emory-douglas-i-was-the-revolutionary-artist-of-the-black-panther-party/ | ||||||||||||||||||||||||||||||||
44 | Experimental Printmaking Institute | (1995-) printmaking studio at Lafayette College, founded by Curlee Holton | https://epi.lafayette.edu/ | ||||||||||||||||||||||||||||||||
45 | Felipe Ehrenberg | (1943-2017) "Mexican artist who worked in painting, drawing, printmaking and performance, among other mediums. He also published books and magazines." | https://en.wikipedia.org/wiki/Felipe_Ehrenberg | ||||||||||||||||||||||||||||||||
46 | Freedom's Journal | the first African-American owned and operated newspaper in the USA | https://www.wisconsinhistory.org/Records/Article/CS4415 | ||||||||||||||||||||||||||||||||
47 | José Guadalupe Posada | (1852-1913) Mexican printmaker, working in relief and lithography. | https://en.wikipedia.org/wiki/Jos%C3%A9_Guadalupe_Posada | ||||||||||||||||||||||||||||||||
48 | Robert Blackburn | (1920-2003) artist, printmaker, educator | |||||||||||||||||||||||||||||||||
49 | Robert Blackburn Printmaking Workshop | https://www.rbpmw-efanyc.org/ | |||||||||||||||||||||||||||||||||
50 | Ruth Ellis | (1899-2000) black out-lesbian activist printer, first female owned printing company in MI | https://legacyprojectchicago.org/sites/default/files/2019-09/Ruth%20Ellis%20Lesson%20Plan.pdf | ||||||||||||||||||||||||||||||||
51 | Umbra | Literary magazine of the Umbra Group, published from 1963 - 1974. | https://fromasecretlocation.com/umbra/ | https://en.wikipedia.org/wiki/Umbra_(poets) | |||||||||||||||||||||||||||||||
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55 | Social Media- Instagram/Podcasts/Facebook | ||||||||||||||||||||||||||||||||||
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57 | Book Print Collective | Founded by Tia Blassingame....offers profiles of members on Instagram.... | @bookprintcollective | ||||||||||||||||||||||||||||||||
58 | Crafting the Future | Collective of BIPOC craftspeople founded in 2020 | @craftingthefuture | ||||||||||||||||||||||||||||||||
59 | Center for Afrofuturist Studies (Iowa City) | Artist Residency Program for BIPOC artists | @centerforafrofuturiststudies | ||||||||||||||||||||||||||||||||
60 | Studio Noize Podcast | Black Printmaker JBarber conducts interviews with BIPOC printmakers | www.studionoizepodcast.com | ||||||||||||||||||||||||||||||||
61 | Black Women of Print | Instagram group highlighting Black Women printmakers | @blackwomenofprint | ||||||||||||||||||||||||||||||||
62 | Critical Craft Forum | While not wholly focused on BIPOC, but addresses a number of these areas and over the summer focused on AAPI artists, some of whom are book artists/printmakers/papermakers | @criticalcraftforum on instagram/also on Facebook | ||||||||||||||||||||||||||||||||
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