| A | B | C | D | E | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | ||
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1 | Autor,autoři/Author(s) | Název publikace/Book's title | Vydavatel/Publisher | Rok/Year | E | UMPRUM Library | MV Library | Introduction | F & Gender | F & Sustain. | F & Soc./Psych. | F & Philosophy | F & Body, Ident. | F Writing | F & Mus./Show | F History, Cult. | F & Technology | F & Politics | ||||||||||
2 | Gillo Dorfles | (Nová) móda módy | Rubato | 2014 | ano/yes | ano/yes | X | |||||||||||||||||||||
3 | Susan J. Vincent (ed.) | A Cultural History of Dress and Fashion | Bloomsbury | 2021 | ne/no | ano/yes | X | |||||||||||||||||||||
4 | Bonnie English | A Cultural History of Fashion in the 20th and 21st Centuries: From Catwalk to Sidewalk | Bloomsbury | 2013 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
5 | Eun Jung Kang | A Dialectical Journey Through Fashion and Philosophy | Springer | 2019 | X | ne/no | ne/no | X | ||||||||||||||||||||
6 | Alison Gwilt | A Practical Guide to Sustainable Fashion | Bloomsbury | 2014 | X | ano/yes | ne/no | X | X | |||||||||||||||||||
7 | Valerie Steele | A Queer History of Fashion: From the Closet to the Catwalk | Yale University Press | 2013 | ano/yes | ano/yes | X | X | X | X | ||||||||||||||||||
8 | Barbara Brownie | Acts of Undressing: Politics, Eroticism, and Discarded Clothing | Bloomsbury | 2017 | X | ano/yes | ne/no | X | X | X | X | |||||||||||||||||
9 | Elizabeth Wilson | Adorned in Dreams: Fashion and Modernity | I.B.Tauris | 2013 | X | ano/yes | ano/yes | X | X | |||||||||||||||||||
10 | Elke Gaugele | Aesthetic Politics in Fashion | Sternberg Press | 2014 | X | ne/no | ne/no | X | X | |||||||||||||||||||
11 | Kristine H. Harper | Aesthetic Sustainability: Product Design and Sustainable Usage | Routledge | 2017 | ano/yes | ne/no | X | X | ||||||||||||||||||||
12 | Kim K. P. Johnson, Sharron J. Lennon (eds.) | Appearance and Power | Bloomsbury | 1999 | X | ne/no | ne/no | X | X | |||||||||||||||||||
13 | Philipp Ekardt | Benjamin on Fashion | Bloomsbury | 2020 | X | ne/no | ne/no | X | ||||||||||||||||||||
14 | Joanne Entwistle, Elizabeth Wilson (eds.) | Body Dressing | Bloomsbury | 2001 | X | ano/yes | ne/no | X | X | |||||||||||||||||||
15 | Andrew Bolton | Bravehearts: Men in Skirts | V&A Publishing | 2003 | ne/no | ano/yes | X | X | X | |||||||||||||||||||
16 | Barbara Sutton | Bulletproof Fashion: Security, Emotions, and the Fortress Body | Routledge | 2023 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
17 | Katherine Appleford | Classifying Fashion, Fashioning Class: Making Sence of Women's Practices, Perceptions and Tastes | Routledge | 2021 | X | ne/no | ne/no | X | X | |||||||||||||||||||
18 | Myles Ethan Lascity | Communication Fashion: Clothing, Culture and Media | Bloomsbury | 2021 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
19 | Andrew Reilly, Ben Barry (eds.) | Crossing Gender Boundaries: Fashion to Create, Disrupt and Transcend | Intellect | 2020 | X | ano/yes | ne/no | X | ||||||||||||||||||||
20 | Mahawatte Royce | Dangerous Bodies: New Global Perspectives on Fashion and Transgression | Palgrave Macmillan | 2023 | X | ne/no | ne/no | X | X | |||||||||||||||||||
21 | Michal Vaníček | Dát oděv na odiv: Současné přístupy k vystavování (nejen) oděvních sbírek, in: Martina Pachmanová (ed.), Ex-pozice. O vystavování muzejních sbírek umění, designu a architektury | UMPRUM | 2018 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
22 | Alice Payne | Designing Fashion's Future: Present Practice and Tactics for Sustainable Change | Bloomsbury | 2021 | X | ne/no | ne/no | X | X | |||||||||||||||||||
23 | Amanda Sikarskie | Digital Research Methods in Fashion and Textile Studies | Bloomsbury | 2020 | ano/yes | ne/no | X | X | ||||||||||||||||||||
24 | Brent Luvaas | DIY Style: Fashion, Music and Global Digital Cultures | Berg | 2012 | X | ne/no | ne/no | X | X | |||||||||||||||||||
25 | Yuniya Kawamura | Doing Research in Fashion and Dress: An Introduction to Quantitative Methods | Bloomsbury | 2020 | ano/yes | ano/yes | X | |||||||||||||||||||||
26 | Shaun Cole | Don We Now Our Gay Apparel: Gay Men's Dress in the Twentieth Century | Berg | 2000 | X | ne/no | ne/no | X | X | |||||||||||||||||||
27 | Frank DeCaro | Drag: Combing Through the Big Wigs of Show Business | Rizzoli | 2019 | ne/no | ano/yes | X | X | ||||||||||||||||||||
28 | Ruth Barnes, Joanne Eicher (eds.) | Dress and Gender: Making and Meaning in Cultural Context | Berg | 1992 | X | ne/no | ne/no | X | ||||||||||||||||||||
29 | Shoshana-Rose Marzel, Guy D. Stiebel (eds.) | Dress and Ideology: Fashioning Identity from Antiquity to the Present | Bloomsbury | 2015 | X | ano/yes | ano/yes | X | X | X | X | |||||||||||||||||
30 | Beth W. Freeburg, Jane E. Workman | Dress and Society | Fairchild Books | 2009 | ano/yes | ano/yes | X | X | X | X | ||||||||||||||||||
31 | Richard Thompson Ford | Dress Codes: How the Laws of Fashion Made History | Simon & Schuster | 2021 | ano/yes | ano/yes | X | X | ||||||||||||||||||||
32 | Camille Benda | Dressing the Resistance: The Visual Language of Protest Through History | Princeton Arch. Press | 2022 | objednáno/ordered | ano/yes | X | X | ||||||||||||||||||||
33 | Sandy Black | Eco-Chic: The Fashion Paradox | Black Dog | 2008 | ano/yes | ano/yes | X | X | ||||||||||||||||||||
34 | Valerie Steele (ed.) | Encyclopedia of Clothing and Fashion (volume 1, 2, 3) | Thomson Gale | 2005 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
35 | Francesca Granata | Experimental Fashion: Performance Art, Carnival and the Grotesque Body | I.B.Tauris | 2017 | X | ano/yes | ano/yes | |||||||||||||||||||||
36 | Ted Polhemus | Fashion & Anti-Fashion: Exploring adornment and dress from an anthropological perspective | Ted Pohlemus | 2011 | ano/yes | ano/yes | X | X | X | |||||||||||||||||||
37 | Louise Wallenberg, Andrea Kollnitz (eds.) | Fashion Aesthetic and Ethics: Past and Present | Bloomsbury | 2023 | X | ne/no | ne/no | X | X | |||||||||||||||||||
38 | Julia Twigg | Fashion and Age: Dress, the Body and Later Life | Bloomsbury | 2013 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
39 | Adam Geczy, Vicki Karaminas (eds.) | Fashion and Art | Bloomsbury | 2012 | X | ne/no | ne/no | X | X | |||||||||||||||||||
40 | Rachel Worth | Fashion and Class | Bloomsbury | 2020 | ano/yes | ano/yes | X | X | ||||||||||||||||||||
41 | Susan B. Kaiser | Fashion and Cultural Studies | Bloomsbury | 2012 | X | ano/yes | ano/yes | X | X | X | ||||||||||||||||||
42 | Cheryl Buckley, Hazel Clark (eds.) | Fashion and Everyday Life | Bloomsbury | 2017 | ano/yes | ne/no | X | X | ||||||||||||||||||||
43 | Roberto Filippello, Ilya Parkins (eds.) | Fashion and Feeling: The Affective Politics of Dress | Palgrave Macmillan | 2023 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
44 | Rosalind McKever, Claire Wilcox, Marta Franceschini | Fashion and Masculinities | V&A Publishing | 2022 | ano/yes | ne/no | X | X | X | |||||||||||||||||||
45 | Adam Geczy, Vicki Karaminas | Fashion and Masculinities in Popular Culture | Routledge | 2018 | X | ne/no | ne/no | X | ||||||||||||||||||||
46 | Christopher Breward, Caroline Evans, Caroline Edwards (eds.) | Fashion and Modernity | Berg | 2005 | ano/yes | ne/no | X | |||||||||||||||||||||
47 | Marie Riegels Melchior, Birgitta Svensson | Fashion and Museums: Theory and Practice | Bloomsbury | 2014 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
48 | Adam Geczy | Fashion and Orientalism : Dress, Textiles and Culture from the 17th to the 21st Century | Bloomsbury | 2013 | ano/yes | ne/no | X | |||||||||||||||||||||
49 | Djurdja Bartlett (ed.) | Fashion and Politics | Yale University Press | 2019 | ano/yes | ano/yes | X | X | ||||||||||||||||||||
50 | Elke Gaugele, Monica Titton (eds.) | Fashion and Postcolonial Critique | Sternberg Press | 2019 | X | ne/no | ne/no | X | X | |||||||||||||||||||
51 | Alison Bancroft | Fashion and Psychoanalysis: Styling the Self | Bloomsbury | 2019 | X | ne/no | ne/no | X | ||||||||||||||||||||
52 | Kate Fletcher, Lynda Grose | Fashion and Sustainability: Design for Change | Laurence King Publ. | 2012 | ano/yes | ne/no | X | X | ||||||||||||||||||||
53 | Malcom Barnard | Fashion as Communication | Routledge | 2002 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
54 | Patrizia Calefato | Fashion as Cultural Translation: Signs, Images, Narratives | Anthem Press | 2021 | X | ne/no | ne/no | X | X | X | X | |||||||||||||||||
55 | Elke Bippus, Dorothea Mink (eds.) | Fashion Body Cult | Arnoldsche | 2007 | ano/yes | ne/no | X | X | ||||||||||||||||||||
56 | David Shaw, Dimitri Koumbis | Fashion Buying : From Trend Forecasting to Shop Floor | Bloomsbury | 2017 | ano/yes | ne/no | ||||||||||||||||||||||
57 | Michael Carter | Fashion Classics: From Carlyle to Barthes | Berg | 2003 | X | objednáno/ordered | ne/no | X | ||||||||||||||||||||
58 | Francesca Granata (ed.) | Fashion Criticism: An Anthology | Bloomsbury | 2021 | X | objednáno/ordered | ne/no | X | ||||||||||||||||||||
59 | Stella Bruzzi, Pamela Church Gibson (eds.) | Fashion Cultures: Theories, Explorations and Analysis | Routledge | 2000 | ne/no | ne/no | X | |||||||||||||||||||||
60 | Hazel Clark, Annemari Vänskä (eds.) | Fashion Curating: Critical Practice in Museum and Beyond | Bloomsbury | 2017 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
61 | Sue Thomas | Fashion Ethics | Routledge | 2017 | objednáno/ordered | ne/no | X | X | ||||||||||||||||||||
62 | Kim K. P. Johnson, Susan Torntore, Joanne Eicher (eds.) | Fashion Foundations: Early Writings on Fashion and Dress | Berg | 2003 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
63 | Justine De Young | Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925 | Bloomsbury | 2019 | X | objednáno/ordered | ano/yes | X | ||||||||||||||||||||
64 | Tim Edwards | Fashion in Focus: Concepts, Practices and Politics | Routledge | 2011 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
65 | Adam Geczy, Vicki Karaminas | Fashion Installation: Body, Space and Performance | Bloomsbury | 2019 | X | ne/no | ne/no | X | X | |||||||||||||||||||
66 | Julie Bradford | Fashion Journalism | Routledge | 2014 | X | ne/no | ne/no | X | ||||||||||||||||||||
67 | Sanda Miller, Peter McNeil | Fashion Journalism: History, Theory, and Practice | Bloomsbury | 2018 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
68 | Djurdja Bartlett, Shaun Cole, Agnes Rocamora (eds.) | Fashion Media: Past and Present | Bloomsbury | 2013 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
69 | Vésma Kontere McQuillan (ed.) | Fashion Spaces: A Theoretical View | Frame | 2020 | ano/yes | ano/yes | X | X | X | |||||||||||||||||||
70 | Heike Jenss (ed.) | Fashion Studies: Research Methodes, Sites and Practices | Bloomsbury | 2016 | X | ano/yes | ano/yes | X | X | |||||||||||||||||||
71 | Malcom Barnard (ed.) | Fashion Theory: A Reader | Routledge | 2007 | X | ano/yes | ano/yes | X | X | X | X | X | X | X | ||||||||||||||
72 | Malcom Barnard | Fashion Theory: An Introduction | Routledge | 2014 | X | ano/yes | ano/yes | X | X | |||||||||||||||||||
73 | Fiona Dieffenbacher | Fashion Thinking: Creative Approaches to the Design Process | Bloomsbury | 2019 | ano/yes | ne/no | X | |||||||||||||||||||||
74 | Eugenia Paulicelli | Fashion under Fascism: Beyond the Black Shirt | Berg | 2004 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
75 | Peter McNeil, Sandra Miller | Fashion Writing and Criticism: History, Theory, Practice | Bloomsbury | 2014 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
76 | Barbara Vinken | Fashion Zeitgeist: Trends and Cycles in the Fashion System | Berg | 2005 | X | ne/no | ano/yes | |||||||||||||||||||||
77 | Yuniya Kawamura | Fashion-ology: An Introduction to Fashion Studies | Bloomsbury | 2018 | X | ano/yes | ano/yes | X | ||||||||||||||||||||
78 | Fred Davis | Fashion, Culture and Identity | University of Chicago Press | 1994 | X | ano/yes | ne/no | X | X | |||||||||||||||||||
79 | José Blanco, Andrew Reilly (eds.) | Fashion, Dress, and Post-Postmodernism | Bloomsbury | 2021 | X | ne/no | ne/no | X | X | |||||||||||||||||||
80 | Julia Petrov | Fashion, History, Museums: Inventing the display of dress | Bloomsbury | 2019 | X | ne/no | ne/no | X | X | |||||||||||||||||||
81 | Lars Svendsen | Fashion: A Philosophy | Reaktion Books | 2006 | X | ne/no | ne/no | X | X | X | X | |||||||||||||||||
82 | Rebecca Arnold | Fashion: A Very Short Introduction | Oxford University Press | 2009 | X | ne/no | ano/yes | X | ||||||||||||||||||||
83 | Jennifer Craik | Fashion: The Key Concepts | Berg | 2009 | X | ne/no | ne/no | X | X | |||||||||||||||||||
84 | Edwina Ehrman (ed.) | Fashioned from Nature | V&A Publishing | 2018 | ano/yes | ano/yes | X | X | X | X | ||||||||||||||||||
85 | Maria Mackinney-Valentin | Fashioning Identity: Status Ambivalence in Contemporary Fashion | Bloomsbury | 2017 | X | ne/no | ne/no | X | ||||||||||||||||||||
86 | Rachel Lifter | Fashioning Indie: Popular Fashion, Music and Gender | Bloomsbury | 2020 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
87 | Denis Bruna (ed.) | Fashioning the Body: An Intimate History of the Silhouette | Bar Graduate Center | 2015 | ano/yes | ano/yes | X | X | X | |||||||||||||||||||
88 | Alexandra Warwick, Dani Cavallaro | Fashioning the Frame: Boundaries, Dress and the Body | Berg | 2001 | ne/no | ano/yes | X | X | ||||||||||||||||||||
89 | Dana Thomas | Fashionopolis: The Price of Fast Fashion & The Future of Clothes | Head of Zeus | 2019 | ne/no | ano/yes | X | |||||||||||||||||||||
90 | Sabine Schulze, Claudia Banz (eds.) | Fast Fashion | MKG Hamburg | 2015 | ne/no | ano/yes | X | |||||||||||||||||||||
91 | Paolo Volonté | Fat Fashion: The Thin Ideal and the Segregation of Plus-Size Bodies | Bloomsbury | 2022 | X | ne/no | ne/no | X | X | |||||||||||||||||||
92 | Amy Twigger Holroyd | Folk Fashion: Understanding Homemade Clothes | Bloomsbury | 2017 | X | ne/no | ne/no | X | X | |||||||||||||||||||
93 | Melissa Marra-Alvarez, Elizabeth Way (eds.) | Food and Fashion | Bloomsbury | 2023 | X | ne/no | ne/no | X | X | |||||||||||||||||||
94 | Helena Jarošová | Filosofie těla – klíč k hlubšímu chápání vztahu těla a šatu | UMPRUM | 2017 | ano/yes | ano/yes | X | X | X | |||||||||||||||||||
95 | Dominic Janes | Freak to Chic: "Gay" Men in and out of Fashion after Oscar Wilde | Bloomsbury | 2021 | X | ne/no | ne/no | X | X | X | ||||||||||||||||||
96 | Judith Butler | Gender Trouble: Feminism and the Subversion of Identity | Routledge | 2006 | X | ano/yes | ne/no | |||||||||||||||||||||
97 | Carrie Yodanis | Getting Dressed: Conformity and Imitation in Clothing and Everyday Life | Routledge | 2018 | ano/yes | ne/no | ||||||||||||||||||||||
98 | Alison Gwilt, Alice Payne, Evelise Anicet Ruthschilling (eds.) | Global Perspectives on Sustainable Fashion | Bloomsbury | 2019 | objednáno/ordered | ne/no | X | X | X | |||||||||||||||||||
99 | Jess Berry | House of Fashion: Haute Couture and the Modern Interior | Bloomsbury | 2018 | X | ne/no | ne/no | |||||||||||||||||||||
100 | Lydia Edwards | How to Read a Dress | Bloomsbury | 2017 | X | ano/yes | ano/yes | X |