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0:19Wang Xiaobai欢迎来到本席芭莎talk, 我们这次有幸邀请到了电影消失的她，编剧/监制陈思诚老师和主演，朱一龙老师。欢迎。两位这次合作的第一开始，对彼此印象是什么？Welcome to this episode of Bazaar Talk, we're very fortunate to have with us from the movie Lost in the Stars the scriptwriter and producer Chen Sicheng-laoshi and the lead actor Zhu Yilong-laoshi. Welcome. When you two began this collaboration, what were your first impressions of each other?
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Chen Sicheng你先You first.
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Zhu Yilong第一次跟思诚哥见面的时候，我感觉就是，特别睿智，思维非常活跃，The first time I met Sicheng-ge, he struck me as really wise, with a very active mind.
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Chen Sicheng一龙因为我之前也看过他一些作品，比我想象的还要内敛，对。羞涩，是一个大男孩儿的感觉。但其实真正的走进他内心，你会发现内在非常丰富。他会自己比如说，写写歌，然后弹唱，对。Because I'd seen some of Yilong's past works, I found him more reserved and bashful than I'd imagined, he seemed like a big kid. But when I truly got to know him, I discovered he has a rich inner life. For instance, he writes songs and plays and sings them himself.
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Zhu Yilong这个万一他们下回让我唱，[Don't say that, ]what if they make me sing next time?
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Chen Sicheng他非常热爱生活中很多细节，然后让我觉得是一个很善良，然后又充满童真的一个人。He really loves the small things in life. He seems like a very good person, full of innocence.
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1:05Wang Xiaobai那合作完了之后，两位对彼此的这种印象会有什么改变吗Have your impressions of each other changed after working together?
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Zhu Yilong这是，因为这是第一次跟思诚导演合作，然后在现场的时候就是感受到的活力，思诚导演是一个巨有活力的导演啊。基本上每天都会来，细到道具，包括每一场戏的表演节奏，合作下来感觉非常开心。This was my first time working with Sicheng-daoyan, and on set I felt his energy; he's a director with a huge amount of energy. He'd be there every day, checking the props, including the performance rhythm of every scene. I was really happy to be working with him.
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1:27Wang Xiaobai那导演在拍摄的过程当中，觉得朱一龙老师呢？Well, Director, what did you think of Zhu Yilong-laoshi during filming?
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Chen Sicheng因为我一直觉得我在其实也是在观察一龙，我是在想，他怎么会把自己控制的这么好，保护的怎么好。为什么？跟他聊天，试图真正走进他的生活，他的内心的思想，后来我发现他选了一个特别好的切口，就是演戏是他最大的情绪的一个发泄的场，他通过角色通过一个又一个的故事，把自己可能人生的一些想法，都通过这些东西释放出来，所以他生活里反而把自己放的非常静。As I observed Yilong, I always wondered how he was so good at controlling and protecting himself. Why? Talking with him, trying to enter into his real life, his inner thoughts, I eventually noticed that he's chosen a very good safety valve, that acting is his place to release his biggest emotions. Through his roles, through one story and then the next, he enables himself to let out his ideas about life, through all these things, so in his own life if anything he keeps himself very quiet.
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1:58Wang Xiaobai但我也看到了朱一龙老师在里面他会有一些非常有个人爆发力的这种。那您是如何引导他去做这样角色的演绎呢？But I've also seen that Zhu Yilong-laoshi has some explosive qualities on the inside. How did you direct him to interpret this role?
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Chen Sicheng我一直说演员演不出来，他得有，我只是把他体内的一部分的东西调动出来。一龙是有去挖掘唤醒那一部分，他沉睡的那些东西I always tell actors not to act, just be, I'm just bringing out part of what they have inside them. Yilong can dig out and awaken that part, the things deep asleep inside him.
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2:20Wang Xiaobai所以是你的能量感染到了他，So your energy infected him.
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Zhu Yilong就一定是的。因为导演在现场就很有激情，然后每场戏拍完之后，他觉得某些点需要，需要就是我不太习惯去表达的一些点，然后思诚导演会把那一点帮我放大，然后让我把那一点给爆发出来。Definitely. Because the director is really passionate on set. After we finished shooting each scene, there would be some points he thought would need...points I wasn't really used to expressing, so Sicheng-daoyan would take those points and help me let them out, help me make them explode.
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Chen Sicheng就彼此是那种探索，然后唤醒他某一种潜能。So we explored these parts together, and woke up some kind of latent ability in him.
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2:40Wang Xiaobai拍摄的过程当中，有什么特别深刻的事情吗？Were there any particularly serious incidents during shooting?
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Chen Sicheng挺多的。一龙讲讲。Lots. Yilong, you tell her.
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Zhu Yilong不知道这能不能说？反正可以剪的对吧，I don't know what I can say. Anyway, they can cut this, right?
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Chen Sicheng对，可以剪可以剪Yes, they can cut it.
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Zhu Yilong我印象最深刻就是把痣给刮了。My most serious impression was the time I got a mole scraped off.
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Chen Sicheng咱俩想到一块儿。我俩，我欠他一个胸有大痣，我不知道他的粉丝们了不了解他就是其实一龙正好胸中有一颗大痣。再我们一场很，很激烈的对手戏上他那颗痣就被蹧掉流血。其实是两个群众演员在拉他海边上的戏，然后他突然就不行了，啊，喊叫喊叫了一声，我以为怎么了这是，他其实真的是一个叫胸怀大志的人，这有一个痣，后来，现在是？什么情况？Same, same. So he has this big mole on his chest, I don't know if his fans know about it, a big mole in the middle of his chest. And when we were shooting this very intense scene, they scraped off his mole and it started bleeding. Two extras were dragging him to the seaside in this scene, and he lost it all of a sudden and let out a yell, I thought something had happened. He really is a man with great ambitions in his heart [pun on "a big mole on his chest"]. How is it now?
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Zhu Yilong好了。It's fine now.
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Chen Sicheng是吧。我那时候就安慰他我说这证明，你通过这个戏，通过这个你真正的找到了自己的志向。不用再用这种外在的这种附加来再去Right. So to comfort him at that point, I showed him, this proves that through this film you've truly found your own ambitions, you won't need to use this kind of external aid any more [still punning].
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Zhu Yilong对，思诚导演从特别远就跑过来了，说不破不立不破不立，Yes, Sicheng-daoyan came running from quite far away, saying "you've got to break eggs to make an omelet."
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Chen Sicheng说不破不立，对对对。Right, you've got to break eggs to make an omelet, that's it.
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Wang Xiaobai果然是监制和编剧As the producer and scriptwriter--
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Chen Sicheng对。得找到安抚人的方法。Yes, you have to find ways to make people feel better.
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Wang Xiaobai很圆满给（圆了）。You wrapped it up nicely.
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Chen Sicheng对。然后他说哎是好想有道理。Yes. And then he said, huh, it seems like you're making sense.
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3:48Wang Xiaobai那两位觉得上映之后你们会有揣测观众看到的反应吗？因为朱老师演绎的角色其实挺有突破的Having speculated about what the movie will be like, how do you think the audiences will react once it is shown? This seems like a breakthrough role for Zhu-laoshi.
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Zhu Yilong其实我所有疑虑在进组之后，就是在开拍第一个镜头之后我就把它扔掉了，跟着这个人物跟着整个故事走。Actually, after coming on set, after shooting the first scene, I disposed of all my doubts and just went with the character, with the whole story.
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Chen Sicheng就我一直觉得一个演员能保存长久生命力的唯一途径就是你塑造不同的角色，你越丰富观众对你的爱和记忆点，他会越长，这次一龙是能有一个巨大的突破。然后观众会看到前所未见的他自己，但我相信整整喜爱他的观众朋友们，会更热爱他这个人。更热爱他这个塑造角色的这种能力，你能看到他特别大的边界，因为他在这个电影里展现的不只是一面两面三面，他展现很丰富的各种各个层面。所以我觉得其实这样的角色在我们每一个演员的艺术生涯当中都是可遇不可求的。当然这也是我给他的洗脑，哈哈哈。他得来，哈哈哈。一开始一龙也有一点点顾虑，I always think that the only way an actor can preserve his life force for a long time is to shape different roles: the more abundant love and memories the audience has for you, the longer you'll last. This can be a huge breakthrough for Yilong. The audience is going to see him as they never have before, but I believe that the friends in the audience who love him will love him even more, love his ability to shape this role. They'll see how wide his boundaries are, because in this movie it's not just one or two or three aspects that he shows, he expresses so many abundant layers. I think this kind of role is far to seek in most actors' artistic lives. Naturally I may be just brainwashing him, [laughs]. He's got to buy in, [laughs]. From the start he had a few misgivings.
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4:53Wang Xiaobai您是在现场怎么克制住自己想要冲上去演的冲动呢？How did you restrain your impulses to jump in and act on set?
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Chen Sicheng也没有什么克制，其实我很投入的就在那个里边，但我觉得就像一龙已经能展现的很好了，对，我觉得，而且毕竟他比我还帅，我能通过他们找到我想要的满足。真的是能，而且因为每一个都不一样。我觉得我这个时候我会看到，一龙演的这个地方处理的比我还好，就是超乎我想象的那种处理，然后我就会觉得非常非常的由衷的觉得好。I didn't restrain anything, actually, I had a lot of input around there, but Yilong can already bring the role to life, and after all he's pretty good-looking, I can find my own satisfaction through them. I really can, also because every time is different. I think at this time I'll see Yilong handling a part of his acting better than I would have done, beyond how I imagined handling it, and I'll be satisfied to the bottom of my heart.
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5:22Wang Xiaobai那两位觉得这部电影最值得推荐的地方在哪呢？What do the two of you think the part of the movie most worth recommending is?
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Zhu Yilong我觉得它不管在视觉上面还是在，在观看时候那种心理带来的冲击感，我觉得还非常强，然后很强烈的。我觉得大家可以在电影院有一场心灵之旅吧。I think it doesn't matter whether it's the visual surface or the impact on the viewers' psychology, it's very strong and very intense. I think it will be an emotional journey for the audience in the movie theaters.
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Chen Sicheng我及团队当然也包括所有的主演，我们都试图去打造一部中国类型片上的一个新的一个，一个高度，因为它的内容本身具备了，比较强烈的戏剧冲突和反转，那观众会跟着我们这个电影两个小时有比较跌宕的这种观影经历，但是我们的本题的这个内涵，我觉得是很切中现在社会的某一些痛点的。我相信观众走出影院以后还是会有很多深度的思考和探索的这样的空间。My team and I, naturally including all the lead actors, we were all trying to create something new in Chinese types of movies, something high-quality. Because the movie itself has quite strong dramatic conflicts and twists, the audience will have quite a bumpy ride in their viewing experience along with us for these two hours. But the inner meaning of our main subject gets at some of the sore points of modern society. I believe that when the audience comes out of the movie theater, they will have a space for very deep thought and exploration.
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6:12Wang Xiaobai这也算是唐人街探案之后，还有误杀之后您再次监制的作品，您这次会对观众的反馈会有压力吗？So this is your next work as producer after Detective Chinatown and Sheep Without A Shepherd. Do you feel any pressure about audience feedback this time?
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Chen Sicheng我觉得压力和动力都是相辅相成的，我们搞创作的有很多东西是我们不可去逆的。我们唯一能控制的就是用心的，拍好每一部电影，用心做好每一次创作。I think pressure and motivation are complementary, there are many things when we present a work we've created that we can't confront. The only thing we can control is being careful to make good movies, being careful to make good creative work.
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6:33Wang Xiaobai我是知道朱老师其实对于您来邀约他出演这个角色也是心有疑问的。I know Zhu-laoshi had some doubts in his heart about your inviting him to perform this role.
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Chen Sicheng没事，一龙，你问。No problem, Yilong, ask me.
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Zhu Yilong其实因为我之前其实在不管是电影还是剧里面其实展现就是符合何非这个人物，特点的这样的形象比较少。说为什么会找我来演何非这样的一个人物，这样一个角色。Well, whether in movies or dramas, I hadn't had much experience in line with portraying a person like He Fei, this peculiar type. So I wanted to ask why he sought me out to play this kind of character, this kind of role.
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Chen Sicheng我觉得一见钟情是很重要的。还没见到他的时候，只是在一些媒体上和一些他的那个，他以前演的一些作品上，我觉得他就是一个很好的演员。我其实对这个角色何非这个角色，我有几个要求。第一，我不太希望他比较固化，就是比如说观众一想他上来他就是一个所谓的好人，或者所谓的坏人，我一直认为一个优秀的演员应该像液体一样，就是他应该放在不同的器皿当中会形成不同的形状，然后我跟一龙接触下来我发现他，他是非常优秀的那种，液体化的演员，他还不是水，他像酒一样，见面以后就更加确定了他一定可以。I think love at first sight is important. When I hadn't met him yet, just his performances in various media, the various works he performed in before, I thought he was an excellent actor. I actually had quite a few demands about this role, the character of He Fei. I didn't want him to be too fixed, for example, so that the audience thinks he's a so-called good person or bad person. I always think a good actor has to be like a liquid, he has to be able to create different shapes within different vessels. Having been in contact with Yilong, I've realized that he's terrific as this kind of liquefying actor, he's not water, he's like alcohol. Since we've met I've only been more sure that he can do it.
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7:37Wang Xiaobai在角色这方面是怎么跟他聊的？因为其实朱老师在镜头前面大部分的形象都是一些好人的形象，其实。How did you talk with him about this aspect of the role? Because in most of Zhu-laoshi's appearances on the screen, his image is one of a good person.
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Chen Sicheng这次我们也不是坏人。We're not bad people for this one.
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Zhu Yilong对。Right.
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Chen Sicheng我们只是一个丰富的人，丰富的人。We're just prodigal, rich.
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Wang Xiaobai对。Yes.
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Chen Sicheng因为我觉得似是而非很重要，我一直说就是演员一定要模糊，何非这个人物又是这样一个似是而非的人物，为什么叫何非呢？所以I think it's important to appear right but actually be wrong, I've always said that actors must be ambiguous. He Fei is also this kind of person who appears right but is actually wrong, why do you think he's called He Fei ["what's wrong"]?
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Wang Xiaobai所以在名字设计上面其实本身就有So the name is actually a setup to show what he's really like.
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Chen Sicheng对对。因为你看一龙，你说他是一个好帅哥还是坏帅哥还是怎样怎样，没有办法用一个东西来给他一定给他一定，他都可以。就可能性是非常多的，Yes! So you look at Yilong, he could be a nice handsome guy or a handsome jerk, you can't just keep him doing one thing, he can do it all. He has so much potential.
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8:12Wang Xiaobai那您这次身份其实是还会有做监制也有做编剧，但跟之前的工作相比这一次会有什么不一样的地方？So your position is producer and scriptwriter; what is different from previous productions?
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Chen Sicheng确实这个戏我比较热比较偏爱，在我所有创作当中，所以可能很多东西，你都把控的相对来说严格一点，因为我一直觉得好的一个题材，它就像一块好的璞玉一样，你是需要雕琢的，找到一个特别好的千年难遇的一块籽料。我觉得所以要搭配最好的团队，像找到一龙这样的，倪妮这样的好的演员，然后好的摄影美术团队，才能把它共同的达到我们想要的那种高度。Certainly I'm a little more into this movie, a little more obsessed; out of all my works, of which there are quite a lot, restricted to the relatively more serious, I've always thought this was good material, it's like an unpolished gem, you need to polish it, it's a once-in-a-thousand-years type of material. So I wanted to come up with the best team, the best actors, like Yilong and Ni Ni, as well as the best photography and art directors, the only way to arrive together at the high quality we want.
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8:47Wang Xiaobai那在这次创作里面会有什么难度？因为我知道你当时本来想出国拍摄的，What difficulties did you run into? I know you were originally planning to film overseas.
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Chen Sicheng对。Yes.
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Wang Xiaobai后来没有办法，就是因为各种环境的限制，然后只能是在三亚搭的场景When there was no way to do that, with various environmental restrictions, you could only film at Sanya?
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Chen Sicheng因为我们这故事讲的是一个，其实一个外岛的故事，一个封闭的岛屿，其实我们这次需要做的就是要把所有的假设性，大家看到的画框里的东西让大家觉得他还是在海外发生，咱们觉得最大难度当时是找群演，里面有一场戏是有一个，将近上千人的一个嘉年华的一个场景，那确实我们当时把整个海南岛的老外全都聚集在那一个地方了。正好那天是跨年夜This story of ours is actually a story of an island abroad, a closed-off island, so we needed all this false setting, so that what the audience sees within the picture frame makes them think it is happening overseas. The hardest thing was probably finding extras. There's one scene with nearly a thousand people, a scene of a carnival, and we must have gathered every foreigner on Hainan Island there. That day was New Year's Eve.
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Zhu Yilong对。Right.
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Chen Sicheng其他的那个朋友过来探班还开玩笑呢，说在三亚周围已经见不到其他地方有老外了。全都跑你过来了，就是因为我们想把它营造的是一个外岛的环境。Other people came looking for work and to have a laugh, so you couldn't find foreigners anywhere else around Sanya at that point. They all came running, so we wanted to have them build the environment of an island abroad.
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9:36Wang Xiaobai那这次的故事设计上，因为您作为编剧来讲的话其实看完电影之后，会确实会觉得很深入浅出，而且有很多让你意想不到很反转的地方。包含最后结尾的时候也很反转，您在故事设计让上面会有一些什么样的灵感吗？或者是有一些什么自己的特比的想法吗？Given the story setting, what you say as the scriptwriter is that after having watched the movie it is complex but clear, with lots of twists we would never expect. Including the final ending, there certainly are many twists. What kind of inspiration did you have for the story setting? What were your own particular ideas?
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Chen Sicheng然后其实我觉得每一次创作对于我们创作者来讲都是在试图解答这样疑问的一个旅程，我觉得善恶真的就是在一瞬之间，我们在一龙演的这何非的角色身上一直试图探讨的其实就是一瞬间的东西，一瞬间的选择，有时候一瞬间的选择一次错，你可能用无数个谎言去要掩盖一个谎言，那就是步步错，那这次其实第一次演这样的悬疑的类型，那演何非这个角色，跟你以往的其他那些角色，你觉得自己有什么不一样的地方？Actually, I think every work has something to say about its creator's journey of this kind to try and find the answer to a question, I think good and evil are just a moment apart. We're trying together, in the person of this role of He Fei played by Yilong, to approach this moment, this instantaneous choice. Sometimes this instantaneous choice is wrong, you might use innumerable lies to cover over one lie, throwing a good self after the bad. When you're performing this kind of thriller, performing a role like He Fei, how do you find it different compared to the other roles you've done?
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Zhu Yilong我觉得很幸运吧，第一次演悬疑题材，然后就遇到这样非常极致的悬疑类型。真的不管从拍摄然后到整个表演风格，我觉得都还挺极致的。所以，还挺酣畅淋漓的吧。I think I'm very fortunate that my first time filming a thriller I've encountered this kind of superlative thriller material. Really, from the photography to the whole performance style, it's just the ultimate. So I savor it to the last drops.
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Chen Sicheng所以我就说这是他的So like I said this is his--
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Wang Xiaobai他的His--
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Chen Sicheng他的方法，他是用角色在宣泄自己的情绪，你觉得何非算是最难的吗？还是有其他更难的？你觉得扮演的角色对你个人来讲His method, the way he uses the role in his own cathartic emotions. Do you think He Fei can be considered the most difficult? Or is there something else more difficult? in your opinion, of the roles you've played.
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Zhu Yilong其实我每次演戏之前我都是焦虑的，因为我就是在他没有出现在监视器上面。Actually, I'm always anxious before every production, because I haven't appeared on the monitor as the character.
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Chen Sicheng明白。I understand.
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Zhu Yilong我都不知道他是什么样，然后这回何非我觉得对于我来说当时挺难的一件事情，就是我们虽然是有一条主线，I don't know what he's like. As far as He Fei goes, I found it quite difficult that although we have a main throughline--
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Chen Sicheng对。Right.
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Zhu Yilong但它不断的在跳，而且它闪回的片段有时候是在前面，有时候在中间，有时候在后面。就是它一直在来回的跳。然后咱们拍的时候有时候我们必须因为场景的关系我们必须得先拍这个或者再it's always leaping around, and in the flashbacks sometimes it's in the foreground, sometimes in the middle, sometimes in the background. So it's always moving around. And sometimes when we were shooting, we'd have to shoot out of order because of the needs of the setting.
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Chen Sicheng对，因为我记得我们全戏是117场，应该是何非自己就有100场，几乎他场场都有，他从头到尾，而且因为他讲了他之前的一些事，刚到上海的一些事，其实是他一个比较个人的一个变化的东西。Yes, because I remember we had a total of 117 scenes, and He Fei himself must have had 100, so he was in almost every scene, from start to finish. Also, he talks about his past, when he had just arrived in Shanghai, so it involves relatively personal changes on his part.
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Zhu Yilong对。那个状态然后幅度会比较大，所以当时就是在每天调整状态这个事情上面，会有点精神，对。Yes. There's a wide range of situations, so I had to adjust my condition every day to deal with this, needing some energy.
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Wang Xiaobai那你会用什么方式调整呢？How did you make this kind of adjustment?
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Zhu Yilong就是相信，就尽量相信这个事情。如果你纯靠说技术状态去演的话，我觉得还挺难的。就是，把造型稍微改变一下，然后洗把脸，洗把脸，然后让自己状态更贴近那个时候的何非。Just to believe in the situation, to believe in it with everything I had. If you try to come at it with technique above all, it's going to be quite difficult. So I'd make some tiny changes to my look, and then wash my face, wash my face, and just try to bring myself closer to the He Fei of the time.
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Chen Sicheng那你一开始就觉得比如说我们这次合作你最大的顾虑有吗？这是，或者到最后是什么使你消除了这些顾虑来选择这次参演，因为我记得当年还是有一个顾虑，后来我们因为在我家喝了顿酒，对。When we had just started, did you have any big worries about the collaboration? What made you finally lose these worries and choose to take it on? I remember at the time you had one worry, that time when we were drinking at my house, right.
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Zhu Yilong我都掉水池了，I fell into a pool.
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Chen Sicheng现在欠我，欠我条裤子，新买的。新买的裤子我还没穿就给，因为我光见话音刚落，我说一龙那水池子别踩进去，哎好嘞，嘣，踩进去，哈哈哈。He still owes me a pair of trousers, new ones. I had just bought them, hadn't worn them yet. I had just finished saying "Yilong, don't fall into the pool." He says "Oh, okay," and then he falls in, bam [laughs].
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12:37Wang Xiaobai如何是开解了你心中的顾虑呢？How did you resolve your inner misgivings?
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Zhu Yilong因为我刚看第一稿剧本的时候，就何非这个人物，就是每个演员一面对这样人物时候，首先是兴奋，但是兴奋那个劲过了之后，你就开始担忧，I had just seen the first draft of the script. I think every actor would be excited at first when they encounter a character like He Fei, but after the excitement has passed, you start feeling worried.
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Chen Sicheng有点儿危险觉得，It's kind of dangerous.
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Zhu Yilong这个很危险，然后但是跟思诚哥后来去聊完之后，我觉得思诚哥对整个戏他想要做最终呈现的效果，包括个人物到达一个什么样的一个度，我觉得很清楚也很明白，所以我觉得那就没问题就很放心。It's dangerous, but once I'd talked about it with Sicheng-ge, I understood very clearly the effects of the final presentation he wanted for the whole production, including how much the characters would develop, so I relaxed and decided it would be fine.
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Chen Sicheng总结一下咱们这次的合作，如果有三个词的话会是什么？Having concluded our work together, how would you describe it in three words?
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Zhu Yilong愉快，然后，Fun, and, uh…
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Chen Sicheng精彩，无与伦比Brilliant, incomparable.
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Zhu Yilong创新，啊，精彩吧。Innovative, right, brilliant.
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Wang Xiaobai那导演呢，And you, Director?
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Chen Sicheng我都说了就是我觉得是一个无与伦比难以忘怀的夏天，一龙如果我们再次合作的话，你想想有没有什么想尝试一个什么新的类型的角色呢？Like I said, I think it was an incomparable, unforgettable summer. Yilong, if we work together again, do you have any new kinds of roles you want to try out?
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Zhu Yilong其实我还好到时候就看你想拍什么，就是有什么故事特好玩的，有意思的故事，嗯，我都愿意参与只要是，只要是有意思的。I'm fine with waiting to see what you want to shoot. If you have an especially fun, interesting story, I'm willing to take part, it just has to be interesting.
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Chen Sicheng大家听到了啊，You all heard that!
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13:44Wang Xiaobai那我们请你们两位都用一句很有悬念的话，来勾起大家对这部电影的期待，导演先说。Can I ask the two of you to say something with a little suspense, to provoke viewer expectations? You first, Director.
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Chen Sicheng就是如果大家想看到一个完全不一样的一龙，一定要走进电影院会给大家带来完全不一样的惊喜。总之我觉得消失的她是不会让您觉得浪费了一张电影票。If you want to come and see a completely different Yilong, you need to get to the movie theater and we'll bring you a completely different pleasant surprise. You won't have wasted the ticket price for Lost in the Stars.
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Zhu Yilong导演也说了，我们这会是一个非常极致的，然后戏剧冲突戏剧化很强的，但是它又包含一些很多很有深意的东西的这样一部电影。希望大家可以走进电影院然后喜欢这部电影。As the director said, it's a superlative production, with very strong conflicts and drama, but it also includes a lot of deep thoughts. I hope everyone will see it in the movie theaters and like it.
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Wang Xiaobai带着大家度过一个无与伦比，精彩绝伦的夏天，Bringing you the experience of an incomparable, unspeakably brilliant summer.
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Chen Sicheng好，谢谢，太好了。好，谢谢。Fine, thank you, that's great. Thank you.
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