| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 |  | SHOT LIST | 1st Draft, September 2020 Alex Pomorski | pomorski.alex@gmail.com | |||||||||||||
2 | REFERENCES: | Sting Ops Script, Sting Ops Production, Cinematography Google Doc, shotlist template | HOW TO USE: | Click on a heading to see notes on how to use this document, kind of like a tooltip. Certain cells have dropdown arrows with pre-defined options to choose from. For the "TIME EST." column, enter the estimated time in hh:mm:ss format, and above it will be the sum total shooting time (estimated). | ||||||||||||
3 | PROPS/COSTUMES: | Trenchcoat for shooter, prop gun(s), fake blood, squibs, clean & bloody version of the same shirt for Royo's Partner, possibly a mattress for actor to land on | ||||||||||||||
4 | CAST & CREW: | Royo's Partner (Stubbz McGee), Shooter, Director, Grip | ||||||||||||||
5 | SCENE(S): | 1.Royo's Nightmare | ||||||||||||||
6 | SHOOT DATE: | 03/01/2021 | Total Shooting Time (Estimate): | 0:45:00 | ||||||||||||
7 | ||||||||||||||||
8 | SCENE # | SETUP/ORDER | SHOT | DESCRIPTION | CAMERA | EQUIP. | MOVEMENT | ANGLE / LEVEL | SHOT SIZE | LENS | TIME EST. | SCHEDULE TIME EST. | DESCRIPTION & NOTES | LOCATION | BEST TAKE / TIMECODE | ON-SET NOTES |
9 | 1 | 1 | 1 | Royo's partner waits for Royo to arrive | Drone | N/A | Static | Aerial | Aerial-to-Ground | N/A | 0:20:00 | 8:15 AM | Fly from aerial-view to wide shot until shooter walks into frame | TBD | ||
10 | 1 | 2 | 2 | Shooter guns down Royo's partner | Cam 1 | Gimbal | Tracking | Hip | MS (Medium) | Prime | 0:15:00 | 8:35 AM | Shooter walks to left of frame, Royo's partner on right side of frame. Shooter murders 'em. | TBD | ||
11 | 1 | 2 | ^ | Shooter guns down Royo's partner | Cam 2 | Gimbal | Tracking | Mid/Eye | CS (Cowboy) | Zoom | ^ | ^ | Get a closer view | TBD | ||
12 | 1 | 3 | N/A | B-Roll / Room Tone | 0:05:00 | 8:50 AM | B-Roll / Room Tone | TBD | ||||||||
13 | BREAK | 4 | N/A | BREAK TIME | 0:05:00 | 8:55 PM | BREAK TIME | TBD | ||||||||
14 | PROPS/COSTUMES: | Royo (frosted aviators, leather jacket, toothpick), Pentax K1000 camera with telescopic lens, MP5 airsoft for Royo, 6 other airsoft guns for drug dealers and mobsters, bullet casings, fake bulletholes, flashlight (for headlights), 80's phone, Royo's 80's car (preferably a Pontiac Firebird), 80's Sedan, things to take cover behind (barrels, pallets, etc.) | ||||||||||||||
15 | CAST & CREW: | Royo, Mickie, Julius, 3 Drug Dealers, Shooter, Director, Grip | ||||||||||||||
16 | SCENE(S): | 2.Stakeout (Stake-Ops) | ||||||||||||||
17 | SHOOT DATE: | 03/01/2021 | Total Shooting Time (Estimate): | 6:10:00 | ||||||||||||
18 | ||||||||||||||||
19 | SCENE # | SETUP/ORDER | SHOT | DESCRIPTION | CAMERA | EQUIP. | MOVEMENT | ANGLE / LEVEL | SHOT SIZE | LENS | TIME EST. | SCHEDULE TIME EST. | DESCRIPTION & NOTES | LOCATION | BEST TAKE / TIMECODE | ON-SET NOTES |
20 | 2 | 1 | N/A | B-Roll / Room Tone of car, alleyways, and the overlooking ledge Royo is on | 0:15:00 | 9:40 AM | Drone footage for establishing shots | |||||||||
21 | 2 | 10 | 8 | Royo wakes up in the driver's seat of his car. Headlights briefly pass over his face. | Sony a7RII | Gimbal | Static | Mid/Eye | CU (closeup) | 85mm | 0:10:00 | 11:25 AM | ||||
22 | 2 | ^ | ^ | ^ | Sony a7RII | Gimbal | Static | Mid/Eye | MCU (Medium Closeup) | ^ | ^ | |||||
23 | 2 | ^ | ^ | ^ | GoPro | N/A | Static | Hip | CU (closeup) | N/A | ^ | ^ | Dashboard | |||
24 | 2 | 11 | 9 | Royo grabs a telephoto lens camera and a gun from his car | Sony a6000 | Gimbal | Tracking | Low | WS/LS (Wide/Long) | Prime | 0:05:00 | 11:30 AM | Could shoot through an open window to track Royo reaching in the back for his gear (keep other window closed to seem like all are closed. | |||
25 | 2 | ^ | ^ | ^ | Sony a7RII | Gimbal | Tracking | Hip | ^ | ^ | ||||||
26 | 2 | 12 | 10 | Royo exits his car, carefully closes the door, and crouch-walks over to bushes overlooking the drug deal in the alleys | Sony a7RII | Gimbal | Tracking | Hip | MCU (Medium Closeup) | Sony FE 28mm F2 Ultra-Wide | 0:15:00 | 11:45 AM | Start off med/closeup then towards the end of the shot end up framing Royo's full face/eyes. | TBD | ||
27 | 2 | ^ | ^ | ^ | Sony a6000 | Tripod | Pan | Low | MW (Medium Wide) | 50mm | ^ | ^ | Pan/Track Royo to the bushes. | TBD | ||
28 | 2 | 2 | 1 | Mobsters' sedan pulling up to the curb | Sony a7RII | Gimbal | Tracking | Hip | Zoom-In | 85mm | 0:20:00 | 10:00 AM | Keep body of car and headlights in frame. Focus on mobsters faces (or silhouettes) at the end of the shot. | TBD | ||
29 | 2 | ^ | ^ | ^ | Sony a6000 | Tripod | Tracking | Mid/Eye | WS/LS (Wide/Long) | Wide Prime | ^ | ^ | If we have an interesting location, show the location and vehicle; if the location is not great then just show tight shot of vehicle only. | TBD | ||
30 | 2 | 3 | 2 | Mobsters (Mickie, Julius, Spaghetti) exiting sedan | Sony a7RII | Gimbal | Tracking | Mid/Eye | MCU (Medium Closeup) | 50mm | 0:10:00 | 10:20 AM | Tracking shot (Camera Op standing on hood of vehicle OR gimbal attached to boom pole). Track rear driver's-side passenger stepping out of the car then the front passenger, followed by the rest. | TBD | ||
31 | 2 | ^ | ^ | ^ | Sony a6000 | Tripod | Static | Shoulder | ^ | ^ | Tripod can be on one leg to simulate a gimbal (some ''sway'' to the shot to emulate Over The Shoulder POV) (sway also doable in post) | |||||
32 | 2 | 4 | 3 | Drug dealers watching as the mobsters approach | Sony a7RII | Gimbal | Tracking | Shoulder | CU (closeup) | Sony FE 70-200mm F4 | 0:10:00 | 10:30 AM | Dealers just chilling, maybe listening to a boombox. They stand to greet the mobsters | |||
33 | 2 | ^ | ^ | ^ | Sony a6000 | Jib/boom | Tracking | Shoulder | WS/LS (Wide/Long) | Wide Prime | ^ | ^ | Overhead Jib/Gimbal shot (just hold the gimbal up) | |||
34 | 2 | 5 | 4 | Mobsters approaching drug dealers | Sony a7RII | Gimbal | Static | Shoulder | CU (closeup) | Prime 85mm | 0:10:00 | 10:40 AM | Behind view shot of Mobsters approaching, drug dealers are in foreground out of focus. | |||
35 | 2 | ^ | ^ | ^ | N/A | ^ | ^ | |||||||||
36 | 2 | 6 | 5 | Royo sees the mobsters and drug dealers doing a drug deal | Sony a7RII | Tripod | Static | POV | Zoom-In | Sony FE 70-200mm F4 | 0:15:00 | 10:55 AM | Royo's POV of the drug deal through the lens of his camera (Tripod on 1 leg to for movement or gimbal) | |||
37 | 2 | 13 | 11 | Royo looking through his camera | Cam 2 | MW (Medium Wide) | Prime | 0:05:00 | 11:50 AM | Closer, ground-height view of the drug deal | ||||||
38 | 2 | ^ | ^ | ^ | Cam 3 | MCU (Medium Closeup) | Zoom | ^ | ^ | Closer shots panning from character to character | ||||||
39 | 2 | 14 | 12 | Either some dirt falls from the ledge Royo is on, or there is rens reflection from Royo's camera lens | Cam 1 | FS (Full) | 0:05:00 | 11:55 AM | ||||||||
40 | 2 | ^ | ^ | ^ | Cam 2 | Tracking | MS (Medium) | ^ | ^ | |||||||
41 | 2 | 7 | 6 | Somebody squints, then notices Royo | Sony a7RII | Gimbal | Static | Mid/Eye | CU (closeup) | Prime 85mm | 0:05:00 | 11:00 AM | Mickey Closeup Squinting | |||
42 | 2 | ^ | ^ | ^ | N/A | MS (Medium) | Prime 50mm | ^ | ^ | |||||||
43 | 2 | 8 | 7 | Everyone starts shooting at Royo | Sony a7RII | Gimbal | Pan | Hip | MS (Medium) | Sony FE 28mm F2 Ultra-Wide | 0:05:00 | 11:05 AM | After FX For Gunfire & Flash/Smoke | |||
44 | 2 | ^ | ^ | ^ | Sony a6000 | Gimbal | ^ | ^ | ||||||||
45 | 2 | 9 | N/A | BREAK TIME | 0:10:00 | 11:15 AM | Get set up to film Royo | |||||||||
46 | 2 | 15 | 13 | Royo returns fire while sliding down the ledge and running to better cover | Cam 1 | 0:10:00 | 12:05 PM | |||||||||
47 | 2 | ^ | ^ | ^ | Cam 2 | ^ | ^ | |||||||||
48 | 2 | 16 | 14 | Royo, back to a wall, yells "Police! You’re surrounded!" | 0:05:00 | 12:10 PM | ||||||||||
49 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
50 | 2 | 17 | 15 | Royo blind-fires, unloading a magazine at the goons | 0:05:00 | 12:15 PM | ||||||||||
51 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
52 | 2 | 18 | 16 | Everyone runs for cover | 0:10:00 | 12:25 PM | ||||||||||
53 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
54 | 2 | 19 | 17 | The mobsters and other goons decide to split up | 0:10:00 | 12:35 PM | ||||||||||
55 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
56 | 2 | 20 | 18 | Royo puts his back to the wall and reloads | 0:05:00 | 12:40 PM | ||||||||||
57 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
58 | 2 | 21 | 19 | While Royo reloads, everyone runs away | 0:10:00 | 12:50 PM | ||||||||||
59 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
60 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
61 | 2 | 22 | 20 | Royo peeks out, seeing that everyone is running away | 0:05:00 | 12:55 PM | ||||||||||
62 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
63 | 2 | 23 | 21 | Royo sees Mickie run into an alleyway, then sees another alleyway where he can cut Mickie off from | MCU (Medium Closeup) | 0:05:00 | 1:00 PM | |||||||||
64 | 2 | ^ | ^ | ^ | POV | N/A | ^ | ^ | ||||||||
65 | 2 | 24 | 22 | Royo sprints toward the alleyway | 0:05:00 | 1:05 PM | ||||||||||
66 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
67 | 2 | 25 | 23 | Royo runs down the alleyway | 0:05:00 | 1:10 PM | ||||||||||
68 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
69 | 2 | 26 | N/A | BREAK TIME | 0:20:00 | 1:30 PM | Dismiss everyone but the actors for Mickie, Royo, and Spaghetti. Gives actors some time to go over their lines as well | |||||||||
70 | 2 | 27 | 24 | Mickie, running down the alley, encounters an obstacle (such as a chainlink fence) blocking his path, so he climbs over it | 0:15:00 | 1:45 PM | ||||||||||
71 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
72 | 2 | 28 | 25 | Mickie lands just as Royo rounds the corner | 0:10:00 | 1:55 PM | ||||||||||
73 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
74 | 2 | 29 | 26 | Royo and Mickie talk | 0:15:00 | 2:10 PM | ||||||||||
75 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
76 | 2 | 30 | 27 | Mickie is held at gunpoint and told to drop the weapon | 0:10:00 | 2:20 PM | ||||||||||
77 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
78 | 2 | 31 | 28 | Mickie drops his gun | 0:05:00 | 2:25 PM | ||||||||||
79 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
80 | 2 | 32 | 29 | Spaghetti comes up behind Royo, and Royo has to hand Spaghetti his gun | 0:10:00 | 2:35 PM | ||||||||||
81 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
82 | 2 | 33 | 30 | Mickie picks up his gun from the ground and points it at Spaghetti | 0:05:00 | 2:40 PM | ||||||||||
83 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
84 | 2 | 34 | 31 | Royo, Spaghetti, and Mickie talk | 0:20:00 | 3:00 PM | ||||||||||
85 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
86 | 2 | 35 | 32 | Spaghetti sets his and Royo's guns down | 0:05:00 | 3:05 PM | ||||||||||
87 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
88 | 2 | 36 | 33 | Mickie tells Royo to pick them up | 0:05:00 | 3:10 PM | ||||||||||
89 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
90 | 2 | 37 | 34 | Royo picks up Spaghetti’s gun and his own, pointing one at Spaghetti and the other at Mickie. | 0:05:00 | 3:15 PM | ||||||||||
91 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
92 | 2 | 38 | 35 | Dialogue | 0:30:00 | 3:45 PM | ||||||||||
93 | 2 | ^ | ^ | ^ | ^ | ^ | ||||||||||
94 | PROPS/COSTUMES: | Drone, Camera, Gimbal | ||||||||||||||
95 | CAST & CREW: | Brandon | ||||||||||||||
96 | SCENE(S): | 3. TITLE CARD: STING OPS | ||||||||||||||
97 | SHOOT DATE: | Any time | Total Shooting Time (Estimate): | 6 | ||||||||||||
98 | ||||||||||||||||
99 | SCENE # | SETUP/ORDER | SHOT | DESCRIPTION | CAMERA | EQUIP. | MOVEMENT | ANGLE / LEVEL | SHOT SIZE | LENS | TIME EST. | SCHEDULE TIME EST. | DESCRIPTION & NOTES | LOCATION | BEST TAKE / TIMECODE | ON-SET NOTES |
100 | 3 | 1 | 1 | B-Roll footage of radical Florida stuff, like people surfing, sports cars, palm trees, etc. (Drone) | Drone | N/A | N/A | Aerial | N/A | N/A | 3 | Any | Various drone shots of stuff that screams "Florida" and "Miami Vice." Remember to only film stuff that would be there in the 1980's | beach | ||