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SHOT LIST1st Draft, September 2020
Alex Pomorski | pomorski.alex@gmail.com
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REFERENCES:Sting Ops Script, Sting Ops Production, Cinematography Google Doc, shotlist template
HOW TO USE:
Click on a heading to see notes on how to use this document, kind of like a tooltip. Certain cells have dropdown arrows with pre-defined options to choose from. For the "TIME EST." column, enter the estimated time in hh:mm:ss format, and above it will be the sum total shooting time (estimated).
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PROPS/COSTUMES:Trenchcoat for shooter, prop gun(s), fake blood, squibs, clean & bloody version of the same shirt for Royo's Partner, possibly a mattress for actor to land on
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CAST & CREW:Royo's Partner (Stubbz McGee), Shooter, Director, Grip
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SCENE(S):1.Royo's Nightmare
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SHOOT DATE:03/01/2021
Total Shooting Time (Estimate):
0:45:00
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SCENE #SETUP/ORDERSHOTDESCRIPTIONCAMERAEQUIP.MOVEMENTANGLE / LEVELSHOT SIZELENSTIME EST.SCHEDULE TIME EST.DESCRIPTION & NOTESLOCATIONBEST TAKE / TIMECODEON-SET NOTES
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111Royo's partner waits for Royo to arriveDroneN/AStaticAerialAerial-to-GroundN/A0:20:008:15 AMFly from aerial-view to wide shot until shooter walks into frameTBD
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122Shooter guns down Royo's partner Cam 1GimbalTrackingHipMS (Medium)Prime0:15:008:35 AMShooter walks to left of frame, Royo's partner on right side of frame. Shooter murders 'em.TBD
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12^Shooter guns down Royo's partner Cam 2GimbalTrackingMid/EyeCS (Cowboy)Zoom^^Get a closer view TBD
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13N/AB-Roll / Room Tone0:05:008:50 AMB-Roll / Room ToneTBD
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BREAK4N/ABREAK TIME 0:05:008:55 PMBREAK TIMETBD
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PROPS/COSTUMES:Royo (frosted aviators, leather jacket, toothpick), Pentax K1000 camera with telescopic lens, MP5 airsoft for Royo, 6 other airsoft guns for drug dealers and mobsters, bullet casings, fake bulletholes, flashlight (for headlights), 80's phone, Royo's 80's car (preferably a Pontiac Firebird), 80's Sedan, things to take cover behind (barrels, pallets, etc.)
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CAST & CREW:Royo, Mickie, Julius, 3 Drug Dealers, Shooter, Director, Grip
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SCENE(S):2.Stakeout (Stake-Ops)
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SHOOT DATE:03/01/2021
Total Shooting Time (Estimate):
6:10:00
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SCENE #SETUP/ORDERSHOTDESCRIPTIONCAMERAEQUIP.MOVEMENTANGLE / LEVELSHOT SIZELENSTIME EST.SCHEDULE TIME EST.DESCRIPTION & NOTESLOCATIONBEST TAKE / TIMECODEON-SET NOTES
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21N/AB-Roll / Room Tone of car, alleyways, and the overlooking ledge Royo is on0:15:009:40 AMDrone footage for establishing shots
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2108Royo wakes up in the driver's seat of his car. Headlights briefly pass over his face.Sony a7RIIGimbalStaticMid/EyeCU (closeup)85mm0:10:0011:25 AM
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2^^^Sony a7RIIGimbalStaticMid/EyeMCU (Medium Closeup)^^
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2^^^GoProN/AStaticHipCU (closeup)N/A^^Dashboard
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2119Royo grabs a telephoto lens camera and a gun from his carSony a6000GimbalTrackingLowWS/LS (Wide/Long)Prime0:05:0011:30 AMCould shoot through an open window to track Royo reaching in the back for his gear (keep other window closed to seem like all are closed.
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2^^^Sony a7RIIGimbalTrackingHip^^
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21210Royo exits his car, carefully closes the door, and crouch-walks over to bushes overlooking the drug deal in the alleysSony a7RIIGimbalTrackingHipMCU (Medium Closeup)Sony FE 28mm F2 Ultra-Wide0:15:0011:45 AMStart off med/closeup then towards the end of the shot end up framing Royo's full face/eyes.TBD
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2^^^Sony a6000TripodPanLowMW (Medium Wide)50mm^^Pan/Track Royo to the bushes. TBD
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221Mobsters' sedan pulling up to the curbSony a7RIIGimbalTrackingHipZoom-In85mm0:20:0010:00 AMKeep body of car and headlights in frame. Focus on mobsters faces (or silhouettes) at the end of the shot.TBD
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2^^^Sony a6000TripodTrackingMid/EyeWS/LS (Wide/Long)Wide Prime^^If we have an interesting location, show the location and vehicle; if the location is not great then just show tight shot of vehicle only.TBD
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232Mobsters (Mickie, Julius, Spaghetti) exiting sedanSony a7RIIGimbalTrackingMid/EyeMCU (Medium Closeup)50mm0:10:0010:20 AMTracking shot (Camera Op standing on hood of vehicle OR gimbal attached to boom pole). Track rear driver's-side passenger stepping out of the car then the front passenger, followed by the rest. TBD
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2^^^Sony a6000TripodStaticShoulder^^Tripod can be on one leg to simulate a gimbal (some ''sway'' to the shot to emulate Over The Shoulder POV) (sway also doable in post)
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243Drug dealers watching as the mobsters approachSony a7RIIGimbalTrackingShoulderCU (closeup)Sony FE 70-200mm F40:10:0010:30 AMDealers just chilling, maybe listening to a boombox. They stand to greet the mobsters
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2^^^Sony a6000Jib/boomTrackingShoulderWS/LS (Wide/Long)Wide Prime^^Overhead Jib/Gimbal shot (just hold the gimbal up)
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254Mobsters approaching drug dealersSony a7RIIGimbalStaticShoulderCU (closeup)Prime 85mm0:10:0010:40 AMBehind view shot of Mobsters approaching, drug dealers are in foreground out of focus.
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2^^^N/A^^
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265Royo sees the mobsters and drug dealers doing a drug dealSony a7RIITripodStaticPOVZoom-InSony FE 70-200mm F40:15:0010:55 AMRoyo's POV of the drug deal through the lens of his camera (Tripod on 1 leg to for movement or gimbal)
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21311Royo looking through his cameraCam 2MW (Medium Wide)Prime0:05:0011:50 AMCloser, ground-height view of the drug deal
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2^^^Cam 3MCU (Medium Closeup)Zoom^^Closer shots panning from character to character
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21412Either some dirt falls from the ledge Royo is on, or there is rens reflection from Royo's camera lensCam 1FS (Full)0:05:0011:55 AM
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2^^^Cam 2TrackingMS (Medium)^^
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276Somebody squints, then notices RoyoSony a7RIIGimbalStaticMid/EyeCU (closeup)Prime 85mm0:05:0011:00 AMMickey Closeup Squinting
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2^^^N/AMS (Medium)Prime 50mm^^
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287Everyone starts shooting at RoyoSony a7RIIGimbalPanHipMS (Medium)Sony FE 28mm F2 Ultra-Wide0:05:0011:05 AMAfter FX For Gunfire & Flash/Smoke
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2^^^Sony a6000Gimbal^^
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29N/ABREAK TIME0:10:0011:15 AMGet set up to film Royo
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21513Royo returns fire while sliding down the ledge and running to better coverCam 10:10:0012:05 PM
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2^^^Cam 2^^
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21614Royo, back to a wall, yells "Police! You’re surrounded!"0:05:0012:10 PM
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2^^^^^
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21715Royo blind-fires, unloading a magazine at the goons0:05:0012:15 PM
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2^^^^^
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21816Everyone runs for cover0:10:0012:25 PM
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2^^^^^
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21917The mobsters and other goons decide to split up 0:10:0012:35 PM
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2^^^^^
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22018Royo puts his back to the wall and reloads0:05:0012:40 PM
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2^^^^^
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22119While Royo reloads, everyone runs away0:10:0012:50 PM
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2^^^^^
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2^^^^^
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22220Royo peeks out, seeing that everyone is running away0:05:0012:55 PM
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2^^^^^
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22321Royo sees Mickie run into an alleyway, then sees another alleyway where he can cut Mickie off fromMCU (Medium Closeup)0:05:001:00 PM
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2^^^POVN/A^^
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22422Royo sprints toward the alleyway0:05:001:05 PM
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2^^^^^
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22523Royo runs down the alleyway0:05:001:10 PM
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2^^^^^
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226N/ABREAK TIME0:20:001:30 PMDismiss everyone but the actors for Mickie, Royo, and Spaghetti. Gives actors some time to go over their lines as well
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22724Mickie, running down the alley, encounters an obstacle (such as a chainlink fence) blocking his path, so he climbs over it 0:15:001:45 PM
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2^^^^^
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22825Mickie lands just as Royo rounds the corner0:10:001:55 PM
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2^^^^^
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22926Royo and Mickie talk0:15:002:10 PM
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2^^^^^
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23027Mickie is held at gunpoint and told to drop the weapon0:10:002:20 PM
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2^^^^^
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23128Mickie drops his gun0:05:002:25 PM
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2^^^^^
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23229Spaghetti comes up behind Royo, and Royo has to hand Spaghetti his gun0:10:002:35 PM
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2^^^^^
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23330Mickie picks up his gun from the ground and points it at Spaghetti0:05:002:40 PM
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2^^^^^
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23431Royo, Spaghetti, and Mickie talk0:20:003:00 PM
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2^^^^^
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23532Spaghetti sets his and Royo's guns down0:05:003:05 PM
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2^^^^^
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23633Mickie tells Royo to pick them up0:05:003:10 PM
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2^^^^^
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23734Royo picks up Spaghetti’s gun and his own, pointing one at Spaghetti and the other at Mickie.0:05:003:15 PM
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2^^^^^
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23835Dialogue0:30:003:45 PM
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2^^^^^
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PROPS/COSTUMES:Drone, Camera, Gimbal
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CAST & CREW:Brandon
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SCENE(S):
3. TITLE CARD: STING OPS
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SHOOT DATE:Any time
Total Shooting Time (Estimate):
6
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SCENE #SETUP/ORDERSHOTDESCRIPTIONCAMERAEQUIP.MOVEMENTANGLE / LEVELSHOT SIZELENSTIME EST.SCHEDULE TIME EST.DESCRIPTION & NOTESLOCATIONBEST TAKE / TIMECODEON-SET NOTES
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311B-Roll footage of radical Florida stuff, like people surfing, sports cars, palm trees, etc. (Drone)DroneN/AN/AAerialN/AN/A3AnyVarious drone shots of stuff that screams "Florida" and "Miami Vice." Remember to only film stuff that would be there in the 1980'sbeach