A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | |
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1 | 書名 Book Name | 作者 Author | ||||||||||||||||
2 | 1.Cinema Encyclopedia and handbook | |||||||||||||||||
3 | Chronicle of the Cinema | Robyn Karney | ||||||||||||||||
4 | The Oxford History of World Cinema | Geoffrey Nowell-Smith | ||||||||||||||||
5 | The International Film Encyclopedia | Ephraim Katz | ||||||||||||||||
6 | The Complete Film Dictionary | Ira Konigsbery | ||||||||||||||||
7 | The Film Handbook | Geoff Andrew | ||||||||||||||||
8 | Directors A-Z, A concise Guild To The Art Of 250 Great Film-Makers | Geoff Andrew | ||||||||||||||||
9 | Variety, Portable Movie Guide | Berkley Boulevard Books, New York | ||||||||||||||||
10 | The Faber Book of Movie Verse | Edited by Philip French and Ken Wlaschin | ||||||||||||||||
11 | Film Business, A Handbook For Producers | Edited by Tom Jeffery | ||||||||||||||||
12 | Professional 16/35mm Cameraman's Handbook | Verne and Sylvia Carlson | ||||||||||||||||
13 | ||||||||||||||||||
14 | ||||||||||||||||||
15 | 2.Film Study on People | |||||||||||||||||
16 | The Art of Alfred Hitchcock: Fifty Years of his Motion Pictures | Donald Spoto | ||||||||||||||||
17 | Woody Allen, A Biography | Eric Wax | ||||||||||||||||
18 | The Patty Diphusa Stories and other writings - | Pedro Almodovar | ||||||||||||||||
19 | Antonioni Or The Surface Of The World | Seymour Chatman | ||||||||||||||||
20 | That Bowling Alley on the Tiber ,Tales of A Director | Michelangelo Antonioni | ||||||||||||||||
21 | Bergman:A Life in Films | David Parkinson | ||||||||||||||||
22 | Louise Brooks, Portrait of an Anti-Star | Roland Jaccard | ||||||||||||||||
23 | The Films of John Cassavetes, Pragmatism, Modernism and the Movies | Ray Carney | ||||||||||||||||
24 | Charles Chaplin, My Autobiography | Charles Chaplin | ||||||||||||||||
25 | Coppola: A Biography | Peter Cowie | ||||||||||||||||
26 | Cronenberg on Cronenberg | Edited by Chris Rodley | ||||||||||||||||
27 | Robert De Niro, The Hero Behind The Masks | Keith McKay | ||||||||||||||||
28 | Eisenstein, Essays in Film Theory, Film Form | Jay Leyda | ||||||||||||||||
29 | Love is Colder than Death, The Life and Work of Painer Werner Fassbinder | Robert Katz and Peter Berling | ||||||||||||||||
30 | Fellini A Life | Hollis Alpert | ||||||||||||||||
31 | Fellini | John Baxter | ||||||||||||||||
32 | François Truffaut | Annette Insdorf | ||||||||||||||||
33 | Harrison Ford | Minty Clinch | ||||||||||||||||
34 | Hitchcock -the Murderous Gaze | William Rothman | ||||||||||||||||
35 | The Films of Akira Kurosawa | Donald Richie | ||||||||||||||||
36 | David Lynch | Michel Chion | ||||||||||||||||
37 | River Phoenix - A Short Life | Brian J.ROBB | ||||||||||||||||
38 | Nicholas Ray, An American Journey | Bernard Eisenschitz | ||||||||||||||||
39 | Quentin Tarantino, the man and his movies | Jamie Bernard | ||||||||||||||||
40 | Andy Warhol, Film Factory | Edited by Michael O'Pray | ||||||||||||||||
41 | Emotion Pictures, Reflections on the Cinema | Wim Wenders | ||||||||||||||||
42 | John Woo | Caroline Vie-Toussaint | ||||||||||||||||
43 | Five filmmakers - Tarkovsky, Forman, Polanski, Szabo, Makavejev | edited by Daniel J. Golulding | ||||||||||||||||
44 | Film Fatales, independent women directors | Judith M. Redding and Victoria A. Brown worth | ||||||||||||||||
45 | ||||||||||||||||||
46 | 3.Film Thoery | |||||||||||||||||
47 | The Cinema Book | Edited by Pam Cook | ||||||||||||||||
48 | Genre | Stephen Neale | ||||||||||||||||
49 | Film Art, An Introduction(Fourth Edition) | David Bordwell & Kristin Thompson | ||||||||||||||||
50 | Film Art, An Introduction(Fifth Edition) | David Bordwell & Kristin Thompson | ||||||||||||||||
51 | Movies and Methods | edited by Bill Nichols | ||||||||||||||||
52 | Movies and Methods, Volume 2 | edited by Bill Nichols | ||||||||||||||||
53 | Projections 3 | Edited by John Boorman and Walter Donohue | ||||||||||||||||
54 | Projection 4 1/2 | Edited by John Boorman and Walter Donohue | ||||||||||||||||
55 | Projections 5 | Edited by John Boorman and Walter Donohue | ||||||||||||||||
56 | Film as Film- Understanding and Judging Movies | V.F. Perkins | ||||||||||||||||
57 | Theory of Film Practice | Noel Burch | ||||||||||||||||
58 | Film Theory Goes to the Movies | Edited by Jim Collins, Hilary Radner and Ava Preacher Collins | ||||||||||||||||
59 | Film, Cinema, Movie | Gerald Mast | ||||||||||||||||
60 | How To Read A Film, The Art Technology, History and Theory Of Film and Media | James Monaco | ||||||||||||||||
61 | ||||||||||||||||||
62 | 4.Film Study:Culture | |||||||||||||||||
63 | Making meaning , inference and rhetoric in the interpretation of cinema | David Bordwell | ||||||||||||||||
64 | Cinema & Semiotics | Brewster, Buscombe, Hanet, Heath, Kristeva, Kuntzel, Metz and Willemen | ||||||||||||||||
65 | Breaking the Glass Armor, Neoformalist Film Analysis | Kristin Thompson | ||||||||||||||||
66 | Cinema, Censorship, and the state | Oshima | ||||||||||||||||
67 | Images of Postmodern Society, Social Theory and Contemporary Society | Norman K.Denzin | ||||||||||||||||
68 | Film / Culture, explorations of cinema in it's social conter | Sari Thomas | ||||||||||||||||
69 | Only Entertainment | Richard Dyer | ||||||||||||||||
70 | Window Shopping, Cinema and the Postmodern | Anne Friedberg | ||||||||||||||||
71 | A Cinema of Loneliness | Robert Philip Koller | ||||||||||||||||
72 | Crisis Cinema - The Apocalyptic Idea in Postmodern Narrative Film | Edited by Christopher Sharrett | ||||||||||||||||
73 | Vulgar Modernism, Writing on Movies and other Media | J. Honed an | ||||||||||||||||
74 | ||||||||||||||||||
75 | ||||||||||||||||||
76 | 5.Film Study: Culture:Gender | |||||||||||||||||
77 | Home is Where the Heart is, Studies in Melodrama and the Woman's Film | Edited by Christine Gledhill | ||||||||||||||||
78 | Now You See It, Studies on Lesbian and Gay Film | Richard Dyer | ||||||||||||||||
79 | Fabrications, Custume and the Female Body | Edited by Jane Gaines and Charlotte Herzog | ||||||||||||||||
80 | Vampire and Violets, Lesbian in the Cinema | Andrea Weiss | ||||||||||||||||
81 | What Are You Looking at? | Paul Burston | ||||||||||||||||
82 | Women in Film Noir | E Ann Kaplan | ||||||||||||||||
83 | Technologies Of Gender, Essays on Theory, Film, and Fiction | Teresa de Lauretics | ||||||||||||||||
84 | Off screen, women and film in Italy | Edited by Giuliana Bruno and Maria Nadotti | ||||||||||||||||
85 | Dark Romance | David J Hogan | ||||||||||||||||
86 | The Matrixial Gaze | Bracha Lichtenberg Ettinger | ||||||||||||||||
87 | ||||||||||||||||||
88 | ||||||||||||||||||
89 | 6.Film Study: By Genre | |||||||||||||||||
90 | Silent Magic, Rediscovering the silent film era | Ivan Butler | ||||||||||||||||
91 | Film Noir, An Encyclopaedic Reference to the American Style | Edited by Alain Silver And Elizabeth Ward | ||||||||||||||||
92 | Writing Docudrama, Dramatizing Reality For Film and Tv | Alan Rosenthal | ||||||||||||||||
93 | Independent Visions, A Critical Introduction To Recent Independent American Film | Donald Lyons | ||||||||||||||||
94 | Innovation in ethnographic film, From innocence to self-consciousness1955-1985 | Peter Loizos | ||||||||||||||||
95 | ||||||||||||||||||
96 | 7.Film Study: By Origin | |||||||||||||||||
97 | The M.G.M Story | John Douglas Eames and Ronald Bergan | ||||||||||||||||
98 | Hollywood : Legend and Reality | Edited by Michael Webb | ||||||||||||||||
99 | american Film genres | Stuart M.Kaminsky | ||||||||||||||||
100 | American Film Now, the people, the power, the money and the movies | James Monaco |