| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | ||
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1 | Call | Title | Meter | Time | Key | Source Abbr. | Text Author/Source | Text Year | Composer / Arranger | Comp./Arr. Year | First Line | Order | |||||||||||||||
2 | 1 | Agur's Wish | L. M. | 3/4 | G Major | The Christian's Duty | 1791 | John Bayer, Jr. | 1997 | Far from my heart and tents exclude | 001 | ||||||||||||||||
3 | 2 | Sonnet | 8, 7. D. | 2/4 | A Minor | MCM | Robert Robinson | 1757 | Arr. George Miller | 1833 | Oh that day when freed from sinning | 002 | |||||||||||||||
4 | 3 | Attention | 7s. | 4/4 | G Major | SZ | William Cowper | 1768 | James P. Carrell | 1821 | Hark! my soul, it is the Lord | 003 | |||||||||||||||
5 | 4 | Portsmouth | L. M. | 4/4 | Bb Major | SZ | Charles Wesley | 1747 | James P. Carrell | 1821 | Come, sinners to the Gospel feast | 004 | |||||||||||||||
6 | 5 | General Roll Call, The | C. M. | 2/4 | F# Minor | WVG | R. H. Whitlock | 1870 | Arr. W. H. Diddle | 1870 | The judgment day will surely come | 005 | |||||||||||||||
7 | 6 | New Grace (Hallelujah) | 8, 7. D. | 4/4 | F Major | WR | Thomas Rawson | 1790 | Wyeth's Repository of Sacred Music, Part Second | 1813 | Come, descend, O heav'nly Spirit | 006 | |||||||||||||||
8 | 7 | Prodigal | C. M. D. | 6/8 | E Minor | John Newton | Arr. Ananias Davisson | 1820 | Afflictions, tho' they seem severe | 007 | |||||||||||||||||
9 | 8 | Agreement (Union) | C. M. | 3/2 | C Major | PCM | Isaac Watts | Alexander Gillet | 1781 | Lo, what an entertaining sight | 008 | ||||||||||||||||
10 | 9 | Hiding Place | L. M. | 4/4 | F# Minor | KMs | Jehoiada Brewer | 1776 | Arr. Ketcham Ms. | 1802 | Hail, sov'reign love, that first began | 009 | |||||||||||||||
11 | 10 | Meeting of the Waters | 12s. | 3/4 | G Major | SKH2 | Thomas Moore | 1808 | Arr. Ananias Davisson | 1820 | There is not in this wide world a valley so sweet | 010 | |||||||||||||||
12 | 11 | Kentucky | C. M. | 4/4 | A Minor | KHJ2 | Isaac Watts | 1707 | Knoxville Harmony | 1840 | My soul would leave this heavy clay | 011 | |||||||||||||||
13 | 12 | Knowledge of Jesus | 7, 6. D. | 6/8 | Bb Major | CHI | Charles Wesley | 1742 | Arr. Ben Sachs-Hamilton, The Christian Harmony | 2018 | Vain, delusive world adieu | 012 | |||||||||||||||
14 | 13 | Wallace | P. M. | 6/4 | A Minor | Joseph Hart | J. Parks | 1847 | If dust and ashes might presume | 013 | |||||||||||||||||
15 | 14 | Orleans | L. M. | 4/4 | C Major | Leavitt, The Christian Lyre | 1831 | Leah Velleman | 2015 | When for eternal worlds we steer | 014 | ||||||||||||||||
16 | 15 | New Grafton | L. M. | 4/4 | E Minor | CL | Miller, Kent’s Gospel Hymns | 1811 | Christian Lyre (alto by D.L. Hunter) | 1831 | Today, if you will hear his voice | 015 | |||||||||||||||
17 | 16 | Teach Me the Measure | C. M. D. | 4/4 | G Major | Isaac Watts | John Bayer Jr., arr. D.L. Hunter | 1995, 2020 | Teach me the measure of my days | 016 | |||||||||||||||||
18 | 17 | Messiah | P. M. | 4/4 | A Minor | WR2 | John Adams Grande | 1807 | Wyeth’s Repository of Sacred Music, Part Second | 1813 | The son of man they did betray | 017 | |||||||||||||||
19 | 18 | Shelbyville | L. M. | 4/4 | G Major | KMs | Anna Barbauld | 1792 | Ketcham Ms. (alto by Rebecca Wright) | 1802 | How blest the sacred love that binds | 018 | |||||||||||||||
20 | 19 | House of the Lord | 12s. | 4/4 | E Minor | PBH | William Hunter | 1845 | Arr. A. Lane, 1852; rev. J. Daily | 1918 | You may sing of the beauty of mountain and dale | 019 | |||||||||||||||
21 | 20 | Fair Margaret | C. M. D. | 2/4 | Bb Major | J. F. Hertzog (transl. J. C. Jacobi) and Thomas Moore | Traditional Air; arr. D. L. Hunter | 2018 | In mercy, Lord, remember me, | 020 | |||||||||||||||||
22 | 21 | Fiducia | C. M. D. | 4/4 | A Minor | MH | Isaac Watts | J. Robertson | 1813 | Father, I long, I faint to see | 021 | ||||||||||||||||
23 | 22 | Happy Man, The | 7, 6. D. | 4/4 | F Major | SCMF | Caleb Jarvis Taylor | Supplement to The Christian Melodist, c. 1828; arr. Patrick Friesen | 2023 | Good morning brother pilgrim, | 022 | ||||||||||||||||
24 | 23 | Psalm 59 | S. P. M. | 4/4 | A Minor | LCMs | Timothy Dwight | 1800 | Lucius Chapin | 1812 | When God in wrath shall rise, | 023 | |||||||||||||||
25 | 24 | We'll March around Jerusalem | 7, 6. | 4/4 | A Major | SMSW | Harp of Eden | 1850 | Sacred Melodies for Social Worship, 1859; arr. D. L. Hunter | 2017 | O sister will you meet me | 024 | |||||||||||||||
26 | 25 | Garber | 8s, 7s, 4. | 4/4 | A Minor | John Cennick | John Bayer, Jr. | 1994 | Lo! He cometh, countless trumpets | 025 | |||||||||||||||||
27 | 26 | Revelee | 7, 6. | 2/4 | F Major | German Trad., c. 1470 (v.1-3); Traditional (chorus) | 1470 | Virginia Traditional Air; arr. C. MacNeil | 2023 | There comes a ship a-sailing | 026 | ||||||||||||||||
28 | 27 | Watts' Lyre | C. P. M. | 6/4 | A Minor | JAMs | Isaac Watts | 1706 | Nicholson | c. 1820 | Say, mighty Love, and teach my song, | 027 | |||||||||||||||
29 | 28 | Quaker Courtship | 8, 7. D. | 4/4 | F Major | Anonymous | Virginia Traditional; arr. D. L. Hunter | 2018 | There, on flow'ry hills of pleasure, | 028 | |||||||||||||||||
30 | 29 | Nylsvley | L. M. | 3/2 | A Minor | Isaac Watts | 1707 | Rebecca Wright | 2015 | The Lord of life this table spread | 029 | ||||||||||||||||
31 | 30 | Oakland | 11s. | 2/4 | D Minor | Barton W. Stone | 1815 | Manual of Sacred Music, 1853 (alto by D.L. Hunter) | 1853 | The Lord is the fountain of goodness and love | 030 | ||||||||||||||||
32 | 31 | Bedford | C. M. | 3/2 | A Major | SZ | Anonymous, by 1797 | 1797 | James P. Carrell | 1821 | To thee let my first off'rings rise, | 031 | |||||||||||||||
33 | 32 | A Rest Remains | C. M. | 4/4, 3/2 | B Minor | RH | Charles Wesley | 1740 | The Revivalist, 1869; arr. D.L. Hunter, 2017 | 1869, 2017 | Lord, I believe a rest remains | 032 | |||||||||||||||
34 | 33 | Cincinnati | C. M. | 4/4 | A Minor | SKH | Isaac Watts | 1705 | William Bradshaw, 1825 (alto by R. W. Hall) | 1825 | O God, how wide thy glories shine! | 033 | |||||||||||||||
35 | 34 | Angels' Song | L. M. | 4/4 | G Major | SZ | Charles Wesley, 1758 (v.1); George Richards, 1755 (v.2) | 1758 | Arr. James P. Carrell, 1821 | 1821 | He comes! he comes! the Judge severe | 034 | |||||||||||||||
36 | 35 | Manayunk | C. M. | 6/4 | F# Minor | Isaac Watts | Emily Ross | 2023 | To God I cry'd with mournful voice, | 035 | |||||||||||||||||
37 | 36 | Request, The (The Infant Request) | L. M. | 4/4 | B Minor | OSH | Sarah A. Jones, 1792 (v.1,2); Anonymous (v.A,B) | 1792 | W. T. Webb, 1869; arr. D.L. Hunter, 2020 | 1869, 2020 | What mighty joys run thro' my heart | 036 | |||||||||||||||
38 | 37 | Bath | L. M. | 3/2 | Bb Major | PCM | Isaac Watts | A Book of Psalm Tunes, ed. 2, 1713; arr. Thomas Moore, 1750 (alto by C. Wolf) | 1713, 1750 | Nature with open volume stands | 037 | ||||||||||||||||
39 | 38 | Judgment | C. M. | 2/4 | A Minor | SMSW | Charles Wesley | 1763 | Sacred Melodies for Social Worship, 1859; arr. D.L. Hunter, 2018 | 1859, 2018 | And must I be to judgment brought | 038 | |||||||||||||||
40 | 39 | Conviction (Gossip) | L. H. M. | 4/4 | A Minor | OSH | Philip Doddridge | 1755 | B. F. White, 1869 (alto by R. Banerji) | 1869 | Why do we waste on trifling cares | 039 | |||||||||||||||
41 | 40 | Backslider | P. M. | 4/4 | A Minor | SKH1 | Charles Wesley | Arr. Moss | 1820 | O, but where am I now? | 040 | ||||||||||||||||
42 | 41 | Oil of Grace | 7s, 6s. | 4/4 | A Minor | CMF | John Newton | 1779 | Deerin Farrer; arr. D. L. Hunter | 2020 | When descending from the sky, | 041 | |||||||||||||||
43 | 42 | Invitation | 8s, 7s, 4. | 4/4 | A Minor | WR1 | Taylor's Collection | 1810 | Oliver Brownson | 1783 | Lord, vouch-safe to us thy blessing, | 042 | |||||||||||||||
44 | 43 | Malinda | 7s, 6s. | 6/4 | Bb Major | UHC | Madame Guyon | 1800 | Arr. William Caldwell | 1834 | Sleep at last has fled these eyes, | 043 | |||||||||||||||
45 | 44 | All Is Well | P. M. | 4/4 | A Minor | EHJ | Pious Songs | 1836 | Andrew W. Johnson, 1847 (alto by D. L. Hunter) | 1847 | What's this that steals upon my frame, | 044 | |||||||||||||||
46 | 45 | In Guilt's Dark Dungeon | L. M. | 4/4 | A Major | Joseph Hart | John Bayer, Jr., 1995; arr. D. L. Hunter, 2020 | 2020 | In guilt's dark dungeon when we lay, | 045 | |||||||||||||||||
47 | 46 | Surp | L. M. | 3/2 | E Minor | Joseph Hart | 1762 | John Bayer, Jr. | 1995 | Dismiss us with thy blessing, Lord, | 046 | ||||||||||||||||
48 | 47 | Jackson | L. M. D. | 6/4 | F# Minor | CHM | Joseph Addison | 1712 | William Moore | 1823 | Soon as the ev'ning shades appear, | 047 | |||||||||||||||
49 | 48 | Hosannah | 12. 11. | 3/4 | A Minor | CMF | Mead's General Selection | 1811 | Christian Melodist, 1828; arr. Rebecca Wright, 2020. | 2020 | Hosannah to Jesus, I'm fill'd with his praises, | 048 | |||||||||||||||
50 | 49 | Berlin | P. M. | 6/8 | A Minor | OH | Charles Wesley | A. Lane | 1847 | Jesus, let thy pitying eye | 049 | ||||||||||||||||
51 | 50T | Farewell Vain World | L. M. | 2/4 | A Minor | SHC | Southern Harmony | 1835 | Arr. A. Blackshear, 1902; D. L. Hunter, 2018. | 2018 | Farewell vain world, I'm going home, I can't stay away. | 050 | |||||||||||||||
52 | 50B | Savior, I Come | P. M. | 4/4 | E Minor | ICMs | O. R. Barrows, adapted | Arr. Ira Caster Ms., c. 1850 | 1850 | All o'er in sin defiled, Savior, I come. | 051 | ||||||||||||||||
53 | 51 | January | 7s. | 4/4 | E Minor | John Newton | 1779 | Rachel Hall | 2016 | Time by moments steals away, | 052 | ||||||||||||||||
54 | 52 | Hallelujah | 8, 7. | 4/4 | F# Minor | SZ | Joseph Swain | 1781 | James P. Carrell | 1821 | On the brink of fiery ruin, | 053 | |||||||||||||||
55 | 53 | Sabbath Morning | 8, 7. | 4/4 | G Major | MSC | The Sacred Melodeon | 1848 | The Christian Lyre, 1831; arr. D. L. Hunter | 2020 | Love and union, true foundation, | 054 | |||||||||||||||
56 | 54 | Mytilene (Conversion) | 11s. | 6/4 | E Minor | VHS | Adapted from Isaac Watts | John Steffy | 1836 | When fierce, cold north winds roar aloud near the shore | 055 | ||||||||||||||||
57 | 55 | Vain Prosperity | C. M. | 2/2 | E Minor | Isaac Watts | John Bayer, Jr. | 1994 | No, I shall envy them no more, | 056 | |||||||||||||||||
58 | 56 | Morning | L. M. | 2/4 | A Major | SMSW | Jeanne-Marie Guyon | 1710 | Sacred Melodies for Social Worship, 1859; arr. D. L. Hunter, 2017 | 2017 | Since life in sorrow must be spent, | 057 | |||||||||||||||
59 | 57 | Time Flies | L. M. D. | 4/4 | A Minor | OL | William Knox | Arr. William Hauser | 1878 | Time speeds away, away, away! | 058 | ||||||||||||||||
60 | 58 | Carkeek | 8s, 6s. | 3/2 | A Minor | Anne Steele | 1760 | Kevin Barrans | 2013 | Life is a span, a fleeting hour, | 059 | ||||||||||||||||
61 | 59 | Shepherd | S. M. | 4/4 | A Minor | SZ | Horatius Bonar | 1843 | James P. Carrell | 1821 | The Shepherd sought his sheep, | 060 | |||||||||||||||
62 | 60 | Vain World Adieu | P. M. | 3/4, 4/4 | A Minor | Leavitt, The Christian Lyre | 1831 | John Bayer, Jr., 1995; arr. Richard Patterson, 2020 | 2020 | Vain world adieu, I'm going home. | 061 | ||||||||||||||||
63 | 61 | Earthly Home Adieu | 7s. | 2/4 | A Minor | A Collection of Spiritual Hymns | John Bayer, Jr., 1995 (alto by D. L. Hunter) | 1995 | On the banks beyond the stream, | 062 | |||||||||||||||||
64 | 62 | Prodigal | P. M. | 2/4 | A Minor | PBH | Gospel Songs | 1874 | Arr. J. H. H., 1902; D. L. Hunter, 2019 | 2019 | Far, far away from my loving father, | 063 | |||||||||||||||
65 | 63 | Jerusalem | C. M. | 4/4 | A Minor | VHS | Joseph Bromehead, by 1808; after F. B. P., 16th c. | 1808 | Arr. Valley Harmonist | 1836 | O happy harbor of the saints, | 064 | |||||||||||||||
66 | 64 | Hermon | L. M. | 2/4 | Bb Major | SZ | Charles Wesley | James P. Carrell, 1821 (alto by C. MacNeil) | 1821 | Awake, Jerusalem, awake, | 065 | ||||||||||||||||
67 | 65 | No Coward Soul | P. M. | 4/4 | Bb Major | Emily Brontë | 1846 | Leah Velleman | 2015 | No coward soul is mine, | 066 | ||||||||||||||||
68 | 66 | Khabbaz | C. M. | 4/4 | Bb Major | Philip Doddridge | Daniel L. Hunter | 2016 | My savior, let me hear thy voice | 067 | |||||||||||||||||
69 | 67 | Jubilee (The Jubilee Trump) | C. P. M. | 6/8 | A Major | HH | John Adams Granade | William Moore, 1825 (alto by C. MacNeil) | 1825 | What sound is this salutes my ear? | 068 | ||||||||||||||||
70 | 68 | Shawsville | L. M. | 6/4 | A Minor | Samuel Medley | 1782 | Christopher Wolf | 2019 | Tho' num'rous hosts of mighty foes, | 069 | ||||||||||||||||
71 | 69 | Harpeth | 8s. | 3/4 | A Minor | JTH | Johann Rothe; transl. John Wesley | Tennessee Harmony | 1821 | Though waves and storms go o'er my head, | 070 | ||||||||||||||||
72 | 70 | Passover | L. M. | 4/4 | A Minor | SZ | Isaac Watts | James P. Carrell | 1821 | Sinner, O why so thoughtless grown? | 071 | ||||||||||||||||
73 | 71 | Bower, The | 11s. | 3/4 | A Major | SCMF | Caleb Jarvis Taylor | Supplement to The Christian Melodist, ca. 1828; arr. D. L. Hunter, 2020 | 2020 | Ye people who wonder at me and my ways, | 072 | ||||||||||||||||
74 | 72 | New Orleans | P. M. | 4/4 | A Minor | Anonymous | 1811 | Leah Velleman and Lael Birch | 2019 | If souls disembodied can know, | 073 | ||||||||||||||||
75 | 73 | Dvorah | L. M. | 4/4 | F# Minor | The Choice | 1833 | Arr. D. L. Hunter | 2020 | When first the Lord that grace reveal’d | 074 | ||||||||||||||||
76 | 74 | Wise Are They | P. M. | 6/4 | A Minor | John Newton | John Bayer Jr., 1995; arr. D. L. Hunter, 2020 | 1995; 2020 | Wise are they, and truly blest, | 075 | |||||||||||||||||
77 | 75 | Fairview | C. M. | 6/4 | A Major | OH | Frances Maria Cowper | 1792 | A. Lane, 1847 (alto by R. Wright) | 1847 | O that my heart might dwell aloof | 076 | |||||||||||||||
78 | 76 | New Salem | 11, 8. | 4/4 | F Major | SKH | Joseph Swain | 1791 | Kentucky Harmonist, 1818 (alto by Ananias Davisson, 1820) | 1818 | O why should I wander an alien from thee | 077 | |||||||||||||||
79 | 77 | Cumberland | 11s. | 2/4 | E Minor | UHC | Rippon's Selections | 1787 | Arr. Union Harmony | 1834 | When thro’ the deep waters I call you to go | 078 | |||||||||||||||
80 | 78 | As Thy Days | L. M. | 4/4 | F# Minor | John Fawcett | 1799 | Joshua Rush Barnett | 2019 | Afflicted saint, to Christ draw near | 079 | ||||||||||||||||
81 | 79 | God's Image | P. M. | 4/4 | F# Minor | John Wesley | Simon Filbrun, 2005; arr. John Bayer Jr. | 2005 | Come let us ascend, my companion and friend, | 080 | |||||||||||||||||
82 | 80 | Oh, They Crucified My Savior | P. M. | 4/4 | E Minor | SMSW | Anonymous | 1859 | Sacred Melodies for Social Worship, 1859; arr. Leah Velleman, 2020 | 2020 | Oh, they crucified my savior | 081 | |||||||||||||||
83 | 81 | O, What a Band | P. M. | 4/4 | Eb Major | WNS | Chapel Melodies | 1868 | Arr. D. L. Hunter | 2017 | We shall sleep, but not forever, | 082 | |||||||||||||||
84 | 82 | Dukedom | C. M. | 6/4 | F Minor | Isaac Watts | John Bayer, Jr. | 1994 | Ye sons of pride, that hate the just | 083 | |||||||||||||||||
85 | 83 | Watchman | 8s, 7s, 4. | 4/4 | F# Minor | SZ | John Cennick | 1752 | James P. Carrell | 1821 | Ev'ry island, sea, and mountain | 084 | |||||||||||||||
86 | 84 | Come Ye To the Waters | 8, 7. (peculiar) | 6/4 | A Minor | SWPH | Camp Meeting Hymn Book | 1836 | Southern and Western Pocket Harmonist | 1846 | Our Jesus came into the world, | 085 | |||||||||||||||
87 | 85 | Easton | L. M. | 4/4 | A Minor | Isaac Watts | Daniel L. Hunter | 2019 | Eternal Spirit! we confess | 086 | |||||||||||||||||
88 | 86 | On Heaven | 8s. 7s. | 4/4 | G Major | CMF | Charles Giles | 1834 | Arr. Deerin Farrer, 1828; rev. D. L. Hunter, 2020 | 2020 | A stranger, lonely, here I roam, | 087 | |||||||||||||||
89 | 87 | Lebanon | C. M. | 2/4 | E Minor | SZ | Samuel Medley | 1785 | James P. Carrell | 1821 | From all that’s mortal, all that’s vain | 088 | |||||||||||||||
90 | 88 | Vanitas | C. M. | 3/2 | D Minor | Hugh Blair | 1745 | Maxim Turner | 2016 | How still and peaceful is the grave! | 089 | ||||||||||||||||
91 | 89 | Veneration | 11s. | 6/4 | A Minor | EHJ2 | Anonymous; Zion Songster | 1854 | Arr. Andrew W. Johnson | 1847 | The call of the gospel resounds thro’ the land | 090 | |||||||||||||||
92 | 90 | Homer | L. M. | 6/4 | C Major | CTCC | Thomas Ken | 1695 | Catch that Catch Can, 1652 (v.A); School Rounds Book, 1852; arr. D. L. Hunter | 2017 | ’Twas sev’n great towns of Greece, ’tis said, | 091 | |||||||||||||||
93 | 91 | Evening Star | 7, 6. D. | 4/4 | A Minor | SMSW | William Augustus Muhlenberg | 1825 | D. P. Pond, 1859; arr. D. L. Hunter | 2018 | The flaming sun is setting Serenely in the west; | 092 | |||||||||||||||
94 | 92 | Italy | 8, 7. D. | 6/4 | G Minor | OH | Selah Gridley | 1795 | Arr. S. Crigler, 1847; D. L. Hunter | 2020 | Former friends, O, how I’ve sought them! | 093 | |||||||||||||||
95 | 93 | Glory, Glory | 8, 7. | 4/4 | E Minor | Thomas Rawson | 1791 | John Bayer, Jr., 1995 (alto by D. L. Hunter) | Not specified | Let us sail in grace’s ocean Float on that unbounded sea, | 094 | ||||||||||||||||
96 | 94 | Maryland | P. M. | 4/4 | A Minor | WR1 | Philip Doddridge | Not specified | William Billings | 1778 | How swift the torrent rolls That bears us to the sea; | 095 | |||||||||||||||
97 | 95 | Suffield | C. M. | | E Minor | KH | The Christian’s Duty | 1769 | Oliver King | 1779 | Vain race of mortals, see them move | 096 | |||||||||||||||
98 | 96 | Regina's Song | C. M. D. | 2/4 | E Minor | Lloyd’s Hymnal | 1841 | John Bayer, Jr. and Judy Hauff | 1995 | On willows near to Babel’s flood, | 097 | ||||||||||||||||
99 | 97 | Gardena | C. M. D. | 2/4 | A Minor | William Blake | 1789 | Emily Ross | 2023 | To Mercy, Pity, Peace, and Love I pray in my distress; | 098 | ||||||||||||||||
100 | 98 | Yonder Bright Abode (Frog & Mouse) | C. M. | 2/4 | E Minor | VT | The Southern Harmony (alt. v. Appendix) | Not specified | Traditional; arr. Patrick Friesen, 2024 | 2024 | A few more days on earth to spend, | 099 |