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PartFeaturesA: Santos Hernandez 1934/MerrinB: Domingo Esteso 1934/MerrinC: Santos Hernandez 1934/BrunéD: Marcelo Barbero 1951/BrunéE: Santos Hernandez 1933/CourtnallF: Marcelo Barbero 1950/CourtnallG: Manuel Reyes 2003/BlackshearH: Arcángel Fernández 1982/Blackshear
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Outline of top and backY (back reproduced from top)Y (back reproduced from top)Top onlyYTop onlyTop onlyTop onlyTop only
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Outline of headYYYYYYYY
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Internal bracingPosition, shape and dimensionsYYYYYYYY
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Plate thicknessesTop and back, 2cm apartYYYYApprox.Approx.Approx.Approx.
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Side thicknessesYYYYNYYY
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Curvature of top and backYYYNApprox.Approx.Back onlyY
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Main air resonanceNot included by Ray et al.YYNYNNYN
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TopLength (L1), upper bout (L2), waist (L3) and lower bout (L4)Drawn to scale onlyDrawn to scale onlyYDrawn to scale onlyYWaist drawn but not recordedYY
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BackLength, upper bout, lower bout and waistDrawn to scale onlyDrawn to scale onlyAssumed to be same as topDrawn to scale onlyAssumed to be same as topAssumed to be same as topAssumed to be same as topAssumed to be same as top
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SidesLength, width at enough points to draw a profileYYYYYYYY
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HeadLength, width at widest and narrowest points, thickness, slots; width and length and position; holes, ramps (where they begin and where they end)YYDrawn to scale onlyDrawn to scale onlyYYDrawn to scale onlyDrawn to scale only
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FingerboardWidth at three points (nut, twelfth fret, and soundhole) thickness at four points, lengthYYDrawn to scale onlyDrawn to scale onlyThickness not recordedThickness not recordedNut width and 12th fret neck width. Approx. thickness for entire length. Drawn to scale.Drawn to scale. Taper of length recorded.
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BridgeLength, width, height at back and front and wings, width of tie-block and back lip, is it arched? The angle of the string holes, is the valley cut below the wings? Record the saddle curve if it is not straightSaddle curve not recordedSaddle curve not recordedYSaddle curve not recordedSaddle curve not recordedSaddle curve not recordedSaddle curve not recordedDrawn to scale only
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Scale lengthDouble the distance from the nut to the twelfth fret and record the extra length (compensation) of the bass and treble stringYYYYNo compensation recordedNo compensation recordedYY
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StringSpacing at nut and saddleYYYYYYYNut only
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PeonesShape and sizeNot usedYNot usedYNo shape recordedNo shape recordedNo shape recordedNo shape recorded
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Bridge strapStrap length, height and widthNot usedNot usedNot usedYNot usedNot usedDrawn to scale + thickness dimensionDrawn to scale only. No thickness.
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Heel capLength, height and widthYYYYYYDrawn to scale onlyDrawn to scale only
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HeelShape (from the side and front) and measure inside and outYYSide onlySide onlySide onlySide onlySide onlySide and front drawn to scale
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BindingHeight and widthYYYYNNPhotographs of binding and purflingY
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Linings and reinforcementsGrain orientation, height and widthYYYYNNDrawn + dimensions. No grain orientationDrawn to scale + grain orientation
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NeckProfiles at first and ninth (or before the curve of the heel begins)Thicknesses at 1, 5, 9th frets. Profile at 5th.Thicknesses at 1, 5, 9th frets. Profile at 5th.Thickness drawn. No profiles.Thickness drawn. No profiles.Thickness only. No profiles.Thickness only. No profiles.Profile at 6th fretDrawn to scale only. No profile.
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SoundholeDiameterYYYYYYYY
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HeadstockAngleYYDrawnDrawnDrawn DrawnYDrawn to scale
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WeightSpecifying with or without strings, pegs, etc.YYNNNNNN
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FretsPositionsYYYYYYYY
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RosetteInner and outer diameterYYYYYYNDrawn to scale.
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Neck/head jointYYYYNNNN
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Neck/body jointYYYYYYYY
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Neck angleNNYYNNYN
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Neck reliefNNNYNNNN
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Label informationYYYYNNNN
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Rosette design and other inlay workPhotographs, materials usedYYYYYYYPhotograph
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Misc. build featuresGlue squeeze out, plane marks, grain orientation, etc.Grain orientationGrain orientationNotes on build methodsPlane marks, grain orientationGrain orientationGrain orientationGrain orientation of soundboard reinforcements. Cross section of head. Brace scallop detail. Top and back resonances given. All materials listed. Use of reversed kerfed lining at waist. Grain orientation of end block. Brace profiles.
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Height of strings1st and 6th strings at bridge, 12th fret, nutNNN12th fret onlyNNNY
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Wood speciesDocument all components, are they book matched?YYYYYYYY
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General conditionDamage, restoration, wearNNYYNNNN
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ProvenanceNNNYNNYN
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OtherNot included by Ray et al.Annual growth rings for top. Fretwire width and height.Annual growth rings for top. Fretwire width and height.Golpeador info included
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Evaluation of eight flamenco guitar plans adapted from Ray et al. (2017)
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