SLCC Score Corrections

	A	B	C	D	E	F
1	Composer	Title	Publisher	Edition ref.	Copyright	Corrections
2	Animuccia, Giovanni	Laudate Deo	Choral Public Domain Library			m.10 Sop. 1 Supply A half note to complete measure
3	Arcadelt, Jacques	Il Bianco e Dolce Cigno	Oxford University Press	0-19-343647-7 (Oxford Book of Italian Madrigals)	1983	p.33 All voices Change "morte" to "morti"
4	Ashforth, Alden	O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)	E.C. Schirmer	3137	1988	m.11 Soprano/Alto Half note rest should be whole note rest
5	Ashforth, Alden	O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)	E.C. Schirmer	3137	1988	m.20 Alto D misplaced and half note rest missing (reduction is correct)
6	Ashforth, Alden	O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)	E.C. Schirmer	3137	1988	p.7 Tutti Replace "Jesu Christus" with "Jesum Christum"
7	Ashforth, Alden	Viderunt Omnes (Three Christmas Motets, 3)	E.C. Schirmer	3138	1988	m.11 Soprano/Alto Half note rest should be whole note rest
8	Ashforth, Alden	Viderunt Omnes (Three Christmas Motets, 3)	E.C. Schirmer	3138	1988	m.24 Tenor "o-" omitted from second E flat
9	Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)	Ich lasse dich nicht / I’ll loose Thee, Lord, not!	E.C. Schirmer	1240		p.6, m.30 Tutti Measure # is 20, not 30
10	Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)	Ich lasse dich nicht / I’ll loose Thee, Lord, not!	E.C. Schirmer	1240		m.38 Bass I Last note should be D natural
11	Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)	Ich lasse dich nicht / I’ll loose Thee, Lord, not!	E.C. Schirmer	1240		m.92 Soprano “Denn” should be “Dein”
12	Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)	Ich lasse dich nicht / I’ll loose Thee, Lord, not!	E.C. Schirmer	1240		m.110 Soprano “hie” should be “hier”
13	Bach, Johann Christoph Friedrich	Wachet auf, ruft uns die Stimme	San Francisco Bach Choir edition			movt.I, m.80 Bass “sied” should be “seid”
14	Bach, Johann Christoph Friedrich	Wachet auf, ruft uns die Stimme	San Francisco Bach Choir edition			movt.II, m.36 Bass “Wuachter” should be “Wächter”
15	Bach, Johann Christoph Friedrich	Wachet auf, ruft uns die Stimme	San Francisco Bach Choir edition			movt.II, m.96 Bass “machtig” should be “mächtig”
16	Bach, Johann Christoph Friedrich	Wachet auf, ruft uns die Stimme	San Francisco Bach Choir edition			movt.IV, m.43 Bass “Feu-” should be “Freu-”
17	Bach, Johann Ludwig	Das is meine Freude	Choral Public Domain Library			m.5 Choir II “das” should be “-de”
18	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.4 Choir I, Sop. Underlay should be identical to ATB
19	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.20 Choir II, Bass First note should low C
20	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.27 Choir II, Bass First note should be E natural, not E flat
21	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.41 Choir II, Alto Text missing, should be “Frie-”
22	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.42 Choir I, Bass Underlay is wrong; first two notes should be sung to “dei-”
23	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.49 Choir II, Alto First word should be “Weg,” not “wird”
24	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.73 Choir II, Bass Fourth note should be A flat, not A natural
25	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.74 Choir I, Alto A sharp should be A natural
26	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.110 Choir I, Sop. High F should be F natural
27	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.110 Choir II, Sop. High F should be F natural
28	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.145 Choir II, Tenor First note should be F, not D
29	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.159 Choir I, Tenor Underlay is wrong; remove “-ben”
30	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.160 Choir I, Tenor Underlay is wrong; “die” should be “-ben”
31	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.161 Choir I, Bass First note (tied) should be F, not E flat
32	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			m.188 Tutti Underlay is wrong; “Wil” should be “Weil”
33	Bach, Johann Sebastian	Komm, Jesu, Komm	Choral Public Domain Library			NOTE: Advisory accidentals are not used in this edition; therefore, unless specifically indicated, the key signature governs each measure.
34	Bainton, Edgar F.	Summer	Joseph Williams	W.4667	1924	p.4, m.8 Alto Penultimate note should be 1/16th, not 1/8th
35	Bantock, Granville	A Grammarian’s Funeral (Three Choruses for Male Voices, 2)	Oxford University Press	Male Voices OCS 616	1930	p.19, m.1 Piano Final 1/4 note should B flat, not C
36	Bantock, Granville	A Grammarian’s Funeral (Three Choruses for Male Voices, 2)	Oxford University Press	Male Voices OCS 616	1930	p.20, m.5 Tenor 2 First note should be dotted
37	Bantock, Granville	Hymn to the Sun	Bayley & Ferguson	Choral Album 282		passim, Tutti Apply initial dynamics to upbeat, not downbeat
38	Bantock, Granville	Hymn to the Sun	Bayley & Ferguson	Choral Album 282		e.g., mm.4-5 Forte should be marked at "The," not "kings"
39	Bantock, Granville	Invocation to Pan	Novello			p.22, m.2 Ch.I, Mezzo D flat ("wild") should be staccato
40	Bantock, Granville	Lady Fame (A Pageant Of Human Life, 6) (See below for No. 8)	Novello	14011	1914	p.20, m.5 Sop. II First note should be dotted
41	Bantock, Granville	Lady Eternity (A Pageant Of Human Life, 8)	Novello	14011	1914	p.31, m.4 Alto II First note should be F natural, not F sharp
42	Bantock, Granville	Requiem	Summy-Birchard	B-274	1924	p.5, m.1 Sop/Tenor G flat should G natural
43	Bantock, Granville	Requiem	Summy-Birchard	B-274	1924	m.50 Baritone G should be tied A flat
44	Bantock, Granville	The Golden Journey to Samarkand	C.C. Birchard	1020	1923	p.8, m.1 Alto “mur-mer” should be “mur-mur”
45	Bantock, Granville	The Golden Journey to Samarkand	C.C. Birchard	1020	1923	p.14, m.5 Alto 1/2 rest missing
46	Bantock, Granville	The Golden Journey to Samarkand	C.C. Birchard	1020	1923	p.15, m.3 Tenor “-bly” missing from underlay
47	Bantock, Granville	The Golden Journey to Samarkand	C.C. Birchard	1020	1923	p.17, m.1 Soprano II Bracket for triplet is missing
48	Bantock, Granville	The Golden Journey to Samarkand	C.C. Birchard	1020	1923	p.22, m.9 Soprano 1/4 rest missing
49	Bantock, Granville	Will They Ever Come To Me (Five Choral Songs from ‘The Bacchae,’ 3)	Joseph Williams	J.W. 16603	1930	p.15, m.6 after A Mezzo A’s should be A flats
50	Barber, Samuel	God's Grandeur	G. Schirmer	HL 50482114	1994	m.39 Sop. I, Ten. I, Alto II Change all E sharps to E natural
51	Barber, Samuel	God's Grandeur	G. Schirmer	HL 50482114	1994	m.40 Alto II Change G natural to G sharp
52	Barber, Samuel	God's Grandeur	G. Schirmer	HL 50482114	1994	m.83 Bass II Change dotted half note to half note & 1/4 rest (cf. reduction)
53	Bax, Arnold	A Pilgrim's Chant (Five Greek Folk Songs, 5)	Chappell	38450	1947	m.16 Tenor change "th" to "the"
54	Bax, Arnold	In Far-Off Malta (Five Greek Folk Songs, 3)	Chappell	38250	1947	m.5 Bass add cresc. forte on C
55	Bax, Arnold	In Far-Off Malta (Five Greek Folk Songs, 3)	Chappell	38250	1947	m.35 Tutti remove forte marking or add diminuendo to second beat
56	Bax, Arnold	Miracle of Saint Basil (Five Greek Folk Songs, 1)	Chappell		1947	m.14 Alto/Tenor staccatissimo markings omitted
57	Bax, Arnold	Miracle of Saint Basil (Five Greek Folk Songs, 1)	Chappell		1947	m.14 piano reduction RH staccatissimo markings omitted on lower notes
58	Bax, Arnold	This Worldes Joie	Chappell		1943	p.5, m.10 Sop. II Second note should be C flat, not C
59	Bax, Arnold	This Worldes Joie	Chappell		1943	p.5, m.11 Sop./Tenor “We shall” should be tutti
60	Bax, Arnold	This Worldes Joie	Chappell		1943	p.6, m.7 Bass I f should be marked over second, not fifth, note
61	Bax, Arnold	This Worldes Joie	Chappell		1943	p.11, m.3 Bass II Second note should be E natural, not E flat
62	Bax, Arnold	This Worldes Joie	Chappell		1943	p.11, m.7 Bass II First note should be 1/8th, tied to previous measure
63	Bax, Arnold	This Worldes Joie	Chappell		1943	p.12, m.5 Alto replace "Tutti" with "unis."
64	Bax, Arnold	This Worldes Joie	Chappell		1943	p.12, m.9 Bass II First note should be tied to previous measure
65	Beach, Amy (Mrs. H.H.A.)	The Sea-Fairies (op. 59)	Recital Publications	344	1992/1996	p.8, m.21 L.H. piano score Fourth note should be F natural, not F flat
66	Beach, Amy (Mrs. H.H.A.)	The Sea-Fairies (op. 59)	Recital Publications	344	1992/1996	p.10, m.8 Contralto I 2 1/4 rests missing
67	Beach, Amy (Mrs. H.H.A.)	The Sea-Fairies (op. 59)	Recital Publications	344	1992/1996	p.13, m.12 R.H. piano score Final B should be B sharp
68	Beach, Amy (Mrs. H.H.A.)	The Sea-Fairies (op. 59)	Recital Publications	344	1992/1996	p.26, m.3 L.H. piano score C should be C natural
69	Beach, Amy (Mrs. H.H.A.)	The Sea-Fairies (op. 59)	Recital Publications	344	1992/1996	p.26, m.4 L.H. piano score C should be C natural
70	Bennet, John	Thyrsis, Sleepest Thou?	Choral Public Domain Library			m.11 Bass Advisory natural accidental should be added to E
71	Bennet, John	Thyrsis, Sleepest Thou?	Choral Public Domain Library			m.22 Bass Advisory natural accidental should be added to E
72	Bennet, John	Thyrsis, Sleepest Thou?	Choral Public Domain Library			m.27 Tenor “sin - eth” should be “sing - eth”
73	Bennet, John	Thyrsis, Sleepest Thou?	Choral Public Domain Library			mm.42-end Bass Underlay missing
74	Bennet, John	Thyrsis, Sleepest Thou?	Choral Public Domain Library			mm.44-45 Bass Underlay should be “to (A) Lon- (G) don (F)”
75	Bennett, Richard Rodney	Heare Us, O Heare Us, Lord (Verses, 3)	Universal	14160	1965	p.4, m.2 Tutti Time signature should change to 3/2
76	Bennett, Richard Rodney	Heare Us, O Heare Us, Lord (Verses, 3)	Universal	14160	1965	p.4, m.3 Tutti Time signature should change to 4/4
77	Berg, Alban	Es ist ein Reis entsprungen	Universal Edition	18408	1985	m.8 Sop. A flat should be A natural
78	Biebl, Franz	Ave Maria (SAT/SATB version)	Hinshaw	HMC 1255	1985	p.3 Bass solo "nontiavit" should be "nuntiavit"
79	Biebl, Franz	Ave Maria (SAT/SATB version)	Hinshaw	HMC 1255	1985	p.4, mm.11-13 Latin text "-e-ris-bus" should be "-e-ri-bus"
80	Biebl, Franz	Ave Maria (SAT/SATB version)	Hinshaw	HMC 1255	1985	p.5, Tenor solo "secomdom" should be "secundum"
81	Billings, William	Lamentation Over Boston	Walton	2220	1968	p.6 Tutti controversial phrase has been removed; See full edition to add "Forbid that those who have sucked Bostonian breasts should thirst for American blood."
82	Bingham, Judith	Aquileia	Maecenas		2002	m.20 Alto 1 C natural should be C sharp
83	Bingham, Judith	Aquileia	Maecenas		2002	m.26 Alto 1 D should be D flat
84	Bingham, Judith	Aquileia	Maecenas		2002	m.101 Alto both parts sing "nn"
85	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	Preface German text “Geton” should be “Getön”
86	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	English transl. Apostrophe missing from “bell’s”
87	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	m.32 Tenor “Shrecken” should be “Schrecken”
88	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	m.40 Alto I F should be F sharp
89	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	m.44 Baritone Unclear if stresses are missing or not
90	Bingham, Judith	Bach’s Tomb	Peters Edition	71201	2003/2007	m.50 Baritone G should be tied A flat
91	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.19 Baritone move underlay: "dein" on G "Haupt" on tied B
92	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.30 Alto remove final "ü" from 1/16th rest
93	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.33 Alto remove final "ü" from 1/16th rest
94	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.33 Bass sing "Oh" on 1/2 note
95	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.36 Alto "Schö-pher" should be "Schö-pfer"
96	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.37 Alto "Zeug-niss un-srer" should be "Zeug-nis uns-res"
97	Bingham, Judith	Bach’s Tomb (revised edition)	Peters Edition	EP 71201	2003/2014	m.43 Tenor I add cautionary natural to first note = A natural
98	Bingham, Judith	A Bird Is Singing	Peters	EP 72076	2010	m.20 Bass II add tied F sharp dotted 1/2 note to match reduction
99	Bingham, Judith	A Bird Is Singing	Peters	EP 72076	2010	m.92 Tenor II last note is G natural, not G flat
100	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	m.5 Bass I trill onto F
101	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	m.6 Alto I trill onto C natural
102	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	m.13 Bass II E needs cautionary natural marking
103	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	m.14 Sop I/Bass II syllable is "nn"
104	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	m.44 Sop I D should be D flat
105	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	mm.59-60 Sop I/Sop II delete, should be sung by Alto only
106	Bingham, Judith	The Drowned Lovers	Peters	EP 71066	2007/2009	mm.59-60 Alto I sing printed Soprano part
107	Bingham, Judith	Gleams of a Remoter World	Peters	71126	1994/2007	m.39 Alto 2nd G should be G flat
108	Bingham, Judith	Gleams of a Remoter World	Peters	71126	1994/2007	m.52 Bass add time signature 3/4
109	Bingham, Judith	Gleams of a Remoter World	Peters	71126	1994/2007	m.112 Bass I 2nd note is missing its stem = 1/2 note
110	Blow, John	Let Thy Hand Be Strengthened	Choral Public Domain Library	Rafael Ornes edition	1999	m.24 Tenor Third note is A, not G
111	Blow, John	On the King's Coming Home (3-part round)	Choral Public Domain Library			m.7 Voice I change "we" to "us"
112	Boughton, Rutland	The Faery Chorus	Stainer & Bell	CL 342	1920	p.4, m.8 Bass First note should be “la,” not “l”
113	Bourgeois, Derek	Break, Break, Break (op. 134)	Sibelius Music			p.3, m.4 Soprano II/Alto “ten der” should be “ten-der”
114	Bouzignac, Guillaume	Noe, Noe, Pastores	Broude Brothers	CR 44	1986	m.39 Soprano I 1/4 rest missing
115	Bouzignac, Guillaume	Noe, Noe, Pastores	Broude Brothers	CR 44	1986	m.90 Bass First note should be dotted
116	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.2, s.1, m.1 Sop. First note is E, not C
117	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.2, s.2, m.1 Bass “alas” should be ranged with Alto
118	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.2, s.4, m.3 Alto B should be 1/8th
119	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.3, s.1, m.2 Sop. 1/8th rest omitted
120	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.3, s.1, m.6 ATB 1/8th rest should be 1/4th
121	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.3, s.3, m.3 Tenor 1/8th rest should be 1/4th
122	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.3, s.4, m.2 Bass B natural should be dotted
123	Boydell, Brian	I Loved A Lass	Curwen	61544	1964	p.3, s.4, m.3 Sop. Rhythm of first 2 notes should be reversed
124	Briggs, David	When Waters Kiss	Allegro Music		1996	m.8 Bass Tie missing onto m.9
125	Briggs, David	When Waters Kiss	Allegro Music		1996	m.28 Soprano II Natural accidental is redundant
126	Britten, Benjamin	A Boy Was Born	Chester	CH76549	2009	p.24, m.31 Tenor II "-el" should be under first 1/8th
127	Britten, Benjamin	A Boy Was Born	Chester	CH76549	2009	p.31, m.31 Boy Solo third note should be B, not A
128	Britten, Benjamin	A Boy Was Born	Chester	CH76549	2009	p.55, m.103 Tenor I first note should be G sharp, not G
129	Britten, Benjamin	Advance, Democracy	Boosey & Hawkes	M051431922	1938	p.8, m.5 Bass final note should be 1/8th, not 1/4th
130	Britten, Benjamin	Advance, Democracy	Boosey & Hawkes	M051431922	1938	p.12, m.6 Ten staccato missing from final note
131	Bruch, Max	Sommerlust im Walde (op. 71, 1)	Heinrichshofen	N 2074	1988	p.6, m.1 Sop. Should be marked “unison” after first note
132	Bruch, Max	Sommerlust im Walde (op. 71, 1)	Heinrichshofen	N 2074	1988	p.6, m.4 Bass Should be marked “unison” after first note
133	Bruckner, Anton	Virga Jesse	Alexander Broude	AB 1008	1984	m.70 Bass G’s should be sharpened
134	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.3, m.12 Alto Underlay should be “fold-ed”
135	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.5, m.13 Alto ff should be marked over first, not second, note
136	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.6, m.8 L.H. Piano lowest first note should be G, not A
137	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.7, m.6 Alto II Last note should be C flat
138	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.8, m.5 Sop. First 2 notes should be tied; delete slur
139	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.8, m.7 R.H. Piano lowest first note should be G flat, not G
140	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.8, m.9 Tenor Last note should be in small type only, as optional part
141	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.9, m.6 Piano Reduction 2nd beat should be B natural, not B flat
142	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.9, m.9 Alto First note should be staccato
143	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.11, m.4 Tutti Should be marked “Allegro,” as in reduction
144	Buck, Dudley	Hymn To Music	Banks	York Series 216		p.11, m.11 Alto Last note should be staccato
145	Capillas, Francisco Lopez	Magnificat à 8	Collected Edition			mm.16-17 Sop I add tie to D and change underlay, with “-us” sung only on A
146	Capillas, Francisco Lopez	Magnificat à 8	Collected Edition			mm.16-17 Alto I add slur to final B - A and change underlay, with “-us” sung only on F
147	Capillas, Francisco Lopez	Magnificat à 8	Collected Edition			p.49, Tutti first measure is indicated as #100 but should be #110
148	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.2 Alto I whole note rest missing at beginning
149	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.26 Bass hyphen missing “pas-cu-“
150	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.30 Sop I hyphen missing “for-ti-“
151	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.31 Sop. I F should be F sharp
152	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.38 Sop. II Last note should be B flat
153	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.76 Alto I 1/2 rest should be whole note rest
154	Cardoso, Manuel	Lamentations (à 6)	Collected Edition			m.85 Alto I whole note rest missing at beginning
155	Chadwick, George Whitfield (sometimes "Whitefield")	Faith	Choral Public Domain Library		2006	m.7 Tenor Last note should be B natural
156	Chydenius, Jussi	I am the great sun	Oxford University Press	867-0-19-336882-8	2010	m.8 Bass “your” should be “you”
157	Clemens (Non Papa), Jacobus	Ego Flos Campi	Choral Public Domain Library		1999	m.8 Sop II Underlay needs “-li-” on E
158	Clemens (Non Papa), Jacobus	Ego Flos Campi	Choral Public Domain Library		1999	mm.11-12 Ten II Tie missing
159	Clemens (Non Papa), Jacobus	Ego Flos Campi	Choral Public Domain Library		1999	mm.22-23 Alto Tie missing
160	Copland, Aaron	In The Beginning	Boosey & Hawkes		1947	p.22, m.141 Text "heavens" should be "heaven"
161	Costantini, Alessandro	Confitemini Domino	Choral Public Domain Library			mm.9-10 Sop. 1 Tie missing
162	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.8 Alto I Final note is whole note (semi breve)
163	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.23 Sop. II First note is D, not C
164	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.27 Sop. I Third note is D, not E
165	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	mm.53-55 Alto II All 1/2nd notes should be dotted
166	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.57 Sop. I Second note is B flat, not A
167	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.59 Bass II Final note is B flat, not A
168	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.62 Alto I Third note is G, not F
169	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.63 Sop. I Fourth note is A, not G
170	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.67 Bass II Note is D, not C
171	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.76 Sop. II Second note is D, not E
172	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.77 Sop. II First note is D, not C
173	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.82 Ten. II Final note is whole note (semi breve)
174	Croce, Giovanni	Laudans Exsultet Gaudio	Choral Public Domain Library		2000	m.92 Alto First note should be dotted
175	Nin-Culmell, Joaquin	Three Traditional Cuban Songs: Dónde está la Má Teodora?	Rongwen	RM 391	1955/1983	m.18 SA "al" should read "la"
176	Davie, Cedric Thorpe	Scots Wha Hae	Curwen	61472	1955	p.5, m.2 Accomp. First Alto note should be F, not G
177	Davies, Peter Maxwell	Haylle, Comly And Clene (O Magnum Mysterium, 2)	Schott		1961	m.15 (p.10) reduction LH second chord should be D flat/E flat
178	Davies, Peter Maxwell	Haylle, Comly And Clene (O Magnum Mysterium, 2)	Schott		1961	m.16 (p.10) reduction LH first chord should be F/A flat; third should be E flat/D flat
179	Davies, Peter Maxwell	Haylle, Comly And Clene (O Magnum Mysterium, 2)	Schott		1961	m.20 (p.10) reduction LH last chord should be C flat/E flat
180	Davies, Peter Maxwell	O Magnum Mysterium (O Magnum Mysterium, 1)	Schott		1961	m. 8 tutti "-i-" missing on final note
181	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.4, 1 bef. A - 3 aft. A Tenor Should be marked Tenor I only
182	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.15, 2 aft. C Tenor/Bass 5/2 should be 5/4
183	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.23, 3 aft. C Soprano Add breath/comma after dotted 1/4 note C
184	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.29, m.4 Bass “- b - ten” should be “- be - ten”
185	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.30, at A Alto Spacing should match Soprano
186	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.35, 3 aft. C Tenor Dot missing from 1/4 note “-hü-“
187	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.37, mm.4-5 Bass Time signatures should be 3/4; 5/4
188	Distler, Hugo	Weihnachtsgeschichte	Bärenreiter	690	2005	p.39, 5 bef. D Bass Dot unclear on “dass”
189	Dunhill, Thomas	The Poet's Song	Edward Arnold	Singing Class Music #455	1937	p.3, m.9 Voices Dot before 1/8th rest should be omitted
190	Elgar, Edward	After Many A Dusty Mile (from the Greek Anthology, 3)	Novello	NOV 072326R	1903	penultimate measure Tenor II First note should be dotted
191	Elgar, Edward	As Torrents In Summer	Choral Public Domain Library			m.22 Tutti "By" should be "So"
192	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.2 ATB replace slurred "iunc-" with "iunc-ta"
193	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.6 AT replace 1/4 "no-" with 1/8ths "no-va"
194	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.6 Bass remove slur, so "no-" becomes "no-va"
195	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.15 Bass D flat should be D natural
196	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.21 SB add "-men" for second 1/8th
197	Fenton, George	Sacris Solemniis	Boosey & Hawkes	9429	1994	m.21 Tenor add "-men" to first note
198	Ferguson, Howard	Lovely Armoy	Banks	ECS 270	1993	p.6, m.54 Tenor Underlay should be "dew," not "well"
199	Fine, Irving	The White Knight's Song (Alice in Wonderland, II) (second series)	Witmark / G. Schirmer		1954/1982	p.4, s.2, m.2 Sop. First note should be dotted
200	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	m.103 Tenor Final note is 1/8th, not 1/4th
201	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	mm.230-231 Alto Change underlay to match Bass:
202	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	m.230 "in ex-cel"
203	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	m.231 "-"
204	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	m.232 Bass Note is dotted 1/2nd note, not whole note
205	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	mm.274-275 Alto/Bass Change underlay to previous example, mm. 230-231
206	Gabrieli, Andrea	Missa Brevis	Choral Public Domain Library		2001	m.299 Alto Second note is 1/8th, not 1/4th; re-align with other parts
207	Gabrieli, Giovanni	Deus, Qui Beatum Marcum (ed. Paul Hindemith)	Schott	SKR.16.001	1960	m.20 Bass II Final note should be E, not D
208	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	m.26 Voice 7 G's should be sharpened
209	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	m.37 Voice 11 F should be F sharp
210	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	m.72 Voice 3 Half note rest missing
211	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	m.85 Voice 9 Dot missing
212	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	m.123 (2nd time) Voice 2 Replace rest with A half note "-ja"
213	Gabrieli, Giovanni	Omnes Gentes	Peters	4813	1988	Voices 13-16 Text should be "De-us" not "De-o"
214	German, Edward	London Town	Novello	PSB 1388	1920/1948	Below is a suggestion to remove the anti-Semitic reference in the poem:
215	German, Edward	London Town	Novello	PSB 1388	1920/1948	p.9, s.3, m.4 Tutti Text should read "thief"
216	German, Edward	London Town	Novello	PSB 1388	1920/1948	p.9, s.3, m.5 Tutti Text should read "And"
217	German, Edward	London Town	Novello	PSB 1388	1920/1948	p.10, s.1, mm.2-3 Tutti Text should read "bound to seek relief"
218	Gesualdo, Carlo	Jerusalem, Surge	Carus	CV 40.489/20	1990	m.8 Alto apply cautionary natural to D
219	Gibbons, Orlando	Song 46 (Christmas Day) (As On The Night Before This Blessed Morn)	Peters	67440	1994	mm.16-17 Tutti Dynamics should be placed in m.16, not m.17
220	Gombert, Nicolas	Musae Iovis	Choral Public Domain Library			mm.42-43 Bass I Change "heus, heus" to a single "he-us" to match Bass II
221	Granillo, Maria	Canciones de Mujeres (Marinas, 2)	Composer's edition		1994	m.1 Bass final note is B flat, based on earlier grace note
222	Granillo, Maria	Canciones de Mujeres (Marinas, 2)	Composer's edition		1994	m.61 Solo add staccato to “lim-” (matching m.23)
223	Granillo, Maria	Pescador de Luna (Marinas, 3)	Composer's edition		1994	m.7 Soprano final note is tied G#, not B
224	Granillo, Maria	Pescador de Luna (Marinas, 3)	Composer's edition		1994	m.40 Alto G on “y” should be G natural
225	Granillo, Maria	Pescador de Luna (Marinas, 3)	Composer's edition		1994	m.60 Bass underlay of “a cincel” should be deleted
226	Granillo, Maria	Pescador de Luna (Marinas, 3)	Composer's edition		1994	m.75 Tenor second note should be A #, not A natural
227	Gretchaninoff, Alexandre	Let All Mortal Flesh (op. 58, 13)	Musica Russica	MRSM Gr 056	1997	p.2 Text, line 4 "tsarstvuyushchih" should not have an umlaut over the final "i"
228	Gretchaninoff, Alexandre	Let All Mortal Flesh (op. 58, 13)	Musica Russica	MRSM Gr 056	1997	p.2 Text, line 2 "ghospodstvuyushchih" should not have an umlaut over the final "i" p.2 Text, line 10 Both "heruvimi" and "serafimi" should have umlauts over the final "i" m.31 Middle Bass F half note should be whole note (as in reduction)
229	Gretchaninoff, Alexandre	Let All Mortal Flesh (op. 58, 13)	Musica Russica	MRSM Gr 056	1997	m.79 Tenor II Dot missing from first note
230	Gretchaninoff, Alexandre	Let All Mortal Flesh (op. 58, 13)	Musica Russica	MRSM Gr 056	1997	m.87 Tenor Dot misplaced; should be for Tenor II
231	Gretchaninoff, Alexandre	Let All Mortal Flesh (op. 58, 13)	Musica Russica	MRSM Gr 056	1997	m.88 Soprano Stem on last note should be up (for Sop. I)
232	Handl, Jakob	Oderunt hilarem tristes	CMM - collected edition			m.16 Bass I Third note should be F, not G
233	Handl, Jakob	Tribus Miraculis	Carl Fischer, Inc.	CM8328	1990	m.56 Choir III Bar. Underlay should be “nus;”
234	Harris, Roy	Freedom, Toleration	Mills Music	64429	1941	p.3, m.16 Tutti “dem-o-car-tic” should be “dem-o-cra-tic”
235	Harris, Roy	Freedom, Toleration	Mills Music	64429	1941	p.7, m.5 Alto/Tenor “dem-o-car-tic” should be “dem-o-cra-tic”
236	Harris, Roy	Freedom, Toleration	Mills Music	64429	1941	p.7, m.6 Bass “dem-o-car-tic” should be “dem-o-cra-tic”
237	Harris, Roy	Freedom, Toleration	Mills Music	64429	1941	p.10, m.7 Tutti “dem-o-car-tic” should be “dem-o-cra-tic”
238	Harris, Roy	He's Gone Away	G. Schirmer	8329	1939	p.4, m.6 Bass I remove tie
239	Harris, Roy	Song for all seas, all ships (Symphony for Voices, 1) (See below for No. 2)	G. Schirmer	8286a	1939	mm.87-115 Bass Underlay missing; retain “o - ah” pattern
240	Harris, Roy	Song for all seas, all ships (Symphony for Voices, 1) (See below for No. 2)	G. Schirmer	8286a	1939	mm.90-116 Soprano Underlay missing; retain “ah - o” pattern
241	Harris, Roy	Song for all seas, all ships (Symphony for Voices, 1) (See below for No. 2)	G. Schirmer	8286a	1939	mm.94-116 Alto Underlay missing; retain “ah - o” pattern
242	Harris, Roy	Song for all seas, all ships (Symphony for Voices, 1) (See below for No. 2)	G. Schirmer	8286a	1939	m.100 Tenor First note should be 1/4, not 1/8th
243	Harris, Roy	Tears (Symphony for Voices, 2)	G. Schirmer	8315a	1939	m.8 Soprano II Second note should be A flat
244	Harris, Roy	Tears (Symphony for Voices, 2)	G. Schirmer	8315a	1939	m.42 Alto/Tenor “shade” should be 1/4, not 1/8th
245	Harris, Roy	To Thee, Old Cause	Mills Music	64431	1941	p.3, m.20 Tutti Whitman’s original is “thee,” not “us.”
246	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			Title Should be “Ein’ Feste Burg”
247	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.4 Sop. Transfer phrase mark from Alto
248	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.4 Alto Put syllable on G sharp, not tied A
249	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.8 Tutti v.2 “stret’t” should be “streit’t”
250	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.12 Tutti v.1 “-strof-” should be “-trof-”
251	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.16 Tutti v.3 “saur” should be “sau’r”
252	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.16 Tutti v.4 “Ehr” should be “Ehr’”
253	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.17 Tutti v.4 “la” should be “lass”
254	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.18 Tutti v.3 “nichts” should be “nicht”
255	Hassler, Hans Leo	Ein Feste Burg	Choral Public Domain Library			m.22 Tutti v.1 “seins glei-” should be “seinsglei-”
256	Haydn, Michael	Ave Regina (MH 140)	Carus	50.340.10	1987	m.213 Sop. 2 Add text “O”
257	Haydn, Michael	Ave Regina (MH 140)	Carus	50.340.10	1987	m.214 Sop. 2 Change underlay to “val-de”
258	Haydn, Michael	Ave Regina (MH 140)	Carus	50.340.10	1987	m.215 Sop. 2 Slur beats 2 and 3
259	Haydn, Michael	Ave Regina (MH 140)	Carus	50.340.10	1987	m.215 Sop. 2 Change underlay to “de-co-”
260	Haydn, Michael	Jesu, Redemptor Omnium (MH 313)	Carus	50.340.20	1987	mm.39-41 Alto Change underlay to:
261	Haydn, Michael	Jesu, Redemptor Omnium (MH 313)	Carus	50.340.20	1987	m.39, “-ti-” / v.2 “re”
262	Haydn, Michael	Jesu, Redemptor Omnium (MH 313)	Carus	50.340.20	1987	m.40, “-us” / v.2 “-a”
263	Haydn, Michael	Jesu, Redemptor Omnium (MH 313)	Carus	50.340.20	1987	m.40, final two notes, “cle-” / v.2 “ter-”
264	Haydn, Michael	Jesu, Redemptor Omnium (MH 313)	Carus	50.340.20	1987	m.41, “-men-”
265	Heiden, Bernhard	Divine Poems	Associated Music Publishers, Inc.	A-183	1954	p.19, m.11 R.H. piano score S econd note should be C sharp
266	Heiden, Bernhard	Divine Poems	Associated Music Publishers, Inc.	A-183	1954	p.30, m.64 Bass 1/8th notes should be G A (like piano)
267	Heiller, Anton	Grad dort	Doblinger (?)		1951	v.6 Tenor “Wa” should read “Was”
268	Herbeck, Johann Ritter von	Pueri, concinite	OUP/Church Music Society	CMS reprint 97	2001	m.26 Solo “dementia” should read “clementia”
269	Herbeck, Johann Ritter von	Pueri, concinite	OUP/Church Music Society	CMS reprint 97	2001	m.42 Organ First bass note is C, not E; cf. m.3
270	Herbeck, Johann Ritter von	Pueri, concinite	OUP/Church Music Society	CMS reprint 97	2001	m.64 Sop. 2nd note is F sharp, not G
271	Holmboe, Vagn	Solhymne	Walton / Wilhelm Hansen	WH 110	1961	p.6, m.6 Bass II whole note rest omitted text
272	Holmboe, Vagn	Solhymne	Walton / Wilhelm Hansen	WH 110	1961	p.10, m.1 Bass I 1/8th rest omitted (should be 2 rests, not 1)
273	Holmboe, Vagn	Solhymne	Walton / Wilhelm Hansen	WH 110	1961	p.12, s.2, m.4 Tutti Suggested addition of “the” after “all” in English text
274	Holmboe, Vagn	Solhymne	Walton / Wilhelm Hansen	WH 110	1961	p.13, m.3 Tutti "im" should be "in" (English version)
275	Holmboe, Vagn	Solhymne	Walton / Wilhelm Hansen	WH 110	1961	p.18, m.5 Alto Final note, replace tie with a slur
276	Holmes, John	Thus Bonny-Boots	Handlo Music	H-IT-A	1998	m.27 Bass/Piano red. Last note should be E, not F
277	Holst, Gustav	Swansea Town (Six Choral Folksongs, #6)	G. Schirmer	8097	1917	p.4, m.4 Alto Dot missing from D
278	Holst, Gustav	Swansea Town (Six Choral Folksongs, #6)	G. Schirmer	8097	1917	p.8, m.11 Tenor “for” missing from underlay
279	Hovland, Egil	Jerusalem	Walton	WH 179 / HL 08500136	1978	p.6 Alto 2 Remove dot from first note
280	Howells, Herbert	Antiphon	Oxford University Press	A 325	1978	p.5 Alto D should be marked natural in m.1, not m.2
281	Howells, Herbert	Long, Long Ago	Novello	HL14042286	1951	m.8 Piano RH final note should be E, not F sharp
282	Howells, Herbert	Long, Long Ago	Novello	HL14042286	1951	m.33 Tutti marking should be “Con Anima”, not “Con Amima”
283	Howells, Herbert	Sing Lullaby	Stainer & Bell	Carols No. 605	1920	p.6, m.6 Alto II Third note should be F sharp
284	Howells, Herbert	The Summer Is Coming	Novello	PSB 1614	1965	p.1, s.6, m.3 Alto Final note of “County” should be 1/4th, not 1/8th
285	Howells, Herbert	The Summer Is Coming	Novello	PSB 1614	1965	p.4, m.5 Alto Reverse cluster on “of”; Alto I sing D, Alto II sing E
286	Howells, Herbert	The Summer Is Coming	Novello	PSB 1614	1965	p.7, m.4 Sop. C sharp should be C natural
287	Howells, Herbert	The Summer Is Coming	Novello	PSB 1614	1965	p.7, figure 4 Tutti 1/4 rest should be 1/8th rest
288	Howells, Herbert	The Summer Is Coming	Novello	PSB 1614	1965	p.7, m.7 Tenor II G sharp should be G natural
289	Isaac, Heinrich	Ecce Virgo concipiet	Choral Public Domain Library	Stuart McIntosh edition	2001	Title "concipies" should read "concipiet"
290	Isaac, Heinrich	Ecce Virgo concipiet	Choral Public Domain Library	Stuart McIntosh edition	2001	m.16 Bass "Emmamuel" should read "Emmanuel"
291	Jansson, Marten	The Choirmaster's Burial	Bärenreiter	BA 7413	2014	mm.46 and 48 Sop. II Ds need advisory natural accidental
292	Jansson, Marten	Maria (IV)	Bärenreiter	BA 7412	2014	m.34 Tenor last note should be dotted
293	Joubert, John	Three Portraits (op. 97)	Novello	16.0183.00	1983	p.3, s.3, m.1 TB Change underlay to copy SA in previous measure
294	Kelly, Bryan	Dusk (Three London Songs, 2)	Novello	PSB 1626	1969	p.6, s.2, m.3 Sop. First note should be dotted
295	Kverno, Trond	Corpus Christi Carol	Walton	WH-210	1992	p.3, m.5 Alto Flat next to second G is redundant
296	Kverno, Trond	Corpus Christi Carol	Walton	WH-210	1992	p.3, m.1 Soprano Solo "av" should be "an"
297	Kverno, Trond	Corpus Christi Carol	Walton	WH-210	1992	p.3, m.3 Alto Both Gs should be G flat * this judgment is based upon the recording of the Oslo Cathedral Choir, rather than that by the Dale Warland Singers
298	LaBarr, Susan	Grace Before Sleep	Santa Barbara Music Publishing, Inc.	SBMP 1005	2011	m.40 Alto Rest should be dotted quarter for Alto II only
299	Larsson, Lars-Erik	... kär blir stunden dig da	Gehrmans	Gehrmans Kör-Bibliotek Nr. 431	1969	p.2, m.7 Alto Remove dot from second note
300	Larsson, Lars-Erik	... kär blir stunden dig da	Gehrmans	Gehrmans Kör-Bibliotek Nr. 431	1969	p.8, m.7 Alto Remove unnotated text “-mer ut”
301	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			mm.5-6, mm.8-9 SAB remove hyphen after "Saba"
302	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library	Lassus, Orlandus		m.10 Soprano I 2nd sharp sign unnecessary
303	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library	Lassus, Orlandus		m.10 Soprano II "aurem" should be "aurum"
304	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library	Lassus, Orlandus		m.17 Alto II "Dominuo" should be "Domino"
305	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library	Lassus, Orlandus		m.19 Soprano I "anninci-" should be "annunti"
306	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library	Lassus, Orlandus		m.21 Soprano I C natural should be C sharp
307	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.21 Tenor II hyphen missing after "-ti-"
308	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.22 passim Tutti "Alleluja" should be "Alleluia"
309	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			mm.31-32 Alto I text should be "insulae"
310	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			mm.38-39 Soprano I tie missing between Ds
311	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.39 Soprano I remove hyphen after "Saba"
312	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			mm.39-40 Tenor I tie missing between Es
313	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.42 Tenor I "dO-" should be "do-"
314	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.47 Tenor II "-le" missing from first three notes
315	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.49 Tenor II A should be C
316	Lassus, Orlandus	Omnes De Saba Venient	Choral Public Domain Library			m.50 Bass I G should be E
317	Lauridsen, Morten	Amor, Io Sento L’Alma (from Six “Fire Songs”) (See below for corrections to two of the other songs)	Peer Music	61651-121	1987	m.23 Tenor “-tri sco” should be “-tri-sco”
318	Lauridsen, Morten	Quando Son Più Lontan (from Six “Fire Songs”)	Peer Music	61650-121	1987	p.7, concluding dedication “memorium” should be “memoriam”
319	Lauridsen, Morten	Se Per Havervi, Oime (from Six “Fire Songs”)	Peer Music	61653-121	1987	Preface Italian, 7th line “Miser! He” should be “Miser! Che”
320	Leighton, Kenneth	An Ode of the birth of our Saviour (Three Carols, op. 25, 3)	Novello	Carols No. 605	1956	p.8, m.5 Tutti Last word should be “than,” not “then”
321	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.7 Alto D flat should be E flat
322	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.46 Tenor I D flat should be D natural
323	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.48 Tenor I stem missing from second note
324	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.65 Sop I/Sop II G should be G flat
325	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.69 Tenor "-tes" should be "-tas"
326	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.71 Bass I/Bass II C should be C flat
327	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.74 Sop I flat accidental is unnecessary
328	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.78 Bass I/Bass II D flat should be D natural
329	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.86 Bass I/Bass II D flat should be E flat
330	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.117 Bass I needs Treb;e (G) clef or copy Bass II
331	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.132 Alto E sharp should be E natural
332	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.132 Tenor I third note should be C sharp
333	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.132 Tenor II third note should be C flat
334	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.139 Sop I F should be F flat
335	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	m.144 Sop I F should be F flat
336	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.151-3 Tenor should be Ten II only, "-men" should be on last note
337	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.153-5 Tenor should be Ten I only, "-men should be "A-", "-men" should be on last note
338	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.154-5 Tenor II missing text "A-men"
339	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.156-9 Tenor I missing text "A-men … A-men"
340	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.166-9/170-4 Tenor I missing text "A-men" vocal line is C, E flat, F, E flat
341	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.168-70/172-4 Tenor II missing text "A-men" D flat, A
342	Liszt, Franz	Pater Noster (SSATBB)	Choral Public Domain Library		2001	mm.174-80 Tenor missing text "A-men"
343	Liszt, Franz	Sanctus (Missa Choralis)	Choral Public Domain Library		2000	mm.41-42 Alto E should be E flat
344	Villa-Lobos, Heitor	Praesepe	Cantus Quercus	CQ 9808	1998	Suggestion: mm.28-29 Alto I/Tenor “Um” should be re-articulated on D flat, not later F
345	Villa-Lobos, Heitor	Praesepe	Cantus Quercus	CQ 9808	1998	Suggestion: mm.36-37 Soprano “Um” should be re-articulated on A flat, not later C
346	Villa-Lobos, Heitor	Praesepe	Cantus Quercus	CQ 9808	1998	Suggestion: mm.85-86 Alto I/Tenor “Um” should be re-articulated on D flat, not later F
347	Villa-Lobos, Heitor	Praesepe	Cantus Quercus	CQ 9808	1998	Suggestion: mm.93-94 Soprano “Um” should be re-articulated on A flat, not later C
348	Villa-Lobos, Heitor	Praesepe	Cantus Quercus	CQ 9808	1998	Suggestion: m.109 Alto I/Tenor “-lat” should be sung on F, not held A flat
349	Luboff, Norman (arr.)	Go Down, Moses	Walton		1982	p.4, m.9 Tenor/Bass ties missing for "old"
350	Luboff, Norman (arr.)	Go Down, Moses	Walton		1982	p.4, m.10 Tenor/Bass ties missing for "-raoh"
351	MacCunn, Hamish	O Mistress Mine	Novello	Part-Song Book 547		p.2, m.11 Alto Remove tie from "meet-ing"
352	Macdowell, Edward	Schweizerlied (Three Part Songs for Men's Voices, op. 27, 2)	Arthur P. Schmidt, reprinted by Walton Music Corporation	Library of Congress Series WLC-3000	1995	m.16 Tenor II First note should be dotted
353	Macdowell, Edward	The Brook (op. 43, 1) (from Two Songs "From The North") (See below for other song)	McAfee Music Corporation	From The Bicentennial Collection of American Music, pp.124-125	1975	m.4 Alto First note should be dotted
354	Macdowell, Edward	Slumber Song (op. 43 ,2) (from Two Songs "From The North")	McAfee Music Corporation	From The Bicentennial Collection of American Music, pp.124-125	1975	m.15 Tutti Incorrectly marked as m.15; should be m.14
355	Macdowell, Edward	Slumber Song (op. 43 ,2) (from Two Songs "From The North")	McAfee Music Corporation	From The Bicentennial Collection of American Music, pp.124-125	1975	m.16 Alto Stem missing; same note as Soprano
356	Macdowell, Edward	Slumber Song (op. 43 ,2) (from Two Songs "From The North")	McAfee Music Corporation	From The Bicentennial Collection of American Music, pp.124-125	1975	m.26 Sop. Final 1/16th note should be 1/8th note
357	Macfarren, George	Orpheus With His Lute ("Shakspere Songs," 1)	Novello	Part-Song Book 49		p.2, m.10 Soprano Dot missing from 1/2 note
358	Macfarren, George	Orpheus With His Lute ("Shakspere Songs," 1)	Novello	Part-Song Book 49		p.3, m.10 Bass Detached marking omitted on "and"
359	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.3 Alto 1/2 note (minim) rest missing
360	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.10 Soprano 1/2 note (minim) rest missing
361	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.11 Tenor I NOTE: Initial tied note (G) is a grace note
362	Maclean, Clare	Aunque es de Noche	Composer's manuscript			mm.37-38 Bass I Repeat pattern of m.37; i.e. rest should be 1/4 note, 1st note should be 1/8th
363	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.40 Tenor II Rest should not be dotted
364	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.59 Soprano I B should not be tied
365	Maclean, Clare	Aunque es de Noche	Composer's manuscript			m.83 Tenor II/Basses Final note should not be tied
366	Maclean, Clare	Aunque es de Noche	Composer's manuscript			mm.103-104 Alto II Quarter note rest missing after initial note
367	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.2 Alto "Leise se" should read "Leise"
368	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.12 Alto 2nd note should be 1/8th
369	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.27 Alto 1/8th rest omitted
370	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.52 Tenor 1/4th rest omitted
371	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.53-55 Alto II All 1/2nd notes should be dotted
372	Maclean, Clare	Liese rieselt der Schnee	Australian Music Centre (composer's manuscript)		1996	m.92 Alto First note should be dotted
373	Maclean, Clare	We Welcome Summer	Morton Music	MM 0410	1999	m.4 Bass I Final note should be dotted 1/4th, not 1/8th
374	Maclean, Clare	We Welcome Summer	Morton Music	MM 0410	1999	m.19 Alto II "wtih" should be "with"
375	Maclean, Clare	We Welcome Summer	Morton Music	MM 0410	1999	m.73 Sop. II D should be D sharp
376	Maclean, Clare	We Welcome Summer	Morton Music	MM 0410	1999	m.37 Sop. Should be marked "tutti"
377	Mahler, Gustav	Ich bin der Welt abhanden gekommen	Universal	UE 18.105	1984	m.22 Alto 4 last note should be C not B flat
378	Mahler, Gustav	Ich bin der Welt abhanden gekommen	Universal	UE 18.105	1984	m.53 Alto 4 re-write as a whole note, or repeat "in" on last 1/4 note
379	Malipiero, Gian Francesco	Passer Mortuus Est	Universal	UE 12133	1953	m.19 Bass "tam-be-pe" should be "tam be-ne"
380	Martin, Frank	Come Unto This Yellow Sands (Five Songs from "The Tempest," 1) (Songs of Ariel)	Universal	UE 14.556.Z	1968	Title "This" should be "These"
381	Martin, Frank	Come Unto This Yellow Sands (Five Songs from "The Tempest," 1) (Songs of Ariel)	Universal	UE 14.556.Z	1968	m.1 Alto/Tenor "this" should be "these"
382	Martin, Frank	Come Unto This Yellow Sands (Five Songs from "The Tempest," 1) (Songs of Ariel)	Universal	UE 14.556.Z	1968	m.3 Alto Final note should be dotted
383	Martin, Frank	Full Fathom Five (Five Songs from "The Tempest," 2) (Songs of Ariel)	Universal	UE 14.556.Z	1968	m.30 Soprano II Final word should be "ding," not "dong."
384	Martin, Frank	Full Fathom Five (Five Songs from "The Tempest," 2) (Songs of Ariel)	Universal	UE 14.556.Z	1968	m.36 Bass II "don" should be "dong"
385	Martin, Frank	Where The Bee Sucks (Five Songs from "The Tempest," 5) (Songs of Ariel)	Universal	UE 14.556.Z	1968	m.22 Alto II "shell" should be "shall"
386	Martin, Frank	Messe (Mass for Double Choir): Agnus Dei	Bärenreiter	5419	1972	p.55, m.39 Ten. I Final note should be 1/8th
387	Martinu, Bohuslav	Romance z Pampelisek	Státni Nakladatelstvi, Praha	H 2997	1960	p.11 (7th p. of music), mm.7-8 Tenor I & II Tie missing
388	Martinu, Bohuslav	Romance z Pampelisek	Státni Nakladatelstvi, Praha	H 2997	1960	p.12 (8th p. of music), m.12 Tenor “pre-” should be “pro-” (no hook on “r”)
389	Martinu, Bohuslav	Romance z Pampelisek	Státni Nakladatelstvi, Praha	H 2997	1960	p.17 (13th p. of music), m.9 Alto II Last note should be B flat, not B
390	Martinu, Bohuslav	Romance z Pampelisek	Státni Nakladatelstvi, Praha	H 2997	1960	p.22 (last p.), m.6 Alto Dot missing from _ note “-lo”
391	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.13, m.3 Tenor II Last note should be A flat, not G
392	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.14, m.8 Bass I 1/8th rest missing after first note
393	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.16, m.4 Tenor I Change "cuis" to "cuist"
394	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.17, m.1 Tenor II Change "bu" to "but"
395	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.18, m.4 Soprano II Both E flats should be E natural
396	Maw, Nicholas	Five Epigrams, Movt. V (orig.)	Chester/Tetra Music Corporation/Alexander Broude	ABC 22	1961	p.18, m.7 Alto II 1/8th rest missing after first note
397	McIntosh, Stuart	Rocking	Alliance	AMP 0336	1999	m.28 Tenor underlay should match Bass
398	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.17 Soprano "h-" should be "hü-"
399	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.19 Tenor "We-ge" should be "We-gen"
400	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.31 Alto remove hyphen between "auf" and "den"
401	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.35 Bass I change first 1/4 note to 1/2 note for "du"
402	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.45 Alto remove hyphen between "auf" and "den"
403	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.48 Tenor I F sharp should be F natural
404	Mendelssohn, Felix	Denn er hat seinen Engeln befohlen	Choral Public Domain Library		2002	m.49 Alto II F sharp should be E
405	Mendelssohn, Felix	Drinking Song / Trinklied (op. 75, 3)	G. Schirmer	Octavo 12034	1975	p.5, m.6 Bass II Comma missing after "mich"
406	Mendelssohn, Felix	Drinking Song / Trinklied (op. 75, 3)	G. Schirmer	Octavo 12034	1975	p.8, m.2 Tenor I Last note should be D sharp, not B
407	Mendelssohn, Felix	Drinking Song / Trinklied (op. 75, 3)	G. Schirmer	Octavo 12034	1975	p.8, m.5 Tenor II Fourth note should be C sharp, not low F sharp
408	Mendelssohn, Felix	Ehre sei Gott in der Höhe	Choral Public Domain Library		2004	m.48 Alto II change whole note to 2 half notes, sing "des" on second note
409	Mendelssohn, Felix	Heilig	G. Schirmer	12005	1974	p.6 Alto I first note should be tied to preceding measure, delete "Län-"
410	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	p.10 Page description "Chorpartitutr" in top R.H. box should be "Chorpartitur"
411	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.73 Choir II Bass First note should be half note
412	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.103 Choir II Bass Half note rest missing at end
413	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.108 Choir II Alto Half note rest missing at beginning
414	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.159 Choir II Alto Half note rest missing at end
415	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.197 Choir III Alto Dot missing
416	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.197 Choir IV Alto Dot missing
417	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.225 Choir III Tenor Dot missing
418	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.272 Choir III Alto Dot missing
419	Mendelssohn, Felix	Hora Est	Carus	CV 40.478/05	1981	m.280 Choir III Sop. Dot missing
420	Mendelssohn, Felix	Türkisches Schenkenlied (op. 50, 1)	Edition Music Contact	EMC 298257		m.60 Tenor I solo Change B flat to low G
421	Mendelssohn, Felix	Türkisches Schenkenlied (op. 50, 1)	Edition Music Contact	EMC 298257		m.62 Tenor I solo First syllable should be "-ein", not "Komm!"
422	Meyerbeer, Giacomo	91st Psalm	Novello		Public Domain	p.4, m.3 Bass I "-vi" should be D, not low G (as in underlay)
423	Meyerbeer, Giacomo	91st Psalm	Novello		Public Domain	p.17, m.4 Bass II last two notes should be low C, not E
424	Meyerbeer, Giacomo	91st Psalm	Novello		Public Domain	p.29, mm.9-10 Alto II G A C should be F G B flat (as in underlay)
425	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.14 Bass "tu" should be "Tu"
426	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.15 Bass "Terre" should be "terre"
427	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.36 Tutti "ton" should be "Ton"
428	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.71 Tutti "Co-" should be "co-"
429	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	mm.85-6 Soprano/Alto "au dessous" should be "au dessus"
430	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.88 Bass First note is not split; should be C only
431	Milhaud, Darius	Cantate de la Guerre	G. Schirmer	8901	1942	m.208 Bass F should be F sharp
432	Milhaud, Darius	Jerusalem	G. Schirmer	8923	1942	m.78 Tutti change hyphenation to "en-i-vran-te"
433	Milhaud, Darius	Jerusalem (Les Deux Cités, 3)	G. Schirmer	HL 50301510	1942	m.82 Bass Text missing = "viens."
434	Milhaud, Darius	Les Momies d-Egypte	Universal	UE 15646K	1972	p.19 m.190 Bass dot missing from first note
435	Milhaud, Darius	Les Momies d-Egypte	Universal	UE 15646K	1972	p.31 m.302 Tutti notre" should be "notr-"
436	Milhaud, Darius	Quatrain Valaisans	Heugel	31212	1943	p.11, s.2, m.1 Bass "cor" should be "ah," held from previous measure
437	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.5 Tenor Original text has "la" for "ma"
438	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.12 Tenor G sharp should be dotted
439	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.13 Sop. Third note should be F sharp
440	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.14 Alto Initial 1/2 rest omitted
441	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	mm.56-57 Tutti "Emu" should be "Ému"
442	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.69 Tenor/Bass "Puis qu-enfin" should be "Puisqu' enfin"
443	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.85 Sop. "guere" should be "guère"
444	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.85 Bass Delete rest
445	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.96 TB "Impossible" should be "Impassible"
446	Milhaud, Darius	Traversée (op. 393)	Salabert	EAS 16787	1962/1997	m.98 Alto "Sin non" should be "Sinon"
447	Monteverdi, Claudio	Adoramus Te	Choral Public Domain Library		2000	m.19 Sops Underlay should be "-a per sanguinem tuum, qui-"
448	Monteverdi, Claudio	Adoramus Te	Choral Public Domain Library		2000	m.20 Sops Underlay should be "-a per sanguinem tuum pretio-"
449	Monteverdi, Claudio	Lasciate Morire (from Lamento d'Arianna) (See below for other songs from Lamento d'Arianna)	Handlo Music	M-DLA-A	1999	m.11 Accompaniment L.H. half note A should be A flat
450	Monteverdi, Claudio	O Teseo Mio (from Lamento d'Arianna)	Handlo Music	M-DLA-B	1999	m.41 Tenor 1/8th rest missing before entry; realign notes to match S1 and Alto
451	Monteverdi, Claudio	Ahi Che Non Pur Risponde (from Lamento d'Arianna)	Handlo Music	M-DLA-D	1999	m.17 Tenor First note should be low E, not F
452	Monteverdi, Claudio	Ahi Che Non Pur Risponde (from Lamento d'Arianna)	Handlo Music	M-DLA-D	1999	m.20 Alto Remove slur; change underlay to "voi (G) Den (E) tro a (F sharp) quel-" (D)
453	Monteverdi, Claudio	Ahi Che Non Pur Risponde (from Lamento d'Arianna)	Handlo Music	M-DLA-D	1999	m.25 Tenor Remove "solo" marking - no indication of where solo ends!
454	Monteverdi, Claudio	Ahi Che Non Pur Risponde (Lamento d'Arianna, part IV)	Schott	5856	1957	m.17 Tenor First note should be low E, not F
455	Monteverdi, Claudio	Ahi Che Non Pur Risponde (Lamento d'Arianna, part IV)	Schott	5856	1957	m.20 Alto Remove slur; change underlay to "voi (G) Den (E) tro a (F sharp) quel-" (D)\
456	Monteverdi, Claudio	Ahi Che Non Pur Risponde (Lamento d'Arianna, part IV)	Schott	5856	1957	m.25 Tenor Remove "solo" marking - no indication of where solo ends!
457	Mouton, Jean	Nesciens Mater	JOED Music	JOED MU1	1992	m.49 Soprano I D should be E
458	Mozart, Wolfgang Amadeus (arr. Ben Parry)	Ave Verum Corpus	Novello		2000	m.20 Soprano G should be G sharp
459	Oliver, Stephen	O Fons Amoris	Novello	29.0518.03	1984	p.3, m.6 Bass II First note should be dotted
460	Oliver, Stephen	O Fons Amoris	Novello	29.0518.03	1984	p.6, m.9 Alto II Dot missing from third B (tied)
461	Oliver, Stephen	O Fons Amoris	Novello	29.0518.03	1984	p.16, mm.7-8 Tenor Dots missing from C sharp 1/4 notes
462	Oliver, Stephen	O Fons Amoris	Novello	29.0518.03	1984	p.25, m.2 Sop. I & II _ note should not be dotted
463	Padilla, Juan Gutierrez de	Circumdederunt me dolores mortis	Choral Public Domain Library and Cramer Music			m.26 Alto II G on -ni” should be B
464	Padilla, Juan Gutierrez de	Circumdederunt me dolores mortis	Choral Public Domain Library and Cramer Music			m.61 Soprano II+Tenor: change “a” to “ad”
465	Padilla, Juan Gutierrez de	Circumdederunt me dolores mortis	Choral Public Domain Library and Cramer Music			m.65 Soprano II change “a” to “ad”
466	Padilla, Juan Gutierrez de	Circumdederunt me dolores mortis	Choral Public Domain Library and Cramer Music			m.67 Soprano I+Alto I change “a” to “ad”
467	Padilla, Juan Gutierrez de	Circumdederunt me dolores mortis	Choral Public Domain Library and Cramer Music			m.69 Soprano II sing “-ma” on slurred B & C, then “-vi” on A
468	Palestrina, Giovanni Pierluigi	Missa Papae Marcelli, Gloria	Chester	0.7119.1849.X	1992	p.11, m.7 Altus “-lu-“ should be “-lun-“
469	Palestrina, Giovanni Pierluigi	Missa Papae Marcelli, Credo	Chester	0.7119.1849.X	1992	p.26, m.58 Tenor II Fermata/pause should be removed
470	Palestrina, Giovanni Pierluigi	Missa Papae Marcelli, Agnus Dei II	Chester	0.7119.1849.X	1992	p.60, m.47 Bass I Final note should be 1/8th, not 1/4th
471	Parker, Horatio	Jam Sol Recedit	Walton/Novello	WLC 1010	1997	p.3, m.12 Tenor First note should not be dotted
472	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	m.30 Soprano I delete first note, re-align G sharps in unison with Alto I
473	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	m.36 Alto II final E should be E natural not sharp
474	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	m.38 Soprano II put "rich-es [rest]" into a triplet to match Alto
475	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	m.38 Tenor II put "[rest; rest]" he" into a triplet to match Bass
476	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	m.65 Alto II change "durnb" to "dumb"
477	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	[CPDL] m.94 Bass II F flat should be A flat unison with Bass I
478	Parry, C. H. H.	Lord, Let Me Know Mine End	Choral Public Domain Library and Cramer Music	none listed/J. B. Cramer 2110	None stated/1989	[Cramer] p.52 m.5 Bass II F flat should be A flat unison with Bass
479	Pårt, Arvo	The Woman with the Alabaster Box	Universal	UZE 31.127	1997	m.6 Alto+Bass text “of” is redundant
480	Pårt, Arvo	The Woman with the Alabaster Box	Universal	UZE 31.127	1997	m.16 Alto text “they had” is redundant
481	Pårt, Arvo	The Woman with the Alabaster Box	Universal	UZE 31.127	1997	m.35 Indicated as 18 beats, but should be 14
482	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.3, m.4 Alto First two notes may be sung by tutti altos
483	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.3, m.8 Alto First two notes may be sung by tutti altos
484	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.4, m.16 Bass Remove hyphen after “am”
485	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.5, m.23 Bass Remove hyphen after “and”
486	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.7, m.32 Soprano “for-ests” should be “for-est”
487	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.8, Figure 7 Alto Add dynamic 'mf'
488	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.9, m.46 Bass Hyphen missing from “wa-ter”
489	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.9, m.47 Tenor/Bass Fermata should be on F sharp, not G
490	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.1, p.11, m.61 Bass II “silent” should be sung on two Bs
491	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.2, p.19, m.69 Tenor Fermata should be on C, not B flat
492	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.3, p.25, m.35 Tenor Hyphen missing from “a-way”
493	Paulus, Stephen	Meditations of Li Po	Schott/European-American	EA 771	1994	movt.3, p.31, m.108 Bass I Stay on C sharp — glisssando is Bass II only
494	Peerson, Martin	Upon My Lap My Sovereign Sits	Freeman/IMP			Verse 2 Tutti First word should be "My," not "By"
495	Pitkin, Jonathan	Bring Us, O Lord God	Composer			m.119 Altos "no gliss." should be indicated
496	Pitkin, Jonathan	Bring Us, O Lord God	Composer			m.121 Soprano II Natural accidental omitted on E
497	Pitkin, Jonathan	Bring Us, O Lord God	Composer			m.128 Alto II Clef should be treble, not tenor
498	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.2, m.5 Alto "-cen si" should be "-cen-si"
499	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.5, m.2 Tenor I Final 1/4 rest missing
500	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.5, m.5 Piano R.H. 2nd note should be E flat, not E natural
501	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.6, m.7 Tenor II/Basses "di mo ra" should be "di-mo-ra"
502	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.9, m.8 Soprano D should be D flat
503	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.10, m.1 Tenor II/Bass I "gi-ia" should be "gio-a"
504	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.10, m.2 Alto "gi-ia" should be "gio-a"
505	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.10, m.5 Bass I Comma missing after "Cipride"
506	Pizzetti, Ildebrando	Il giardino di Afrodite (2 Composizioni Corali, 1)	130337/ISMN. M-041-30337-6		1961, renewed 1989	p.10, m.6 Soprano/Tenor I "Ci-pri de" should be "Ci-pri-de"
507	Pizzetti, Ildebrando	Agnus Dei (Messa di Requiem)	Ricordi	119490	1923	reh. 67, 3 Soprano remove dot from D flat
508	Pizzetti, Ildebrando	Libera Me (Messa di Requiem)	Ricordi	119490	1923	reh. 70, 1 Bass II change slurring: “tre-“ should be E flat D
509	Pizzetti, Ildebrando	Libera Me (Messa di Requiem)	Ricordi	119490	1923	reh.74, 3 Soprano I “Dun” should be “Dum”
510	Pizzetti, Ildebrando	Sanctus (Messa di Requiem)	Ricordi	119490	1923	reh. 54, 5 Tenor III remove dot from 1/2 note
511	Pizzetti, Ildebrando	Sanctus (Messa di Requiem)	Ricordi	119490	1923	reh. 56, 5 Alto I add dot to 1/2 note
512	Pizzetti, Ildebrando	Sanctus (Messa di Requiem)	Ricordi	119490	1923	reh. 56, 6 Tenor II/Bass II add dot to 1/2 note
513	Pizzetti, Ildebrando	Sanctus (Messa di Requiem)	Ricordi	119490	1923	reh. 63, 6 Tenor II/Bass I and IV mark “Ho-sa-“ forte
514	Poulenc, Francis	Messe en sol (G) majeur: Gloria	Salabert	RL 11991	1937	One measure before figure 17 (p.9) Bass "A-" should read "Pa-"
515	Poulenc, Francis	O Magnum Mysterium (Quatre Motets Pour Le Temps de Noël, 1)	Salabert	Rouart Lerolle 12525	1952	figure 3, m.5 Alto/Bass hyphens missing from "a-ni-ma-li-a"
516	Poulenc, Francis	O Magnum Mysterium (Quatre Motets Pour Le Temps de Noël, 1)	Salabert	Rouart Lerolle 12525	1952	figure 4, m.1 tutti hyphens missing from "ja-cent-tem"
517	Poulenc, Francis	O Magnum Mysterium (Quatre Motets Pour Le Temps de Noël, 1)	Salabert	Rouart Lerolle 12525	1952	figure 4, m.6 Alto 2nd note is B natural
518	Poulenc, Francis	Quem Vidistis, Pastores, Dicite (Quatre Motets Pour Le Temps de Noël, 2)	Salabert	Rouart Lerolle 12526	1952	m.2 after figure 1 Alto C should be 1/8th, not 1/4
519	Poulenc, Francis	Quem Vidistis, Pastores, Dicite (Quatre Motets Pour Le Temps de Noël, 2)	Salabert	Rouart Lerolle 12526	1952	figure 3 Soprano Final note should be 1/4, not1/8th
520	Poulenc, Francis	Quem Vidistis, Pastores, Dicite (Quatre Motets Pour Le Temps de Noël, 2)	Salabert	Rouart Lerolle 12526	1952	m.2 After figure 4 Soprano/Alto First note should be dotted
521	Poulenc, Francis	Videntes Stellam (Quatre Motets Pour Le Temps de Noël, 3)	Salabert	Rouart Lerolle 12527	1952	passim tutti 1/4 rests should be written as two 1/8 rests
522	Poulenc, Francis	Videntes Stellam (Quatre Motets Pour Le Temps de Noël, 3)	Salabert	Rouart Lerolle 12527	1952	figure 1, m.6 tutti hyphens missing from "gau-di-o"
523	Poulenc, Francis	Timor et Tremor (Quatre Motets Pour Un Temps De Penitence, 1)	Salabert	SLB 5243	1952	p.2, m.8 Soprano F should be F sharp (Bass = F natural)
524	Poulenc, Francis	Timor et Tremor (Quatre Motets Pour Un Temps De Penitence, 1)	Salabert	SLB 5243	1952	p.4, m.1 Soprano II D should be D sharp
525	Poulenc, Francis	Vinea Mea Electa (Quatre Motets Pour Un Temps De Penitence, 2)	Salabert	SLB 1734	1946	p.4, m.4 Tutti breath mark for English text only
526	Poulenc, Francis	Vinea Mea Electa (Quatre Motets Pour Un Temps De Penitence, 2)	Salabert	SLB 1734	1946	p.5, m.2 Tutti “oe-di-“ should “ae-di-“
527	Poulenc, Francis	Vinea Mea Electa (Quatre Motets Pour Un Temps De Penitence, 2)	Salabert	SLB 1734	1946	p.6, m.4 Tutti breath mark for English text only
528	Poulenc, Francis	Vinea Mea Electa (Quatre Motets Pour Un Temps De Penitence, 2)	Salabert	SLB 1734	1946	p.8, m.6 Tutti breath mark for English text only
529	Poulenc, Francis	Tristis Est Anima Mea (Quatre Motets Pour Un Temps De Penitence, 3)	Salabert	SLB 5246	1946	p.3, m.19 ATB 1/2 rest should be whole note rest
530	Prado, José Antonio de Almeida	Oráculo	Alliance	AMP 0685	2007	m.8 Tenor I G should be G sharp
531	Prado, José Antonio de Almeida	Oráculo	Alliance	AMP 0685	2007	m.36 Bass "ne" should be "re-"
532	Prado, José Antonio de Almeida	Oráculo	Alliance	AMP 0685	2007	m.41 Alto Underlay should match Soprano
533	Prado, José Antonio de Almeida	Oráculo	Alliance	AMP 0685	2007	m.55 Alto Underlay should match Soprano
534	Prado, José Antonio de Almeida	Oráculo	Alliance	AMP 0685	2007	m.63 Soprano 3 Half note rest omitted
535	Praetorius, Michael	Nun komm, der Heiden Heiland	Choral Public Domain Library			m.17 Choir II Soprano “de” should be “der”
536	Praetorius, Michael	Nun komm, der Heiden Heiland	Choral Public Domain Library			m.55 Choir II Bass “Welt” should be “-delt”
537	Praetorius, Michael	Nun komm, der Heiden Heiland	Choral Public Domain Library			m.66 Choir I Bass F should be whole note, not half
538	Praetorius, Michael	Nun komm, der Heiden Heiland	Choral Public Domain Library			m.66 Choir II Soprano D should be whole note, not half
539	Praetorius, Michael	Wachet auf, ruft uns die Stimme	Choral Public Domain Library			mm.57-58 Tutti Remove hyphen after “-gen”
540	Rautavaara, Einojuhani	Die Erste Elegie	Fazer	F.08462-4; Sarja Series 104	1993	p.8, m.8 Tenor Replace last note and word "Es" with a 1/4 rest
541	Rautavaara, Einojuhani	Die Erste Elegie	Fazer	F.08462-4; Sarja Series 104	1993	Alto Divide into 2 parts on final note;
542	Rautavaara, Einojuhani	Die Erste Elegie	Fazer	F.08462-4; Sarja Series 104	1993	Alto 2 sing "Es" on a middle C (formerly the Tenor note)
543	Ridout, Alan	O Flame of Love So Living	Stainer & Bell	Church Choir Library No. 610	1961	m.10 Tutti Third word should be "pursue," not "persue"
544	Roberton, Hugh S.	The Banks o' Doon	Roberton	61099	None stated (re-issue of Curwen publication?)	p.2, m.3 Bass Final (tied) note should be 1/4th, with 1/8th rest (as AT)
545	Rochberg, George	Behold, My Servant	Presser	312-40299-18	1956	p.19, m.7 Tenor D should be D flat
546	Rochberg, George	Psalm 150 (from Three Psalms)	Presser	312-41062	1974	p.3 text source Psalm 148 (i.e., NOT Psalm 143)
547	Rodgers, Richard	Preludium	Williamson/Hal Leonard	347114	1960	b) Morning Hymn p.1 m.2 and p.2 m.2 Tutti remove piano marking
548	Rodgers, Richard	Preludium	Williamson/Hal Leonard	347114	1960	b) Morning Hymn p.2 m.4 - end Tutti recommended re-barring: 3/4; 3/4; 2/4; 3/4; 3/4; 2/4; 4/4
549	Roe, Betty	Goe And Catche A Falling Starre	Thames		1972	p.7, m.2 Alto E needs advisory natural accidental
550	Rorem, Ned	Parting (Four Sappho Madrigals, 1) (See below for Nos. 2 and 4)	Mercury Music Corporation	352-00118	1948	p.7, m.3 Bass "roy al" should be "roy-al"
551	Rorem, Ned	Flowers for the Graces (Four Sappho Madrigals, 2)	Mercury Music Corporation	352-00118	1948	p.9, m.5 Tenor "un-gar land-ed" should be "un-gar-land-ed"
552	Rorem, Ned	An Absent Friend (Four Sappho Madrigals, 4)	Mercury Music Corporation	352-00118	1948	p.14, m.10 Bass C should be dotted 1/4, not 1/4 and 1/8th
553	Rorem, Ned	An Absent Friend (Four Sappho Madrigals, 4)	Mercury Music Corporation	352-00118	1948	p.15, m.3 Bass "o" should be "o-"
554	Rorem, Ned	An Absent Friend (Four Sappho Madrigals, 4)	Mercury Music Corporation	352-00118	1948	p.16, m.3 Tutti "At this" should be the girl's name "At-this"
555	Rossi, Salamone	Ein Keloheinu	Choral Public Domain Library			p.4, mm.72-3 Bass I "a-a" should be "a-ta"
556	Rossi, Salamone	Ein Keloheinu	Choral Public Domain Library			p.4, m.79 Bass I "mo-shi-nu" should be "no-shi-e-nu"
557	Rubbra, Edmund	Afton Water (op. 6)	Lengnick	61099	1928	p.2, m.34 Bass Change first note to 2 dot-tied 1/4ths, for text of v.2
558	Rütti, Carl	Aus Tiefer Not	Composer's score		2006	m.19 Alto II B half note should be two quarter notes
559	Rütti, Carl	Aus Tiefer Not	Composer's score		2006	m.60 Sop. II G sharp should F sharp (unison with Alto I)
560	Schlenck, John	May Brahman Protect Us (Invocations, #2) (See also #5 below)	Vedanta West Communications Inc.	VAV S024	1999	m.86 Alto Slur missing
561	Schlenck, John	O Thou Self-Luminous (Invocations, #5)	Vedanta West Communications Inc.	VAV S024	1999	m.71 Alto Sharp should preface first A, not second
562	Schoenfield, Paul	Four Motets	E. C. Schirmer	6970	2007	p.1 text source Psalm 86, vv. 1-2, 4-5 (i.e., NOT v.3)
563	Schoenfield, Paul	Four Motets	E. C. Schirmer	6970	2007	movt.3, m.11 Tenor remove dot from tied D
564	Schoenfield, Paul	Four Motets	E. C. Schirmer	6970	2007	p.20 Notes line 22, "noting" should be "nothing"
565	Schoenfield, Paul	Four Motets	E. C. Schirmer	6970	2007	p.20 Notes attribution should be "Devora Branse," not "Dvorah Branse"
566	Schönberg, Arnold	Friede auf Erden (op. 13)	Schott	SKR 19.008	1995	m.151 Piano Bass D flat should be B flat
567	Schubert, Franz	Gesang der Geister über den Wassern (D. 538)	Breitkopf & Härtel	Schubert Complete Edition, Series 16, 13		p.4, m.2 Bass II Delay "-te" to the next note, to match earlier phrase, p.3, m.18
568	Schuman, William	Te Deum	G. Schirmer	9453	1945	m.13 Tenor Breath marking should be before "Ti-"
569	Schuman, William	The Last Invocation (Carols of Death, 3)	Merion Music (Theodore Presser)	342-40011	1959	p.4, m.2 Alto Time signature should be 2/2, not 2/4
570	Schumann, Clara	Drei gemischte Chöre (1848)	Breitkopf & Härtel	P-B. 3521	1989	#3 Gondoliera m.6 Alto v.2 change underlay; first "es" should be "so"
571	Schumann, Robert	Der Sänger (op. 145, 3) (See below for Nos. 1 and 5)	SLCC own edition		2008	m.37 Tutti “Wau-” should be “Wan-”
572	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.4 Tutti “hammer” should be “Hammer”
573	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.12 Tutti “-läu te” should be “-läu-te”
574	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.15 Tutti “Ka” should be “Ka-”
575	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.23 Tutti “flammen” should be “Flammen”
576	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.28 Ten./Bass Cs should be Ds
577	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.33 Alto First note should E flat, not D
578	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.42 Tenor II Last F should be octave lower
579	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.46 Alto Last note should D, not E flat
580	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.47 Alto 3 Ds, not E flats
581	Schumann, Robert	Der Schmidt (op. 145, 1)	Choral Public Domain Library		2006	m.57 Sop./Alto “rau schet” should be “rau-schet”
582	Schumann, Robert	Die gute alte Zeit (Fünf Lieder, op. 55, 4) (See below for Fünf Lieder 5 and 2)	Carus	CV.40.277/30	1988	m.32 Bass Last note should be F, not E
583	Schumann, Robert	Hochlandbursch (Fünf Lieder, op. 55, 5)	Carus	CV.40.277/10	1988	Title Text Change "Bruns" to "Burns"
584	Schumann, Robert	Hochlandbursch (Fünf Lieder, op. 55, 5)	Carus	CV.40.277/10	1988	m.48 Bass II Remove upper A
585	Schumann, Robert	Rastlose Liebe (op. 33, 5)	Edition Music Contact	EMC 201469		m.21 Bass II 'p' dynamic should apply to first note, "Ach"
586	Schumann, Robert	Rastlose Liebe (op. 33, 5)	Edition Music Contact	EMC 201469		m.52 Tenor II Remove comma after "Wind"
587	Schumann, Robert	Romanze vom Gänsebuben (op. 145, 5)	SLCC own edition		2008	m.9 Tutti “Shü” should be “’s hü-”
588	Schumann, Robert	Romanze vom Gänsebuben (op. 145, 5)	SLCC own edition		2008	m.53 Tutti “Irh” should be “Ihr”
589	Schumann, Robert	Zahnweh (Fünf Lieder, op. 55, 2)	Carus	CV.40.277/20	1988	m.25 Soprano Change "elskalt" to "eiskalt"
590	Schütz, Heinrich	Das Ist Je Gewisslich Wahr (SWV 277)	Choral Public Domain Library			m.74 Sop. II G should be G sharp (as in previous measure)
591	Serksnyte, Raminta	Aurei Regina Caeli	Lithuanian Music Information Centre	EMIC 0240		Be sure to buy the revised edition, where errors have been corrected and staves properly printed. Errors are in the text pages after the music itself: Poem 1 and poem 2 use dactylic hexameter, so even-numbered lines should be indented. Attribution reads “[… Sarbievius:] Jokes of Fortunae” – should be “Games of Fortune.”
592	Shostakovich, Dmitri	The People's Lament (King Lear), op.137				m.9 Alto B should be B flat
593	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.1, m.8 Tutti Rest should be 1/8th, not 1/4
594	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.2, m.6 Tutti Rest should be 1/8th, not 1/4
595	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.3, m.6 Alto First note should be A, not G
596	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.4, m.5 Tutti Rest should be 1/8th, not 1/4
597	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.4, m.8 Bass First note should be 1/8th, not 1/4
598	Stevens, R.J.S.	Sigh No More, Ladies	Novello	Part-Song Book		p.5, m.9 Tenor Second note should be D, not F sharp
599	Strauss II, Johann	Thou Who Rulest / Tu Qui Regis	RSCM	A.433	1988	p.12, m.1 Bass Replace tied notes with whole note
600	Strauss II, Johann	Thou Who Rulest / Tu Qui Regis	RSCM	A.433	1988	Here is a suggestion to make the Latin text sensible:
601	Strauss II, Johann	Thou Who Rulest / Tu Qui Regis	RSCM	A.433	1988	p.9, m.5 Sop. Text should read "gloriam tuam"
602	Strauss II, Johann	Thou Who Rulest / Tu Qui Regis	RSCM	A.433	1988	p.10, mm.1-3 Tutti Text should read "semper nitamur"
603	Strauss II, Johann	Thou Who Rulest / Tu Qui Regis	RSCM	A.433	1988	p.12, m.3 Alto replace tied notes with whole note
604	Stravinsky, Igor	Da Pacem (from Tres Sacrae Cantiones) (See below for more from Tres Sacrae Cantiones)	Boosey & Hawkes	ISMN M-060-02727-7	1960	m.16 Quintus Underlay missing for first note; should be "no-"
605	Stravinsky, Igor	Illumina Nos (from Tres Sacrae Cantiones)	Boosey & Hawkes	ISMN M-060-02727-7	1960	m.46 Quintus Dot missing from D quarter note for "te-"
606	Stravinsky, Igor	Illumina Nos (from Tres Sacrae Cantiones)	Boosey & Hawkes	ISMN M-060-02727-7	1960	m.48 Tenor Dot missing from B quarter note for "te-"
607	Stravinsky, Igor	Illumina Nos (from Tres Sacrae Cantiones)	Boosey & Hawkes	ISMN M-060-02727-7	1960	m.70 Septima Pars "vi-ta" should be "vi-tae"
608	Stravinsky, Igor	Illumina Nos (from Tres Sacrae Cantiones)	Boosey & Hawkes	ISMN M-060-02727-7	1960	m.73 Tenor Dot missing from B quarter note for "-a-"
609	Surinach, Carlos	Living Flame of Love (Llama de amor viva) (Songs of the Soul, 2) (Cuatro Canciones del Alma)	Associated Music Publishers	A-517	1967	mm.40-43 Alto Should be marked "solo"
610	Surinach, Carlos	The Soul Longing (Delirio del alma) (Songs of the Soul, 3) (Cuatro Canciones del Alma)	Associated Music Publishers	A-518	1967	m.91 Bass Last note should be C, not D
611	Surinach, Carlos	The Soul Longing (Delirio del alma) (Songs of the Soul, 3) (Cuatro Canciones del Alma)	Associated Music Publishers	A-518	1967	m.92 Bass Seventh note should D, not C
612	Surinach, Carlos	The Soul Longing (Delirio del alma) (Songs of the Soul, 3) (Cuatro Canciones del Alma)	Associated Music Publishers	A-518	1967	m.113 Alto "ha ce-me" should be "ha-ce-me"
613	Surinach, Carlos	The Soul Longing (Delirio del alma) (Songs of the Soul, 3) (Cuatro Canciones del Alma)	Associated Music Publishers	A-518	1967	m.194 Alto Eighth note rest missing (to match Bass)
614	Surinach, Carlos	Joy in the Faith (Gozo a la fé) (Songs of the Soul, 4) (Cuatro Canciones del Alma)	Associated Music Publishers	A-519	1967	m.181 Bass No rest; should be same as m.182 (to match reduction)
615	Surinach, Carlos	Joy in the Faith (Gozo a la fé) (Songs of the Soul, 4) (Cuatro Canciones del Alma)	Associated Music Publishers	A-519	1967	mm.191-192 Tenor/Bass "y de es te agua" should be "y de es-ta agua"
616	Surinach, Carlos	Joy in the Faith (Gozo a la fé) (Songs of the Soul, 4) (Cuatro Canciones del Alma)	Associated Music Publishers	A-519	1967	mm.194-195 Soprano/Alto "y de es te agua" should be "y de es-ta agua"
617	Sweelinck, Jan Pieterzoon	Hodie Christus Natus Est	Warner Brothers	Franco Colombo Choral Series 338	1922/1969	p.7, m.3 Soprano I D whole note should be dotted p.8, m.12 Bass Breath mark omitted (like Soprano II & Alto)
618	Thompson, Randall	The Last Invocation	E. C. Schirmer	3167	1989	m.13 Tenor I E should be E sharp
619	Thompson, Randall	The Last Invocation	E. C. Schirmer	3167	1989	m.60 Alto Phrase marking missing from previous page
620	Thomson, Virgil	Behold, O Earth (Seven Choruses from the Medea of Euripides, 6)	G. Schirmer	46641	1942	p.24 m.7 Soprano II last note should be sung to "go"
621	Thomson, Virgil	Death, 'Tis A Melancholy Day	H. W. Gray	CCS (Contemporary Choral Series) # 9	1949	p.6, mm.8-9 Soprano Tie omitted
622	Tippett, Michael	Poortith Cauld (Four Songs from the British Isles)	Schott	ED 11348	1957	p.4, m.5 Soprano Grace notes should be 1/32nds, not 1/16ths (cf. p.8, m.1)
623	Tippett, Michael	Poortith Cauld (Four Songs from the British Isles)	Schott	ED 11348	1957	p.11, m.9 Tenor Change "A why?" to "O why?"
624	Tucapsky, Antonín	In Honorem Vitae	Roberton	3019	1977	Introduction p.2, V, 4 Change "ultiman" to "ultimam"
625	Tucapsky, Antonín	In Honorem Vitae	Roberton	3019	1977	Movt. I, m.26 Alto Add diminuendo, to match other parts
626	Tucapsky, Antonín	In Honorem Vitae	Roberton	3019	1977	Movt. IV, m.24 Tenor Change underlay to "nec pi-e"
627	Tyrrell, Agnes	Gebet				m.18 Bass “wie auch die Hölle” should be “braus’t”
628	Tyrrell, Agnes	Gebet				m.28 Sop+Alto “Herr” should be “drei-”
629	Tyrrell, Agnes	Gebet				m.29 Sop+Alto “eini-” should be “ein’” (like Ten+Bass)
630	Tyrrell, Agnes	Gebet				m.39 Tenor D natural should be C natural
631	Tyrrell, Agnes	Gebet				m.50 Alto+Bass two tied half notes should be single whole note
632	Ullmann, Viktor	Zwei chassidische Frauenchöre	Schott	C 53695	2010	m.6 Soprano I first note should be D, not B
633	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Choral Public Domain Library	Matt Scott		m.35 Bass advisory natural missing from E
634	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Choral Public Domain Library	Matt Scott		m.41 Soprano B flats should be B natural
635	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Choral Public Domain Library	Matt Scott		m.54 Tenor second C should be C sharp also
636	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Choral Public Domain Library	Matt Scott		m.61 Tenor second D should be D flat also
637	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Choral Public Domain Library	Matt Scott		m.67 Tenor tied A should be A flat
638	Verdi, Giuseppe	Ave Maria (Quattro Pezzi Sacri, 1)	Peters	4256a	1961	m.41 Soprano B flats should be B natural
639	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Kyrie	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.16 Soprano change "Ky-ri-" to "Chri-ste"
640	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Kyrie	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.17 Soprano change "-e e-lei-" to "e-le", with "-le-" sung on F
641	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Kyrie	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.18 Alto/Tenor change"-lei-" to "-le-"
642	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Gloria	Choral Public Domain Library	John Henry Fowler	none stated (2005)	mm.7-8 Tenor put"-ci-" on last note of m.7, not in m.8
643	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Gloria	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.29 Alto change "-sus" to "-su"
644	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Gloria	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.48 Alto/Tenor change "-ci-" to "-sci-"
645	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.5 Tenor change "ceo-" to "coe-"
646	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.10 tutti change "un-num" to "u-num"
647	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.48 Alto change "-to" to "-cto"
648	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.72 Alto sing entry on "Cum"
649	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.88 Bass change "-did" to "-dit"
650	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Credo	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.107 tutti change "-spe-to" to "-spe-cto"
651	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Sanctus	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.15 Bass apply natural to G, not A
652	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Sanctus	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.17 Bass change "Pel-" to "Ple-"
653	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Agnus Dei	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.11 Soprano II change "pec-ce-ta-" to "pec-ca-ta"
654	Victoria, Tomás Luis de	Missa 'O Magnum Mysterium', Agnus Dei	Choral Public Domain Library	John Henry Fowler	none stated (2005)	m.17 Soprano II change "pec-ce-ta-" to "pec-ca-ta"
655	Victoria, Tomás Luis de	O Magnum Mysterium	G. Schirmer	Octavo 10193	1953	p.11, mm.2-3 Alto tie missing on B flats
656	Victoria, Tomás Luis de	O Quam Gloriosum	Choral Public Domain Library			m.20 Tenor Last syllable should be "gau-," not "gqu-"
657	Victoria, Tomás Luis de	O Quam Gloriosum	Choral Public Domain Library	Victoria, Tomás Luis de		m.22 Tenor First 1/2 note [C] should be two quarter notes [C, D]
658	Victoria, Tomás Luis de	O Quam Gloriosum	Choral Public Domain Library	Victoria, Tomás Luis de		m.26 Soprano Second syllable should be mnes," not "mens"
659	Victoria, Tomás Luis de	O Quam Gloriosum	Choral Public Domain Library	Victoria, Tomás Luis de		m.46 Bass Last syllable should be "quo-," not "qu-"
660	Victoria, Tomás Luis de	O Quam Gloriosum	Choral Public Domain Library	Victoria, Tomás Luis de		m.52 Soprano Second syllable should be "quo-," not "qu-"
661	Warlock, Peter	Bethlehem Down	Boosey & Hawkes	WR 4457	1928	p.1, m.2 Soprano “g ve” should be “give”
662	Warlock, Peter	Bethlehem Down	Boosey & Hawkes	WR 4457	1928	p.2, m.3 Soprano delete dot after C on “young”
663	Webbe, Samuel	A Generous Friendship	imslp.org		2010	p.1 m.2 Tenor II first two notes should be slurred
664	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.23 Alto/Tenor “A-” should be “At-”
665	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.62 Alto E should be E flat
666	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.82 Alto “Dia-” should be “Di-”
667	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			mm.94-95 Tenor “live long” should be “long live”
668	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.103 Soprano I “lond” should be “long”
669	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.104 Alto “-ri-” should be on 2nd note
670	Weelkes, Thomas	As Vesta Was	Choral Public Domain Library			m.107 Alto “-ra-” should be “-ri-”
671	Weelkes, Thomas	Gloria In Excelsis	Choral Public Domain Library		2004	m.44 Alto II “prai” should be “prai-”
672	Weelkes, Thomas	Gloria In Excelsis	Choral Public Domain Library		2004	m.46 Sop. I “pria-” should be “prai-”
673	Weelkes, Thomas	Gloria In Excelsis	Choral Public Domain Library		2004	m.52 Bass Hyphen unnecessary
674	Weelkes, Thomas	When David Heard	Choral Public Domain Library		2004	mm.2-4 Tenor Change underlay to match Alto/Bass
675	Wesley, Samuel Sebastian	Thou Wilt Keep Him In Perfect Peace	Choral Public Domain Library		2003 (by Steve Jones)	m.55 Alto Change “wil” to “wilt”
676	Whitacre, Eric	Five Hebrew Love Songs, movt. 2 Kalá kallá	Walton	HL08501466/WJMS1038	2002	m.97 Tenor last note should be A, not B
677	Willaert, Adrian	Ave Maria, Gratia Plena (W 1539, #1) (à 4)	CMM	Collected works (AIM 31)	1951	m.63 Bass Final note should be dotted
678	Williams, Malcolm	Christmas 1914 (Three Choric Hymns, 3)	Josef Weinberger	0.739990872.8	1984	p.9, m.3 Soprano: add hyphen to read “fo-rest”
679	Williams, Ralph Vaughan	Ca' The Yowes	Curwen	61128	1950	p.3, m.4 Soprano First note should be dotted
680	Williams, Ralph Vaughan	Full Fathom Five (Three Shakespeare Songs, 1) (See below for No. 3)	Oxford University Press	ISBN 0.19.343827.5	1951	p.3, m.6 Bass Second group of 1/8th notes should be a triplet
681	Williams, Ralph Vaughan	O Vos Omnes	Curwen	80594	1950 (1922)	p.3, 2 before D Tutti “moe-ro-re” should be “mae-ro-re”
682	Williams, Ralph Vaughan	Osanna I (from Sanctus of Mass in G minor)	Curwen/G. Schirmer	Curwen 42827/Schirmer 2044	1922	p.36, m.12 Choir II Alto Tie missing onto m.13
683	Williams, Ralph Vaughan	Over Hill, Over Dale (Three Shakespeare Songs, 3)	Oxford University Press	ISBN 0.19.343827.5	1951	p.18, m.3 Soprano First note should be 1/4, not 1/8th
684	Williams, Ralph Vaughan	The New Commonwealth	Oxford University Press	9473	1943	verse 2 m.2 "...from out depair" or "...from our despair"? vaughwilliamsfoundation.org website give "...from our despair"
685	Williams, Ralph Vaughan	The Souls of the Righteous	Oxford University Press	19.353516.5	1947	p.2, m.15 Alto Upper tie unnecessary
686	Williams, Ralph Vaughan	The Souls of the Righteous	Oxford University Press	19.353516.5	1947	p.3, m.1 Alto Upper tie and upward stem unnecessary
687	Williams, Ralph Vaughan	The Winter Is Gone	Novello	NOV 430536	1912	p.4, m.4 Bass II "the" should be 1/8th, not 1/4th
688	Wills, Arthur	Boot and Saddle	Oxford University Press	Unison OCS 144	1970	p.2, m.10 Piano R.H. 6th note should be E flat, not E natural
689	Wishart, Peter	Alleluya, A New Work Is Come On Hand (Three Carols, 3)	Oxford University Press	OCS 899	1953	p.13, m.2 Bass Last word should be "and," not "an"
690	Zielenski, Mikolaj	Magnificat à 12	Choral Public Domain Library	SMC 2001/2015		m.87 Bass II should go up to C, not F as shown
691	Zielenski, Mikolaj	Magnificat à 12	Choral Public Domain Library	SMC 2001/2015		m.113 Alto II final note should be D, not E, on “-cu-“
692	Zielenski, Mikolaj	Magnificat à 12	Choral Public Domain Library	SMC 2001/2015		m.133 Bass II “-cu-” should be A, not C
693	Zumaya, Manuel de	Resuenen Los Clarines	Choral Public Domain Library	Sarah Riskind edition	2016	m.15 Organ RH. 2nd note is D, not B flat
694	Zumaya, Manuel de	Resuenen Los Clarines	Choral Public Domain Library	Sarah Riskind edition	2016	m.15 Organ LH. 2nd note is B flat half-note, deleting D in RH
695	Zumaya, Manuel de	Resuenen Los Clarines	Choral Public Domain Library	Sarah Riskind edition	2016	m.15 Organ LH. add quarter note as upper A on beat 4
696	Zumaya, Manuel de	Resuenen Los Clarines	Choral Public Domain Library	Sarah Riskind edition	2016	m.38 Organ RH. top note should be D, not B flat