A | B | C | D | E | F | |
---|---|---|---|---|---|---|
1 | Composer | Title | Publisher | Edition ref. | Copyright | Corrections |
2 | Animuccia, Giovanni | Laudate Deo | Choral Public Domain Library | m.10 Sop. 1 Supply A half note to complete measure | ||
3 | Arcadelt, Jacques | Il Bianco e Dolce Cigno | Oxford University Press | 0-19-343647-7 (Oxford Book of Italian Madrigals) | 1983 | p.33 All voices Change "morte" to "morti" |
4 | Ashforth, Alden | O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3) | E.C. Schirmer | 3137 | 1988 | m.11 Soprano/Alto Half note rest should be whole note rest |
5 | Ashforth, Alden | O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3) | E.C. Schirmer | 3137 | 1988 | m.20 Alto D misplaced and half note rest missing (reduction is correct) |
6 | Ashforth, Alden | O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3) | E.C. Schirmer | 3137 | 1988 | p.7 Tutti Replace "Jesu Christus" with "Jesum Christum" |
7 | Ashforth, Alden | Viderunt Omnes (Three Christmas Motets, 3) | E.C. Schirmer | 3138 | 1988 | m.11 Soprano/Alto Half note rest should be whole note rest |
8 | Ashforth, Alden | Viderunt Omnes (Three Christmas Motets, 3) | E.C. Schirmer | 3138 | 1988 | m.24 Tenor "o-" omitted from second E flat |
9 | Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A) | Ich lasse dich nicht / I’ll loose Thee, Lord, not! | E.C. Schirmer | 1240 | p.6, m.30 Tutti Measure # is 20, not 30 | |
10 | Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A) | Ich lasse dich nicht / I’ll loose Thee, Lord, not! | E.C. Schirmer | 1240 | m.38 Bass I Last note should be D natural | |
11 | Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A) | Ich lasse dich nicht / I’ll loose Thee, Lord, not! | E.C. Schirmer | 1240 | m.92 Soprano “Denn” should be “Dein” | |
12 | Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A) | Ich lasse dich nicht / I’ll loose Thee, Lord, not! | E.C. Schirmer | 1240 | m.110 Soprano “hie” should be “hier” | |
13 | Bach, Johann Christoph Friedrich | Wachet auf, ruft uns die Stimme | San Francisco Bach Choir edition | movt.I, m.80 Bass “sied” should be “seid” | ||
14 | Bach, Johann Christoph Friedrich | Wachet auf, ruft uns die Stimme | San Francisco Bach Choir edition | movt.II, m.36 Bass “Wuachter” should be “Wächter” | ||
15 | Bach, Johann Christoph Friedrich | Wachet auf, ruft uns die Stimme | San Francisco Bach Choir edition | movt.II, m.96 Bass “machtig” should be “mächtig” | ||
16 | Bach, Johann Christoph Friedrich | Wachet auf, ruft uns die Stimme | San Francisco Bach Choir edition | movt.IV, m.43 Bass “Feu-” should be “Freu-” | ||
17 | Bach, Johann Ludwig | Das is meine Freude | Choral Public Domain Library | m.5 Choir II “das” should be “-de” | ||
18 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.4 Choir I, Sop. Underlay should be identical to ATB | ||
19 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.20 Choir II, Bass First note should low C | ||
20 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.27 Choir II, Bass First note should be E natural, not E flat | ||
21 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.41 Choir II, Alto Text missing, should be “Frie-” | ||
22 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.42 Choir I, Bass Underlay is wrong; first two notes should be sung to “dei-” | ||
23 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.49 Choir II, Alto First word should be “Weg,” not “wird” | ||
24 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.73 Choir II, Bass Fourth note should be A flat, not A natural | ||
25 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.74 Choir I, Alto A sharp should be A natural | ||
26 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.110 Choir I, Sop. High F should be F natural | ||
27 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.110 Choir II, Sop. High F should be F natural | ||
28 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.145 Choir II, Tenor First note should be F, not D | ||
29 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.159 Choir I, Tenor Underlay is wrong; remove “-ben” | ||
30 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.160 Choir I, Tenor Underlay is wrong; “die” should be “-ben” | ||
31 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.161 Choir I, Bass First note (tied) should be F, not E flat | ||
32 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | m.188 Tutti Underlay is wrong; “Wil” should be “Weil” | ||
33 | Bach, Johann Sebastian | Komm, Jesu, Komm | Choral Public Domain Library | NOTE: Advisory accidentals are not used in this edition; therefore, unless specifically indicated, the key signature governs each measure. | ||
34 | Bainton, Edgar F. | Summer | Joseph Williams | W.4667 | 1924 | p.4, m.8 Alto Penultimate note should be 1/16th, not 1/8th |
35 | Bantock, Granville | A Grammarian’s Funeral (Three Choruses for Male Voices, 2) | Oxford University Press | Male Voices OCS 616 | 1930 | p.19, m.1 Piano Final 1/4 note should B flat, not C |
36 | Bantock, Granville | A Grammarian’s Funeral (Three Choruses for Male Voices, 2) | Oxford University Press | Male Voices OCS 616 | 1930 | p.20, m.5 Tenor 2 First note should be dotted |
37 | Bantock, Granville | Hymn to the Sun | Bayley & Ferguson | Choral Album 282 | passim, Tutti Apply initial dynamics to upbeat, not downbeat | |
38 | Bantock, Granville | Hymn to the Sun | Bayley & Ferguson | Choral Album 282 | e.g., mm.4-5 Forte should be marked at "The," not "kings" | |
39 | Bantock, Granville | Invocation to Pan | Novello | p.22, m.2 Ch.I, Mezzo D flat ("wild") should be staccato | ||
40 | Bantock, Granville | Lady Fame (A Pageant Of Human Life, 6) (See below for No. 8) | Novello | 14011 | 1914 | p.20, m.5 Sop. II First note should be dotted |
41 | Bantock, Granville | Lady Eternity (A Pageant Of Human Life, 8) | Novello | 14011 | 1914 | p.31, m.4 Alto II First note should be F natural, not F sharp |
42 | Bantock, Granville | Requiem | Summy-Birchard | B-274 | 1924 | p.5, m.1 Sop/Tenor G flat should G natural |
43 | Bantock, Granville | Requiem | Summy-Birchard | B-274 | 1924 | m.50 Baritone G should be tied A flat |
44 | Bantock, Granville | The Golden Journey to Samarkand | C.C. Birchard | 1020 | 1923 | p.8, m.1 Alto “mur-mer” should be “mur-mur” |
45 | Bantock, Granville | The Golden Journey to Samarkand | C.C. Birchard | 1020 | 1923 | p.14, m.5 Alto 1/2 rest missing |
46 | Bantock, Granville | The Golden Journey to Samarkand | C.C. Birchard | 1020 | 1923 | p.15, m.3 Tenor “-bly” missing from underlay |
47 | Bantock, Granville | The Golden Journey to Samarkand | C.C. Birchard | 1020 | 1923 | p.17, m.1 Soprano II Bracket for triplet is missing |
48 | Bantock, Granville | The Golden Journey to Samarkand | C.C. Birchard | 1020 | 1923 | p.22, m.9 Soprano 1/4 rest missing |
49 | Bantock, Granville | Will They Ever Come To Me (Five Choral Songs from ‘The Bacchae,’ 3) | Joseph Williams | J.W. 16603 | 1930 | p.15, m.6 after A Mezzo A’s should be A flats |
50 | Barber, Samuel | God's Grandeur | G. Schirmer | HL 50482114 | 1994 | m.39 Sop. I, Ten. I, Alto II Change all E sharps to E natural |
51 | Barber, Samuel | God's Grandeur | G. Schirmer | HL 50482114 | 1994 | m.40 Alto II Change G natural to G sharp |
52 | Barber, Samuel | God's Grandeur | G. Schirmer | HL 50482114 | 1994 | m.83 Bass II Change dotted half note to half note & 1/4 rest (cf. reduction) |
53 | Bax, Arnold | A Pilgrim's Chant (Five Greek Folk Songs, 5) | Chappell | 38450 | 1947 | m.16 Tenor change "th" to "the" |
54 | Bax, Arnold | In Far-Off Malta (Five Greek Folk Songs, 3) | Chappell | 38250 | 1947 | m.5 Bass add cresc. forte on C |
55 | Bax, Arnold | In Far-Off Malta (Five Greek Folk Songs, 3) | Chappell | 38250 | 1947 | m.35 Tutti remove forte marking or add diminuendo to second beat |
56 | Bax, Arnold | Miracle of Saint Basil (Five Greek Folk Songs, 1) | Chappell | 1947 | m.14 Alto/Tenor staccatissimo markings omitted | |
57 | Bax, Arnold | Miracle of Saint Basil (Five Greek Folk Songs, 1) | Chappell | 1947 | m.14 piano reduction RH staccatissimo markings omitted on lower notes | |
58 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.5, m.10 Sop. II Second note should be C flat, not C | |
59 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.5, m.11 Sop./Tenor “We shall” should be tutti | |
60 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.6, m.7 Bass I f should be marked over second, not fifth, note | |
61 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.11, m.3 Bass II Second note should be E natural, not E flat | |
62 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.11, m.7 Bass II First note should be 1/8th, tied to previous measure | |
63 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.12, m.5 Alto replace "Tutti" with "unis." | |
64 | Bax, Arnold | This Worldes Joie | Chappell | 1943 | p.12, m.9 Bass II First note should be tied to previous measure | |
65 | Beach, Amy (Mrs. H.H.A.) | The Sea-Fairies (op. 59) | Recital Publications | 344 | 1992/1996 | p.8, m.21 L.H. piano score Fourth note should be F natural, not F flat |
66 | Beach, Amy (Mrs. H.H.A.) | The Sea-Fairies (op. 59) | Recital Publications | 344 | 1992/1996 | p.10, m.8 Contralto I 2 1/4 rests missing |
67 | Beach, Amy (Mrs. H.H.A.) | The Sea-Fairies (op. 59) | Recital Publications | 344 | 1992/1996 | p.13, m.12 R.H. piano score Final B should be B sharp |
68 | Beach, Amy (Mrs. H.H.A.) | The Sea-Fairies (op. 59) | Recital Publications | 344 | 1992/1996 | p.26, m.3 L.H. piano score C should be C natural |
69 | Beach, Amy (Mrs. H.H.A.) | The Sea-Fairies (op. 59) | Recital Publications | 344 | 1992/1996 | p.26, m.4 L.H. piano score C should be C natural |
70 | Bennet, John | Thyrsis, Sleepest Thou? | Choral Public Domain Library | m.11 Bass Advisory natural accidental should be added to E | ||
71 | Bennet, John | Thyrsis, Sleepest Thou? | Choral Public Domain Library | m.22 Bass Advisory natural accidental should be added to E | ||
72 | Bennet, John | Thyrsis, Sleepest Thou? | Choral Public Domain Library | m.27 Tenor “sin - eth” should be “sing - eth” | ||
73 | Bennet, John | Thyrsis, Sleepest Thou? | Choral Public Domain Library | mm.42-end Bass Underlay missing | ||
74 | Bennet, John | Thyrsis, Sleepest Thou? | Choral Public Domain Library | mm.44-45 Bass Underlay should be “to (A) Lon- (G) don (F)” | ||
75 | Bennett, Richard Rodney | Heare Us, O Heare Us, Lord (Verses, 3) | Universal | 14160 | 1965 | p.4, m.2 Tutti Time signature should change to 3/2 |
76 | Bennett, Richard Rodney | Heare Us, O Heare Us, Lord (Verses, 3) | Universal | 14160 | 1965 | p.4, m.3 Tutti Time signature should change to 4/4 |
77 | Berg, Alban | Es ist ein Reis entsprungen | Universal Edition | 18408 | 1985 | m.8 Sop. A flat should be A natural |
78 | Biebl, Franz | Ave Maria (SAT/SATB version) | Hinshaw | HMC 1255 | 1985 | p.3 Bass solo "nontiavit" should be "nuntiavit" |
79 | Biebl, Franz | Ave Maria (SAT/SATB version) | Hinshaw | HMC 1255 | 1985 | p.4, mm.11-13 Latin text "-e-ris-bus" should be "-e-ri-bus" |
80 | Biebl, Franz | Ave Maria (SAT/SATB version) | Hinshaw | HMC 1255 | 1985 | p.5, Tenor solo "secomdom" should be "secundum" |
81 | Billings, William | Lamentation Over Boston | Walton | 2220 | 1968 | p.6 Tutti controversial phrase has been removed; See full edition to add "Forbid that those who have sucked Bostonian breasts should thirst for American blood." |
82 | Bingham, Judith | Aquileia | Maecenas | 2002 | m.20 Alto 1 C natural should be C sharp | |
83 | Bingham, Judith | Aquileia | Maecenas | 2002 | m.26 Alto 1 D should be D flat | |
84 | Bingham, Judith | Aquileia | Maecenas | 2002 | m.101 Alto both parts sing "nn" | |
85 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | Preface German text “Geton” should be “Getön” |
86 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | English transl. Apostrophe missing from “bell’s” |
87 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | m.32 Tenor “Shrecken” should be “Schrecken” |
88 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | m.40 Alto I F should be F sharp |
89 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | m.44 Baritone Unclear if stresses are missing or not |
90 | Bingham, Judith | Bach’s Tomb | Peters Edition | 71201 | 2003/2007 | m.50 Baritone G should be tied A flat |
91 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.19 Baritone move underlay: "dein" on G "Haupt" on tied B |
92 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.30 Alto remove final "ü" from 1/16th rest |
93 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.33 Alto remove final "ü" from 1/16th rest |
94 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.33 Bass sing "Oh" on 1/2 note |
95 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.36 Alto "Schö-pher" should be "Schö-pfer" |
96 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.37 Alto "Zeug-niss un-srer" should be "Zeug-nis uns-res" |
97 | Bingham, Judith | Bach’s Tomb (revised edition) | Peters Edition | EP 71201 | 2003/2014 | m.43 Tenor I add cautionary natural to first note = A natural |
98 | Bingham, Judith | A Bird Is Singing | Peters | EP 72076 | 2010 | m.20 Bass II add tied F sharp dotted 1/2 note to match reduction |
99 | Bingham, Judith | A Bird Is Singing | Peters | EP 72076 | 2010 | m.92 Tenor II last note is G natural, not G flat |
100 | Bingham, Judith | The Drowned Lovers | Peters | EP 71066 | 2007/2009 | m.5 Bass I trill onto F |