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ComposerTitlePublisherEdition ref.CopyrightCorrections
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Animuccia, GiovanniLaudate Deo
Choral Public Domain Library
m.10 Sop. 1 Supply A half note to complete measure
3
Arcadelt, JacquesIl Bianco e Dolce CignoOxford University Press
0-19-343647-7 (Oxford Book of Italian Madrigals)
1983p.33 All voices Change "morte" to "morti"
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Ashforth, Alden
O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)
E.C. Schirmer31371988m.11 Soprano/Alto Half note rest should be whole note rest
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Ashforth, Alden
O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)
E.C. Schirmer31371988
m.20 Alto D misplaced and half note rest missing (reduction is correct)
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Ashforth, Alden
O Magnum Mysterium (Three Christmas Motets, 2) (See below for No. 3)
E.C. Schirmer31371988p.7 Tutti Replace "Jesu Christus" with "Jesum Christum"
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Ashforth, AldenViderunt Omnes (Three Christmas Motets, 3)E.C. Schirmer31381988m.11 Soprano/Alto Half note rest should be whole note rest
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Ashforth, AldenViderunt Omnes (Three Christmas Motets, 3)E.C. Schirmer31381988m.24 Tenor "o-" omitted from second E flat
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Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)
Ich lasse dich nicht / I’ll loose Thee, Lord, not!E.C. Schirmer1240p.6, m.30 Tutti Measure # is 20, not 30
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Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)
Ich lasse dich nicht / I’ll loose Thee, Lord, not!E.C. Schirmer1240m.38 Bass I Last note should be D natural
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Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)
Ich lasse dich nicht / I’ll loose Thee, Lord, not!E.C. Schirmer1240m.92 Soprano “Denn” should be “Dein”
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Bach, Johann Christoph (now attributed to J.S. Bach, BWV 159 A)
Ich lasse dich nicht / I’ll loose Thee, Lord, not!E.C. Schirmer1240m.110 Soprano “hie” should be “hier”
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Bach, Johann Christoph Friedrich
Wachet auf, ruft uns die Stimme
San Francisco Bach Choir edition
movt.I, m.80 Bass “sied” should be “seid”
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Bach, Johann Christoph Friedrich
Wachet auf, ruft uns die Stimme
San Francisco Bach Choir edition
movt.II, m.36 Bass “Wuachter” should be “Wächter”
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Bach, Johann Christoph Friedrich
Wachet auf, ruft uns die Stimme
San Francisco Bach Choir edition
movt.II, m.96 Bass “machtig” should be “mächtig”
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Bach, Johann Christoph Friedrich
Wachet auf, ruft uns die Stimme
San Francisco Bach Choir edition
movt.IV, m.43 Bass “Feu-” should be “Freu-”
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Bach, Johann LudwigDas is meine Freude
Choral Public Domain Library
m.5 Choir II “das” should be “-de”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.4 Choir I, Sop. Underlay should be identical to ATB
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.20 Choir II, Bass First note should low C
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.27 Choir II, Bass First note should be E natural, not E flat
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.41 Choir II, Alto Text missing, should be “Frie-”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.42 Choir I, Bass Underlay is wrong; first two notes should be sung to “dei-”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.49 Choir II, Alto First word should be “Weg,” not “wird”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.73 Choir II, Bass Fourth note should be A flat, not A natural
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.74 Choir I, Alto A sharp should be A natural
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.110 Choir I, Sop. High F should be F natural
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.110 Choir II, Sop. High F should be F natural
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.145 Choir II, Tenor First note should be F, not D
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.159 Choir I, Tenor Underlay is wrong; remove “-ben”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.160 Choir I, Tenor Underlay is wrong; “die” should be “-ben”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.161 Choir I, Bass First note (tied) should be F, not E flat
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
m.188 Tutti Underlay is wrong; “Wil” should be “Weil”
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Bach, Johann SebastianKomm, Jesu, Komm
Choral Public Domain Library
NOTE: Advisory accidentals are not used in this edition; therefore, unless specifically indicated, the key signature governs each measure.
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Bainton, Edgar F.SummerJoseph WilliamsW.46671924p.4, m.8 Alto Penultimate note should be 1/16th, not 1/8th
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Bantock, Granville
A Grammarian’s Funeral (Three Choruses for Male Voices, 2)
Oxford University Press
Male Voices OCS 616
1930p.19, m.1 Piano Final 1/4 note should B flat, not C
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Bantock, Granville
A Grammarian’s Funeral (Three Choruses for Male Voices, 2)
Oxford University Press
Male Voices OCS 616
1930p.20, m.5 Tenor 2 First note should be dotted
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Bantock, GranvilleHymn to the SunBayley & FergusonChoral Album 282passim, Tutti Apply initial dynamics to upbeat, not downbeat
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Bantock, GranvilleHymn to the SunBayley & FergusonChoral Album 282e.g., mm.4-5 Forte should be marked at "The," not "kings"
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Bantock, GranvilleInvocation to PanNovellop.22, m.2 Ch.I, Mezzo D flat ("wild") should be staccato
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Bantock, Granville
Lady Fame (A Pageant Of Human Life, 6) (See below for No. 8)
Novello140111914p.20, m.5 Sop. II First note should be dotted
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Bantock, GranvilleLady Eternity (A Pageant Of Human Life, 8)Novello140111914p.31, m.4 Alto II First note should be F natural, not F sharp
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Bantock, GranvilleRequiemSummy-BirchardB-2741924p.5, m.1 Sop/Tenor G flat should G natural
43
Bantock, GranvilleRequiemSummy-BirchardB-2741924m.50 Baritone G should be tied A flat
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Bantock, GranvilleThe Golden Journey to SamarkandC.C. Birchard10201923p.8, m.1 Alto “mur-mer” should be “mur-mur”
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Bantock, GranvilleThe Golden Journey to SamarkandC.C. Birchard10201923p.14, m.5 Alto 1/2 rest missing
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Bantock, GranvilleThe Golden Journey to SamarkandC.C. Birchard10201923p.15, m.3 Tenor “-bly” missing from underlay
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Bantock, GranvilleThe Golden Journey to SamarkandC.C. Birchard10201923p.17, m.1 Soprano II Bracket for triplet is missing
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Bantock, GranvilleThe Golden Journey to SamarkandC.C. Birchard10201923p.22, m.9 Soprano 1/4 rest missing
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Bantock, Granville
Will They Ever Come To Me (Five Choral Songs from ‘The Bacchae,’ 3)
Joseph WilliamsJ.W. 166031930p.15, m.6 after A Mezzo A’s should be A flats
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Barber, SamuelGod's GrandeurG. SchirmerHL 504821141994m.39 Sop. I, Ten. I, Alto II Change all E sharps to E natural
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Barber, SamuelGod's GrandeurG. SchirmerHL 504821141994m.40 Alto II Change G natural to G sharp
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Barber, SamuelGod's GrandeurG. SchirmerHL 504821141994
m.83 Bass II Change dotted half note to half note & 1/4 rest (cf. reduction)
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Bax, ArnoldA Pilgrim's Chant (Five Greek Folk Songs, 5)Chappell384501947m.16 Tenor change "th" to "the"
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Bax, ArnoldIn Far-Off Malta (Five Greek Folk Songs, 3)Chappell382501947m.5 Bass add cresc. forte on C
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Bax, ArnoldIn Far-Off Malta (Five Greek Folk Songs, 3)Chappell382501947
m.35 Tutti remove forte marking or add diminuendo to second beat
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Bax, Arnold
Miracle of Saint Basil (Five Greek Folk Songs, 1)
Chappell1947m.14 Alto/Tenor staccatissimo markings omitted
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Bax, Arnold
Miracle of Saint Basil (Five Greek Folk Songs, 1)
Chappell1947
m.14 piano reduction RH staccatissimo markings omitted on lower notes
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Bax, ArnoldThis Worldes JoieChappell1943p.5, m.10 Sop. II Second note should be C flat, not C
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Bax, ArnoldThis Worldes JoieChappell1943p.5, m.11 Sop./Tenor “We shall” should be tutti
60
Bax, ArnoldThis Worldes JoieChappell1943
p.6, m.7 Bass I f should be marked over second, not fifth, note
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Bax, ArnoldThis Worldes JoieChappell1943p.11, m.3 Bass II Second note should be E natural, not E flat
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Bax, ArnoldThis Worldes JoieChappell1943
p.11, m.7 Bass II First note should be 1/8th, tied to previous measure
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Bax, ArnoldThis Worldes JoieChappell1943p.12, m.5 Alto replace "Tutti" with "unis."
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Bax, ArnoldThis Worldes JoieChappell1943
p.12, m.9 Bass II First note should be tied to previous measure
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Beach, Amy (Mrs. H.H.A.)The Sea-Fairies (op. 59)Recital Publications3441992/1996
p.8, m.21 L.H. piano score Fourth note should be F natural, not F flat
66
Beach, Amy (Mrs. H.H.A.)The Sea-Fairies (op. 59)Recital Publications3441992/1996p.10, m.8 Contralto I 2 1/4 rests missing
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Beach, Amy (Mrs. H.H.A.)The Sea-Fairies (op. 59)Recital Publications3441992/1996p.13, m.12 R.H. piano score Final B should be B sharp
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Beach, Amy (Mrs. H.H.A.)The Sea-Fairies (op. 59)Recital Publications3441992/1996p.26, m.3 L.H. piano score C should be C natural
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Beach, Amy (Mrs. H.H.A.)The Sea-Fairies (op. 59)Recital Publications3441992/1996p.26, m.4 L.H. piano score C should be C natural
70
Bennet, JohnThyrsis, Sleepest Thou?
Choral Public Domain Library
m.11 Bass Advisory natural accidental should be added to E
71
Bennet, JohnThyrsis, Sleepest Thou?
Choral Public Domain Library
m.22 Bass Advisory natural accidental should be added to E
72
Bennet, JohnThyrsis, Sleepest Thou?
Choral Public Domain Library
m.27 Tenor “sin - eth” should be “sing - eth”
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Bennet, JohnThyrsis, Sleepest Thou?
Choral Public Domain Library
mm.42-end Bass Underlay missing
74
Bennet, JohnThyrsis, Sleepest Thou?
Choral Public Domain Library
mm.44-45 Bass Underlay should be “to (A) Lon- (G) don (F)”
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Bennett, Richard RodneyHeare Us, O Heare Us, Lord (Verses, 3)Universal141601965p.4, m.2 Tutti Time signature should change to 3/2
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Bennett, Richard RodneyHeare Us, O Heare Us, Lord (Verses, 3)Universal141601965p.4, m.3 Tutti Time signature should change to 4/4
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Berg, AlbanEs ist ein Reis entsprungenUniversal Edition184081985m.8 Sop. A flat should be A natural
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Biebl, FranzAve Maria (SAT/SATB version)HinshawHMC 12551985p.3 Bass solo "nontiavit" should be "nuntiavit"
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Biebl, FranzAve Maria (SAT/SATB version)HinshawHMC 12551985p.4, mm.11-13 Latin text "-e-ris-bus" should be "-e-ri-bus"
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Biebl, FranzAve Maria (SAT/SATB version)HinshawHMC 12551985p.5, Tenor solo "secomdom" should be "secundum"
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Billings, WilliamLamentation Over BostonWalton22201968
p.6 Tutti controversial phrase has been removed; See full edition to add "Forbid that those who have sucked Bostonian breasts should thirst for American blood."
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Bingham, JudithAquileiaMaecenas2002m.20 Alto 1 C natural should be C sharp
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Bingham, JudithAquileiaMaecenas2002m.26 Alto 1 D should be D flat
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Bingham, JudithAquileiaMaecenas2002m.101 Alto both parts sing "nn"
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Bingham, JudithBach’s TombPeters Edition712012003/2007Preface German text “Geton” should be “Getön”
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Bingham, JudithBach’s TombPeters Edition712012003/2007English transl. Apostrophe missing from “bell’s”
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Bingham, JudithBach’s TombPeters Edition712012003/2007m.32 Tenor “Shrecken” should be “Schrecken”
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Bingham, JudithBach’s TombPeters Edition712012003/2007m.40 Alto I F should be F sharp
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Bingham, JudithBach’s TombPeters Edition712012003/2007m.44 Baritone Unclear if stresses are missing or not
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Bingham, JudithBach’s TombPeters Edition712012003/2007m.50 Baritone G should be tied A flat
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Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.19 Baritone move underlay: "dein" on G "Haupt" on tied B
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Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.30 Alto remove final "ü" from 1/16th rest
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Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.33 Alto remove final "ü" from 1/16th rest
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Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.33 Bass sing "Oh" on 1/2 note
95
Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.36 Alto "Schö-pher" should be "Schö-pfer"
96
Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.37 Alto "Zeug-niss un-srer" should be "Zeug-nis uns-res"
97
Bingham, JudithBach’s Tomb (revised edition)Peters EditionEP 712012003/2014m.43 Tenor I add cautionary natural to first note = A natural
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Bingham, JudithA Bird Is SingingPetersEP 720762010
m.20 Bass II add tied F sharp dotted 1/2 note to match reduction
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Bingham, JudithA Bird Is SingingPetersEP 720762010m.92 Tenor II last note is G natural, not G flat
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Bingham, JudithThe Drowned LoversPetersEP 710662007/2009m.5 Bass I trill onto F