A | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | ||
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1 | Product Artist | Product Title | CYear | Format | Mood | Genre | Success Metrics | Hit Status | Short History | Instruments | Detailed Song History | Awards | Key/Scale | Usage Recommendations | Cultural/Regional Influence | Emotional Tone/Theme | Popularity in Media (Past Usage) | Duration | Tempo | BPM | ||||||||||
2 | 4 | Alex Bueno | Grandes Éxitos De Alex Bueno En Bachata | 2001 | Digital | Energetic | Pop | Top charts in Latin America | No | Released in 2001 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | ASCAP Award | E Minor | Ideal for romantic scenes | Dominican roots | Hopeful | New to media placements | 4:33 | Moderate | 80-120 | |||||||||
3 | 2 | Alex Bueno | Regresar Al Amor | 1996 | Digital | Nostalgic | Bachata | Popular in Latin music circles | No | Released in 1996 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Billboard Music Award | A Minor | Great for party scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:31 | Fast | 120-160 | |||||||||
4 | 6 | Alex Bueno & Andrés De Jesús | Cómo Quisiera | 1983 | Digital | Romantic | Bachata | Frequently played on radio | No | Released in 1983 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | A Minor | Suitable for reflective scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:35 | Slow | 60-80 | |||||||||
5 | 8 | Alex Bueno feat. Orquesta Liberación | Alex | 1986 | Digital | Reflective | Pop | Popular in Latin music circles | No | Released in 1986 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | E Minor | Great for party scenes | Dominican roots | Celebratory | New to media placements | 4:37 | Fast | 120-160 | |||||||||
6 | 10 | Amanda Miguel | 5 Días | 1999 | Digital | Upbeat | Bachata | Top charts in Latin America | No | Released in 1999 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | No Awards | A Minor | Ideal for romantic scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:39 | Moderate | 80-120 | |||||||||
7 | 12 | Andrés De Jesús | Andrés De Jesús Y Su Orquesta | 1984 | Digital | Nostalgic | Pop | Frequently played on radio | No | Released in 1984 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Billboard Music Award | E Minor | Suitable for reflective scenes | Dominican roots | Melancholic | New to media placements | 4:41 | Slow | 60-80 | |||||||||
8 | 14 | Antonio Cabán Vale "El Topo" | Un Metro De Ternura | 1996 | Digital | Energetic | Bachata | Popular in Latin music circles | No | Released in 1996 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | ASCAP Award | A Minor | Great for party scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:43 | Fast | 120-160 | |||||||||
9 | 16 | Basilio | Basilio | 1981 | Digital | Romantic | Pop | Top charts in Latin America | No | Released in 1981 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | E Minor | Ideal for romantic scenes | Dominican roots | Uplifting | New to media placements | 4:45 | Moderate | 80-120 | |||||||||
10 | 18 | Belkis Concepción | Belkis Concepción & Las Chicas del Can | 1984 | Digital | Reflective | Bachata | Frequently played on radio | No | Released in 1984 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | A Minor | Suitable for reflective scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:47 | Slow | 60-80 | |||||||||
11 | 20 | Carlos David & Orquesta Liberación | Carlos David Y Orquesta Liberación | 1987 | Digital | Upbeat | Pop | Popular in Latin music circles | No | Released in 1987 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | No Awards | E Minor | Great for party scenes | Dominican roots | Dramatic | New to media placements | 4:49 | Fast | 120-160 | |||||||||
12 | 22 | Chamaco Rivera feat. José Feliciano | ¡Por Fin! | 1984 | Digital | Nostalgic | Bachata | Top charts in Latin America | No | Released in 1984 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Billboard Music Award | A Minor | Ideal for romantic scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:51 | Moderate | 80-120 | |||||||||
13 | 24 | Conjunto Quisqueya | 12 Éxitos Navideños | 1983 | Digital | Energetic | Pop | Frequently played on radio | No | Released in 1983 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | ASCAP Award | E Minor | Suitable for reflective scenes | Dominican roots | Hopeful | New to media placements | 4:53 | Slow | 60-80 | |||||||||
14 | 26 | Dioni Fernández | Dioni Fernández | 1991 | Digital | Romantic | Bachata | Popular in Latin music circles | No | Released in 1991 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | A Minor | Great for party scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:55 | Fast | 120-160 | |||||||||
15 | 28 | Dioni Fernandez & El Equipo | El Pum, Pum, Pum del Amor | 1988 | Digital | Reflective | Pop | Top charts in Latin America | No | Released in 1988 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | E Minor | Ideal for romantic scenes | Dominican roots | Celebratory | New to media placements | 4:57 | Moderate | 80-120 | |||||||||
16 | 30 | El Cieguito de Nagua | El Cieguito de Nagua | 1978 | Digital | Upbeat | Bachata | Frequently played on radio | No | Released in 1978 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | No Awards | A Minor | Suitable for reflective scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:59 | Slow | 60-80 | |||||||||
17 | 32 | Elias Santana Y Su Orquesta Feat. Aldo Matta | ¡Ya Me Liberé! | 1986 | Digital | Nostalgic | Pop | Popular in Latin music circles | No | Released in 1986 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Billboard Music Award | E Minor | Great for party scenes | Dominican roots | Melancholic | New to media placements | 4:31 | Fast | 120-160 | |||||||||
18 | 34 | Fernando Villalona & Raulín Rodríguez | Los Hijos Del Rey | 1978 | Digital | Energetic | Bachata | Top charts in Latin America | No | Released in 1978 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | ASCAP Award | A Minor | Ideal for romantic scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:33 | Moderate | 80-120 | |||||||||
19 | 36 | Henry Hierro | A Millón | 1990 | Digital | Romantic | Pop | Frequently played on radio | No | Released in 1990 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | E Minor | Suitable for reflective scenes | Dominican roots | Uplifting | New to media placements | 4:35 | Slow | 60-80 | |||||||||
20 | 38 | Iris y Franklyn | Iris y Franklyn | 1990 | Digital | Reflective | Bachata | Popular in Latin music circles | No | Released in 1990 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | A Minor | Great for party scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:37 | Fast | 120-160 | |||||||||
21 | 40 | Joseph Fonseca | Amante Bachata | 2009 | Digital | Upbeat | Pop | Top charts in Latin America | No | Released in 2009 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | No Awards | E Minor | Ideal for romantic scenes | Dominican roots | Dramatic | New to media placements | 4:39 | Moderate | 80-120 | |||||||||
22 | 42 | Joseph Fonseca | Escúchame | 2002 | Digital | Nostalgic | Bachata | Frequently played on radio | No | Released in 2002 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Billboard Music Award | A Minor | Suitable for reflective scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:41 | Slow | 60-80 | |||||||||
23 | 46 | Juan Luis Guerra | Areíto | 1992 | Digital | Romantic | Bachata | Top charts in Latin America | No | Released in 1992 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | A Minor | Ideal for romantic scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:45 | Moderate | 80-120 | |||||||||
24 | 52 | Juan Luis Guerra | Mudanza Y Acarreo | 1985 | Digital | Nostalgic | Pop | Top charts in Latin America | No | Released in 1985 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Billboard Music Award | E Minor | Ideal for romantic scenes | Dominican roots | Melancholic | New to media placements | 4:51 | Moderate | 80-120 | |||||||||
25 | 50 | Juan Luis Guerra | Grandes Éxitos | 1995 | Digital | Upbeat | Bachata | Popular in Latin music circles | No | Released in 1995 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | No Awards | A Minor | Great for party scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:49 | Fast | 120-160 | |||||||||
26 | 44 | Juan Luis Guerra | Bachata Rosa | 1990 | Digital | Energetic | Pop | Popular in Latin music circles | No | Released in 1990 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | ASCAP Award | E Minor | Great for party scenes | Dominican roots | Hopeful | New to media placements | 4:43 | Fast | 120-160 | |||||||||
27 | 48 | Juan Luis Guerra | Ni Es Lo Mismo Ni Es Igual | 1998 | Digital | Reflective | Pop | Frequently played on radio | No | Released in 1998 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | E Minor | Suitable for reflective scenes | Dominican roots | Celebratory | New to media placements | 4:47 | Slow | 60-80 | |||||||||
28 | 54 | Juan Luis Guerra 4.40 | Concierto Aniversario | 2023 | Digital | Energetic | Bachata | Frequently played on radio | No | Released in 2023 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | ASCAP Award | A Minor | Suitable for reflective scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:53 | Slow | 60-80 | |||||||||
29 | 56 | Juan Luis Guerra 440 | Colección Romántica, Vol. 1 | 2001 | Digital | Romantic | Pop | Popular in Latin music circles | No | Released in 2001 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | E Minor | Great for party scenes | Dominican roots | Uplifting | New to media placements | 4:55 | Fast | 120-160 | |||||||||
30 | 58 | July Mateo "Rasputin" | Toda La Vida | 1986 | Digital | Reflective | Bachata | Top charts in Latin America | No | Released in 1986 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | A Minor | Ideal for romantic scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:57 | Moderate | 80-120 | |||||||||
31 | 60 | Kandela | Kandela | 1997 | Digital | Upbeat | Pop | Frequently played on radio | No | Released in 1997 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | No Awards | E Minor | Suitable for reflective scenes | Dominican roots | Dramatic | New to media placements | 4:59 | Slow | 60-80 | |||||||||
32 | 62 | Las Chicas Del Can | Los Años Dorados | 1995 | Digital | Nostalgic | Bachata | Popular in Latin music circles | No | Released in 1995 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Billboard Music Award | A Minor | Great for party scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:31 | Fast | 120-160 | |||||||||
33 | 70 | Los Hermanos Rosario | Acabando! | 1990 | Digital | Upbeat | Bachata | Top charts in Latin America | No | Released in 1990 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | No Awards | A Minor | Ideal for romantic scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:39 | Moderate | 80-120 | |||||||||
34 | 64 | Los Hermanos Rosario | 20 Aniversario, Vol. 2 | 2001 | Digital | Energetic | Pop | Top charts in Latin America | No | Released in 2001 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | ASCAP Award | E Minor | Ideal for romantic scenes | Dominican roots | Hopeful | New to media placements | 4:33 | Moderate | 80-120 | |||||||||
35 | 74 | Los Hermanos Rosario | Los Dueños Del Swing | 1995 | Digital | Energetic | Bachata | Popular in Latin music circles | No | Released in 1995 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | ASCAP Award | A Minor | Great for party scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:43 | Fast | 120-160 | |||||||||
36 | 68 | Los Hermanos Rosario | ¡Y Es Fácil! | 1997 | Digital | Reflective | Pop | Popular in Latin music circles | No | Released in 1997 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | E Minor | Great for party scenes | Dominican roots | Celebratory | New to media placements | 4:37 | Fast | 120-160 | |||||||||
37 | 66 | Los Hermanos Rosario | Bomba 2000 | 1999 | Digital | Romantic | Bachata | Frequently played on radio | No | Released in 1999 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | A Minor | Suitable for reflective scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:35 | Slow | 60-80 | |||||||||
38 | 72 | Los Hermanos Rosario | Insuperables - ¡Bomba! | 1991 | Digital | Nostalgic | Pop | Frequently played on radio | No | Released in 1991 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Billboard Music Award | E Minor | Suitable for reflective scenes | Dominican roots | Melancholic | New to media placements | 4:41 | Slow | 60-80 | |||||||||
39 | 76 | Los Hijos Del Rey feat. Fernandito Villanola | Los Hijos Del Rey Con Fernando Villalona | 1979 | Digital | Romantic | Pop | Top charts in Latin America | No | Released in 1979 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | E Minor | Ideal for romantic scenes | Dominican roots | Uplifting | New to media placements | 4:45 | Moderate | 80-120 | |||||||||
40 | 78 | Manuel Jiménez | Dolores | 1984 | Digital | Reflective | Bachata | Frequently played on radio | No | Released in 1984 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | A Minor | Suitable for reflective scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:47 | Slow | 60-80 | |||||||||
41 | 80 | Maridalia Hernández | Amorosa | 1993 | Digital | Upbeat | Pop | Popular in Latin music circles | No | Released in 1993 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | No Awards | E Minor | Great for party scenes | Dominican roots | Dramatic | New to media placements | 4:49 | Fast | 120-160 | |||||||||
42 | 82 | Mickey Taveras | Más Romántico - Salsa En La Calle | 1999 | Digital | Nostalgic | Bachata | Top charts in Latin America | No | Released in 1999 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Billboard Music Award | A Minor | Ideal for romantic scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:51 | Moderate | 80-120 | |||||||||
43 | 84 | Miriam y Las Chicas | Nueva Vida | 1981 | Digital | Energetic | Pop | Frequently played on radio | No | Released in 1981 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | ASCAP Award | E Minor | Suitable for reflective scenes | Dominican roots | Hopeful | New to media placements | 4:53 | Slow | 60-80 | |||||||||
44 | 86 | Ramon Leonardo | Ramon Leonardo | 1974 | Digital | Romantic | Bachata | Popular in Latin music circles | No | Released in 1974 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | A Minor | Great for party scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:55 | Fast | 120-160 | |||||||||
45 | 88 | Ramón Orlando | Evolución | 1996 | Digital | Reflective | Pop | Top charts in Latin America | No | Released in 1996 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | E Minor | Ideal for romantic scenes | Dominican roots | Celebratory | New to media placements | 4:57 | Moderate | 80-120 | |||||||||
46 | 92 | Roy Tavaré & El Clan De La Furia | Se Siente | 1991 | Digital | Nostalgic | Pop | Popular in Latin music circles | No | Released in 1991 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Billboard Music Award | E Minor | Great for party scenes | Dominican roots | Melancholic | New to media placements | 4:31 | Fast | 120-160 | |||||||||
47 | 90 | Roy Tavaré & El Clan De La Furia | Arrebátame | 1996 | Digital | Upbeat | Bachata | Frequently played on radio | No | Released in 1996 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | No Awards | A Minor | Suitable for reflective scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:59 | Slow | 60-80 | |||||||||
48 | 94 | Rubby Pérez | Amores Extraños | 1995 | Digital | Energetic | Bachata | Top charts in Latin America | No | Released in 1995 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | ASCAP Award | A Minor | Ideal for romantic scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:33 | Moderate | 80-120 | |||||||||
49 | 98 | Rubby Pérez | No Te Olvides | 1998 | Digital | Reflective | Bachata | Popular in Latin music circles | No | Released in 1998 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | A Minor | Great for party scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:37 | Fast | 120-160 | |||||||||
50 | 96 | Rubby Pérez | ¡Fiesta para Dos! | 1988 | Digital | Romantic | Pop | Frequently played on radio | No | Released in 1988 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | E Minor | Suitable for reflective scenes | Dominican roots | Uplifting | New to media placements | 4:35 | Slow | 60-80 | |||||||||
51 | 100 | Sandy & Dioni | El Equipo | 1981 | Digital | Upbeat | Pop | Top charts in Latin America | No | Released in 1981 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | No Awards | E Minor | Ideal for romantic scenes | Dominican roots | Dramatic | New to media placements | 4:39 | Moderate | 80-120 | |||||||||
52 | 102 | Sergio Vargas | Los Años Dorados De Sergio Vargas | 1994 | Digital | Nostalgic | Bachata | Frequently played on radio | No | Released in 1994 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Billboard Music Award | A Minor | Suitable for reflective scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:41 | Slow | 60-80 | |||||||||
53 | 104 | Sergio Vargas & Alex Bueno | Sergio Vargas Y Alex Bueno | 1988 | Digital | Energetic | Pop | Popular in Latin music circles | No | Released in 1988 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | ASCAP Award | E Minor | Great for party scenes | Dominican roots | Hopeful | New to media placements | 4:43 | Fast | 120-160 | |||||||||
54 | 106 | Sonia Silvestre | Esta Es Sonia | 1974 | Digital | Romantic | Bachata | Top charts in Latin America | No | Released in 1974 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | A Minor | Ideal for romantic scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:45 | Moderate | 80-120 | |||||||||
55 | 108 | Sonia Silvestre | Esta Es... Sonia Silvestre | 1974 | Digital | Reflective | Pop | Frequently played on radio | No | Released in 1974 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | E Minor | Suitable for reflective scenes | Dominican roots | Celebratory | New to media placements | 4:47 | Slow | 60-80 | |||||||||
56 | 110 | The New York Band | The Best | 1987 | Digital | Upbeat | Bachata | Popular in Latin music circles | No | Released in 1987 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | No Awards | A Minor | Great for party scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:49 | Fast | 120-160 | |||||||||
57 | 112 | Tonny Tún Tún | Con La Música Por Dentro | 2000 | Digital | Nostalgic | Pop | Top charts in Latin America | No | Released in 2000 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | Billboard Music Award | E Minor | Ideal for romantic scenes | Dominican roots | Melancholic | New to media placements | 4:51 | Moderate | 80-120 | |||||||||
58 | 114 | Tonny Tún Tún | Caminando | 1999 | Digital | Energetic | Bachata | Frequently played on radio | No | Released in 1999 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | ASCAP Award | A Minor | Suitable for reflective scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:53 | Slow | 60-80 | |||||||||
59 | 116 | Vickiana | Vickiana | 1995 | Digital | Romantic | Pop | Popular in Latin music circles | No | Released in 1995 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | E Minor | Great for party scenes | Dominican roots | Uplifting | New to media placements | 4:55 | Fast | 120-160 | |||||||||
60 | 118 | Wifrido Vargas & Sandy Reyes | Wifrido Vargas Y Sandy Reyes | 1982 | Digital | Reflective | Bachata | Top charts in Latin America | No | Released in 1982 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | A Minor | Ideal for romantic scenes | Dominican roots | Celebratory | Well-known on Latin radio | 4:57 | Moderate | 80-120 | |||||||||
61 | 130 | Wilfrido Vargas | El Jeque | 1980 | Digital | Upbeat | Bachata | Top charts in Latin America | No | Released in 1980 | Brass, Percussion, Bass | A classic song that gained popularity in Latin America. | No Awards | A Minor | Ideal for romantic scenes | Dominican roots | Dramatic | Well-known on Latin radio | 4:39 | Moderate | 80-120 | |||||||||
62 | 124 | Wilfrido Vargas | En El Madison Square Garden | 1976 | Digital | Energetic | Pop | Top charts in Latin America | No | Released in 1976 | Synthesizer, Bass, Saxophone | A classic song that gained popularity in Latin America. | ASCAP Award | E Minor | Ideal for romantic scenes | Dominican roots | Hopeful | New to media placements | 4:33 | Moderate | 80-120 | |||||||||
63 | 122 | Wilfrido Vargas | Wilfridin | 1982 | Digital | Nostalgic | Bachata | Popular in Latin music circles | No | Released in 1982 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | Billboard Music Award | A Minor | Great for party scenes | Dominican roots | Melancholic | Well-known on Latin radio | 4:31 | Fast | 120-160 | |||||||||
64 | 128 | Wilfrido Vargas | El Jarro Pichao | 1975 | Digital | Reflective | Pop | Popular in Latin music circles | No | Released in 1975 | Synthesizer, Bass, Saxophone | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | E Minor | Great for party scenes | Dominican roots | Celebratory | New to media placements | 4:37 | Fast | 120-160 | |||||||||
65 | 126 | Wilfrido Vargas | Poder Musical | 1979 | Digital | Romantic | Bachata | Frequently played on radio | No | Released in 1979 | Brass, Percussion, Bass | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | A Minor | Suitable for reflective scenes | Dominican roots | Uplifting | Well-known on Latin radio | 4:35 | Slow | 60-80 | |||||||||
66 | 120 | Wilfrido Vargas | Los Años Dorados | 1988 | Digital | Upbeat | Pop | Frequently played on radio | No | Released in 1988 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | No Awards | E Minor | Suitable for reflective scenes | Dominican roots | Dramatic | New to media placements | 4:59 | Slow | 60-80 | |||||||||
67 | 132 | Wilfrido Vargas | Ahora | 1981 | Digital | Nostalgic | Pop | Frequently played on radio | No | Released in 1981 | Synthesizer, Bass, Saxophone | Widely recognized for its unique rhythm and style. | Billboard Music Award | E Minor | Suitable for reflective scenes | Dominican roots | Melancholic | New to media placements | 4:41 | Slow | 60-80 | |||||||||
68 | 134 | Wilfrido Vargas Feat. Rubby Pérez | Vida, Canción Y Suerte | 1986 | Digital | Energetic | Bachata | Popular in Latin music circles | No | Released in 1986 | Brass, Percussion, Bass | Known for its cultural impact in the Latin music scene. | ASCAP Award | A Minor | Great for party scenes | Dominican roots | Hopeful | Well-known on Latin radio | 4:43 | Fast | 120-160 | |||||||||
69 | 1 | Agustín Pantoja | Mira Cómo Es | 1997 | Digital | Romantic | Ballad | Top charts in Latin America | Yes | Released in 1997 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | C Major | Ideal for romantic scenes | Caribbean influence | Uplifting | Featured in popular TV show | 3:30 | Moderate | 80-120 | |||||||||
70 | 5 | Alex Bueno | Alex Bueno | 1990 | Digital | Upbeat | Ballad | Popular in Latin music circles | Yes | Released in 1990 | Guitar, Piano, Drums | Known for its cultural impact in the Latin music scene. | No Awards | C Major | Great for party scenes | Caribbean influence | Dramatic | Featured in popular TV show | 3:34 | Fast | 120-160 | |||||||||
71 | 3 | Alex Bueno | Los Años Dorados | 1993 | Digital | Reflective | Merengue | Frequently played on radio | Yes | Released in 1993 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | G Major | Suitable for reflective scenes | Caribbean influence | Celebratory | Used in commercials | 3:32 | Slow | 60-80 | |||||||||
72 | 7 | Alex Bueno & Orquesta Liberación | Los Grandes De Alex Bueno | 1992 | Digital | Nostalgic | Merengue | Top charts in Latin America | Yes | Released in 1992 | Violin, Flute, Congas | A classic song that gained popularity in Latin America. | Billboard Music Award | G Major | Ideal for romantic scenes | Caribbean influence | Melancholic | Used in commercials | 3:36 | Moderate | 80-120 | |||||||||
73 | 11 | Amanda Miguel | Rompecorazones | 1992 | Digital | Romantic | Merengue | Popular in Latin music circles | Yes | Released in 1992 | Violin, Flute, Congas | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | G Major | Great for party scenes | Caribbean influence | Uplifting | Used in commercials | 3:40 | Fast | 120-160 | |||||||||
74 | 9 | Amanda Miguel | Ámame Una Vez Más | 1996 | Digital | Energetic | Ballad | Frequently played on radio | Yes | Released in 1996 | Guitar, Piano, Drums | Widely recognized for its unique rhythm and style. | ASCAP Award | C Major | Suitable for reflective scenes | Caribbean influence | Hopeful | Featured in popular TV show | 3:38 | Slow | 60-80 | |||||||||
75 | 13 | Andy Aguilera | Cita De Amor | 2002 | Digital | Reflective | Ballad | Top charts in Latin America | Yes | Released in 2002 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | C Major | Ideal for romantic scenes | Caribbean influence | Celebratory | Featured in popular TV show | 3:42 | Moderate | 80-120 | |||||||||
76 | 15 | Basilio | Basilio | 1980 | Digital | Upbeat | Merengue | Frequently played on radio | Yes | Released in 1980 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | No Awards | G Major | Suitable for reflective scenes | Caribbean influence | Dramatic | Used in commercials | 3:44 | Slow | 60-80 | |||||||||
77 | 17 | Belkis Concepción | Belkis Concepción 1983 | 1983 | Digital | Nostalgic | Ballad | Popular in Latin music circles | Yes | Released in 1983 | Guitar, Piano, Drums | Known for its cultural impact in the Latin music scene. | Billboard Music Award | C Major | Great for party scenes | Caribbean influence | Melancholic | Featured in popular TV show | 3:46 | Fast | 120-160 | |||||||||
78 | 19 | Carlos David | Discografía | 1996 | Digital | Energetic | Merengue | Top charts in Latin America | Yes | Released in 1996 | Violin, Flute, Congas | A classic song that gained popularity in Latin America. | ASCAP Award | G Major | Ideal for romantic scenes | Caribbean influence | Hopeful | Used in commercials | 3:48 | Moderate | 80-120 | |||||||||
79 | 21 | Carmita Jiménez | Interpreta A Los Panchos | 1984 | Digital | Romantic | Ballad | Frequently played on radio | Yes | Released in 1984 | Guitar, Piano, Drums | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | C Major | Suitable for reflective scenes | Caribbean influence | Uplifting | Featured in popular TV show | 3:50 | Slow | 60-80 | |||||||||
80 | 23 | Conjunto Quisqueya | Conjunto Quisqueya | 1982 | Digital | Reflective | Merengue | Popular in Latin music circles | Yes | Released in 1982 | Violin, Flute, Congas | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | G Major | Great for party scenes | Caribbean influence | Celebratory | Used in commercials | 3:52 | Fast | 120-160 | |||||||||
81 | 25 | Diego Verdaguer | Lágrimas | 1991 | Digital | Upbeat | Ballad | Top charts in Latin America | Yes | Released in 1991 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | No Awards | C Major | Ideal for romantic scenes | Caribbean influence | Dramatic | Featured in popular TV show | 3:54 | Moderate | 80-120 | |||||||||
82 | 27 | Dioni Fernández | El Millonario | 1988 | Digital | Nostalgic | Merengue | Frequently played on radio | Yes | Released in 1988 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | Billboard Music Award | G Major | Suitable for reflective scenes | Caribbean influence | Melancholic | Used in commercials | 3:56 | Slow | 60-80 | |||||||||
83 | 29 | El Ciego De Nagua | La Aspirina | 1975 | Digital | Energetic | Ballad | Popular in Latin music circles | Yes | Released in 1975 | Guitar, Piano, Drums | Known for its cultural impact in the Latin music scene. | ASCAP Award | C Major | Great for party scenes | Caribbean influence | Hopeful | Featured in popular TV show | 3:58 | Fast | 120-160 | |||||||||
84 | 31 | El Misil Ray Lopez | Mejor Que Nunca | 2004 | Digital | Romantic | Merengue | Top charts in Latin America | Yes | Released in 2004 | Violin, Flute, Congas | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | G Major | Ideal for romantic scenes | Caribbean influence | Uplifting | Used in commercials | 3:30 | Moderate | 80-120 | |||||||||
85 | 33 | Fernando Villalona | Los Años Dorados | 1996 | Digital | Reflective | Ballad | Frequently played on radio | Yes | Released in 1996 | Guitar, Piano, Drums | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | C Major | Suitable for reflective scenes | Caribbean influence | Celebratory | Featured in popular TV show | 3:32 | Slow | 60-80 | |||||||||
86 | 35 | Francisco Ulloa | Pegaito | 1995 | Digital | Upbeat | Merengue | Popular in Latin music circles | Yes | Released in 1995 | Violin, Flute, Congas | Known for its cultural impact in the Latin music scene. | No Awards | G Major | Great for party scenes | Caribbean influence | Dramatic | Used in commercials | 3:34 | Fast | 120-160 | |||||||||
87 | 37 | Iris y Franklyn | Iris & Franklyn | 1992 | Digital | Nostalgic | Ballad | Top charts in Latin America | Yes | Released in 1992 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | Billboard Music Award | C Major | Ideal for romantic scenes | Caribbean influence | Melancholic | Featured in popular TV show | 3:36 | Moderate | 80-120 | |||||||||
88 | 39 | Joseíto Mateo & Luis Kalaff | Merengue | 1979 | Digital | Energetic | Merengue | Frequently played on radio | Yes | Released in 1979 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | ASCAP Award | G Major | Suitable for reflective scenes | Caribbean influence | Hopeful | Used in commercials | 3:38 | Slow | 60-80 | |||||||||
89 | 43 | Joseph Fonseca | Adiós Amor | 2005 | Digital | Reflective | Merengue | Top charts in Latin America | Yes | Released in 2005 | Violin, Flute, Congas | A classic song that gained popularity in Latin America. | Premio Lo Nuestro Award | G Major | Ideal for romantic scenes | Caribbean influence | Celebratory | Used in commercials | 3:42 | Moderate | 80-120 | |||||||||
90 | 41 | Joseph Fonseca | Noches De Fantasía | 2000 | Digital | Romantic | Ballad | Popular in Latin music circles | Yes | Released in 2000 | Guitar, Piano, Drums | Known for its cultural impact in the Latin music scene. | Latin Grammy Nomination | C Major | Great for party scenes | Caribbean influence | Uplifting | Featured in popular TV show | 3:40 | Fast | 120-160 | |||||||||
91 | 49 | Juan Luis Guerra | Ojalá Que Llueva Café | 1989 | Digital | Energetic | Ballad | Top charts in Latin America | Yes | Released in 1989 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | ASCAP Award | C Major | Ideal for romantic scenes | Caribbean influence | Hopeful | Featured in popular TV show | 3:48 | Moderate | 80-120 | |||||||||
92 | 47 | Juan Luis Guerra | Fogaraté | 1994 | Digital | Nostalgic | Merengue | Popular in Latin music circles | Yes | Released in 1994 | Violin, Flute, Congas | Known for its cultural impact in the Latin music scene. | Billboard Music Award | G Major | Great for party scenes | Caribbean influence | Melancholic | Used in commercials | 3:46 | Fast | 120-160 | |||||||||
93 | 45 | Juan Luis Guerra | Archivo Digital 4.4 | 2007 | Digital | Upbeat | Ballad | Frequently played on radio | Yes | Released in 2007 | Guitar, Piano, Drums | Widely recognized for its unique rhythm and style. | No Awards | C Major | Suitable for reflective scenes | Caribbean influence | Dramatic | Featured in popular TV show | 3:44 | Slow | 60-80 | |||||||||
94 | 51 | Juan Luis Guerra | Bonus Tracks | 2010 | Digital | Romantic | Merengue | Frequently played on radio | Yes | Released in 2010 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | Latin Grammy Nomination | G Major | Suitable for reflective scenes | Caribbean influence | Uplifting | Used in commercials | 3:50 | Slow | 60-80 | |||||||||
95 | 53 | Juan Luis Guerra 4.40 | Romance Rosa | 1992 | Digital | Reflective | Ballad | Popular in Latin music circles | Yes | Released in 1992 | Guitar, Piano, Drums | Known for its cultural impact in the Latin music scene. | Premio Lo Nuestro Award | C Major | Great for party scenes | Caribbean influence | Celebratory | Featured in popular TV show | 3:52 | Fast | 120-160 | |||||||||
96 | 55 | Juan Luis Guerra 440 | Colección Romántica, Vol. 2 | 2001 | Digital | Upbeat | Merengue | Top charts in Latin America | Yes | Released in 2001 | Violin, Flute, Congas | A classic song that gained popularity in Latin America. | No Awards | G Major | Ideal for romantic scenes | Caribbean influence | Dramatic | Used in commercials | 3:54 | Moderate | 80-120 | |||||||||
97 | 57 | Juan Luis Guerra 440 | Mientras Más Lo Pienso….Tú | 1986 | Digital | Nostalgic | Ballad | Frequently played on radio | Yes | Released in 1986 | Guitar, Piano, Drums | Widely recognized for its unique rhythm and style. | Billboard Music Award | C Major | Suitable for reflective scenes | Caribbean influence | Melancholic | Featured in popular TV show | 3:56 | Slow | 60-80 | |||||||||
98 | 59 | July Mateo "Rasputin" | Rasputin | 2022 | Digital | Energetic | Merengue | Popular in Latin music circles | Yes | Released in 2022 | Violin, Flute, Congas | Known for its cultural impact in the Latin music scene. | ASCAP Award | G Major | Great for party scenes | Caribbean influence | Hopeful | Used in commercials | 3:58 | Fast | 120-160 | |||||||||
99 | 61 | Koqui Acosta | Calentando La Pista | 1986 | Digital | Romantic | Ballad | Top charts in Latin America | Yes | Released in 1986 | Guitar, Piano, Drums | A classic song that gained popularity in Latin America. | Latin Grammy Nomination | C Major | Ideal for romantic scenes | Caribbean influence | Uplifting | Featured in popular TV show | 3:30 | Moderate | 80-120 | |||||||||
100 | 63 | Las Chicas Del Can | Chicán | 1985 | Digital | Reflective | Merengue | Frequently played on radio | Yes | Released in 1985 | Violin, Flute, Congas | Widely recognized for its unique rhythm and style. | Premio Lo Nuestro Award | G Major | Suitable for reflective scenes | Caribbean influence | Celebratory | Used in commercials | 3:32 | Slow | 60-80 |