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1 | Band Directors: Please feel free to contribute! I ask that you do not delete other people's ideas. | |
2 | Being as specific as possible and focusing on PERFORMANCE SKILLS, please try to finish this sentence in the blanks below: | |
3 | "After 4 years of high school band, an AVERAGE student should be able to.... | |
4 | Type your responses below | |
5 | Play all 12 major scales from memory in eighth notes at 144, at least 1 octave. | |
6 | Percussion: play all rudiments at designated tempos (In Indiana, Solo/Ensemble has a list of rudiments and tempos at different levels) | |
7 | Percussion: Be able to play 2 mallet etude or solo by end of sophmore year | |
8 | Percussion: Be able to play 4 mallet etude or solo by end of senior year | |
9 | Percussion: Be able to identify all perfect, major, minor and tr-tone intervals within one octave by memory | |
10 | Percussion: Have basic skill and knowledge or proper bass drum, cymbal, triangle and tambourine technique | |
11 | Be able to count rhythms in 2/4 through 7/4 with rhythms including 16th notes and 16th rests | |
12 | Be able to count rhythms in compound time signatures from 3/8 through 12/8 with rhythms including 16th notes and 16th rests | |
13 | Be able to play all natural minor scales from memory, not timed | |
14 | Percussion: Be able to demonstrate difference between concert and rudimental snare drum rolls | |
15 | Percussion: Timpani: Be able to perform etude/ solo on 4 drums including at least 2 tuning changes | |
16 | Percussion: Drum set: Be able to demonstrate basic jazz, rock, and Bossa Nova styles including trading 4's | |
17 | Spell major scales verbally, ascending and descending | Wis |
18 | Be able to provide sharps and flats, in order, for any major key | Wis |
19 | Recognize major key signatures by providing the name of the major key, given a key signature | Wis |
20 | Produce printed rhythms verbally using a counting system in both quarter note based and eighth note based meters, minimum tempo of 60 | Wis |
21 | Replicate dictated rhythms in both quarter note and eighth note based meters, minimum tempo 60, using counting system and/or by writing out the rhythmic notation | Wis |
22 | Read/identify written notation fluently throughout the range of the instrument | Wis |
23 | Provide the minor key equivalent when provided with its major counterpart. | Wis |
24 | Demonstrate knowledge of all fingerings utilized throughout the range of the instrument | Wis |
25 | Recognize intervals aurally and visually within an octave by ear. Provide interval verbally when given the first note. | Wis |
26 | Discern whether one note is higher or lower than a reference note, within 30 cents | Wis |
27 | Demonstrate the ability to start a note with the tongue but release it without (wind players) | Wis |
28 | Single tongue a full measure of repeated 16th notes at q=116 (wind players) | Wis |
29 | Sustain a steady tone for 10 seconds with less then five cents of variation on the tuner throughout the range of the instrument (wind players) | Wis |
30 | Demonstrate the ability to slur 16th notes back and forth between two notes with the same fingering, q=86 | Wis |
31 | Verbally describe the physics behind how they and their instrument produce sound. | Wis |
32 | Give descriptions/translations for (agreed upon number) musical terms and be able to produce them on instrument. | Wis |
33 | Demonstrate the ability to clap/play quarter notes at a given tempo without more than 5% deviation in tempo for 30 seconds. | Wis |
34 | Be able to properly indentify an enharmonic equivalent for any provided note name | Wis |
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36 | Describe music that they are listening to using musical termanology outside of opinion concerning taste. | Farley |
37 | Audiate simple melodies of written music | Farley |
38 | Audiate with others simple 2 part harmonies | Farley |
39 | Understand and demonstrate perfect tuning in regards to other provided sounds | Farley |
A | B | C | D | E | F | G | |
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1 | TONE PRODUCTION | ||||||
2 | "After 4 years of high school band, an AVERAGE student should be able to.... | ||||||
3 | |||||||
4 | WOODWINDS | BRASS | PERCUSSION | ||||
5 | Understand the mechanics of breathing and support | Understand the mechanics of breathing and support | Understand drum resonance and apprpriate striking zones based on sound desired | ||||
6 | Know how to select and maintain reeds | Form a proper embouchure | Select the appropriate mallet for all instruments | ||||
7 | Form a proper embouchure | Utilize appropriate tongue placement | Tune drum heads | ||||
8 | Manipulate the embouchure for subtle intonation changes | Maintain an open throat | Utilize appropriate dampening techniques as required by the instrument | ||||
9 | Start, sustain and stop the sound consistently | Create centered focused tone in all registers | Use the appropriate grip for the instrument being played | ||||
10 | Use vibrato when appropriate | Use vibrato when appropriate | |||||
11 | Care for their instrument/ swab out | To slur with a degree of flexibility |
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1 | PITCH |
2 | "After 4 years of high school band, an AVERAGE student should be able to.... |
3 | |
4 | |
5 | Identify notes names in both treble and bass clef |
6 | Use the appropriate fingerings or sticking patterns across all ranges of the instrument |
7 | Understand the basic intonation tendencies of their instrument |
8 | Scales, Arpeggio stuff goes here |
9 | Intervals go here |
10 | Chord identification |
11 | Tuning of notes within chord structures |
12 | Intonation |
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1 | RHTYHM |
2 | "After 4 years of high school band, an AVERAGE student should be able to.... |
3 | |
4 | Count any rhythm in duple or compound time |
5 | Mark the big beats |
6 | Notate intermediate rhythms after hearing them - simple dictation |
7 | Understand how the beam in music defines the meter |
8 | Meter, I don't even know her |
9 | Identify how a single beat of time can be divided into several different combinations |
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1 | ARTICULATION |
2 | "After 4 years of high school band, an AVERAGE student should be able to.... |
3 | |
4 | |
5 | Demonstrate the different forms of articulation: Staccato, Marcato, Legato, Agogic Accents |
6 | Understand the components of articulation - Attack, decay , sustain and release |
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1 | PHRASING |
2 | "After 4 years of high school band, an AVERAGE student should be able to.... |
3 | |
4 | |
5 | Determine the beginning and ends of phrases |
6 | Identify the dynmaic shape required for specific phrases |
7 | Identify cadence points in music/ points of repose |
8 | Understand phrasing symbols on the page |
9 | Identify appropriate places to breath within phrases |
10 | Enhance musical meaning of a phrase through the use of tempo alterations - rubato, stringendo, ritardando, rallentando, etc. |
A | |
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1 | Ensemble Skills: |
2 | |
3 | "After 4 years of high school band, an AVERAGE student should be able to.... |
4 | |
5 | |
6 | Respond to non-verbal gestures from a conductor |
7 | Have advanced listening skills for: Intonation, balance, blend (neighboring players, section, ensemble) |
8 | Employ proper rehearsal technique: Posture, non-verbal body movement to convey phrase, cuttoffs, attack, etc |
9 | Mark parts effectively |
10 | |
11 | |
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17 | |
18 | PREPARATION: |
19 | Slow Practice |
20 | Metronome usage |
21 | Use of repetition |
22 | Identification of musical errors - chunking small sections |
23 | Sequencing Practice - Rhythm, Pitch, Articulation, Phrase, Time manipulation |
24 | Self Reflection: The ability to connect musical concepts to one's performance with the insight of how best to revise performance. |