| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | ... suddenly you realize | TIME | Storyboard | Script | Voiceover | Referense | |||||||||||||||||||||
2 | 1.1 | 00:00 — 00:03 | Milan of the future. Civil twilight has thickened over the city, in the distance a strange view of skyscrapers can be seen. The camera slowly drifts forward, capturing a cityscape, filled with futuristic buildings and neon signs ... " | ||||||||||||||||||||||||
3 | 1.2 | 00:03 — 00:05 | Suddenly, the camera rotates 180 degrees and begins to fall, sliding along a high-rise building while rapidly approaching the ground. Ahead (below) a road can be seen, along which we see the lone figure of a curly-haired girl riding a scooter outfitted with orbital wheels ... | The future | https://www.youtube.com/watch?v=AZP6w-p0AfI&feature=youtu.be | ||||||||||||||||||||||
4 | 1.3 | 00:05 — 00:11 | The camera comes out of a bend in the road a bend, and reducing the distance to UJET ONE, flies around it. Epic option: the camera goes through еру spokes of the wheel | Every day you feel it’s getting closer. | |||||||||||||||||||||||
5 | 2.1 — 2.4 | 00:11 — 00:14 | Intense fast cuts of close-ups of scooter parts during unpacking: A man's hands skillfully install the battery, snap mechanisms, press buttons, etc. | ||||||||||||||||||||||||
6 | 3 | 00:14 — 00:18 | POV: A man, sitting on a scooter, holds an iPhone in his hand with the UJET app turned on. After tapping on the screen, he nimbly throws the phone in the air, spinning it and then catches it, and then installs it into the handlebar smartphone mount. | It literally fits in your hand. | https://static.tildacdn.com/tild3266-6535-4463-b738-376462303535/ezgif-1-c6286747780e.gif | ||||||||||||||||||||||
7 | 4.1 — 4.6 | 00:18 — 00:22 | Cuts of hyperlapses with rotation around actors of different gender and skin color, sitting on a UJET ONE. The action takes place on the streets of Milan, Rotterdam and Berlin. *Edits of shots between cities. It take place in accordance with the angle and pose of the actors, as well as the positions of objects in the foreground: lampposts, people, etc. | Always around you. | https://www.youtube.com/watch?time_continue=16&v=s4WtcsBl4_o | ||||||||||||||||||||||
8 | 5.1 | *FULL CG: The camera turns 90 degrees, and we find ourselves inside a luminous tunnel consisting of UJET wheels. Having flown through it, we land on top of a hill, which, like an ocean wave, increases in size, as if gaining strength in order to collapse back down. | Sparks the imagination | https://www.youtube.com/watch?v=v0quIMORmlE&feature=youtu.be | |||||||||||||||||||||||
9 | 5.2 | The shot widens, and now the hands of the main character appear in the frame, holding on to the handlebar, where a dashboard with glowing lights can be seen. | |||||||||||||||||||||||||
10 | 5.3 | *FULL CG \ POV Gliding down the road, we observe how the neon city in front of us curls into a spiral, and the speedometer reading reaches its maximum ... Having accelerated to an incredible speed, we slide down from the mountain like a surfer, loop vertically and then again fall into the tunnel made of wheels. The shot narrows, and now we see flashes of neon lights and the rings of tunnel, at the end of which, a bridge flooded with daylight comes into view ... | |||||||||||||||||||||||||
11 | 6 | *Composite of transition from CG to live-action Upon leaving the tunnel, we ride onto an amazing cable bridge, we note a beautiful morning landscape... But suddenly, all space coils into a sphere, distorting itself into bizarre forms. The shot then changes into and reveals a girl riding on UJET ONE. | It is different. | https://youtu.be/7K6ShgGBDd8 | |||||||||||||||||||||||
12 | 7.1 — 7.6 | * Edits of beautiful, distorted spherical panoramas in motion, with different actors and different cities. At the end: The sphere unfolds into the familiar 16-9 frame ... | |||||||||||||||||||||||||
13 | 8 | A beautiful girl with unusual make-up and augmentations on her face, wearing a UJET helmet, raises her visor and looks in front of herself in surprise. *Ideal version: Girl fastens a cybernetic hand in place and raises her visor. The surrounding space begins to "breathe", the image expands as the camera moves forward. Effect: Vertigo From the mid-shot we reach the face of the character. | And when it's right next to you. | https://youtu.be/WmIgg0ffYwU | |||||||||||||||||||||||
14 | 9 | GOD VIEW: Scooter, view from the top, the composition is centered on the helmet of the girl character. The camera moves back (upwards) The girl raises her head. | |||||||||||||||||||||||||
15 | 10 | Match-cut by composition: Macro shot of the girl's eye, as the pupil expands. | Literally looks in your eyes | https://static.tildacdn.com/tild6335-6265-4263-a566-316239306364/ezgif-2-4973630774dc.gif | |||||||||||||||||||||||
16 | 11.1 — 11.6 | Moving hyperlapses \ Camera grip \ CLOSE UPS: Edits of different angles of scooter parts, in different European cities. | ... suddenly you realize | https://www.youtube.com/watch?v=i7vlZuU6oLU&feature=youtu.be | |||||||||||||||||||||||
17 | 12.1 — 12.3 | Edit: In the frame, a young man is sitting on a scooter in a city center. The camera rapidly approaches him. Match-cut: The forward movement continues, the composition remains the same in the frame, but the person and the city change. *During movement from wide shot to the close-up - different characters and cities. The scene ends on the face of a young man whose hair is strangely standing on end and to one side. | |||||||||||||||||||||||||
18 | 13 | The camera sharply zooms out in the style of old Chinese action-fighters and it is revealed that the young man is hanging on a lamppost in a strange pose. In the style of a professional freerunner, he jumps down, performing a roll and somersault. (The camera remains rotated 90 degrees to one side) | I want to be different | ||||||||||||||||||||||||
19 | 14 | Videogame camera style: A young man is riding at a high speed along the street. The image is bent into a half-sphere. We see a second UJET ONE, which is being driven by a girl. The shot becomes even wider, and now we see another girl on a scooter of a different color. The image turns into a sphere, turns inside out and returns to back normal again | I want to do something | https://www.youtube.com/watch?v=V_M3TGWKv3A&feature=youtu.be | |||||||||||||||||||||||
20 | 15.1 — 15.5 | Action \ Camera view from the back. Characters run forward with a battery on wheels in different cities: (Station with high-speed train, stone tunnel, luxurious shopping mall) *Possible cuts to parts of the battery on wheels. | |||||||||||||||||||||||||
21 | 16.1 — 16.3 | Intense/fast cuts: 1. A young man folds a scooter in half. 2. Slams TESLA trunk with a scooter inside of it and a cabin full of friends 3. The young man quickly accelerates and drives off the yacht to the pier | I will be open to new things. | ||||||||||||||||||||||||
22 | 17.1 — 17.6 | Edits in the style of Little Planet in different cities, with scooters on it, against the backdrop of spectacular city landscapes | I will observe | https://static.tildacdn.com/tild6665-3562-4866-b666-663237646131/ezgif-2-5b7686ff1ee1.gif | |||||||||||||||||||||||
23 | 18 | Cityscape / wide shot. CG Compositing A man sits on the roof and draws on an iPad, against the backdrop of a futuristic landscape. The camera moves smoothly upward, while simultaneously architectural objects "load" into the cityscape. Buildings appear out of nowhere using digital glitches | and create. | https://static.tildacdn.com/tild6239-3436-4364-a630-326464643462/ezgif-2-24553066cf4b.gif | |||||||||||||||||||||||
24 | 19.1 — 19.2 | Edits: 1. A young man impressively jumps onto a scooter with a backflip. 2. A girl dancing in light rays, turns the camera | Move. | https://static.tildacdn.com/tild3937-3634-4362-b634-663337663037/ezgif-2-7c2b7e749a7c.gif | |||||||||||||||||||||||
25 | 20.1 — 20.6 | Edits: The camera rotates at tremendous speeds around the characters while they ride scooters in different places. | A new journey begins here and now… | https://www.youtube.com/watch?v=TvGE9VQgQHE&feature=youtu.be | https://www.youtube.com/watch?time_continue=28&v=kcwrc1yDiVg | ||||||||||||||||||||||
26 | 21.1 | POV: The hands of a character (the man sitting on the roof) in a time-lapse, draw a hyper-realistic perspective of the city with a Ujet One going towards the camera. | https://media0.giphy.com/media/3FQEgUG3wPJnbJl0ju/200w.webp?cid=790b7611b309437de264136a24ce72d66b762f59f0d687de&rid=200w.webp | ||||||||||||||||||||||||
27 | 21.2 | POV: Holding an iPad with an image of a finished, photorealistic UJET ONE, the character moves his hands down to reveal exactly the same shot in reality. Scooter with a girl riding it, moves at great speed directly towards the character (to the camera). Instead of dodging out of the way, he boldly starts running towards the oncoming scooter. | Starting with myself | ||||||||||||||||||||||||
28 | 22 | Side view \ Slo-mo: A young man does a frontflip over a scooter with an iPad in his hands. Option: Scooter drives through the young man (he becomes translucent like a hologram) | and I'm ready to take risks. | ||||||||||||||||||||||||
29 | 23 | Close-up of a UJET performing a Stoppie. A girl jumps off of the scooter. A strange luminous heel (or sneaker) is visible through the wheel rim. The camera zooms in to the wheel, and now we can see the street. A glitch occurs, day changes to night, one street replaces the previous one ... | I’m more than taking a step to the future. | ||||||||||||||||||||||||
30 | 24 | The camera flies forward along a neon-filled street, and UJET ONE appears ahead, transforming/appearing part by part. | I am the future. | https://www.youtube.com/watch?v=bMIhNfvWhlE | https://www.youtube.com/watch?v=E86Hwy4PHTs&feature=youtu.be | ||||||||||||||||||||||
31 | 25 | PACKSHOT | UJET ONE | ||||||||||||||||||||||||
32 | |||||||||||||||||||||||||||
33 | |||||||||||||||||||||||||||
34 | |||||||||||||||||||||||||||
35 | |||||||||||||||||||||||||||
36 | |||||||||||||||||||||||||||
37 | |||||||||||||||||||||||||||
38 | |||||||||||||||||||||||||||
39 | |||||||||||||||||||||||||||
40 | |||||||||||||||||||||||||||
41 | |||||||||||||||||||||||||||
42 | |||||||||||||||||||||||||||
43 | |||||||||||||||||||||||||||
44 | |||||||||||||||||||||||||||
45 | |||||||||||||||||||||||||||
46 | |||||||||||||||||||||||||||
47 | |||||||||||||||||||||||||||
48 | |||||||||||||||||||||||||||
49 | |||||||||||||||||||||||||||
50 | |||||||||||||||||||||||||||
51 | |||||||||||||||||||||||||||
52 | |||||||||||||||||||||||||||
53 | |||||||||||||||||||||||||||
54 | |||||||||||||||||||||||||||
55 | |||||||||||||||||||||||||||
56 | |||||||||||||||||||||||||||
57 | |||||||||||||||||||||||||||
58 | |||||||||||||||||||||||||||
59 | |||||||||||||||||||||||||||
60 | |||||||||||||||||||||||||||
61 | |||||||||||||||||||||||||||
62 | |||||||||||||||||||||||||||
63 | |||||||||||||||||||||||||||
64 | |||||||||||||||||||||||||||
65 | |||||||||||||||||||||||||||
66 | |||||||||||||||||||||||||||
67 | |||||||||||||||||||||||||||
68 | |||||||||||||||||||||||||||
69 | |||||||||||||||||||||||||||
70 | |||||||||||||||||||||||||||
71 | |||||||||||||||||||||||||||
72 | |||||||||||||||||||||||||||
73 | |||||||||||||||||||||||||||
74 | |||||||||||||||||||||||||||
75 | |||||||||||||||||||||||||||
76 | |||||||||||||||||||||||||||
77 | |||||||||||||||||||||||||||
78 | |||||||||||||||||||||||||||
79 | |||||||||||||||||||||||||||
80 | |||||||||||||||||||||||||||
81 | |||||||||||||||||||||||||||
82 | |||||||||||||||||||||||||||
83 | |||||||||||||||||||||||||||
84 | |||||||||||||||||||||||||||
85 | |||||||||||||||||||||||||||
86 | |||||||||||||||||||||||||||
87 | |||||||||||||||||||||||||||
88 | |||||||||||||||||||||||||||
89 | |||||||||||||||||||||||||||
90 | |||||||||||||||||||||||||||
91 | |||||||||||||||||||||||||||
92 | |||||||||||||||||||||||||||
93 | |||||||||||||||||||||||||||
94 | |||||||||||||||||||||||||||
95 | |||||||||||||||||||||||||||
96 | |||||||||||||||||||||||||||
97 | |||||||||||||||||||||||||||
98 | |||||||||||||||||||||||||||
99 | |||||||||||||||||||||||||||
100 |