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1 | ID | Title | Performers | Composers | Content | Label | Keywords | Recorded | Released | Length | Recorders | Reviews | Comments | Medium | Cover_image | |||
2 | 1 | Harmonischer Gottesdienst. Ausgewählte Kantaten. <br>Vier Kantaten aus dem <i>Harmonischen Gottesdienst</i>. | <span style="text-decoration: underline;">Capella Fidicinia [Hans Grüss]<br>Gisela Burkhardt (soprano)<br>Heidi Riess (mezzosoprano)<br>Gothart Stier (bass)<br>Ekkehard Wagner (tenor)<br>Thekla Waldbaur and/or Reiner Gebauer ? (recorder)</span> | Georg Philipp Telemann | From <i>Harmonischer Gottes-dienst</i><br>Cantata 12, <em>Was ist mir doch das Rühmen nütze</em> TWV 1:1521<br>- <em>Wer bist du, Mensch</em> (Recitative)<br>- <em>Laß dir an meiner Gnade g'nügen</em> (Arioso)<br>- <em>Gottes Kraft erhebt die Schwachen</em> (Spiritoso)<br>Cantata 31, <em>Zischet nur, stechet, ihr feurigen Zungen</em> TWV 1:1732<br>- <em>Als dort der Jünger Schar</em> (Recitative)<br>- <em>Der Himmel ist nicht ohne Sterne</em> (Aria)<br>Cantata 57, <em>Locke nur, Erde, mit schmeichelndem Reize</em> TWV 1:1069 - soprano, recorder & bc (basso continuo)<br>- <em>Verstummet nur, verkehrte Lehrer</em> (Recitative)<br>- <em>Verlaß den Bau der ird'schen Hütte</em> (Aria)<br>Cantata 64, <em>am Michaelistage, Packe dich, gelähmter Drache</em><br>- <em>Der Helfer sei gelobt</em> (Recitative)<br>- <em>Hinweg, o höllisches Getümmel</em> (Aria) | Deutsche Schallplatten Eterna 827401, LP<br>Berlin Classics 0094472, CD | German baroque chamber vocal sacred cantata | 1979 and 1980, Paul-Gerhardt-Kirche, Leipzig (DE) | 1981<br>2001 | 48:52:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | LP CD | http://www.bielekat.info/index.php?DYNSID=65524594503&lang=en&action=moreinfo&keywordindex=~~Locke nur, Erde TV 1,1069 (Kantate Nr. 57 (a. Harmon. Gottesdienst))&id=42125 | |||||
3 | 2 | 6 Concerti da Camera. | <u>Ensemble Senario</u><br>Saskia Coolen (recorder)<br>Peter Frankenberg (oboe)<br>Johannes Leertouwer (violin)<br>Kees Koelmans (violin)<br>David Mings (bassoon)<br>Jacques Ogg (harpsichord)<br>Peter Rikkers (violone) | Antonio Vivaldi | Concerto in D major, RV 95 La Pastorella <br>Concerto in G minor, RV 105<br>Concerto in D major, RV 92<br>Concerto in D major, RV 94<br>Concerto in G minor, RV 103<br>Concerto in C major, RV 87 | Globe GLO 5119 | Italy (baroque chamber instrumental) blokfluit | 1994 (NL) | 1994 | 69:54 (53:52) | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.saskiacoolen.nl/userfiles/image/cover/_discotabel_cdtabel0009.jpg | |||||
4 | 3 | <p>7 Concerti for Woodwind & Strings.</p> | <p><span style="text-decoration: underline;">The English Concert</span> [Trevor Pinnock]<br>Peter Holtslag, Catherine Latham (recorders)<br>Paul Goodwin, Lorraine Wood (oboes)<br>Alberto Grazzi (bassoon)<br>Peter Hanson, Walter Reiter (violins)<br>Jane Coe, David Watkin (cellos)</p> | Antonio Vivaldi | <p>Concerto in G major - violin, 2 oboes, 2 recorders & strings<br>Concerto in C major - oboe<br>Concerto in F major - bassoon<br>Concerto in B♭ major - strings<br>Concerto in G minor - violin, 2 recorders & 2 oboes 'per l'orchestra di Dresda'<br>Concerto in C major - recorder, RV 444 - sopranino recorder & strings<br>Concerto in G major - 2 violins & 2 cellos <br>Concerto in G minor - strings, RV 156<br>Concerto in C major - oboe, RV 449<br>Concerto in F major - bassoon, RV 485<br>Concerto in B♭ major - strings, RV 166<br>Concerto in G minor - violin, 2 recorders & 2 oboes, 'per l'orchestra di Dresda', RV 577 <br>Concerto in C major - recorder, RV 444<br>Concerto in G major - 2 violins & 2 cellos, RV 575</p> | Archiv Produktion 445839 | Italy baroque chamber instrumental | 1995 (UK) | 1996 c | 59:11:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.iclassics.com/productDetail?contentId=2582 | |||||
5 | 4 | <p>12 sonate per due flauti dolci e bc, Vol. 1.<br>12 Sonatas for two recorders & bc, Vol. 1.</p> | <span style="text-decoration: underline;">Ensemble Festa Rustica</span> [Giorgio Matteoli] <br>Giorgio Matteoli (recorder)<br>Tommaso Rossi (recorder)<br>Claudio Frigerio (cello)<br>Maurizio Cavagnini (harpsichord) | Giuseppe Sammartini | Sonatas for 2 flutes/violins & bc 2, 5, 6, 7, 10, 11, 12<br>Sonata no. 2 in F major<br>Sonata no. 5 in F major<br>Sonata no. 6 in D minor<br>Sonata no. 7 in F major<br>Sonata no. 8 in F major<br>Sonata no. 10 in F major<br>Sonata no. 11 in F major<br>Sonata no. 12 in B♭ major | Agora Musica AG 020 (Baroque Way) World premiere | England baroque chamber instrumental | 25-26 June1995, Jungle Studios, Milano (IT) | 1996 | 63:16:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.earlymusic.it/cd.htm | |||||
6 | 5 | 12 sonate per due flauti dolci e bc, Vol. 2. <br>12 Sonatas for two recorders & bc, Vol. 2. | <span style="text-decoration: underline;">Ensemble Festa Rustica</span> [Giorgio Matteoli] <br>Giorgio Matteoli, Tommaso Rossi (recorders)<br>Daniela Nuzzoli, Paolo Cantamessa (violins) <br>Claudio Frigerio, Giorgio Matteoli (cello)<br>Maurizio Cavagnini, Walter Mammarella Giordano (harpsichord) | Giuseppe Sammartini | Sonata 1<br>Sonata 3<br>Sonata 4<br>Sonata 9<br>2 Trio-sonatas - 2 violins & bc:<br>• Sonata 2 in E major<br>• Sonata 1 in A major | Agora Musica AG 044 (Baroque Way) World premiere | England (baroque chamber instrumental) duo flauto dolce flauto diritto | 25-26 June 1995, Jungle Studios, Milano (IT) | 1996 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.earlymusic.it/cd.htm | ||||||
7 | 6 | Landini and his Time. <br>14th Century Italian Ars Nova. | <span style="text-decoration: underline;">Alba Musica Kyo</span><br>Toyohiko Satoh (lute)<br>Chiyomi Yamada (voice)<br>Taka Kitazato (shawm, recorder, dulcian)<br>Hiroshi Fukuzawa (vielle) | Anonymous<br>Jacopo da Bologna<br>Lorenzo da Firenze<br>Matteo da Perugia<br>Francesco Landini | Saltarello <br>Landini:<br>• <em>Gram piant' a gli occhi</em><br>• <em>Conviens' a fede</em><br>• <em>Donna, la mente mia</em><br>• <em>De! dinmi tu</em><br>• <em>S'i' ti son stato</em> (Landini)<br>Istampita, <i>Lamento di Tristano</i> <br>Saltarello <br>Bologna:<br>• <em>Vestisse la cornachia</em> <br>• <em>I'me sun un che</em><br><em>Sera quel zorno</em> (Perugia) <br>Estampie <br>Firenze:<br>• <em>A poste messe</em><br>• <em>Povero çappator</em><br>• <em>Non so qual i' mi volglia</em> <br>• <em>Come in sul fonte</em> | Channel Classics CCS 5793 | Italy (medieval vocal secular) rikoda | 7 - 9 September 1992, Renswoude (NL) | 1993 | 59:30:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.arkivmusic.com/classical/Name/Alba-Musica-Kyo-Ensemble/Ensemble/63879-4 | |||||
8 | 7 | 15 Solo Sonatas for Recorder, Flute or Violin & Continuo. | <span style="text-decoration: underline;">Ganassi Consort Köln</span><br>Cordula Breuer, Eberhard Zummach (recorders)<br>Christina Kyprianides (baroque cello, viol)<br>Joachim Vogelsanger (harpsichord)<br>also violin & flute | George Frideric Handel (Händel) | Sonata in G major, HWV 358 - recorder & bc<br>Sonata in G minor, HWV 360 - recorder & bc<br>Sonata in A minor, HWV 362 - recorder & bc<br>Sonata in C major, HWV 365 - recorder & bc<br>Sonata in F major, HWV 369 - recorder & bc<br>Sonata in B♭ major, HWV 377 - recorder & bc<br>Sonatas HWV 359a, HWV 361 & HWV 371 - violin & bc<br>Sonatas HWV 367b & HWV 378 - flute & bc<br>Sonatas HWV 357, HWV 363a & HWV 366 - oboe & bc<br>Sonata HWV 364b - viol & bc | Musikproduktion Dabringhaus und Grimm MDG 3421 - 3422, 2 CDs (Fono) | England baroque chamber instrumental | (DE) | 1994 | We would appreciate further details of this recording, namely Date Recorded, Length, Recorders Used, Reviews, Cover Image.<br><br>Sonata HWV 358, in G major was almost certainly intended for the violin: its third movement contains the passage b''' c''' d''' e'''', quite beyond the recorders of the day. | CD | |||||||
9 | 8 | 17th & 18th Century Chamber Music. | Pieter-Jan Belder (recorder, harpsichord)<br>René Schiffer (cello)<br>Herman Stinders (harpsichord) | Giovanni Battista Fontana<br>Girolamo Frescobaldi<br>Giovanni Bassano<br>Bartolomeo de Selma y Salaverde<br>Dario Castello<br>Jacques-Martin Hotteterre<br>Johann Sebastian Bach<br>Arcangelo Corelli | Sonata seconda (G.B. Fontana)<br>Toccata prima (Frescobaldi)<br>Anchor che col partire (G. Bassano)<br>Canzon seconda (Selma)<br>Canzon terza (Selma)<br>Sonata prima (Castello)<br>Suite: Allemande, La Cascade de St. Cloud, Sarabande, La Guimon (Hotteterre)<br>Suite: Courante, <em>L'indiferente</em>; Rondeau, <em>Le plaintif</em>; Menuet, <em>Le mignon</em>; <em>Gigue</em>, <em>L'Italienne</em> (Hotteterre)<br>Concerto in C major, BWV 1061a - 2 harpsichords, strings & bc (Bach)<br>Sonata Op. 5:12, <em>La Follia</em> (Corelli) | Erasmus Producties WVH 058 | France Germany Italy baroque chamber instrumental | November 1991, Lutherse Kerk, Breda (NL) | 1992 | Renaissance soprano & alto recorders after Ganassi, by Jacqueline Sorel<br>Voice-flute after Bressan, by Jacqueline Sorel | We would appreciate further details of this recording, namely Length, Reviews.<br>From owned CD. | CD | http://www.amazon.com/Baroque-17th-Century-Chamber-Music/dp/B000W7PSK8 | |||||
10 | 9 | A Little Consort Music. | <span style="text-decoration: underline;">Little Consort Amsterdam</span> [Walter van Hauwe]<br>Walter van Hauwe (recorder, flute)<br>Kees Boeke (recorder, viol)<br>Toyohiko Satoh (lute, theorbo) | Henry Purcell<br>Silvius Leopold Weiss<br>Jacques-Martin Hotteterre<br>Anonymous<br>Guilelmus Monachus<br>Vincenzo Capirola<br>Anonymous, Leipzig<br>Diego Ortiz<br>Giovanni Battista Fontana | <i>The prophetess, or the history of Dioclesian</i>: Chaconne - 2 voice-flutes (Purcell)<br>Suite in D: Passacaille - lute solo (Weiss)<br>Quatrième suite - flute, viol, theorbo (Hotteterre)<br>Istampita Aquila altera - recorder, lute<br>Bassa danza a 2 - recorder, lute (Guilelmus)<br>Bassa danza, <em>La Spagna</em> - lute, viol<br>Bassa Danza - recorder<br>Recercada tercera sobre el mismo<br><em>Felice occhi miei</em>, madrigal - viol, lute (Ortiz)<br>Recercada quinta - viol, lute (Ortiz)<br>Sonata decima - recorder, viol, lute (Fontana) | Etcetera ETC 1005<br>Etcetera KTC 1005 (XTC) | England Germany Italy Spain renaissance baaroque instrumental | (NL) | 1982<br>1991<br>2009 | 22:55, 19:28 (42:23) | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP CD | http://images.marketworks.com/fullView.asp?id=239530591&fc=0&img=http://images.marketworks.com/hi/62/62476/dcp33062.jpg | |||||
11 | 10 | Ah sweet lady. The romance of medieval France. <br>Chansons, ballades & virelais of Guillaume <br>de Machaut & anonymous compositions of the 13th C. | <span style="text-decoration: underline;">New York Pro Musica</span> [John White]<br>Sheila Schonbrun (soprano)<br>Elizabeth Humes (soprano)<br>Earnest Murphy (countertenor)<br>Ray DeVoll (tenor)<br>Arthur Burrows (baritone)<br>Anthony Tamburello (bass)<br>LaNoue Davenport (recorder, crumhorn, sackbut, viol)<br>Shelly Gruskin (flute, recorder, crumhorn, rauschpfeife, bagpipes)<br>Edward Smith (portative organ)<br>John White (harpsichord) | Guillaume de Machaut<br>Anonymous | 4 motets on <em>In seculum</em><br>• <em>Bien doit avoir joie</em><br>• <em>In seculum viellatoris</em><br>• <em>Hoquetus In Seculum, Je n'aimerai autre</em> (+ recorder)<br>• <em>In seculum</em> (Anonymous)<br><em>Quant je parti de m'amie - Tuo</em>, motet (+ recorder)<br><em>Flor de lis, rose espanie - Je ne puis - Douce dame</em>, motet<br><em>S'on me regarde - Prennés i garde - He! mi enfants</em>, motet (+ 2 recorders)<br><em>Crucifigat omnes</em>, conductus<br><em>De petit po</em>, ballade (Machaut)<br><em>Nes qu on porroit</em>, ballade (Machaut)<br><em>Sanz cuer m'en vois - Amis, dolens - Dame, par vous</em>, ballade (Machaut)<br><em>Quant je sui mis</em>, chanson (Machaut)<br><em>Je sui aussi</em>, ballade (+ recorder) (Machaut)<br><em>De Fortune me doy pleindre</em>, ballade (+ recorder) (Machaut)<br><em>De triste duer - Quant vrais amans - Certes, je di</em>, ballade (Machaut)<br><em>Pas de tor en thies pais</em>, ballade (+ recorder) (Machaut)<br><em>Se je souspir, virelai</em> (Machaut)<br><em>Douce dame jolie</em>, virelai (Machaut) | Decca DL 79431 (Gold Label) | France medieval vocal secular | (US) | 1967 | Dale Higbee, <i>American Recorder</i> 6(1): 25-26 (1969). | We would appreciate further details of this recording, namely Date Recorded, Length, Recorders Used. | LP | http://i303.photobucket.com/albums/nn149/SeaAuctions/records/r01/IMG_1059.jpg | |||||
12 | 11 | Alfred Deller Recital.<br>O ravishing delight. | Alfred Deller (countertenor)<br>David Munrow (recorder)<br>Richard Lee (recorder)<br>Desmond Dupré (lute, viol)<br>Robert Elliott (harpsichord) | Anonymous 17th-century English<br>John Dowland<br>Thomas Campion<br>John Bartlet<br>Philip Rosseter<br>Francis Pilkington<br>John Blow<br>Jeremiah Clarke<br>John Eccles<br>William Croft<br>Daniel Purcell | Miserere my maker<br>Shall I sue (Dowland)<br>I care not for these ladies (Campion)<br>Come heavy sleep (Dowland)<br>Of all the birds (Bartlet)<br>I saw my lady weep (Dowland)<br>Wilt thou unkind (Dowland)<br>The Cypress curtain (Campion)<br>What then is love (Rosseter)<br>Rest sweet Nymphs (Pilkington)<br>The fair lover & his black mistress (Bartlet)<br>The Self-Banished (Blow)<br>The glory of the Arcadian groves (Clarke)<br>O the mighty pow'r of love (J. Eccles)<br>In her brave offspring (Clarke)<br>My time, o ye Muses, was happily spent (Croft)<br>O Ravishing Delight (D. Purcell) | RCA VICS 1492<br>Harmonia Mundi 3078<br>Harmonia Mundi France HM 215<br>Harmonia Mundi HMC 90215<br>Harmonia Mundi Deller Recordings 215<br>Harmonia Mundi HMC 90215 | England baroque chamber vocal secular | 1970 All Saints Church, Boughton Aluph, Kent (UK) | 1970<br>1975 | 26:10, 24:26 (50:36) (66:10 CD) | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP MC CD | http://www.amazon.com/Alfred-Deller-Solo-Volumes-Records/dp/B003H1WO6C/ref=sr_1_3?s=music&ie=UTF8&qid=1351802208&sr=1-3&keywords=Alfred+Deller+Solo. | |||||
13 | 12 | Alte Musik im Linzer Schloß. | <span style="text-decoration: underline;">Amsterdam Loeki Stardust Quartet</span><br>Daniel Brüggen, Bertho Driever, Paul Leenhouts, <br>Karel van Steenhoven (recorders) | Henry Purcell<br>Ryohei Hirose<br>Giovanni Perluigi da Palestrina<br>Tielman Susato, ed<br>Bertho Driever<br>John Baldwine, ed<br>Karel van Steenhoven<br>Henry Mancini / Paul Leenhouts | Chacony, 1680 (Purcell)<br>Lamentation, 1975 (Hirose)<br>Lamentationes Hieremiae (Palestrina)<br>Pavane et Gaillarde sur 'La Bataille' (Susato)<br>Quartet 1, 1982 (Driever)<br>4 Vocum, 1603 (Baldwine)<br>Upon In Nomine, 1603 (Baldwine)<br>Stil Gevaar, 1982 (Steenhoven)<br>The Pink Panther, 1983 (Mancini, arr. Leenhouts) | Extempore Records AD 8501 <br>Alte Musik im Linzer Schloss, 1 | England Italy Japan Netherlands renaissance baroque instrumental chamber | 20 - 22 Nove. 1984, Schlossmuseum Linz / Donau (AT) | 1985 | 23:25, 18:18 (41:43) | From borrowed LP.<br>We would appreciate further details of this recording, namely Recorders Used, Reviews. | LP | http://www.loekistardust.nl/ALSQ/Discografie_files/droppedImage_16.jpg | |||||
14 | 13 | Altenglische Consortmusik. | <span style="text-decoration: underline;">Linde-Consort</span> [Hans-Martin Linde]<br>Hans-Martin Linde, Anna Wallin, Annegret <br>Schaub, Verena Zacher, Peter Jenne (recorders)<br>Herbert Hoever (violin)<br>Michael Jappe (viol)<br>Madeleine Jenny (cittern)<br>Philippe Meunier (pandora) | Thomas Morley<br>Nicholas Strogers<br>William Byrd<br>Richard Allison<br>Anthony Holborne<br>John Dowland<br>Robert Johnson<br>William Lawes<br>Giovanni Coperario (John Cooper)<br>Anonymous<br>Alfonso Ferrabosco II | In Nomine pavan - violin, recorder, viol, lute, cittern, pandora (Morley, Strogers)<br>My Lord of Oxenfords maske - violin, recorder, viol, lute, cittern, pandora (Byrd)<br>Goe from my window - violin, recorder, viol, lute, cittern, pandora (Allison)<br>Suite: Sedet sola - Galliard - Pavana ploravit - The fairie-round - 5 recorders, lute, viol (Holborne)<br>Galliard to Captaine Pipers Pavin - violin, recorder, viol, lute, cittern, pandora (Dowland, Morley)<br>Lacrimae pavin - violin, recorder, viol, lute, cittern, pandora (Dowland)<br>The Fairy Masque - recorder, violin, lute, viol (R. Johnson)<br>The Triumph of Peace - recorder, violin, lute, viol (W. Lawes)<br>Cuperaree or Grayes Inne - recorder, lute (Coperario)<br>The Squire's Masque - recorder, lute (Coperario)<br>The Batchelars delight - violin, recorder, viol, lute, cittern, pandora (Morley, Allison)<br>Michills Galliard - violin, recorder, viol, lute, cittern, pandora<br>The leaves be green (5 recorders)<br>Fantasia I II - recorder, violin, lute, viol (Ferrabosco II)<br>Balowe - violin, recorder, viol, lute, cittern, pandora (Morley attr.)<br>Sola Soletta - violin, recorder, viol, lute, cittern, pandora (Morley attr.) | EMI 063-30105 LP (Reflexe)<br>Odeon<br>EMI, 7243 8 26471-2 ?<br>EMI Classics. 7243-5-65625-2-3, (box of 6 CDs, nr 5 is this title) (724356563025 and 724356562523) | England renaissance consort instrumental | May 1971, Evangelische Kirche, Basel (CH) | 1972<br>1996 | 46:36:00 | Grand Prix du Disque | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP MC CD | http://konradragossnig.com/de/dis/lp11.htm | ||||
15 | 14 | Altenglische Volkslieder und Balladen. | Alfred Deller (countertenor)<br>Desmond Dupré (guitar)<br>John Sothcott (recorder) | Anonymous | Western wind<br>Early one morning (+ recorder)<br>Black is the colour<br>All the pretty little horses (+ recorder)<br>Lowlands (+ recorder)<br>The Sally Gardens Anonynous + Yeats)<br>Bendemeer's stream (Moore)<br>Annie Laurie (Douglas)<br>The miller of the Dee<br>Cockles & mussels (+ recorder)<br>Drink to me only (+ recorder) (Johnson)<br>The foggy foggy dew<br>Frog went a-courtin' (+ recorder)<br>The turtle dove (+ recorder)<br>Pretty Polly Oliver<br>The carrion crow<br>The wife of Usher's well<br>Henry Martin<br>I am a poor wayfaring stranger (settlers) | Vanguard VRS 1031, LP mono<br>Fontana TFL 6008 LP mono 1958<br>VSD 2014 SRV 73005, LP stereo 1958<br>Amadeo AVR 6162, LP mono 1958<br>Amadeo AVRS 12048 (Vanguard) | England renaissance vocal secular | 1958 Walthamstow Assembly Hall, London (UK) | 1958<br>1970 | 20:43, 20:24 (41:07) | We would appreciate further details of this recording, namely Recorders Used, Reviews. | LP | http://i17.ebayimg.com/04/i/000/a6/6c/19ac_1.JPG | |||||
16 | 15 | Melodie. Symfonie voor losse snaren. | <span style="text-decoration: underline;">Caecilia Consort</span> [Ed Spanjaard]<br>Frans Brüggen (recorder)<br>Louis Andriessen (piano) | Louis Andriessen | Melodie, 1972-1974 (recorder)<br>Symfonie voor losse snaren, 1978 | Attacca 8633-2 (Babel, LP)<br>Attacca Babel 9267 (CD) | Netherlands contemporary chamber instrumental | 1984, Concertgebouw Amsterdam, 1986, Veenendaal (NL) | 1986<br>1992 | 54:09:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP CD | http://www.bergmann.nl/webwinkel/index.php?action=article&aid=140925&group_id=10000327&lang=NL | |||||
17 | 16 | Anthology of Early Music, 1350-1475. | <u>Syntagma Musicum</u> [Kees Otten]<br>Will Kippersluis (contralto)<br>Marius van Altena (tenor, portative, crumhorn)<br>Barbara Miedema (clavichord, spinet, portative organ, recorder, crumhorn)<br>Kees Otten (recorder, gemshorn, crumhorn, cornetto)<br>Folly Collette (soprano)<br>Joannes Collette (positive organ, tenor fiddle)<br>Mary Macrow (descant fiddle)<br>Ben de Ligt (viol) | Anonymous<br>Francesco Landini<br>Gherardello da Firenze<br>Johannes de Lymburgia<br>Johannes Carmen<br>Guillaume Dufay<br>Guillaume Legrant<br>Jacques Vide<br>Oswald von Wolkenstein<br>Jan Moritoen<br>Conrad Paumann<br>Robert Morton | Contre le temps<br>Chançon tedescha<br>Tu, che il' oper' altrui (Landini)<br>Saltarello<br>Agnus Dei (da Firenze)<br>Salve Virgo (Lymburgia)<br>Pontifici decori speculi (Carmen)<br>Sequitur tercium inicium je loe mors<br>La belle se siet (Dufay)<br>Quel fronte signorille (Dufay)<br>Resvelons nous, resvelons amoureux (Dufay)<br>Wilhelmus Legrant (Legrant)<br>Or gentilz fillettes (Legrant)<br>Chanson (Vide)<br><br>Her wirt uns dürstet also sere (Wolkenstein)<br>Grasselick lif (Wolkenstein)<br>Myn hertze en can verbliden niet (Moritoen)<br>Het dunct mi wesen verre<br>Al eerbaerheit weinsch ic vortan<br>Ten is niet leden herde lanck<br>Die süsz nachtigall<br><i>Glogauer Liederbuch</i>:<br>• Der vöglein art<br>• Bruder Conrad<br>• Es suld eyn man<br>• Else, el se mundo<br>• Ich sachs eyns mals<br>• Czenner, greyner<br>Unnamed piece (Paumann)<br><i>Locheimer Liederbuch</i>:<br>• Der wald hat sich entlaubet<br>• Kan ich nicht überwerden<br>Alas, departygne is ground of woo<br>Unnamed piece (Morton)<br>Tappster, dryngker, fylle another ale.<br>[<i>Lochamer Liederbuch</i>] | EMI SAXH 9 (Columbia) (compilation of EMI 13726510 - 13726511) | Austria England France Germany Italy Netherlands (medieval vocal secular) (renaissance consort vocal secular) duo blokfluit | (NL) | 1968 | 16:40, 17:32 (34:12) | We would appreciate further details of this recording, namely Date Recorded, Recorders Used, Reviews.<br>From owned LP. | LP | http://www.ebay.com/itm/RARE-Dutch-only-Columbia-SAX-H9-ENSEMBLE-SYNTAGMA-MUSICUM-14th-15th-Cent-OTTEN-/400228645337 | |||||
18 | 17 | The Song of Ages. Anthology of Jewish Song. | <span style="text-decoration: underline;">The Haifa Players</span><br>Sylvia Schultz, aka Shifra (vocals, recorder) | Khazn Zavel Zilberts<br>Sholom Postolski<br>Jacob Weinberg<br>Avrom Goldfaden | Shabos Baym Shalosh Sudes <br>Bahar Bagal (On Hill, In Vale)<br>Naye Bulbes <br>Der Shmeterling Un Di Blum (Zilberts)<br>Dzhankoye <br>El Yivne Hagalil (Heb) <br>Eliyahu (Heb)<br>Ematay (When, Heb, Eng, Russian)<br>Hava Nagila (Nathanson)<br>Hine Ma Tov <br>Kuma Ekha <br>Mit A Nodl <br>Patshe Kikhelekh <br>Rakhelina (Ladino)<br>Reyita (Heb)<br>Rozhinkes Mit Mandlen (Goldfaden)<br>Tum Balalayke <br>Tumba (Instr) <br>Vi Azoy Kon Ikh Lustig Zayn <br>Yisroel Du Vest Lebn | Classic Editions CE 1036 | Germany Israel Russia traditional folk vocal | (US) | 1959 c. | We would appreciate further details of this recording, namely Date Recorded, Length, Recorders Used, Reviews. | LP | http://rateyourmusic.com/misc/link_image?album_id=169497&q=+Shifra+and+the+Haifa+Players+The+Song+of+Ages | ||||||
19 | 18 | Audite, silete. Bob, Frank en zussen. | Bob van Pottelberghe (voice, guitar)<br>Frank Claessens (voice, guitar, vielle, cornamuse, recorder)<br>Gina Claessens (voice, violin, shawm, recorder)<br>Annemie van Pottelberghe (voice, percussion)<br>Dirk Apers (tambourine, typewriter)<br>Philippe Lardinois (voice, guitar, recorder, percussion) | Anonymous<br>Walther von der Vogelweide<br>Giorgio Mainerio<br>Juan Escobar<br>Giovanni Giacomo Gastoldi<br>Guillaume Dufay<br>Tielman Susato, ed | Audite, silete (Praetorius)<br>Ik hoorde dees dagen<br>De Geusen zijn in Bomler Weerdt ghevallen<br>Kreuzfahrerlied (Vogelweide)<br>Schiarazulla Marazzula (Mainerio)<br>Las mis penas madres (Escobar)<br>Questa dolce sirena (Gastoldi)<br><br>Archibaldus van Oostzaen<br>Tourdion (Attaignant)<br>Conductus<br>De gespeelckens<br>Bon jour, bon mois (Dufay)<br>Ronde 3 (Susato)<br>O waerde mont<br>A Toy | Philips 6468050 | France Germany Italy Netherlands Spain (renaissance consort instrumental) (traditional folk vocal) blokfluit | (BE) | 1980 | 19:22, 19:13 (38:35) | We would appreciate further details of this recording, namely Date Recorded, Recorders Used, Reviews.<br>From owned LP. | LP CD | http://www.cdandlp.com/product/2/114707728/bob-frank-en-zussen-audite-silete.html | |||||
20 | 19 | Auslese 88. Die Flöte. | <span style="text-decoration: underline;">Concerto Köln</span><br>Martin Sandhoff (recorder)<br>Cordula Breuer (recorder)<br>Michael Niesemann, Eberhard Zumach (oboe)<br>David Mings (bassoon)<br>Werner Ehrhardt, Andrea Keller (violin)<br>Kammerorchester Karl Friedrich Emanuel Bach [Hartmut Haenchen]<br>Manfred Friedrich (flute)<br>Reinhart Vogel (harpsichord)<br><span style="text-decoration: underline;">Ungarische Nationalphilharmonie</span> [Ervin Lukacz]<br><span style="text-decoration: underline;">Budapest Strings</span> [Karoly Botvay] | Antonio Vivaldi<br>Friedrich der Grosse<br>Wolfgang Amadeus Mozart<br>Saverio Mercadante | Concerto in D minor, Op. 3:11 (RV 565) <br> - 2 recorders, 2 oboes, bassoon, 2 violins, strings & bc (Vivaldi)<br>Concerto in C major - flute, strings & bc (Friedrich II der Große) <br>Concerto for flute and orchestra No. 2 in D major, KV 314 (Mozart)<br>Concerto for Flöte und Orchester in E minor (Mercadante) | Capriccio G 88, LP digital, sampler compilation | Italy baroque chamber instrumental | (DE) | 1988 | 06:50 | We would appreciate further details of this recording, namely Recorders Used.<br>From owned LP. | LP | http://www.apesound.de/LP/Klassik/AUSLESE-88-FLOETENKONZERTE-LP-Friedrich-II-der-Grosse.html | |||||
21 | 20 | Flötenkonzerte des Barock.<br>Baroque Flute Concertos. | <span style="text-decoration: underline;">Kammerorchester Emil Seiler</span> [Wolfgang Hofmann]<br><span style="text-decoration: underline;">Norddeutsches Kammerorchester</span> [Mathieu Lange]<br><span style="text-decoration: underline;">Konzertgruppe der Schola Cantorum Basiliensis</span> [August Wenzinger]<br><span style="text-decoration: underline;">Festival Strings Lucerne</span> [Rudolf Baumgartner].<br>Hans-Martin Linde (recorder, flute)<br>Burghard Schaeffer (flute) | Antonio Vivaldi<br>Giovanni Battista Pergolesi<br>Jean-Marie Leclair<br>Robert Woodcock | Concerto in C major - sopranino recorder, strings & bc Op. 44:11 (P 79, RV 443) (Vivaldi) 10:15<br>Concerto in G major - flute, strings & bc (Pergolesi) 14:28<br>Concerto in C major - flute, strings & bc, Op. 7:3 (Leclair) 13:48<br>Concerto in E minor - flute, strings & bc (Woodcock) 7:26 | Deutsche Grammophon EPL 30658, EP 45 rpm (PV 79)<br>Deutsche Grammophon 135002 (Privilege) 1964<br>Deutsche Grammophon 2535 215 (Resonance), MC & CD compilation 1979<br>Archiv Produktion 3335 215, MC (Resonance), compilation | Italy (baroque chamber instrumental) blockflöte | (DE) (CH) | 1964<br>1968<br>1979<br>1994 | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP EP MC CD | http://www.cdandlp.com/item/2/0-1402-0-1-0/2956771442/hans-martin-linde-burghard-schaeffer-flotenkonzerte-des-barock.html | ||||||
22 | 21 | One Charming Night. <br>Countertenor Duette und Arien. <br>Instrumentalmusik. | Ralf Popken, Johannes Reichert (countertenors)<br>Irmelin Heiseke (viol)<br>Christoph Anselm Noll (harpsichord, organ)<br>Katja Beisch, Dorothee Oberlinger (recorders) | Henry Purcell<br>Tobias Hume<br>Christopher Simpson | Hark how the songsters, <i>Timon of Athens</i> Z 632<br>One charming night, <i>The fairy queen</i> Z 629<br>I attempt from love's sickness; Ah! How happy are we, <i>The Indian queen</i> Z 630<br>Let the fifes & the clarions<br>In vain the am'rous flute, Hail, bright Cecilia Z 328<br>Sefauchi's Farewell Z 656<br>Air Z 641<br>Saraband with Division Z 654<br>Minuet Z 688<br>See how the glitt'ring ruler - Hail, gracious Gloriana <i>Arise, my muse</i> Z 320<br>Music for a while, <i>Oedipus</i> Z 583<br>Suite 2 in G minor Z 661<br>Sweeter than roses, <i>Pausanias</i> Z 585<br>Elegy upon the Death of Queen Mary (O dive custos auriacae domus) Z 514<br>Sound the trumpet, from Come ye sons of art, away Z 323 (Purcell)<br>The Duke of Holstones Delight (Hume)<br>Loves Farewell (Hume)<br>Touch me lightly (Hume)<br>George's delight (Hume)<br>Prelude in E minor (C. Simpson)<br>Prelude in D major (C. Simpson) | Bayer Records BR 100299 | England renaissance vocal baroque chamber secular | 1997 (DE) | 1998 | 65:10:00 | We would appreciate further details of this recording namely Date Recorded, Recorders Used, Reviews. | CD | http://www.bayermusicgroup.de/en/label/bayerrecords/br100299.htm | |||||
23 | 22 | Telemann alla Polacca. | <span style="text-decoration: underline;">Rebel</span> [Jörg-Michael Schwarz]<br>Mathias Maute (flute, recorder)<br>Jörg-Michael Schwarz, Karin Marie Marmer (violin)<br>Risa Browder (viola)<br>John Moran (cello)<br>John Dornenburg (violone)<br>Dongsok Shin (harpsichord) | Georg Philip Telemann | Suite in E♭ major, TWV 55Es:2 - flûte pastourelle, strings & bc<br>Concerto in D major, TWV 51:D2 - flute, strings & bc<br>Concerto in B♭ major, TWV 43:B3 - strings & bc, Polonoise<br>Suite in A minor, TWV 55a:2 - recorder, strings & bc | Dorian DOR 90302 | Germany (baroque chamber instrumental) blockflöte recorder | April 2001, Troy Savings Bank Music Hall in Troy, NY (US) | 2002 | 73:02:00 | Includes a sixth-flute (soprano recorder in A) by Sverre Kolberg | Marianne Mezger, <i>Recorder Magazine</i> 23 (1): 19 (2003). | CD | http://www.rebelbaroque.com/discography.html | ||||
24 | 23 | The Electric Performer. | <u>The McLean Mix</u><br>Priscilla McLean (piano)<br>Barton McLean (recorder, clariflute)<br>David Burge (piano)<br>Gerald Farmer (clarinet)<br>Albert Regini (saxophone) | Priscilla McLean<br>Barton McLean | The Inner Universe (Priscilla McLean)<br>The Elecronic Performer for amplified prepared piano (Barton McLean)<br>Where the Wild Geese Go for clarinet, bottle drum & tabla (Priscilla McLean)<br>Dimensions II for piano & stereo tape (Barton McLean)<br>Dawn Chorus for soprano recorder & clariflute with digital processing and stereo tape (Barton McLean)<br>Dimensions III for alto saxophone with stereo tape (Barton McLean) | Capstone CPS-8637<br>Capstone CA 115 | USA jazz (electronics) recorder | 1974 - 1996 (US) | 1997 | 73:57:00 | clariflute (hybrid clarinet-recorder) | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.allmusic.com/album/the-electric-performer-mw0000915400 | ||||
25 | 24 | Rainforest Images. | <span style="text-decoration: underline;">The McLean Mix</span><br>Priscilla McClean, Barton McClean<br>(voice, violin, recorder, clarifoo, didgeridoo, <br>wolf howls, monkey cries, birdsong, <br>& ominous strained vocals, tape recordings <br>of Tibetan singers, synthesizers, sona, <br>bicycle, etc.) | Priscilla McLean<br>Barton McLean | Rainforest Images (48 minutes) <br>On Wings of Song (6 minutes)<br>Himalayan Fantasy (18 minutes) | Capstone CPS 8617 | New Zealand jazz electronics | (NZ) | 1993<br>1999 | 72:33:00 | Rodney Oakes (1995), <a href="http://members.aol.com/mcleanmix/Page15.html"><i>SEAMUS</i></a> 10(1). | We don't want to know anything else about this recording! | CD | http://www.discogs.com/viewimages?release=771854 | ||||
26 | 25 | Sonate für Blockflöte. | Stefanie Grundmann (recorder) | Elizabeth Austin | Sonata, for soprano recorder, 1991 14:45 | Staatliche Hochschule für Musik, Heidelberg-Mannheim MH 1092 | USA contemporary chamber instrumental | 1993 (DE) | 1993 | 14:45 | Available from the composer.<br>We would appreciate further details of this recording, namely Recorders Used, Reviews, Cover Image. | CD | ||||||
27 | 26 | Portraits in Music by Renaissance & Baroque Composers. | <span style="text-decoration: underline;">Praetorius Consort</span> [Christopher Ball]<br>Christopher Ball (recorder)<br>Dorothy Linell (lute)<br>Gerald Place (voice, woodwinds)<br>a reader, a.o. | King Henry VIII<br>Anonymous<br>Thomas Campian<br>John Dowland<br>John Bull<br>Giles Farnaby<br>Anthony Holborne<br>William Byrd<br>Erasmus Widmann<br>John Maynard<br>Georg Philipp Telemann | Anthony à Wood, Thomas Nashe, John Audley, William Shakespeare (readings)<br>Lady Richi (Anon.)<br>Jack and Jane (Campion)<br>Semper Dowland, semper dolens (Dowland)<br>My Selfe (Bull)<br>Giles Farnaby's Dream (Farnaby)<br>Bonny Sweet Robin <br>My Selfe (Holborne)<br>All looks be pale (Campion)<br>Wolsey's Wilde (Byrd)<br>Portraits in Music (1613) (Widmann)<br>. Sophia and Anna<br>. Helena<br>. Clara<br>. Regina<br>. Agatha<br>. Felicitas<br>. Euphrosina<br>. Catharina<br>. Magdalena, Margaretha, Christina, Ursula, Susanna and Maria<br>3 Songs from <i>12 Wonders of the World</i> (Maynard)<br>. The Bachelor<br>. The Married Man<br>. The Country Gentleman<br>Trio-Sonata in C - 2 recorders & bc (Telemann)<br> | Track Record CD 7738 (Dinmore)<br>Dinmore Records DRD 092 | England Germany baroque chamber instrumental | 2013 | 57:11:00 | We would appreciate further details of this recording, namely Performers, Date Recorded, Recorders Used, Reviews. | CD | http://www.christopherballcomposer.com/images/Portraits%20in%20Music.jpg | ||||||
28 | 27 | Popular Tunes through the Ages <br>from the 13th to the 20th Century. | <span style="text-decoration: underline;">Joyful Noyse</span><br>Christopher Ball, Paul Arden-Taylor, <br>Heather Wastie (recorders)<br>Elizabeth Wright<br>Alan Wilson<br>Malcom Peake<br>recorders, gemshorn, crumhorns, <br>shawm, dulcian, rauschpfeife, <br>nakers, great bass racket, <br>bombarde, cornamuse, psaltery, <br>rebec, fiddle, harpsichord, <br>celesta, flute, oboe, clarinet, <br>tin whistle, synthesizer | Humperdinck<br>Christopher Ball<br>Traditional<br>Thomas Morley<br>Anonymous<br>Arne<br>Arthur Wood | Dance from Hansel and Gretel (Humperdinck)<br>Thingummy-Jig (Ball)<br>Skye Boat Song<br>Italian Dancing Master<br>Star of the County Down<br>Country Gardens<br>Cherry Ripe (Hope)<br>It was a Lover and his Lass (Morley)<br>The British Grenadiers - Here's a Health<br>Greensleeves<br>The Ploughboy<br>Carol Medley<br>Under the Greenwood Tree (Arne)<br>Shenandoah<br>Four Elizabethan Pop Tunes<br>Barwick Green (Arthur Wood)<br>Four Bransles<br>Four More Bransles<br>Saltarello<br>English Estampie<br>5th Estampie<br>Buffens<br>2nd Estampie<br>Istampitta Tre Fontane<br>Istampitta<br>Schiarazula Marazula<br>4th Estampie<br>Saltarello <br>Saltarello Ungaresche | Track Records TR 7740 (Dinmore)<br>Dinmore DRD 094 | England France Germany renaissance instrumental | (UK) | 2001 ? | 69:57:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.dinmore-records.co.uk/catalogue/product/DRD%20094 | |||||
29 | 28 | The Great Mr Handel. | <span style="text-decoration: underline;">Carolina Baroque</span> [Dale Higbee]<br>Teresa Radomski (soprano)<br>John Pruett (violin)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Dale Higbee (recorder) | George Frideric Handel (Händel) | Antiphon <em>Haec est Regina virginum</em>, HWV 235<br><em>Coelestis dum spirat aura</em>, Motet for the Feast of St. Antony of Padua, BWV 231<br>Oratorio <em>Solomon</em>, HWV 67: Recit. & Aria: <em>Bless’d be the Lord. What though I trace each herb and flower</em><br>Sacred Concerto <em>Salve Regina</em>, HWV 241<br>Suite No. 3 in D minor - harpsichord, HWV 428: Presto<br>Trio-sonata in F major, Op. 2:4 HWV 389<br>Trio-sonata in G minor, Op. 2:6 HWV 391 | Carolina Baroque CB-101 | England baroque chamber instrumental vocal | 2 February 1998, Brendle Recital Hall, Scales Fine Arts Center, Wake Forest University, Winston-Salem, NC (US) | 1998 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/new%20html/discography.htm | ||||||
30 | 29 | Three Baroque Titans & a Minor Master. | <span style="text-decoration: underline;">Carolina Baroque</span> [Dale Higbee]<br>Teresa Radomski (soprano)<br>John Pruett (violin)<br>Doris Powers (violin)<br>Mary Frances Boyce (viola)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Dale Higbee (recorder) | Johann Sebastian Bach<br>George Frideric Handel (Händel)<br>Giuseppe Sammartini<br>Georg Philipp Telemann | Cantata <em>Süsser Trost, mein Jesus kommt</em>, BWV 151 (Bach)<br>Prelude in G major, BWV 902 - harpsichord (Bach)<br>Prelude in D major, BWV 936 - harpsichord (Bach)<br>Motetto <em>Silete venti</em>, HWV 242 (Handel)<br>Concerto in F major - recorder, strings & bc (Sammartini)<br>Suite in A minor, TWV 55:a2 - recorder, strings & bc (Telemann) | Carolina Baroque CB-102 ( 2 CDs) | England Germany baroque chamber instrumental | 22 March 1998, Chapel, St John’s Lutheran Church, Salisbury, NC (USA) | 1998 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/pages/617535/index.htm | ||||||
31 | 30 | Handel and his Contemporaries. | <span style="text-decoration: underline;">Carolina Baroque</span> [Dale Higbee]<br> Teresa Radomski (soprano)<br>John Pruett (violin)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Dale Higbee (recorder) | Karl Friedrich Abel<br>Thomas Arne<br>Giovanni Battista Bononcini<br>William Boyce<br>George Frideric Handel (Händel)<br>Johann Christoph Pepusch | Sonata no. 8 in A minor - harpsichord (Arne)<br>Song <em>Under the Greenwood Tree</em> (Arne)<br>Divertimento da Camera no. 6 in C minor - violin & bc (Bononcini)<br>Trio-sonata no. 2 in F major (Boyce)<br>Cantata <i>Donna, che in ciel di tanta luci splendi</i>, HWV 233: Arias | Carolina Baroque CB-103, 2 CDs | England baroque chamber instrumental vocal | November 15, 1998, Chapel, St. John’s Lutheran Church, Salisbury, NC (US) | 1998 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/new%20html/discography.htm | ||||||
32 | 31 | Music of the French Court & Chapel. | <u>Carolina Baroque</u><br> Teresa Radomski (soprano)<br>Richard Heard (tenor)<br>John Pruett (violin)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord, organ)<br>Dale Higbee (recorders)<br>period instruments | André Campra<br>François Couperin<br>Jean-Marie Leclair<br>Marin Marais<br>Jacques-Christophe Naudot<br>Jean-Philippe Rameau | Cantata Domine, Dominus noster (Psalm 8) (Campra)<br><br>Couperin:<br><i>Le Parnasse or L’Apothéose de Corelli</i><br>3me Leçon de Ténèbres<br>Motet for Easter Day<br><br>Trio-sonata in D minor, Op. 4:3 (Leclair)<br>Rondeau Allemande for viola da gamba & harpsichord from Book I (1686) (Marais)<br><i>Six Fêtes Rustiques</i>, Op. 8: Trio III: Gaiment (Naudot)<br><i>Nouvelles Suites de Pièces de Clavecin</i> (ca 1728): Fanfarinette (Rameau)<br>Opera <i>Castor et Pollux</i>, Act 4, Scene 1: Aria Séjour de l’éternelle paix (Rameau) | Carolina Baroque CB-104 | France (baroque chamber instrumental) recorder | February 7, 1999, Chapel, St. John’s Lutheran Church, Salisbury, NC (US) | 1999 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/pages/617535/index.htm | ||||||
33 | 32 | Solo, Double & Triple Concertos. | <u>Carolina Baroque</u> [Dale Higbee]<br>John Pruett (solo violin, viola)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Doris Powers, Sylvia Arnett (violin)<br>Mary Frances Boyce (viola)<br>Dale Higbee (recorders)<br>baroque instruments | Johann Sebastian Bach<br>Georg Philipp Telemann | Concerto in A minor BWV 1044 - harpsichord, recorder, violin & strings (Bach)<br>Concerto in C minor BWV 1060 - recorder, violin, strings & bc (Bach)<br>Concerto in G major - viola & strings (Telemann)<br>Concerto in A major, from <i>Musique de Table I</i> - recorder, violin, viol, strings & bc (Telemann) | Carolina Baroque CB-105, 2 CDs | Germany (baroque chamber instrumental) recorder | March 14, 1999, Chapel, St. John’s Lutheran Church, Salisbury, NC (US) | 1999 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/new%20html/discography.htm | ||||||
34 | 33 | Songs & Sonatas of Handel. | <u>Carolina Baroque</u> [Dale Higbee]<br>Teresa Radomski (soprano)<br>John Pruett (violin)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Dale Higbee (recorders)<br>period instruments | George Frideric Handel (Händel) | German Hymns<br>• Süsse Stille, saufte Quelle HWV 205<br>• Singe, Seele, Gott zum Priese HWV 206<br>• Meine Seele hört im Sehen HWV 207<br>• Die ihr aus dunklen Grüften HWV 208<br>• In der angenehmen Büschen HWV 208<br>• Flammende Rose, Zierde der Erden HWV 210<br><br>Trio-sonata in G major Op. 2:2 (HWV 387)<br>Trio-sonata in D major Op. 5:2 (HWV 397)<br>Trio-sonata in C major, from <i>Saul</i><br>Suite in F major HWV 427 - harpsichord, HWV 427<br>Capriccio in F major HWV 481 - harpsichord | Carolina Baroque CB-107 | England (baroque chamber instrumental) recorder | November 26, 2000, Chapel, St. John’s Lutheran Church, Salisbury, NC (US) | 2000 ? | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/new%20html/discography.htm | ||||||
35 | 34 | Bach and his Peers. | <u>Carolina Baroque</u> [Dale Higbee]<br>Dale Higbee (recorders)<br>Teresa Radomski (soprano)<br>Daniel Hannemann (harpsichord)<br>John Pruett (violin)<br>Holly Maurer (viol)<br>period instruments | Johann Sebastian Bach<br>Dietrich Buxtehude<br>George Frideric Handel (Händel)<br>Johann Pachelbel<br>Georg Philipp Telemann | Bach:<br>Cantata BWV 152 Tritt auf die Glaubensbahn: Aria, Stein, der über alle Schätze<br>Sonata in E major for violin & harpsichord, BWV 1016: Adagio, Allegro<br>Sonata in G major for harpsichord & viol, BWV 1027: Adagio, Allegro moderato<br><br>Cantata, Singet dem Herrn ein Neues Lied (Buxtehude)<br><br>Handel:<br>Oratorio <i>Semele</i>, HWV 58: Air, Where’er you walk<br>Oratorio <i>Theodora</i>, HWV 68: Air, Bane of virtue<br><br>Ciacona in D major for harpsichord (Pachelbel)<br><br>Telemann:<br>Trio-sonata in E major for recorder, violin & bc, TWV 42: E4<br>Trio-sonata in F major for recorder, viola & bc, TWV 42: F3 | Carolina Baroque CB-108 | Germany (baroque chamber instrumental) (cantata) recorder | 2001, White Sound Studio (US) or January 21, 2001, Chapel, St. John’s Lutheran Church, Salisbury, NC | 2001 | 58:34:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/pages/617535/page617535.html?refresh=1128797851895 | |||||
36 | 35 | Cantatas & Concertos. | <u>Carolina Baroque</u><br>Teresa Radomski (soprano)<br>John Pruett (solo violin, solo viola)<br>Doris Powers (violin)<br>Mary Frances Boyce (viola)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Dale Higbee (recorders)<br>period instruments | Johann Sebastian Bach | Cantata Ich bin vernügt mit meinem Glücke, BWV 84<br>Cantata Herr, gehe nicht ins Gericht mit deinem Knecht, BWV 105: Aria Kann ich nur Jesum mit zum Freunde machen<br>Cantata Mein Herze schwimmt im Blut, BWV 199<br>Concerto in A major for recorder, strings & bc, BWV 1055a<br>Brandenburg Concerto No. 5 in D major BWV 1050 for harpsichord, recorder, violin & strings, arr. | Carolina Baroque CB-109, 2 CDs | Germany (baroque chamber instrumental) recorder | March 25, 2001, Chapel, St. John’s Lutheran Church, Salisbury, NC (US) | 2001 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.carolinabaroque.org/new%20html/discography.htm | ||||||
37 | 36 | Viva Voce! Two Mini-Operas. | <u>Carolina Baroque</u> [Dale Higbee]<br>Dale Higbee (recorder)<br>John Pruett, Mary Frances Boyce (violin)<br>Doris Powers (viola)<br>Holly Maurer (viol)<br>Daniel Hannemann (harpsichord)<br>Teresa Radomski (soprano)<br>Richard Heard (tenor)<br>John Williams (baritone) | George Frideric Handel (Händel) | <i>Acis & Galatea</i> HWV 49a (abridged)<br><i>Apollo e Daphne</i> HWV 122 | Carolina Baroque CB-111, 2 CDs | England (baroque chamber vocal secular) recorder | 2002 US | 2002 | 45:27 & 45:39 | John W. Lambert, <a href='http://www.carolinabaroque.org/page617535.htm'>Online Classical Music Journal for Central North Carolina</a>, May 2002. | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.gfhandel.org/images/gfhcd/vivavoce.jpg | ||||
38 | 37 | <i>Recorder Recital.</i> | Tosiya Suzuki (recorder)<br>Mayumi Miyata (sho) | Brian Ferneyhough<br>Toshio Hosokawa<br>Luciano Berio<br>Hitoshi Nakamura<br>Luca Cori<br>Hiroyuki Itoh | Carceri d'Invenzione IIb, for solo recorder (Ferneyhough)<br>Birds Fragments IIb, for sho, great bass recorder & soprano recorder (Hosokawa)<br>Gesti for solo recorder, 1966 (Berio)<br>Drawing, for bass recorder (Nakamura)<br>D from Cage d'Escalier, for two soprano recorders (Cori)<br>Movement, for bass recorder (Nakamura)<br>Vertical Song Ib, for solo recorder (Toshio Hosokawa)<br>Salamander II, for soprano recorder (Itoh)<br>Locus Solus, for great bass recorder (Cori) | MusicScape MS CD 0006 | England Germany Italy Japan (contemporary chamber instrumental) solo rikoda | June, September 1998, Chichibu Muse Park (JP) | 2002 | Musik & Asthetik Interpretationspreis 2003 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews. | CD | http://www.musicscape.co.jp/cd/mscd0006.html | |||||
39 | 38 | Concerti per flauti. | <u>Capella Clementina</u> [Helmut Müller-Brühl]<br>Konrad Hünteler (flute)<br>Conrad Steinmann (recorder)<br>Hans Peter Westermann (oboe)<br>Rainer Kussmaul, Josef Niessen, Hajo Bäss,<br>Mihoko Junghänel (violin)<br>Wilfried Engel (viol)<br>Philipp Bosbach (cello)<br>Klauf Körfer (double bass)<br>Roswitha Trimborn (harpsichord) | Georg Philipp Telemann<br>Johann Friedrich Fasch<br>Johann Sebastian Bach<br>Carl Philipp Emanuel Bach | Concerto in E minor - recorder, flute, strings & bc (Telemann)<br>Concerto in E minor - flute, strings & bc (Fasch)<br>Brandenburg Concerto 2 in F major BWV 1047 - trumpet, recorder, oboe, violin, strings & bc (Bach)<br>Concerto in G major - flute, strings & bc (C.P.E. Bach) | Philips 9502083 (Living Baroque)<br>Philips 7313083 (Lebendiges Barock) | Germany (baroque chamber instrumental) blockflöte | Zürich (CH) | 1982 | We would appreciate further details of this recording, namely Date Recorded, Length, Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP MC | |||||||
40 | 39 | Muziek voor kerk en kroeg. Hof en straat, <br>liefde en lust, krijg en vrede tussen 1350 en 1500.<br>Musik für Kirche und Kneipe.<br>Musique d'église et de taverne du Moyen-âge à la Renaissance. | Musica Reservata [Michael Morrow, John Beckett]<br>Jantina Noorman (mezzosoprano)<br>Simon Woolf (boy soprano)<br>Grayston Burgess, John Withworth (countertenor)<br>Nigel Rogers, Edgar Fleet (tenor)<br>John Frost (bass)<br>John Sothcott (recorder)<br>David Munrow (shawm)<br>Tess Miller (crumhorn)<br>Don Smithers (cornet)<br>Bernard Thomas (rauschpfeife)<br>Alan Lumsden, Tony Moore (sackbut)<br>Ruth David, Daphne Webb (rebec)<br>Desmond Dupré (rebec, viol)<br>Adam Skeaping (rebec, viol)<br>Michael Morrow, James Tyler (lute)<br>Ann Griffiths (harp)<br>John Beckett (organ, drum)<br>Jeremy Montague (drum) | Anonymous<br>Antonio de Cabezon<br>Francisco de la Torre<br>Juan del Encina<br>Jean Vaillant<br>Ghirardello da Firenze<br>Robert Morton | Pasa el agoa 2:10<br>Sobre el canto llano de 'La Alta' (Cabezon) 1:34<br>Danza alta (Torre) 1:18<br>Cucu cucu cucucu (Encina) 1:13<br>Tuba gallicalis 1:07<br>Par maintes foys ay oy - recorder (Vaillant) 2:26<br>Estampie 4:27<br>Tappster, fyll another ale 1:29<br>Dale, si le das 2:35<br><br>Ghaetta 3:40<br>Tosto che l'alba (Ghirardello) 2:03<br>Tre fontane 4:22<br>Deo gracias Anglia 4:30<br>La Spagna 1:25<br>Le souvenir de vous (Morton) 2:05<br>L'homme armé<br>L'homme armé (Mouton) {1:35 | Philips 6833 046, Netherlands<br>Philips 6570 043, France<br>cf. 839753 LY | England France Italy Spain (medieval instrumental) (renaissance consort instrumental) recorder | 1973 (UK) | 1973, 1978 | 18:19, 19:40 (37:59) | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP | http://avaxhome.ws/hraphile/vinyl/Reservata_Muziek_LP.html | |||||
41 | 40 | The pleasures of the court. <br>Renaissance dance music by Susato & Morley. | The Early Music Consort of London [David Munrow]<br>Don Smithers (cornet)<br>Rober Brenner (cornet, sackbut)<br>Peter Goodwin, Colin Sheen, Martin Nicholls (sackbut)<br>David Munrow (recorder, dulcian, racket, crumhorn)<br>John Turner, David Pugsley (recorder)<br>Philip Pickett (recorder, crumhorn)<br>James Tyler (crumhorn, viol)<br>Oliver Brookes (crumhorn, viol, violone)<br>Simon Standage (violin)<br>Eleanor Sloan (vielle)<br>Christopher Hogwood (regal, harpsichord)<br>David Corkhill, John Donaldson (percussion).<br>Morley Consort [David Munrow].<br>David Munrow (recorder)<br>Dennis Nesbitt, Jane Ryan (viol)<br>Desmond Dupré (lute)<br>Ian Harwood (cittern)<br>Robert Spencer (pandora, lute) | Tielman Susato, ed<br>Thomas Morley<br>Wiliam Byrd<br>John Dowland<br>Richard Nicholson | Susato:<br>La mourisque<br>Branle<br>Quatre Bransles<br>Ronde en salterelle<br>Ronde 'Mon Amy'<br>Allemaigne en recoupe<br>Pavane 'Mille Regretz'<br>Basse dance 'Bergerette sans Roch' et reprise ('Bergerette Saint-Roch')<br>Danse du roy<br>Ronde<br>Passe et Medio en reprise<br>Le Pingue<br>Ronde<br>Pavane 'La Bataille'<br><br>Morley, <i>The First Booke of Consort Lessons</i>, 1599:<br>Mounsier's almain (Byrd)<br>Lachrimae pavan (Dowland)<br>Michill's galliard<br>My Lord Chamberlain's galliard (Dowland)<br>The Jew's dance (Nicholson)<br>Captaine Piper's pavan & galliard (Dowland)<br>My Lord Oxenford's maske (Byrd)<br>Lavolto, La coranto (Morley) | EMI HQS 1249 LP (= two renaissance dance bands)<br>Angel SFO 36851, LP & MC (English)<br>Bovema 047-04849 (Dutch) | Belgium England (renaissance consort instrumental) (dance) duo recorder | January - February 1971, All Saint's Church, Tooting, London (UK) | 1971, 1976 | 51:00:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP MC | ||||||
42 | 41 | Munrow & Marriner. Telemann: Suite a moll. Sammartini: Konzert F dur. Handel: Konzert B dur.<br>Perles du Baroque: Werken voor blokfluit en strijkorkest. | <u>Academy of St Martin-in-the-Fields</u> [Neville Marriner]<br>David Munrow (soprano recorder, alto recorder)<br>Christopher Hogwood (harpsichord)<br>Kenneth Heath (cello)<br>Carmel Kaine (solo violin) | Georg Philipp Telemann<br>Giuseppe Sammartini<br>George Frideric Handel (Händel) | Suite in A minor, TWV 55:a2 - treble recorder, strings & bc (Telemann)<br><br>Concerto in F major - soprano recorder, strings & bc (G.F. Sammartini)<br>Concerto in B♭ major - treble recorder, strings & bc (reconstr. from Op. 4:6 by Hogwood) - recorder, strings & bc (Handel) | EMI S 37019, 1974 (Classics)<br>HMV ASD 3028 <br>Angel S 37019<br>EMI 063-02441, 1976 (2 sleeves) (Bovema)<br>EMI 045-102441 LP (Creme de la Creme, Dutch)<br>EMI 245-1024414 MC<br>Internationaal Concertpodium, deel II (Handel) sampler for 15 LPs, EP 33 rpm<br>EMI 037-02813 sampler: Menuets 1 & 2, from Suite in A minor (Telemann) | England Germany (baroque chamber instrumental) recorder | 1974 (UK) | 1974, 1976 | 23:10, 12:52, 11:12 | We would appreciate further details of this recording, namely Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP EP CD | ||||||
43 | 42 | The Amorous Flute. | David Munrow (recorder, flageolet)<br>Oliver Brookes (viol, cello)<br>Robert Spencer (theorbo, guitar)<br>Christopher Hogwood (harpsichord) | Charles Dieupart<br>Daniel Purcell<br>Nicola Matteis<br>Andrew Parcham<br>George Frideric Handel (Händel)<br>Johann Christopher Pepusch<br>Henry Purcell<br>Marc'Antonio Ziani<br>William Croft & Anonymous | Faronell's Ground, from <i>The Division Flute</i> - recorder, viol & harpsichord<br>Sarabande, Gavotte, Menuet & Rondeau (Dieupart) - tenor recorder & theorbo<br><br>Six tunes for the Instruction of singing-birds, from <i>The Bird Fancyer's Delight</i> - flageolet<br>• Tune for the Starling<br>• Tune for the Woodlark<br>• Tune for the Canary-bird<br>• Tune for the Garden Bullfinch<br>• Tune for the East India Nightingale<br>• Tune for the Starling<br><br>Sonata in D major (D. Purcell) - recorder, viol & harpsichord<br>Ground after the Scotch Humour (Matteis) - fourth-flute, cello & guitar<br>Solo in G major (Parcham) - recorder, viol & harpsichord<br>Sonata in F major, Op. 1:11 (HWV 369) - recorder & bc (Handel)<br><br>Four Unaccompanied Preludes:<br>• Prelude by Mr Pepusch - fourth-flute<br>• Prelude by Mr Henry Purcell - recorder (Purcell)<br>• Prelude by Mr Pepusch - recorder<br>• Prelude by Mr Ziani - recorder<br><br>Sonata in G major (Croft & Anonymous) - recorder, viol & theorbo | Argo ZRG 746 (Decca)<br>Virgin Veritas 7243612842<br>Decca 440079 | England France (baroque chamber instrumental) solo recorder flageolet | 1973 (UK) | 1974, 1994, 1996 | 44:18:00 | Tenor by Thomas Stanesby (Collection Walter Bergmann)<br>Alto by Pierre Jaillard Bressan (Collection Edgar Hunt)<br>Fourth-flute by Bressan (Collection Edgar Hunt)<br>Flageolet (ca 1800) | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP CD | |||||
44 | 43 | Brandenburgisches Konzert 2.<br>[Brandenburg Concerto 2.] | <u>Das Heidelberger Kammerorchester</u> [Justus von Websky]<br>Karsten Behrmann (recorder) | Johann Sebastian Bach | Brandenburg Concerto 2 in F major BWV 1047 - trumpet, recorder, oboe, violin, strings & bc | Da Camera SM 91008, EP 45 rpm | Germany (baroque orchestral instrumental) blockflöte | (DE) | 1966 | We would appreciate further details of this recording, namely Performers, Date recorded, Length, Recorders Used, Reviews, Cover Image.<br>From owned EP. | EP | |||||||
45 | 44 | Vier Sonaten gespielt im Tempo ihrer Zeit. | Richard Erig (oboe, recorder)<br>Jean-Claude Zehnder (cello)<br>Felix Jenny (harpsichord) | George Frideric Handel (Händel) | Sonata in B♭ major - oboe & bc<br>Sonata in F major Op. 1:11 (HWV 369) - recorder & bc<br>Sonata in C minor Op. 1:8 (HWV 366) - oboe & bc<br>Sonata in F major HWV 363a - oboe & bc | Swiss Pan 10025 | England (baroque chamber instrumental) blockflöte | 1983 Kirche Rothenfluth, Baselland (CH) | 1984 | 20:33, 21:35 (42:08) | Alto recorder by Martin Skowroneck after Bressan (1720) | We would appreciate further details of this recording, Reviews, Cover Image.<br>From owned LP. | LP | |||||
46 | 45 | Quatre Concertos pour flûte à bec. Vier Blockflötenkonzerte. Four Recorder Concertos.<br>Recorder Concertos. | <u>Ensemble Instrumental de France</u> [Jean-Pierre Wallez]<br>Manfred Stilz (recorder)<br>Jean-Pierre Wallez (violin)<br>Christian Crenne (violin)<br>Jean-Pierre Laroque (bassoon)<br>other musicians may be:<br>Alain Moglia, Patrick Diaz-Pelas, Nicolas Risler (violin)<br>Christian Normand, Claude Naveau (viola)<br>Roland Pidoux, Frankie Dariel (cello)<br>Sylvain Wiener (bass)<br>Martine Roche (harpsichord)<br>from Musidisc 30 RC 609 (MU 209) (Vivaldi, 4 Saisons) | Antonio Vivaldi | Concerto in A minor - piccolo recorder, strings & bc<br>Concerto in D major - recorder, violin, bassoon<br>Concerto in A minor - recorder, 2 violins & bc (P 77)<br>Concerto in C major Op. 44:11 (RV 443, P 79) - sopranino recorder, strings & harpsichord | Bellaphon BD 27302 (Aristocrate Meistersolisten-Serie)<br>IPG 7489<br>PG 7489<br>Award AWCD 28905 | Italy (baroque chamber instrumental) flûte à bec | 1977, Eglise Luthérienne Saint-Jean, Paris (FR) | 1977, 1991 | 22:53, 19:13 (42:06), 42:12 | Brazilian rosewood sopranino by Ulf Roessler, after Johann Wilhelm Oberlender, c. 1710, Nürnberg (fast parts)<br>boxwood recorder by Thomas & Andreas Küng, Suisse, after Denner, c 1720 (slow parts)<br>boxwood and ivory alto recorder by Dolmetsch, after Denner | A copy of the Ipg release was offered for sale on eBay (May 2008)<br>We would appreciate further details of this recording, namely Reviews.<br>From owned LP. | LP CD | http://i21.ebayimg.com/08/i/000/ea/70/28b5_1.JPG | ||||
47 | 46 | Recorder Concertos. Blockflötenkonzerte.<br>Recorder Concertos. Blockflötenkonzerte. Concertos pour flûte à bec. | <u>Academy of St. Martin-in-the-Fields</u> [Iona Brown]<br>Michala Petri (recorder) | Antonio Vivaldi<br>Giuseppe Sammartini<br>Georg Philipp Telemann<br>George Frideric Handel (Händel) | Concerto in C major RV 443 (P 79) - sopranino recorder (Vivaldi)<br>Concerto in F major - soprano recorder (G.F. Sammartini)<br><br>Concerto in C major - alto recorder (Telemann)<br>Concerto in F major - alto recorder (Handel) | Philips 950071-4 (LP)<br>Philips 400075 (LP)<br>Philips 7300808 (MC)<br>Philips 400075-2 CD<br>Platen 10-Daagse 198417 (LP & MC) | England Germany Italy (baroque chamber instrumental) blokfløjte | 1979 (UK) | 1980, 1984 | 45:00:00 | We would appreciate further details of this recording, namely Performers, Recorders Used, Reviews.<br>From owned LP. | LP MC CD | http://www.ebay.com/itm/PETRI-BROWN-vivaldi-sammartine-telemann-LP-HOLLAND-/350304808595?pt=Music_on_Vinyl&hash=item518fcb2e93 | |||||
48 | 47 | Concerti per Flauto. | Dorothee Oberlinger (recorder)<br><u>Ornamente 99</u><br>Anton Steck, Christoph Mayer (violin)<br>Jane Oldham (viola)<br>Lorenzo Alpert (bassoon)<br>Olaf Reimers (cello)<br>Jörg Meder (violone)<br>Alexander Puliaev (harpsichord, organ)<br>Thomas Boysen (guitar, lute) | Antonio Vivaldi | Concerto for piccolo in A minor, RV 445<br>Concerto for recorder in C minor, RV 441<br>Chamber Concerto for recorder, violin and Bassoon in D major, F 12:7, RV 92<br>Trio-sonata for flute, violin & bc in D major, F 12:43, RV 84<br>Concerto for flute in D major, Op. 10:3 (RV 428) Il Gardellino<br>Trio-sonata for recorder, bassoon & bc in A minor, F 15:1 (RV 86)<br>Concerto for violin in G major, RV 312 | Marc Aurel Edition MA 20015 | Italy (baroque chamber instrumental) solo blockflöte | May 2001, Church of Honrath (DE) | 2002 | 68:55:00 | <i>Crescendo</i> 2, April/May (2002); Adam J. Dopadlik, <i>Recorder Magazine</i> 22(2): 73 (2002). | World Premiere Recording of the Concerto in G major RV 312R.<br><br>We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.aurel.de/images/ma20015.jpg | ||||
49 | 48 | Peripheries. | Dorothee Oberlinger (recorder)<br>Maria Jonas (chifonie)<br>Stephan Rath (archlute)<br>Elisabeth Wand (cello)<br>Tom Daun (harp) | Hildegard von Bingen<br>Dorothée Hahne<br>Traditional<br>Karin Rehnqvist<br>Thibaut de Champagne<br>Maki Ishii<br>Seiichi Inagaki<br>Moritz Eggert | O Ecclesia occuli tui (Séquence libre à Sainte Ursule) (Hildegard)<br>Commentari I, 1999 & III, 2000 (Hahne)<br>Una matica de ruda (Chanson d'amour populaire sepharde)<br>Lod (1986) for tenor recorder, theorbo & baroque cello (Rehnqvist)<br>Commencerai à faire un lai (Thibaut)<br>Black Intention IV, 1975 (Ishii)<br>Mai, 2000 (Ecrit pour Dorothee Oberlinger) (Inagaki)<br>Ausser atem, 1994 (Eggert)<br>Improvisation sur une vieille chanson populaire japonaise: Een denso tuomo | Marc Aurel MA 2001<br>Raumklang RK 20011 | France Germany Japan (medieval instrumental) (contemporary chamber instrumental) solo blockflöte | 15 - 18 January [and March 2001], Klaus-von-Bismark-Saal, WDR Köln, Radio Köln / Cologne (DE) | 2002 | 58:23:00 | Adam Dopadlik, <i>Recorder Magazine</i> 24(2): 61 (2004). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.aurel.de/images/ma20011s.jpg | ||||
50 | 49 | Stella Splendens. | <u>Bois de Cologne</u><br>Maria Jonas (soprano)<br>Meike Herzig, Dorothee Oberlinger (recorder)<br>Tom Daun (harps) | Libre Vermell<br>Codex Las Huelgas<br>Cancionero del Palacio<br>Andrea Falconieri<br>Pedro Ruimonte<br>Gaspar Sanz<br>Juan Rodrigez<br>Cantigas de Santa Maria | <i>Llibre Vermell</i>:<br>• Stella Splendens<br><i>Codex Las Huelgas</i>:<br>• Salve Porta<br>• Virgo, Sidus Aureum<br><i>Llibre Vermell</i>:<br>• Cuncit Simus Concanentes<br><i>Codex Las Huelgas</i>:<br>• Flos Filius<br>• Benedicamus<br><i>Cancionero de Palacio</i>:<br>• Dic Nobis, Maria<br>• O Gloriosa Domina<br>• Dic Nobis, Maria<br>• Cancion de la Virgen que pario<br>• Dic Nobis, Maria<br>• Virgen dina de Honor<br>• Dic Nobis, Maria<br>• O Voy<br>• Dic Nobis, Maria<br>• Chiquitico, as' te Gozes<br>• Dic Nobis, Maria<br>Falconieri:<br>• Folias echa para mi Senora<br>• Soave Melodia / su corrente<br>Ruimonte:<br>• Villancico: quita enjos son<br>• Villancico: Virgen escogida<br>Sanz:<br>• Canarios<br>Llibre Vermell:<br>• Laudemus Virginem<br>• Los set Goytx<br>• O Virgo Splendens<br>Codex Las Huelgas:<br>• Ave Maria<br>• In Veritate<br>• Benedicamus<br><i>Cantigas de Santa Maria</i>:<br>• Ay, Santa Maria, CSM 79, A Santa Maria, CSM 140? | Marc Aurel MA 20003 | Spain (medieval vocal sacred) duo blockflöte | August 2000, Deutschland Radio, Funkhaus Cologne / Köln (DE) | 2001 | 74:43:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.aurel.de/images/ma20003.jpg | |||||
51 | 50 | London Musick. Englische Barockmusik für Hof und Theater. | <u>Ornamente 99</u><br>Dorothee Oberlinger (recorders)<br>Karsten Erik Ose (recorders)<br>Anton Steck (violin)<br>Hélene Schmitt (violin)<br>Martin Stadler (oboe)<br>Luise Baumgartl (oboe)<br>Alexander Puliaev (harpsichord, organ)<br>Olaf Reimers (double bass) | Gottfried Finger<br>Thomas Baltzer<br>William Babell<br>George Frideric Handel (Händel)<br>Gottfried Keller<br>Henry Purcell<br>Robert Woodcock | Sonata in G major (Keller)<br>Sonata in F major (Finger)<br>Divisions on a Ground (Baltzer)<br>Divisions on a Ground (Baltzer)<br>Concerto in G major Op. 3:4 (Babell)<br>Sonata VI (Purcell)<br>Sonata in C major Op. 5:10 (Finger)<br>Sonata in G minor Op. 1:2 (HWV 360) - recorder & bc (Handel)<br>Concerto in B major (Handel)<br>Concerto 4 in A minor (Woodcock)<br>Sonata in B minor (Keller) | Marc Aurel MA 20002 (Deutschland Radio) | England (baroque chamber instrumental) (theatre) blockflöte | (DE) | 2000 | 71:21:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.aurel.de/images/ornamente.jpg | |||||
52 | 51 | Flashbackbird. Musiques nouvelles pour flûtes anciennes. New music for early flutes. | Joseph Grau (bass recorder, recorders)<br>Etienne Rolin (flute, recorder, basset horn, electro-acoustics) | Etienne Rolin | Shadows of Telemann - voice-flute<br>Piqué, percé, percuté - recorder, flute<br>Flashback Bird, 1998 - bass recorder solo<br>Voix lissées - voice-flute<br>Tall order - contrabass recorder (bass in C)<br>Pénombre - contrabass recorder, basset horn<br>Corps de ballet, improvisation - contrabass recorder, basset horn<br>Space birds IV - tenor recorder & CD<br>L'Art scène, improvisation - recorder, prepared harpsichord, flute<br>Flûtes envouies, improvisation - recorder, flute, CD<br>Dispersions, improvisation - recorders, basset horn, CD<br> | Erol Records CGA 019 | France (contemporary chamber instrumental) (electronics) solo duo flûte à bec | (FR) | 2002 | 63:48:00 | recorders by Eugène Crijnen<br>bass recorders in F & C by Thomas & Andreas Küng | We would appreciate further details of this recording, namely Date Recorded, Reviews. | CD | http://www.joseph-grau.com/photos/flashbackbird1.jpg | ||||
53 | 52 | Sonatas, Fantasies & Partita. | <u>Michala Petri Trio</u><br>Michala Petri (recorder)<br>Hanne Petri (harpsichord)<br>David Petri (cello) | Georg Philipp Telemann | Methodical Sonata in D major, Op. 13:4 - recorder & bc<br>Fantasia 4 in G minor - recorder solo<br>Fantasia 6 in B minor - recorder solo<br>Sonata in C major - recorder & bc, <i>Essercizii Musici</i><br><br>Partita 2 in G major - recorder & bc, TWV 41:G2<br>Sonata in F major - recorder & bc, <i>Getreue Music-meister</i><br>Trio-sonata in B minor - recorder, harpsichord & bc | Philips 9500941<br>Philips 7300941 | Germany (baroque chamber instrumental) solo blokfløjte | (DE) | 1981 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews.<br>From owned LP. | LP MC | http://cart.classicalvinylrecords.com/index.php?p=product&id=17152&parent=2 | ||||||
54 | 53 | Virtuose Kammermusik für Blockflöte.<br>Kammermusik für Blockflöte.<br>Kammermusik für Blockflöte. | Ernst Kölz (recorder)<br>Alfred Hertel (oboe)<br>Eta Harich-Schneider (harpsichord)<br>Hubert Koller (viol)<br>Clara Reganzini-Guttmann (piano) | Johann Joseph Fux<br>Francesco Maria Veracini<br>Antonio Lotti<br>Gaetano Pugnani<br>Ernst Kölz | Partita 7 - recorder, oboe, harpsichord & viol (Fux)<br>Sonata prima in F major - recorder, harpsichord & viol (Veracini)<br><br>Sonata in G major - recorder, viol & bc (Lotti)<br>Sonata in F major - recorder, harpsichord ànd viol (Pugnani)<br>Petites nocturnes for recorder & piano (Kölz) | Amadeo AVRS 6356 (stereo sticker)<br>Amadeo 130012 (Amphora)<br>Trio Amadeo PA 1072 (Japan) | Germany Italy (baroque chamber instrumental) (contemporary chamber instrumental) blockflöte | 1970 (AT) | 1970 | 24:02, 24:27 (48:29) | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP | http://musicmatz.com/images/large/kammermusikfuerblockfloete_fuxveracinipugnani.jpg | |||||
55 | 54 | Höfische Musik aus Frankreich. Blockflötensonaten um 1720.<br>Französische Musik für Blockflöte. French Music for Recorder. | Barbara Husenbeth (recorder)<br>Gottfried Bach (harpsichord)<br>Monika Schwamberger (viol) | Charles Dieupart (Francis Dieupart)<br>Anne Danican Philidor<br>Louis de Caix d'Hervelois<br>François Couperin<br>Jacques-Martin Hotteterre | Suite 1 in D minor - recorder & bc (Dieupart)<br>Sonata in D minor - recorder & bc (A.D. Philidor)<br>Suite in G major, Op. 6:3 - recorder & bc (Hervelois)<br><br>Septième concert - recorder & bc (Couperin)<br>Suite in E minor - recorder & bc (J.M. Hotteterre) | Christophorus SCGLX 74049<br>Christophorus CHR 74582 | France (baroque chamber instrumental) blockflöte | 1987 (DE) | 1988, 1989 | 20:01, 30:18 (50:19), 64:23 | Alto recorder by Guido Klemisch after Steenbergen<br>alto recorder by Yamaha after Denner<br>soprano recorder by Thomas & Andreas Küng after Denner. | We would appreciate further details of this recording, namely Reviews.<br>From owned LP. | LP CD | http://test.allmusic.com/cg/amg.dll?p=amg&sql=43:65099 | ||||
56 | 55 | Musica da camera. Barocke <br>Kammermusik auf barocken Instrumenten. <br>Kleine Cammer-Music. | Annelies Huckl (soprano)<br>René Clemencic (recorder, flauto piccolo)<br>Eduard Melkus (violin)<br>Vera Schwarz (harpsichord) | Georg Philipp Telemann | Partita 2 in G major - flauto piccolo & harpsichord, TWV 41:G2<br>Fantasie 9 - violin solo<br>Locke nur, Erde, mit schmeichelndem Reize, cantata in F major TWV 1:1069 - recorders & bc<br>Sonata 2 in A major - violin and harpsichord<br>11. Fantasie pour le clavessin, 2. dozaine in G minor<br>Trio-sonata in C major - recorder, violin & harpsichord | Amadeo AVRS 5046, mono & stereo | Germany (baroque chamber vocal secular) (cantata) blockflöte | 1960, Palais Schoenburg, Wien / Vienna (AT) | 1960 | 26:36, 22:42 (49:18) | soprano, sopranino recorder by Martin Skowroneck | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP | |||||
57 | 56 | Kamernaia muzyka na originalnikh instrumentakh. <br>Chamber music played by original instruments. <br>Musique de chambre sur instruments originaux. | Vladimir Fedotov, Ivan Shumilov (recorder)<br>Liya Melik-Muradian (violin)<br>Jamil Mamedov (cello)<br>Alexei Lyubimov (harpsichord) | Georg Philipp Telemann | Partita 2 in G major - recorder & bc, TWV 41:G2 (KKM)<br>Trio-sonata in A minor - flute, violin & bc (EM)<br>Sonata in F major - flute & bc (GMM)<br>Trio-sonata in D minor - flute, violin & bc (EM)<br>Trio-sonata in F major - 2 flutes & bc (EM) | Melodia C10 06719-20 | Germany baroque chamber instrumental | 1970 (RU) | 1970 c | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews.<br>From owned LP. | LP | http://i19.ebayimg.com/02/i/001/3b/0e/09ae_1.JPG | ||||||
58 | 57 | Concerti per flauto.<br>Italian Flute Concertos.<br>Conciertos de Cámara. | <u>Musica antiqua Köln</u> [Reinhard Goebel]<br>Gudrun Heyens (recorder)<br>Reinhard Goebel, Hajo Bäss (violin)<br>Karlheinz Steeb (viola)<br>Eva Bartos (viol)<br>Jonathan Cable (violone)<br>Henk Bouman (harpsichord) | Francesco Mancini<br>Domenico Sarri<br>Francesco Barbella<br>Roberto Valentine | Sonata in E minor - recorder, harpsichord, violins, viola, viol & violone (Mancini)<br>Sonata in D minor - recorder, harpsichord, violins, viola, viol & violone (Mancini)<br>Concerto in A minor - recorder, harpsichord, violins, viola, viol & violone (Sarri)<br>Sonata in C major - recorder, harpsichord, violins, viola, viol & violone (Barbella)<br>Concerto in B♭ major - recorder, harpsichord, violins, viola, viol & violone (Valentine) | Archiv Produktion 2533 380, LP (Polydor)<br>Archiv Produktion 2533 421 (Spanish ed 1979)<br>Archiv Produktion 471729-2 | Italy (baroque chamber instrumental) blockflöte | 17 - 19 November 1977, Beethoven-Saal der Stadthalle, Hannover (DE) | 1978, 1979, 2002 | 28:20, 24:21 (60:18) | Alto recorders by Hans Schimmel, after Debey<br>Alto recorder by Thomas & Andreas Glatt, after Thomas Stanesby<br>Alto recorder by Klaus Scheele, after Jean-Hyacinth-Joseph Rottenburgh | We would appreciate further details of this recording, namely Reviews.<br>From owned LP. | LP CD | http://ecx.images-amazon.com/images/I/21MDDZHEJ7L._SL500_AA180_.jpg | ||||
59 | 58 | Werke für Blockflöte solo von 1600-1979. | Conrad Steinmann (recorder, flageolet) | Johann Sebastian Bach<br>Niccolo Paganini<br>G. Gaveaux l'ainé<br>Roland Moser<br>Heinz Marti<br>Anonymous | Variations on Woodycock<br><br>New Tunes & French Dances for the Alto Violin, Flute or Flageolet<br>• An Entry<br>• La Beauford<br>• New Provo<br>• Corant 'La Grand-Britain'<br>• Budro<br>• An Irish Dance (flageolet)<br>• Long Cold Nights<br><br>Partita in A minor, BWV 1013 (Bach)<br>Capriccio in B major, Op. 1:13 (Paganini)<br>Capriccio in E♭ major, Op. 1:17 (Paganini)<br>Romance du Barbier de Séville (Gaveaux)<br>Roxelane de l'enlevement du Serail de Mozart (2 duets with flageolet)<br>Alrune, solo für Conrad, Bruno zugedacht 1979 (Moser)<br>Ombra, 1979 für CS (Marti) | Claves D 8001 | France Germany Switzerland (baroque chamber instrumental) (romantic) (contemporary chamber instrumental) solo blockflöte flageolet | November 1979, Kirche Saanen (CH) | 1980 | 29:22, 25:34 (54:56) | Alto in g' after Bressan, by Bob Marvin<br>Alto in f' after Denner, by Friedrich von Huene<br>Bass by Moeck<br>Flageolet by 'Collin à Paris' (1820) | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP | |||||
60 | 59 | Suite für Blockflöte und Streicher A-Moll, Ouverture. <br>Konzert für Blockflöte, Viola da Gamba und Streicher A-Moll. Konzert für Oboe und Streicher F-Moll.<br>Suite et concertos pour flûte à bec et hautbois<br>Suite voor blokfluit en stijkers. <br>Concert voor blokfluit, viola da gamba en strijkers. Hoboconcert. | Orchestre de chambre Jean-François Paillard [Jean-François Paillard]<br>Michel Piguet (recorder, oboe)<br>Jordi Savall (viol)<br>period instruments | Georg Philipp Telemann | Suite in A minor, TWV 55:a2 - recorder & strings 25:30<br>Concerto in A minor - recorder, viol & strings 15:35<br>Concerto in F minor - oboe & strings 7:43 | EMI 62758 (Erato) (Club Sonderauflage)<br>Erato STU 70711<br>Musical Heritage Society MHS 1601<br>Erato EF 28031 (Collection Fiori)<br>Erato MAK 8016 (Dutch) 1981 | Germany (baroque chamber instrumental) flûte à bec | (FR) | 1972 (ER, EMI), 1973 (MHS), 1979 ca, 1981 | 25:30, 23:18 (48:48) own timing | We would appreciate further details of this recording, namely Date Recorded, Recorders Used, Reviews.<br>From owned LPs. | LP | http://www.amazon.de/Georg-Philipp-Telemann-Blockfl%C3%B6te-Jean-Francois/dp/B003DDM8GK | |||||
61 | 60 | Blockflötenmusik der Renaissance. Recorder music. Musique pour flûte à bec. England. | <u>Wiener Blockflötenensemble</u> [Hans Maria Kneihs]<br>Alfred Endelweber<br>Ulrike Groier<br>Klaus Gund<br>Rudolf Hofstötter<br>Hans Maria Kneihs<br>Georg Mittermayr (recorder ensemble) | William Cornysh<br>King Henry VIII<br>John Taverner<br>Christopher Tye<br>John Bull<br>Anthony Holborne<br>Alfonso Ferrabosco II<br>Thomas Morley<br>John Ward<br>Giovanni Coperario, Joseph Lupo, William Byrd. | Fa la sol (Cornysh)<br>Consort IV (Henry VIII)<br>If Love now reigned (Henry VIII)<br>Consort XII (Henry VIII) 0:53<br>En vray amoure (Henry VIII)<br>In nomine (Taverner)<br>In nomine 'Trust' (Tye)<br>In nomine (Bull)<br>Pavan (Holborne)<br>Gaillard 'Lullabie' (Holborne)<br>The choice (Holborne)<br>As it fell on a holie eve (Holborne)<br>The fairie-round (Holborne)<br>4-notes pavan (Ferrabosco)<br>Fantasy of 2 parts (Morley)<br>Fantasia: La Torello (Morley)<br>Fancy a 5 (Ward)<br>Fancy a 4 (Coperario)<br>Fancy a 5 (Coperario)<br>Fancy a 6 (Coperario)<br>Fancy a 5 (Lupo)<br>Pavan & Galliard a 6 (Brade) | Telefunken 6.42356 AW LP (Das Alte Werk) | England (renaissance consort instrumental) quintet sextet blockflöte | 7-10 May 1978 (AT) | 1979 | 21:11, 22:46 (43:57) | Sopranino in c'', soprano in c', alto in g', alto in f', tenor in c', basset in f, basset in g, bass in C & great-bass in F by Bob Marvin. | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP | |||||
62 | 61 | Musik der Renaissance. | <u>Wiener Blockflötenensemble</u><br>Alfred Endelweber<br>Ulrike Groier<br>Klaus Gund<br>Rudolf Hofstötter<br>Hans Maria Kneihs<br>Georg Mittermayr (recorder ensemble) | Josquin Desprez<br>Heinrich Isaac<br>Ludwig Senfl<br>Michael Praetorius, ed<br>Antonio de Cabezon<br>Ioan Maria Tasso<br>Andrea Gabrieli<br>Giovanni Gabrieli<br>Salomone Rossi<br>Erasmus Widmann | La Spagna (Desprez)<br>La Martinella<br>Ach reine zart<br>All voll<br>Die Katzenpfote<br>Der Pfauenschwanz<br>Der Hund (Isaac)<br>La la hö hö (Isaac)<br>Unsäglich Schmerz (Senfl)<br>Ich weiss nit, was er ihr verhiess (Senfl)<br>Carmen in La (Senfl)<br>Die Brünnlein, die da fliessen (Senfl)<br><br>Ballet de Monsieur Nemours (Praetorius)<br>Tiento primer tono (Cabezon)<br>Ricercar a 2 (Tasso)<br>La battaglia (Tasso)<br>Ricercar (A. Gabrieli)<br>Canzona (G. Gabrieli)<br>Sinfonia und galliarda (Rossi)<br>Canzona (Rossi)<br>Däntze und Galliarden: (Widmann)<br>• Barbara<br>• Anna<br>• Sibylla<br>• Catharina<br>• Regina<br>• Margaretha<br><br><i>Glogauer Liederbuch</i> | Tudor 73007 (Zürich)<br> Tudor 67.804 (Distribution Carrere)<br>Tudor 719 | Germany Italy Netherlands Spain (renaissance consort instrumental) quintet sextet blockflöte | (AT) or (CH) | 1975, 1978, 1987, 1993, 1997 | 21:35, 21:13 (42:48) | recorders by Bob Marvin soprano c', alto f', tenor c', basset f, basset g, bass c', grossbass f | We would appreciate further details of this recording, namely Date Recorded, Reviews.<br>From owned LP. | LP CD | http://ec1.images-amazon.com/images/I/31A0K54AEEL.jpg | ||||
63 | 62 | Brandenburgische Konzerte 1 - 6. Erstaufnahme mit Originalinstrumenten in Originalbesetzung. | <u>Concentus musicus Wien</u> [Nikolaus Harnoncourt]<br>Alice Harnoncourt (violin)<br>Stefan Plott (violin)<br>Siegfried Führlinger (violin, viola)<br>Josef de Sordi (violin)<br>Jürg Schäftlein (oboe, recorder)<br>Leopold Stastny (recorder)<br>Stefan Plott (viola, violin)<br>Josef de Sordi (viol, violin)<br>Kurt Theimer (viola)<br>Nikolaus Harnoncourt (cello)<br>Eduard Hruza (violone)<br>Georg Fischer (harpsichord)<br>Walter Holy (trumpet) | Johann Sebastian Bach | Brandenburg concertos 1-6.<br>Brandenburg Concerto 3 in G major, BWV 1048 - 3 violins, 3 violas, 3 cellos & bc<br>Brandenburg Concerto 1 in F major, BWV 1046 - 2 horns, 3 oboes, bassoon, piccolo violin, strings & bc<br>Brandenburg Concerto 4 in G major, BWV 1049 - violin, 2 recorders, strings & bc<br>Brandenburg Concerto 6 in B♭ major, BWV 1051 - 2 violas, 2 viols, cello & bc<br>Brandenburg Concerto 5 in D major, BWV 1050 - flute, strings & bc<br>Brandenburg Concerto 2 in F major, BWV 1047 - trumpet, recorder, oboe, violin, strings & bc | Teldec SAWT 9459 - 9460 A, 2 LPs & 2 separate records (Das Alte Werk)<br>Telefunken 6.41191 - 6.41192 AW, LPs, 4.41191 - 4.41192 CQ, CX, MCs 1964 (DAW) (1,3,4) (2,5,6) (Das Alte Werk) (Barock/Baroque) 1975<br>Chemie Grünenthal n.n., LP 1971 (BWV 1046)<br>Telefunken 6.35043 DX, 4.35043 ME2 LPs, 2 MCs 1975<br>Telefunken 6.35620 2 LPs cassette 1981<br>cont. under | Germany (baroque orchestral instrumental) duo blockflöte | 1964, Palais Schönburg, Wien / Vienna (AT) | 1964, 1971, 1975, 1976, 1981, 1982, 1982, 1990, 1992, 1994 | 01:44:22 | baroque recorders by H.C. Fehr, Zurich | cont. label<br>Teldec 8.42823, CD (1,2,4) 1981<br>Teldec Teldec 8.42840 CD (3,5,6) 1983<br><br>Telefunken 60312, 2 LPs 1982 (DAW)<br>Telefunken 6.48237 DM, 2 LPs 1985 (Teldec Spec. Ed. 1985, 300 Jahre J.S. Bach, 7)<br>Telefunken 635620, 2 LPs<br>Telefunken 6326 digital, 2 LPs cassette, 1982<br>Telefunken STEL AP 18, LP (French)<br>Teldec 9031 77611-2, 2 CDs 1992<br>Teldec 9031 71089-2, 2 CDs 1990<br>Teldec 95980, 2 CDs | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LPs. | LP MC CD | http://www.styriarte.com/harnoncourt/index_en.php/article/articleview/1428/1/31/ | |||
64 | 63 | Récital. | <u>Ensemble Les Plaisirs</u> (Telemann)<br>Françoise Duffaud, Nathalie Fontaine (violin)<br>Serge Raban (viola)<br>Olivier de Mones (cello)<br>Pierre Hartmann (double bass)<br>Pierre Cazes (harpsichord)<br><br>Joseph Grau (recorder)<br>Pierre Cazes (harpsichord 2, 4)<br>Irène Cazes-Limayrac (flute 7)<br>Mauricio Biraglia (theorbo 3,5)<br>Yuka Saito (viol)<br>Olivier de Mones (viol 2) | Johann Sebastian Bach<br>Betsy Jolas<br>Giovanni Domenico Rognoni<br>Michel Lysight<br>Bartolomeo de Selma y Salaverde<br>Michel Meynaud<br>Georg Philipp Telemann | Partita in A minor for flute solo, BWV 1013 (Bach)<br>Trio-sonata - alto & tenor recorder, viol, harpsichord (Jolas)<br><br>Passaggi per potersi essercitare nel diminuire terminatamente: Vestiva i colli (d'après un madrigal de Palestrina) (Rognoni)<br>Trois instantanés pour flûte à bec et clavecin ou piano (Lysight)<br><i>Primo Libro de canzoni, fantasie e correnti da suonnare ad 1, 2, 3 e 4 col bc</i>: Vestiva i colli, passeggiato (Selma)<br>Points d'orgue de la Saint Jean - recorder (Meynaud)<br>Concerto in E minor - recorder, flute, strings & bc TWV 52:e1? (Telemann) | Promuse CHCD 5645<br>Chamade | Belgium France Germany Italy Spain (baroque chamber instrumental) (contemporary chamber instrumental) flûte à bec | 11 - 15, 22 February 1999, Auditorium of the Conservatoire National de Région d'Aubervilliers - La Courneuve (FR) | 1999 | 66:41:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.joseph-grau.com/photos/plaisirs1.jpg | |||||
65 | 64 | 3 Cantates sacrées ex Harmonischer Gottes-dienst, 3 Concertos. | <u>La Petite Ménestrandise</u><br>Joseph Grau (recorder) | Georg Philipp Telemann | Concerto a 4 - recorder, oboe, violin & bc<br>Cantata 4 - soprano, recorder, oboe & bc<br>Quartetto in G major - recorder, oboe, violin & bc<br>Cantata 23 - soprano, recorder, violin & bc<br>Concerto - recorder, viol, 2 violins & bc<br>Cantata - soprano, oboe, violin & bc | Chamade 5643 (Promuse) | Germany (baroque chamber instrumental) flûte à bec | 1998 (DE) | 1999 | 66:44:00 | We would appreciate further details of this recording, namely Performers, Recorders Used, Reviews. | CD | http://www.joseph-grau.com/photos/petite_menestrandise1.jpg | |||||
66 | 65 | Labyrinthes. | <u>Nouvelles Consonances</u><br>Zygmunt Marek Kowalski (violin)<br>Denis-Pierre Gustin (flute)<br>Olivier Habran (oboe)<br>Ronald Van Spaendonck (clarinet)<br>Pierre Olivier Martens (bassoon)<br>Jean-Pierre Dassonville (horn)<br>Amaryllis Grégoire (soprano)<br>Leonardo Anglani (piano)<br>Joseph Grau (recorder) | Michel Lysight | Thrène pour voix et piano<br>Chronographie I pour quintette à vent<br>Trois Croquis pour violon et piano<br>Chronographie III pour clarinette, basson et piano<br>Épode pour violon et piano<br>Trois Instantanés pour flûte à bec et piano<br>Labyrinthes pour flûte | Cypres CYP 4602 | Belgium (contemporary chamber instrumental) flûte à bec | 9 April, 17 and 19 June 1998, Conservatoire Royal de Musique de Bruxelles (BE) | 1998 | 49:02:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.joseph-grau.com/photos/nouvelles_consonances1.jpg | |||||
67 | 66 | De Blokfluit. Die Blockflöte. La flûte douce. The recorder. | Marijke Ferguson (recorder)<br>Haite van der Schaaf (organ) | Henry Purcell<br>Georg Philipp Telemann<br>Anne Danican Philidor<br>François Couperin<br>Anonymous<br>Abraham van den Kerckhoven<br>Antonio Caldara<br>Girolamo Frescobaldi<br>Francisco de la Torre | England:<br>Chaconne in F major - recorder, organ (Purcell)<br>Verse in the phrygian mode (Purcell)<br><br>Germany:<br>Partita in D major: grave, aria 1, aria 6 - soprano recorder, organ (Telemann)<br>Fuga 19 (Telemann)<br>Capriciosa, Pastorella - soprano recorder, organ (<i>'t Uitnement Kabinet</i>)<br><br>France:<br>Sonata in D minor: Lentement, Fugue - recorder, organ (A.D. Philidor)<br>Plein jeu: premier couplet du Gloria (Couperin)<br><br>Netherlands:<br>Capriciosa, Pastorella (<i>Kabinet</i>) - recorder, organ<br>2 Versus: in D & in G major (Kerckhoven)<br><br>Italie:<br>Sonata di chiesa in A minor: grave, allegro - tenor recorder, organ (Caldara)<br>Toccata avanti il Recercare (Frescobaldi)<br><br>Spain:<br>Dance - sopranino recorder, organ (Torre)<br>Obra de quarto tono | CNR 657504 (Leiden) | England France Germany Italy Spain (renaissance consort instrumental) (baroque chamber instrumental) blokfluit | 1970 (NL) | 1970 | We would appreciate further details of this recording, namely Length, Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP | |||||||
68 | 67 | Suite in a voor blokfluit. Concert in F voor blokfluit en fagot. | <u>Liszt Ferenc Chamber Orchestra, Budapest</u> (Liszt Ferenc Kamarazenekar) [Janos Rolla]<br>Laszlo Czidra (recorder)<br>Jozsef Vajda (bassoon) | Georg Philipp Telemann | Suite in A minor, TWV 55:a2 - recorder & strings<br><br>Concerto in F major - recorder, bassoon, 2 violins, viola & bc | Hungaroton SLPX 12119<br>Hungaroton HRC 042 (30:04, 20:07) | Germany (baroque chamber instrumental) furulya | 1978 (HU) | 1978, 1980, 1980 | 24:36, 25:30 (50:06) | We would appreciate further details of this recording, namely Performers, Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP CD | ||||||
69 | 68 | Konzert für Blockflöte und Orgel. | Uta Friederich (soprano, alto, tenor recorders)<br>Elisabeth Maranca (organ) | Jacob van Eyck<br>Girolamo Frescobaldi<br>Giovanni Battista Fontana<br>Gian Paolo Cima<br>Johann Sebastian Bach | Fantasia en echo (van Eyck) - solo recorder<br>Toccata - recorder & organ (Frescobaldi)<br>De Lof-zangh Marie (van Eyck) - soprano recorder<br>Courant, or 'Ach treurt mijn Bedroefde' (van Eyck) - soprano recorder<br>Sonata terza - tenor recorder & organ (Frescobaldi)<br>Bravade - soprano recorder (van Eyck)<br>Sonata in G minor - recorder & organ (Cima)<br>Choral Prelude: 'Allein Gott in der Höh' sei Ehr' BWV 664 (Bach) - recorder & organ<br>Sonata in C minor BWV 1030 - recorder & organ (Bach) | Verlag für Musik und Kunst W 83006 (Studio-Edition) | Germany Italy Netherlands (renaissance consort instrumental) (baroque chamber instrumental) solo blockflöte | 1984, Hey organ Evangelische Kirche, Urspingen/Rhön (DE) | 1984 | 24:38, 21:14 (45:52) | Tenor by Rudolf Otto<br>3 altos after Rottenburgh, by Hermann Moeck<br>Recorder after Denner, by Thomas & Andreas Küng<br>Soprano by Joachim Paetzold<br>Renaissance-style soprano by Bernard Junghänel<br>Sopranino after Denner, by Thomas & Andreas Küng | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP | |||||
70 | 69 | Die Instrumentalvariation in der spanischen Renaissance-Musik. | <u>Ricercare-Ensemble für alte Musik, Zürich</u> [Michel Piguet, Jordi Savall]<br>Michel Piguet (recorder, shawm)<br>Richard Erig (shawm)<br>Christopher Schmidt (viola da bracchio)<br>Jordi Saval (viol)<br>Walter Stiftner (percussion)<br>Heinrich Huber (sackbut)<br>Anthony Bayles (lute)<br>Anne Gallet (spinet)<br>Bernhard Billeter (organ) | Enriquez de Valderrabano<br>Antonio de Cabezon<br>Anonymous<br>Luis de Narváez <br>Mateo Flecha el Viejo<br>Diego Ortiz<br>Francisco de la Torre | Variations on a Melody:<br>Viva la Margarita (Valderrabano)<br>Diferencias sobre 'el Canto del Cavallero' (Cabezon)<br>Cinco diferencias sobre 'Conde Claros' (bass recorder, lute, viol)<br>Diferencias sobre el canto de 'La Dama le demanda' (Cabezon)<br><br>Dances with Variations:<br>Discante sobre la Pavana Italiana (tenor recorder, lute, viol) (Cabezon)<br>Para quien crie yo cabellos, folia (Cabezon)<br>Diferencias sobre 'la Gallarda Milanesa' (soprano recorder, spinet, viol) (Cabezon)<br>Cuatro diferencias sobre 'Guardame la vacas' (Narvaez)<br>Cinco diferencias sobre 'Las Vacas An: (alto recorder, viola da bracchio, viol, dulcian, spinet)<br><br>Instrumental pieces from <i>Las Ensaladas</i>:<br>La Justa (soprano recorder, alto dulcian, vikola da bracchio, viol) (Flecha)<br>La Guerra (Flecha)<br><br>Recercadas ib Iitalian Tenores:<br>Romanesca (Ortiz)<br>Ruggiero (Ortiz)<br>Passamezzo moderno (Ortiz)<br><br>Variations on Cantus Planus:<br>Danza alta (Torre)<br>Recercada Il sobre canto llano (Ortiz)<br>Recercada IV sobre canto llano (Ortiz)<br>Himno sobre 'Ave Maria stella' VIII (Cabezon)<br><br>Ornamented chansons:<br>Mille regretz (Desprez) (Narvaez)<br>Doulce memoire (P. Sandrin) (Ortiz)<br>O felici occhi miei (Arcadelt) (tenor recorder, lute, viol) (Ortiz)<br>D'ou vient cela (Cabezon) | EMI 063-30116 (Reflexe) | Spain (renaissance consort instrumental) (dance) flûte à bec | October 1972, Neumünster, Zürich (CH) | 1973 | 47:33:00 | Grand Prix du Disque | We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP MC | http://www.lpcd.de/18/K3720_04.jpg | ||||
71 | 70 | Renaissance chamber music. | <u>London Pro Musica</u> [Bernard Thomas].<br>Kevin Smith (countertenor)<br>Christopher Wilson (lute)<br>Bernard Thomas (flute, recorder, crumhorn)<br>Trevor Jones (viol, rebec) | Jacob Arcadelt<br>Francesco da Milano<br>Cipriano de Rore<br>Girolamo dalla Casa<br>Vincenzo Fontana<br>Giovanni Domenico da Nola<br>Orlando di Lasso (Lassus)<br>Thomas Crecquillon<br>Pierre Attaignant, ed.<br>Adrian Le Roy<br>Roquelay<br>Claudin de Sermisy | Ancidetimi pur (Arcadelt)<br>Ricercar (Francesco)<br>Donna quando pietosa (Arcadelt)<br>Da si felice sorte (Arcadelt)<br>Fantasia (Francesco)<br>Anchor che col partire (Rore)<br>Anchor che col partire (Casa)<br>Madonna mia pieta (V. Fontana)<br>Chi la gagliarda (Nola)<br><br>Bonjour mon coeur (Lassus)<br>La nuit froide et sombre (Lassus)<br>Fantasia (Milano)<br>Toutes les nuictz (Crecquillon)<br>Five branles (Attaignant / Roy)<br>Ta bonne grace (Roquelay)<br>O douce amour (Sermisy) | Tactus TAC 1001<br>Desto DC 7194, LP MC | France Italy (renaissance consort vocal secular) (baroque chamber instrumental) recorder | 1977, All Saints Church, Petersham, Surrey (UK) | 1977, 1980 | 41:00:00 | recorder by Friedrich von Huene, 1975 | We would appreciate further details of this recording, namely Reviews, Cover Image.<br>From owned LP. | LP MC | |||||
72 | 71 | Virtuose Verzierungskunst um 1600. Virtuoso Ornamentation around 1600. L'Art de l'Ornamentation autour de 1600. | Montserrat Figueras (soprano)<br>René Jacobs (countertenor)<br>Kurt Widmer (bass)<br>Bruce Dickey (cornett)<br>Michel Piguet (recorder)<br>Anthony Bailes, Hopkinson Smith (lute)<br>Aline Parker-Zylberbach (harpsichord, organ)<br>Jordi Savall, Christophe Coin, Sergi Casademunt, Roberto Gini (viol) | Giovanni Bassano<br>Giovanni Battista Bovicelli<br>Antonio de Cabezon<br>Diego Ortiz<br>P. Manuel Rodrigues Coelho<br>Francesco Rognoni Taeggio<br>Luzzasco Luzzaschi<br>Richardo Rognonio<br>Bartolomeo de Selma y Salaverde | Frais et gaillard (Bassano)<br>Io son ferito (Bovicelli)<br>Un gay berger (Cabezon)<br>Anchor che co'l partire (Bovicelli)<br>Recercada segonda sobre Doulce memoire (Ortiz)<br>Recercada tercera idem (Ortiz)<br><br>Io canterei d'amor (Bassano)<br>Susanne un jour (Coelho)<br>Pulchra es, amica mea (Taeggio)<br>Susanne un jour (Bassano)<br>Angelus ad pastores ait (Bovicelli)<br><br>Ch'io non t'ami (Luzzaschi)<br>Pour un plaisir (Cabezon)<br>Un gay berger (Rogniono)<br>Susanne un jour (Selma)<br>Aura soave (Luzzaschi)<br>O Primavera (Luzzaschi)<br><br>Anchor che ci'l partire (Bassano)<br>La bella netta ignuda e bianca mano (Bassano)<br>Ricercata prima (recorder) (Bassano)<br>Tirsi morir volea (recorder, lute) (Bassano)<br>Un gay bergier (recorder, lute) (Bassano) | Deutsche Harmonia Mundi 165-99895 - 165-99896, 2 LPs cassette (Schola Cantorum Basiliensis Documenta)<br>Deutsche Harmonia Mundi BMG 05472 77427-2 CD (abridged) | Italy Spain (renaissance consort instrumental) (conservatory performance) flûte à bec | December 1979, January 1980, Kirche Rothenfluh (CH) | 1980, 1995 | 22:03, 22:41 - 22:20, 20:27 (60:27) | Renaissance recorder by Frederick Morgan | We would appreciate further details of this recording, namely Reviews.<br>From owned LPs. | LP CD | http://www.ebay.de/itm/2er-Box-Virtuose-Verzierungskunst-um-1600-SCHOLA-CANTORUM-BASILIENSIS-/140881536347?pt=B%C3%BCcher_Unterhaltung_Music_CDs&hash=item20cd31a55b | ||||
73 | 72 | Alte und neue Musik mit Blockflöten. | Andreas Küng (recorder)<br>Shigeharu Yamaoka (recorder)<br>Masako Hirao (viol)<br>Yasunori Imamura (theorbo) | Dario Castello<br>Giovanni Battista Fontana<br>Martin Sigrist<br>Ryohei Hirose<br>Pierre Danican Philidor | Quarta sonata a due soprani, 1621 (Castello) 6:00<br>Sonata undecima for 2 violins (Fontana) 6:40<br>Nuume for 4 recorders & quijada, 1978/79 (Sigrist) 9:40<br><br>Idyll 2 for 4 recorders, 1976 (Hirose) 6:35<br>Troisième Suite in D major (P.D. Philidor) 17:33 | Jecklin 183 | France Italy Japan (baroque chamber instrumental) (contemporary chamber instrumental) (quartet probably virtual) duo blockflöte | May 1979, Kirche Reutigen (CH) | 1979, 1980 | 22:20, 24:18 (46:38) | We would appreciate further details of this recording, namely Recorders Used, Reviews, Cover Image.<br>From owned LP. | LP | ||||||
74 | 73 | Schäferkantate 'Entfliehet, verschwindet, entweichet, ihr Sorgen'.<br>Entfliehet, verschwindet, entweichet, ihr Sorgen: Shepherd Cantata BWV 249a. | <u>Gächinger Kantorei</u> (members)<br><u>Figuralchor of the Gedächtniskirche Stuttgart</u><br><u>Bach-Collegium Stuttgart</u> [Helmuth Rilling]<br>Edith Mathis (soprano - Doris)<br>Hetty Plümacher (soprano - Sylvia)<br>Theo Latmeyer (tenor - Menalcas)<br>Jakob Stämpfli, Herbert Thal, Statios Monogenis (trumpets)<br>Konrad Hampe, Helmut Steinkraus (recorder, flute)<br>Alfred Sous, Willy Schnell (oboes)<br>Martin Galling (harpsichord)<br>Thomas Blees (cello)<br>Günter Krüger (double bass)<br>Jürgen Gode (bassoon) | Johann Sebastian Bach | Schäferkantate, Shepherd cantata BWV 249a 'Entfliehet, verschwindet, entweichet, ihr Sorgen' - SATB voices, choir, 2 recorders, flute, 3 trumpets, kettledrums, 2 oboes, bassoon, 3 trombones, timpani, strings & bc<br><br>CD additional:<br>Concerto in D minor, BWV 1060 for violin, oboe, strings & bc (Deutsche Bachsolisten, Winschermann) | SDG Soli Deo Gloria 610204<br>Bärenreiter Musicaphon BM 30 SL 1357<br>Nonesuch H 71243, LP 1970<br>Musicaphon M 51357 CD<br>Hänssler Classics | Germany (baroque orchestral vocal sacred) (cantata) duo blockflöte | March 1967, Gedächtniskirche, Stuttgart (DE) | 1967, 1970, 1996 | 22:30, 20:21 (42:51/43:10), 59:00 (CD) | We would appreciate further details of this recording, namely Label, Recorders Used, Reviews.<br>From owned LP. | LP CD | http://www.bach-cantatas.com/Pic-Rec-BIG/Rilling-ES7.jpg | |||||
75 | 74 | Renaissance Suite. Movie Soundtrack of 'La Course en Tête'. | <u>The Early Music Consort of London</u> [David Munrow]<br>James Bowman (countertenor)<br>David Munrow (recorder)<br>and others | Hans Leo Hassler<br>Michael Praetorius, ed.<br>David Munrow<br>Tielman Susato, ed.<br>Anonymous<br>Giovanni Macque (Jean de Macque)<br>Pierre Phalèse, ed.<br>Arcangelo Corelli | Triumph - Intradas VI & VII (cornetts, sackbuts, recorders, regal, percussion) (Hassler)<br>They're off - bransle double de Poictou & bransle gay double (violin, viol, recorder, bassoon, racket, harpsichord, lute, percussion) (Praetorius)<br>Training - 2 bagpipe solos (Munrow)<br>On the road - basse dance, Dont vient cela (rauschpfeifen, cornetts, sackbuts, recorders, regal, percussion) (Susato)<br>Complaint O death rock me asleep<br>In the mountains - bransle simple (Praetorius)<br>The six days of Grenoble (Macque)<br>The dream - Tristan's Lament (gemshorn, lute, viol, bells, recorders, percussion)<br>The race against oneself (Munrow)<br><br>Why suffer - Consonanze stravaganti (Macque)<br>Effort - basse galliarde (sackbuts, crumhorns, cornetts, rauschpfeifen, recorders, regal, percussion) (Phalèse - Praetorius)<br>End music: Variations on <i>La Folie d'Espagne</i> - recorder, flute, lute, bassoon, violin, trumpet, strings & bc = Sonata Op. 5:12 (Corelli) + variations from <i>The Division Flute</i> | EMI 053-12789<br>HMV HQS 1415 LP 1978<br>Angel 537449<br>Angel SS-45020, EP 45 rpm ? (abridged version) | France Germany Italy Netherlands (renaissance consort instrumental) (baroque chamber instrumental) (film music) trio? recorder | 1974 (UK) | 1974 (film), 1978 (record) | 39:03:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | LP EP | http://i18.ebayimg.com/01/i/000/f6/8e/bfe4_1.JPG | |||||
76 | 75 | Mátyás Király Udvarának Zenéje. Court music for King Matthias. | <u>Camerata Hungarica</u> [Laszlo Czidra].<br>Melinda Lugosi (soprano)<br>Ina Maria Kiss (recorder)<br>Daniel Nyiri (countertenor)<br>Matyas Antal, Boldizsar Keönch (tenor)<br>Laszlo Czidra (recorder, shawm, crumhorns, dulcian)<br>Janos Malina (recorder, crumhorns)<br>Laszlo Ujhazy (recorder, crumhorns, chalumeaus)<br>Jozsef Vajda (dulcians, crumhorn, percussion)<br>Zsolt Harsanyi (shawm, crumhorn)<br>Attila Kovacs, Tivadar Sztan, Tivadar Kovacs (sackbuts)<br>Otto Nagy, Gergely Sarközy (viols, percussion)<br>Agnes Meth (percussion)<br>Daniel Benkö (lute) | Jacques Barbireau<br>Pietro Bono<br>Johannes Stockem<br>Johannes Tinctoris | Der pfoben swancz a 4 - shawm, recorder, percussion (Barbireau)<br>L'omme banni a 3 (Barbireau)<br>2 pavanen - recorder, sackbut, percussion; 4 recorders, percussion (Barbireau)<br>Een vrolic wesen a 3 - soprano, dulcian, crumhorn, recorder (Barbireau)<br>Gaillarde - basse dance La Brosse - basse dance Le Corps s'en va - balle - gaillarde (Bono)<br>Esperant que mon bien viendra a 3 (Barbireau)<br>Gracioulx et biaulx a 3 - recorder, chalumeau, dulcian (Barbireau)<br>Au traveil suis a 3 (Barbireau)<br>Basse dance La Scarpa my faict mal a 4 (Bono)<br>Basse dance La Magdalena a 4 - 4 recorders; 4 recorders, dulcian, percussion (Bono)<br>Basse dance La Brosse a 4 (Bono)<br>Je suis d'Alemagne a 4 (Stockem)<br>Helas, ce n'est pas a 4 - recorder, viols, chalumeau<br>Pourquoy je ne puis dire [Vray dieu d'amours] a 4 (Stockem)<br>Basse dance La Magdalena (Bono)<br>Vostre regart a 3 (Tinctoris)<br>Brunette a 5 (Stockem)<br>Helas le bon temps a 3 (Tinctoris)<br>Ha traistre amours a 3 (Stockem)<br>Basse dance Sans Roch a 4 - 3 crumhorns, percussion; 3 recorders, chalumeau, percussion (Bono)<br><br>A reconstruction with contemporary music | Hungaroton SLPX 11844<br>Hungaroton HCD 11844-2 | France Germany Italy (renaissance consort vocal secular) (dance) trio quartet furulya | 1978 (HU) | 1978, 2000 | 50:31 (51:46 CD) | We would appreciate further details of this recording, namely Recorders Used, Review.<br>From owned LP. | LP CD | http://www.sztaki.hu/providers/camerata/cd/court.gif | |||||
77 | 76 | Xerse. Opéra. | <u>Concerto Vocale</u> [René Jacobs]<br>Jill Feldman (soprano - Curiosità)<br>Guy de Mey (tenor - Architettura)<br>Agnès Mellon (soprano - Pittura)<br>Dominique Visse (countertenor - Poesia)<br>René Jacobs (countertenor - Xerse)<br>Judith Nelson (soprano - Amastre)<br>Jeffrey Gall (countertenor - Arsamene)<br>Isabelle Poulenard (soprano - Romilda)<br>Jill Feldman (soprano - Adelanta)<br>John Elwes (tenor - Ariodante)<br>Guy de Mey (tenor - Eumene)<br>Richard Wistreich (bass - Aristone)<br>Jean Nirouet (countertenor - Periarco)<br>Dominique Visse (countertenor - Elviro)<br>Agnès Mellon (soprano - Clito)<br>John Elwes (tenor - Sesostre)<br>Richard Wistreich (bass - Scitalce)<br>François Fauché (bass - Capitano).<br>Chiara Banchini, Mihoko Kimura (violin)<br>Elisabeth Matiffa, Michie Troman (viol)<br>Jérome Hantaï (violone)<br>Koen Dieltiens, Bart Coen (recorder)<br>Dennis Ferry, Graham Nicholson (trumpet).<br>Bc: Konrad Junghänel (theorbo)<br>Peter Pieters (guitar)<br>William Christie, Gottfried Bach (harpsichord)<br>Roel Dieltiens (cello)<br>Gerhard Grenzing (organ)<br>period instruments | Cavalli (Francesco Caletti) | <i>Xerse</i>. Opéra en trois actes. Libretto Nicolo Minato | Harmonia Mundi France HMC 1175-78, 4 LPs cassette (WDR)<br>Harmonia Mundi HMX 290 1175-78, 3 CDs - 4 MCs | Italy (baroque orchestral vocal secular) (opera) duo blokfluit | May 1985, Conservatoire national André Malraux, Bordeaux (DE) | 1985, 2000 | 03:44:12 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | LP MC CD | http://www.popsike.com/FRANCESCO-CAVALLI-XERSE-RENE-JACOBS-3CD-BOX-SET/120083170051.html | |||||
78 | 77 | The Nude Paper Sermon. Tropes for Actor, Renaissance Consort, Chorus & Electronics. | <u>The New York Motet Singers</u>, members [Joseph Hansen]<br>Stacy Keach (actor)<br><u>The Nonesuch Consort</u> [Joshua Rifkin]<br> Diana Tramontini (soprano)<br>William Zukof (countertenor)<br>Alan Titus (baritone)<br>Kenneth Wollitz (winds)<br>Lucy Cross (lute)<br>Richard Taruskin (viol)<br>with Steven Pepper (portative organ) | Eric Salzman<br>Steve Wade, John Ashbery (text) | The Nude Paper Sermon 1968-1969. A babble, madrigal with electronic graffiti - the sermon begins - an instrumental candenza - another madrigal - solos for wind instruments - racket, bass dulcian, tenor dulcian, bass recorder, tenor recorder, alto recorder, gemshorn, alto crumhorn, bass crumhorn, kortholt, shawm, rauschpfeife, chorus<br><br>Monologues, fragments, 'ruins' - a choral madrigal - solos for countertenor - duet for soprano & countertenor - chorus, viol, lute, lute solos with accompaniment, OM, shout, babble, bells, survival songs, wind, birds, stars | Nonesuch H 71231 stereo | USA (contemporary chamber vocal secular) (electronics) solo recorder | 1968-1969, electronic sounds at Columbia-Princeton Electronic Music Center, New York. Elektra Sound Recorders NY, A&R Recording NY (US) | 1969 | 21:31, 23:22 (44:53) | The only electronic composition by Salzman.<br>We would appreciate further details of this recording, namely Recorders Used, Reviews.<br>From owned LP. | LP | http://photos1.blogger.com/blogger/41/3056/1600/u8y5t45.jpg | |||||
79 | 78 | C.P.E. Bach: Doppelkonzert fur Cembalo und Hammerklavier: J.F. Fasch. Sonate G-dur. J.J. Quantz: Triosonate C-dur. | <u>Konzertgruppe der Schola Cantorum Basiliensis</u> [August Wenzinger]<br><br>Bach:<br>Li Stadelmann (harpsichord)<br>Fritz Neumeyer (hammerklavier)<br><br>Fasch/Quantz:<br>Gustav Scheck (recorder)<br>Veronika Hampe (recorder)<br>Hans-Martin Linde (flute)<br>Johannes Koch (viol)<br>Eduard Müller (harpsichord) | Carl Philipp Emanuel Bach<br>Johann Friedrich Fasch<br>Johann Joachim Quantz | Double concerto in E♭ major Wq 47 (H. 479) - harpsichord, fortepiano & orchestra (C.P.E. Bach)<br><br>Sonata in A minor FWV N:G1 - flute, 2 recorders & harpsicord (Fasch)<br>Trio-sonata QV 2:2 - recorder, flute & bc (Quantz) | Archiv Produktion 198 175 SAPM<br>Archiv Produktion 14 175 APM | Germany (baroque chamber instrumental) (conservatory performance) duo blockflöte | 26 - 29 February 1960, Paulussaal, Freiburg im Breisgau (Fasch, Quantz). 22 - 29 August 1960, Vortragssaal der Staatl. Hochschule für Musik, Freiburg im Breisgau (CPE Bach) (DE) | 1960 | 39:22 (12:30, 18:22, 8:23) | Alto recorders by Hans Conrad Fehr after Denner | <i>Gramophone</i>, October 1961, p. 27 | We would appreciate further details of this recording, namely Reviews.<br>From owned LP. | LP | http://www.discogs.com/viewimages?release=4540441 | |||
80 | 79 | Recorder & harpsichord recital. Vol. 3.<br>Blockflöten-Musik gespielt von Carl Dolmetsch. | Carl Dolmetsch (recorders)<br>Joseph Saxby (harpsichord) | Georg Philipp Telemann<br>Johann Christopher Pepusch<br>Nicola Matteis<br>Jean-Baptiste Senaillé<br>Anonymous | Partita 2 in D major - soprano recorder & harpsichord (Telemann)<br>Greensleeves to a ground, 12 variations - soprano recorder & harpsichord<br>Sonata 4 in F major - alto recorder & harpsichord (Pepusch)<br><br>Prelude in D major - soprano recorder & harpsichord (Matteis)<br>Allemande & corrente in G minor - alto recorder, harpsichord<br>Sonata, Op. 1:5 - recorder, harpsichord (Senaillé)<br>Vier Stücke für Blockflöte und Cembalo (ed. Carl Dolmetsch) (Lawes)<br>• Alemain - soprano recorder</li><br>• Corant - tenor recorder</li><br>• Saraband - sopranino recorder</li><br>• Jigg - soprano recorder</li> | Decca ffrr LXT 2943, LP flexible<br>Decca AWD 8903-E, LP 25 cm mono (Das Alte Werk, Renaissance/Barock) | England France Germany (baroque chamber instrumental) solo recorder | (UK) | 1954, 1961 ? | sopranino recorder, soprano recorder, alto recorder, tenor recorder by Carl Dolmetsch | <i>Gramophone</i>, September 1954, p. 47 | From Discopedie 1955 (Dutch discography)<br>We would appreciate further details of this recording, namely Date Recorded, Length, Reviews.<br>From owned LP. | LP | http://www.ihr-klassiker-online.de/ebayshop/230/1LP-DECCA-AWD-8903-E.jpg | ||||
81 | 80 | It was a lover and his lass. Music of Shakespeare's time. | <u>New York Pro Musica</u> [Noah Greenberg]<br>Sheila Schonbrun, Elizabeth Humes (soprano)<br>Earnest Murphy (countertenor)<br>Ray DeVoll (tenor)<br>Arthur Burrows (baritone)<br>Brayton Lewis (bass)<br>LaNoue Davenport (recorders, crumhorns, alto cornett)<br>Shelley Gruskin (flutes, recorders, crumhorns, schryari)<br>Judith Davidoff (bass viol)<br>Paul Maynard (harpsichord, portative organ, regal)<br>Guest: James Tyler (lute) | Thomas Morley<br>William Byrd<br>Thomas Weelkes<br>Michael East<br>Martin Peerson<br>Tobias Hume<br>John Dowland<br>Anonymous<br>John Bartlet<br>John Wilbye | It was a lover & his lass (Morley)<br>Browning (Byrd)<br>Gryffith galliard (Dowland)<br>When David heard that Absalom was slain (Weelkes)<br>Susanna fair sometime assaulted was (Byrd)<br>When Israel came out of Egypt<br>Blow out the trumpet (Peerson)<br>Death & life pavane - gaillarde (Hume)<br>Sorrow stay (Dowland)<br>Queen Elizabeth's galliard (Dowland)<br>Kemp's jig<br>Fantasia (Wilbye)<br>What saith my dainty darling (Morley) | Brunswick SXA 4524<br>Decca DL 9421 | England Germany (renaissance consort vocal secular) duo recorder | 1963? (US) | 1964, June | We would appreciate further details of this recording, namely Date Recorded, Length, Recorders Used, Reviews. | LP | http://www.ebay.it/itm/It-Was-A-Lover-And-His-Lass-New-York-Pro-Musica-Noah-/260778386829 | ||||||
82 | 81 | Trio Sonatas op. 1. | <u>Camerata Köln</U><br>Michael Schneider, Sabine Ambros (recorder)<br>Verena Schoneweg, Ingeborg Scheerer (violin)<br>Sabine Bauer (harpsichord, organ)<br>Rainer Zipperling (cello, viol) | William Williams | 6 Trio-sonatas, Op. 1: <br>Trio-sonata no. 6 in F - 2 recorders & bc <br>Trio-sonata no. 1 in D minor - 2 violins & bc<br>Trio-sonata no. 4 in A minor - 2 recorders & bc <br>Trio-sonata no. 5 in C minor - 2 violins & bc <br>Trio-sonata no. 2 in C major - 2 recorders & bc <br>Trio-sonata no. 3 in A major - 2 violins & bc<br>Duet in F major - 2 recorders <br>Sonata in D minor - recorder & bc | cpo 999 813-2 (Midprice) (Classic Produktion Osnabrück) | England (baroque chamber instrumental) duo blockflöte | January 2001, Sendesaal DLF, Köln / Cologne (DE) | 2002 c | 48:28:00 | Adam J Dopadlik, <i>Recorder Magazine</i> 22(4): 159 (2002). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.camerata-koeln.de/027E.htm | ||||
83 | 82 | Suite & Concertos for Recorder. | <u>Cologne Chamber Orchestra</u> (Kölner Kammerorchester) [Helmut Müller-Brühl]<br>Daniel Rothert (recorder)<br>Elke Martha Umbach (flute) | Georg Phillip Telemann | Suite in A major - recorder & strings<br>Concerto in C major - recorder, strings & bc<br>Concerto in E minor - recorder, flute, strings & bc<br>Concerto in F major - recorder, strings & bc | Naxos 8.554018 | Germany (baroque chamber instrumental) blockflöte | 3 - 6 December 2000, DeutschlandRadio, Funkhaus, Kolh, Sendesaal (DE) | 2001 | 74:43:00 | Alto in f’ after Bressan by Ralf Ehlert<br>Alto in f’ after Rippert by Friedrich von Huene | Patrick Richmond, <i>Recorder Magazine</i> 22(4): 159 (2002). | CD | http://www.naxos.com/gif/554018.gif | ||||
84 | 83 | Dances with Gods. | Piers Adams (recorders)<br>Chris Gander (electronic soundscapes)<br>Pete Lockett (tabla) | Chris Gander<br>Piers Adams | Dances with Gods. <br>Part 1: Shakti<br>Part 2: Dancing Siva <br>Part 3: Kama Deva <br>Part 4: Rati's Lament <br>Part 5: Unity | DWG Productions DWG CD1 | India jazz (raga) (electronics) (dance) solo recorder | (UK) | 2001 | 56:19:00 | Andrew Mayes, <i>Recorder Magazine</i> 22(4): 159 (2002). | We would appreciate further details of this recording, namely Date Recorded, Recorders Used. | CD | http://www.cdvine.co.uk/sh/pages/PiersAdams.html | ||||
85 | 84 | Aspects of Nature. English & Scottish Recorder Music. | John Turner (recorder)<br>Peter Lawson (piano)<br>Eleanor Meynell (soprano)<br>Tom Dunn (viola) | Gordon Crosse<br>William Alwyn<br>Robert Crawford<br>Robin Orr<br>David Dorward<br>Arnold Cooke<br>Robin Holloway<br>John McLeod<br>Benjamin Britten | Watermusic - recorder & piano (Crosse)<br>Seascapes - soprano, recorder & piano (Alwyn)<br>Variations on a Ground - recorder & piano (Crawford)<br>Three Pastorals - recorder (Orr)<br>Whigmaleerie - recorder & piano (Dorward)<br>The Long, the Short & the Tall - recorders & piano (Dorward)<br>Three Flower Songs - soprano & recorder (Cooke)<br>A Wayside Daisy - recorder & piano (Holloway)<br>Rainbow - recorder & piano (McLeod)<br>Three Two-part Inventions - recorder & viola (Crawford)<br>Rondeau des Oiseaux - solo recorder (Orr)<br>I Wonder as I Wander - soprano & recorder (arr. Benjamin Britten) | Olympia OCD 714 | England Scotland (contemporary chamber vocal secular) solo recorder | September 12-13, 2001, Concert Hall in the Department of Music at Manchester University (UK) | 2002 | 69:41:00 | Andrew Mayes, <i>Recorder Magazine</i> 22(4): 159-160 (2002). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://ecx.images-amazon.com/images/I/41GHNWNW1NL.jpg | ||||
86 | 85 | Concerti per mandolini. Concerti per molti strumente. | <u>Europa Galante</u> [Fabio Biondi]<br>Fabio Biondi (violin)<br>Sonia Maurer (mandolin)<br>Giovanni Scaramuzzino (mandolin)<br>Giangiacomo Pinardi (theorbo)<br>Fabio Biondi (tromba marina, English violet)<br>Petr Zejfart (recorder)<br>Lorenzo Colitto (tromba marina)<br>Maurice Steger (recorder)<br>Carlos Riera (chalumeau)<br>Gili Rinot (chalumeau)<br>Ugo Nastrucci (theorbo)<br>Maurizio Naddeo (cello)<br>François De Rudder (bassoon)<br>Simone Toni (oboe)<br>Stefano Vezzani (oboe)<br>Raffaello Negri (violin)<br>Antonio Fantinuoli (cello)<br>Sergio Ciomei (harpsichord)<br>Claudio Pinardi (oboe)<br>Paola Erdas (harpsichord)<br>Ernest Braucher (English violet)<br>Luca Giardini (tromba marina)<br>Renata Spotti (tromba marina)<br>Carla Marotta (violin) | Antonio Vivaldi | Concertos, RV 425 & 532 - 1 & 2 mandolines<br>Concerto, RV 558 - 2 violini in tromba marina, 2 recorders, 2 mandolines, 2 chalumeaux, 2 theorbos & cello<br>Concerto, RV 676 - violin, 2 recorders, 3 oboes & bassoon<br>Concerto, RV 564 - 2 violins, 2 cellos & strings<br>Concerto, RV 319 - violin solo, 2 oboes, bassoon & strings<br>Concerto, RV 555 - 3 violins, oboe, 2 recorders, 2 viole all'inglese, chalumeau, 2 cellos, 2 harpsichords & 2 violins in tromba marina | Virgin Veritas 7243 5 45527 | Italy (baroque orchestral instrumental) duo flauto dolce flauto diritto blockflöte | 9 - 12 October 2001, San Giovanni Evangelista, Parma (IT) | 2003 | 67:29:00 | We would appreciate further details of this recording, namely Recorders Used, Reviews. | CD | http://www.musicweb.uk.net/classrev/2002/Nov02/vivaldi_concertos_for_mandolins.htm | |||||
87 | 86 | Maurice Steger. Portrait. | Maurice Steger (recorder)<br><u>I Barocchisti</u> [Diego Fasolis]<br>Naoki Kitaya (harpsichord, virginals, organ)<br>diego Fasolis (organ)<br>Duilio Galfetti (violin, mandoline)<br>Marco Bianchi (violin)<br>Marco Testori, Martin Zeller (cello)<br>Guido Balestracci, Lorenz Duftschmid (viol)<br>Roberto Sensi (violone)<br>Yasunori Imamura (theorbo, guitar)<br>Eric Bellocq (lute, theorbo)<br>Brian Feehan (theorbo)<br>Irene Müller-Glasewald (harpsichord)<br>Martina Schobersberger (virginal, organ) | Anonymous<br>Robert Johnson<br>Giovanni Coperario<br>Giles Farnaby<br>Robert Carr, ed<br>Antonio Vivaldi<br>John Hilton<br>Georg Philipp Telemann<br>Marco Uccellini<br>Francesco Mancini<br>Giovanni Pandolfi Mealli<br>Henry Purcell | Jacobean Masque (collected by Sir Nicolas le Strange): The Temple anticke 1, The Fairy Masque (R. Johnson), Gray's Inn or Cuperaree (Coperario), The Lord Zouches Maske (Farnaby).<br>An Italian Ground (R. Carr)<br>Concerto in F major RV 434 'Tutti gli instrumenti sordini' (Vivaldi)<br>Fantasie in G minor (Hilton)<br>Sonatina in C minor (Telemann)<br>Aria sopra 'La Bergamasca' (Uccellini)<br>Sonata IV in A minor (Mancini)<br>Division on a Ground (Anonymous)<br>Concerto in A minor RV 108 (Vivaldi)<br>Fantasia I in A major (Telemann)<br>Sonata I 'La Bernabea' (Pandolfi)<br>A New Ground (Purcell) | Claves CD 50-2208<br><br>taken from: 50-9407; CD 50-9614; CD 50-2112; CD 50-9809 compilation | England Germany Italy (baroque chamber instrumental) blockflöte | (CH) | 2002 | 74:29:00 | Adam J. Dopadlik, <i>Recorder Magazine</i> 23(2): 58 (2003). | We would appreciate further details of this recording, namely Date Recorded, Recorders Used. | CD | http://www.mauricesteger.com/d/_d_img/_cds/cd_6_por.jpg | ||||
88 | 87 | Time Signals. | <u>Amsterdam Loeki Stardust Quartet</u><br>Daniel Brüggen<br>Bertho Driever<br>Karel van Steenhoven<br>Paul Leenhouts (recorder quartet) | Adrian Willaert<br>Will Eisma<br>Jacob Obrecht<br>Christian Hollander<br>Tielman Susato<br>Jacobus Clemens non Papa<br>Jacques Buus<br>Anke Brouwer<br>Jan Pz. Sweelinck | A la fontaine du prez (Willaert)<br>In transit (ALSQ)<br>Malva, 1994 (Eisma)<br>Fuga (Obrecht)<br>J'ai pris amours a ma devise (Obrecht)<br>Ave Maria (Hollander)<br>La bataille (Susato)<br>Os loquentium (Clemens)<br>Frais et gaillard (Clemens)<br>Virgo gloriosa Christi, Margaretha (Willaert)<br>Ricercare (Buus)<br>FreeZzz, 1998 (Brouwer)<br>Tes beaux yeux (Sweelinck) | NM Classics 92100 (Qualiton) | Netherlands (renaissance consort instrumental) (contemporary chamber instrumental) quartet blokfluit | 22 - 24 November 1999, Willibrord Studios Veenendaal (NL) | 2001 | 61:46:00 | Thomas Cirtin, <i>American Recorder</i> 44 (1): 34 (2003). | We would appreciate further details of this recording, namely Recorders Used.<br>From owned CD. | CD | http://www.allmusic.com/album/time-signals-mw0001028737 | ||||
89 | 88 | The Age of Josquin. The Grand Tour. | <u>Highland Park Recorder Society & Chamber Orchestra</u> [Robert W. Butts] | Josquin Desprez<br>Antoine Busnois<br>Heinrich Isaac<br>Orlando di Lasso (Lassus)<br>Arcangelo Corelli<br>George Frideric Handel (Händel)<br>Wolfgang Amadeus Mozart<br>Erik Satie<br>Béla Bartok<br>Robert W. Butts | May Song (Butts)<br>La Mer, Un Matin in Septembre (Butts)<br>etc. | RWB Productions BOBCD 20003 | Austria England France Germany Hungary Netherlands USA (renaissance consort instrumental) (baroque orchestral instrumental) (classical) (contemporary chamber instrumental) (recorder orchestra) recorder | 1989 - 1999, on tour (US) | 2000 | 65:54:00 | Thomas Cirtin, <i>American Recorder</i> 44 (1): 34 (2003). | We would appreciate further details of this recording, namely Content, Recorders Used, Cover Image. | CD | |||||
90 | 89 | La imitación de la naturaleza. Musica descriptiva y pastoril. | <u>Grupo de Musica Barroca La Folia</u> [Pedro Bonet]<br>Pedro Bonet (recorder)<br>Ph. Foulon (viol)<br>Alberto Martinez (harpsichord)<br>Adrian Rodriguez (cello) | George Frideric Handel (Händel)<br>François Couperin<br>Jean-Philippe Rameau<br>Nicolas Chédeville-Antonio Vivaldi<br>Jacques-Martin Hotteterre<br>Louis Caix d'Herveloix<br>R. Meares, Mr Hill<br>Joseph Bodin de Boismortier | Sonata in F major, Op. 1:11 (HWV 369) - recorder & bc (Handel)<br>Le rossignol en amour - recorder & harpsichord (Couperin)<br>Le rappel des oisseaux & La Poule - harpsichord (Rameau)<br>Sonata in C major, Op. 13:1 - flute & bc (N. Chédeville-Vivaldi)<br>Troisième Suite - flute & bc (Hotteterre)<br>Rossignol, Cor de chasse & Papillon - viol (Caix d'Hervelois)<br>Tunes for the Linnet, from <i>The Byrd Fancier's Delight</i> (Meares / Hill) - recorder<br>Premier ballet de village - recorder, viol & bc (Boismortier) | Dahiz 017 | England France (baroque chamber instrumental) solo flauta dulce flauta de pico | November 2001 (ES) | 2002 | Alto in f' after Denner by Jacqueline Sorel, voice-flute (tenor in d') after Bressan | We would appreciate further details of this recording, namely Length, Reviews. | CD | http://www.cduniverse.com/images.asp?pid=7107040&style=classical&image=front&title=Bonet%2C+Pedro+%2D+Imitacion+de+Naturaleza+CD | |||||
91 | 90 | Baroque Recorder Concertos. | Pamela Thorby (recorder)<br><u>Sonnerie</u> [Monica Huggett]<br>Monica Huggett, Emilia Benjamin (violin)<br>Katherine McGillivray (viola)<br>Alison McGillivray (cello)<br>Sarah Groser (violone)<br>Matthew Halls (harpsichord, organ) | Antonio Vivaldi<br>Georg Philipp Telemann<br>Giuseppe Sammartini | Concerto per Flautino in G major (Vivaldi)<br>Suite in A minor, TWV 55:a2 (Telemann) 19:63<br>Concerto in F major (G.F. Sammartini)<br>Concerto per Flauto in C minor RV 441 (Vivaldi)<br>Concerto per Flautino in C major (Vivaldi)<br><br>Concertos RV 443, RV 444, RV 441 (Vivaldi) -- | Linn Records CKD 183<br>Linn Records CKD 217 | England Germany Italy (baroque chamber instrumental) recorder | 11 - 13 August 2001, National Centre for Early Music, York (UK) | 2002, 2004 | 68:52:00 | <i>Gramophone</i> August 2002, p. 54, John Duarte: 'It is some time since a recording of Baroque ensemble music gave me so much pleasure and I strongly recommend you to share it - and with me to recall the line: 'Rarely, rarely comest thou, spirit of delight', for that is what this disc conveys.' | We would appreciate further details of this recording, namey Recorders Used, Reviews. | CD | http://www.rockian.biz/new03/ckd217n.htm | ||||
92 | 91 | Fantazia. | <u>Amsterdam Loeki Stardust Quartet</u><br>Daniel Brüggen<br>Bertho Driever<br>Karel van Steenhoven<br>Paul Leenhouts (recorder ensemble) | Henry Purcell<br>Richard Mico<br>John Jenkins | Fantasia for 4 viols in G minor, Z 735 3:59 (Purcell)<br>Fantasia for 4 viols in E minor, Z 741 4:17 (Purcell)<br>Pavans (4) a 4: no. 4 3:37 (Mico)<br>Fantasia for 4 viols in B♭ major, Z 736 4:42 (Purcell)<br>Pavans (4) a 4: no. 1 in C minor 2:56 (Mico)<br>Fantasia for 4 viols in D minor, Z 743 3:23 (Purcell)<br>Fantasia for 4 viols in G major, Z 742 3:30 (Purcell)<br>Fantasia for 4 viols in C minor, Z 738 4:40 (Purcell)<br>Pavan in C minor 5:55 (Jenkins)<br>Chacony for strings in G minor, Z 730 5:47 (Purcell)<br>Fantasia for 4 viols in D minor, Z 739 4:11 (Purcell)<br>Fantasia for 4 viols in F major, Z 737 3:56 (Purcell)<br>Pavane in F minor 6:14 (Jenkins) | Channel Classics CCS 16998 | England (baroque chamber instrumental) quartet blokfluit | February 2001 (NL) | 2002 | 58:00:00 | Eloi Fugue Surroca, <i>Revista de Flauta de Pico</i> 18: 46 (2002) | We would appreciate further details of this recording, namely Recorders Used.<br>From owned CD. | CD | http://www.cduniverse.com/search/xx/music/pid/2747595/a/Purcell:+Fantazia+%2F+Amsterdam+Loeki+Stardust+Quartet.htm | ||||
93 | 92 | Ephemera & other works. | Louisa Hunter-Bradley (recorder)<br><u>Past Echoes Collegium</u> [Greg Dikmans]<br>Dean Sky-Lucas (piano) | Robin Bradley | Ephemera<br>Lullaby & 3 Dreams<br>Contrapuntal Dialogues<br>Introduction & Passacaglia<br>Concerto for alto recorder & strings | private recording | Australia (contemporary chamber instrumental) recorder | (AU) | 2002 | We would appreciate further details of this recording, namely Date Recorded, Length, Reviews | CD | http://www.pastechoes.com/Merchandise.htm | ||||||
94 | 93 | Chamber Cantatas & Trio-sonatas. | Christine Brandes (soprano)<br>Jennifer Lane (mezzosoprano)<br><u>Musica Pacifica</u><br>Judith Linsenberg (recorder)<br>Elizabeth Blumenstock (violin)<br>David Morris (cello)<br>Michael Eagan (archlute)<br>Byron Schenkman (harpsichord, organ) | Georg Philipp Telemann | Sonata 6 in D major, from <i>Sonates corellisantes</i> TWV 42:D8<br>Cantata 4 'In gering und rauhen Schalen' TWV 1:941<br>Cantata 33 'Ergeuss dich zur Salbung der schmachtenden Seele' TWV 1:447<br>Sonata 4 in E major, from <i>Sonates corellisantes</i> TWV 42:E3 <br>Cantata 45 'Durchsuche dich, O stolzer Geist' TWV 1:399<br>Cantata 1 'Halt ein mit deinem Wetterstrahle' TWV 1:715<br>Cantata 53 'Erwäg', O Mensch' TWV 1:229 | Dorian DOR 93239 (Sono Luminus) | Germany (baroque chamber instrumental) (cantata) recorder | 10 - 12 April 1998; 4 - 5 January 2001 (tracks 6-8, 16-18, 22-24) (US) | 2001 | 77:18:00 | Recorders by Henri Gohin: voice-flute after Bressan<br>Recorders by Frederick Morgan: alto after Bressan, alto after Denner<br>Recorders by Jean-Luc Boudreau: voice-flute after Denner | <i>Early Music America magazine</i>, Spring 2002<br><i>American Recorder Guide</i>, Jan/Feb, 2002<br><i>Fanfare</i> Jan/Feb, 2002<br><i>Audiophile Audition</i>, Nov, 2001<br>CMA/WQXR Record Award 2003 | CD | http://www.arkivmusic.com/classical/Drilldown;jsessionid=DEE598E5BC374D6948E4571A48E71FD7?name_id1=11975&name_role1=1&genre=70&bcorder=19&comp_id=105621 | ||||
95 | 94 | Music for Flute, Vol. 2. | Philippe Allain-Dupre (flute)<br>Philippe Pierlot (viol)<br>Laurence Pottier (recorder)<br>Yasuko Uyama-Bouvard (harpsichord) | Jacques-Martin Hotteterre | Prelude in G minor (<i>L'Art de Préluder, Oeuvre VIIème</i>)<br>Première suite in G minor (Suite 1)<br>Deuxième suite transposée en mi mineur pour la flûte à bec (Suite 2 in E minor transposed for recorder)<br>Première suite (<i>Oeuvre IVème de pièces à deux dessus</i>) (Suite 1)<br>Troisième suite in D major (Suite 3) | Naxos 8.553708 | France (baroque chamber instrumental) flûte à bec | 13 - 17 November 1995, Church of Saint Hyppolithe, Le Tarn, Castres (FR) | 1996 | 71:46:00 | Alto in f', after Charles Bizey, by Philippe Bolton | Sound Files: <a href=http://www.naxos.com/naxos/naxos_marco_polo.htm>here</a> & <a href=http://www.chez.com/mlledeguise/laurence.html>there</a>.<br><br>We would appreciate further details of this recording, namely Reviews. | CD | http://www.naxos.com/gif/553708.gif | ||||
96 | 95 | Medée fu, Ballades et ballate. | <u>Tritonus XIV</u><br>Patricia Paz (voice)<br>Fernando Paz (recorder)<br>Leonardo Luckert (viol)<br>José Manuel Navarro (viol) | Francesco Landini<br>Johannes Ciconia<br>Solage<br>Mag. Zacharias<br>J.R. 'Trebor' (Borlet)<br>Simon de Haspre<br>Anonymous | Che cosa è quest'amor, ballata (Landini)<br>Quant joyne cuer, ballade (Borlet)<br>Istanpitta 'Tre Fontane' <br>Una panthera, madrigal a 3 voix, C 52 (Ciconia)<br>Fumeux, fume par fumee, ballade a 3 voix (Solage)<br>Fortuna ria, ballata (Landini)<br>Istanpitta Isabella <br>Medée fu, ballade (Haspre)<br>Nella mi' vita, ballata (Landini)<br>Credo from <i>Missa à 3 ou 4 voix</i> (<i>Trento 87</i>) (Ciconia)<br>Tres dous compains, chasse<br>Sumite karissimi, ballata (Zacharias)<br>En seumeillant, chanson (Trebor) | Verso VRS 2005 | France Italy (medieval vocal sacred) flauta dulce flauta de pico | 2001 (ES) | 2002 | 60:10:00 | Recorders by Meili, Musch & Richardson. | Marianne Mezger, <i>Recorder Magazine</i> 23(1): 19 (2003). | CD | http://www.iclassics.com/productDetail?contentId=12838 | ||||
97 | 96 | Carmina Burana. The songs from Benediktbeuren. | <u>Ensemble Unicorn</u> [Michael Posch]<br><u>Ensemble Oni Wytars</u> [Marco Ambrosini]<br>Bernhard Landauer (countertenor)<br>Eric Mentzel (tenor)<br>Peter Rabanser (tenor, bagpipes, mandola)<br>Marco Ambrosini (fiddle, chorus)<br>Thomas Wimmer (fiddle, lute, chorus)<br>Riccardo Delfino (harp, hurdy-gurdy, chorus)<br>Michael Posch (recorder, chorus)<br>Katharina Dustmann (framedrums, Landknechtstrommel, tambourine, chours)<br>Wolfgang Reithofer (Landknechttrommel, tambourine, xylophone, bells) | Carmina Burana codex | Bache, bene venies, CB 200<br>Axe Phebus aureo, CB 71<br>Clauso cronos, CB 85<br>Katerine collaudemus, CB 19 supp.<br>Fas et nefas, CB 19<br>Tempus transit gelidum, CB 153<br>Ich was ein Chint so wolgetan, CB 185<br>Ecce torpet probitas, CB 3<br>Exiit dilucolo, CB 90<br>Vite perdite, CB 31<br>Procurans odium, CB 12<br>Celum, non animum, CB 15<br>Tempus est iocundum, CB 179 | Naxos 8.554837 | Germany (medieval vocal secular) blockflöte | 18 - 21 May 1997, Karthaus Mauerbach (DE) | 1999 | 55:45:00 | Adam J. Dopadlik, <i>Recorder Magazine</i> 23 (1): 19 (2003). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.musicweb.uk.net/classrev/2003/Aug03/Carmina_Burana.htm | ||||
98 | 97 | Overture & 3 Concertos. | <u>Arte dei Suonatori</u> [Aureliusz Golinski]<br>Dan Laurin (recorder)<br>Mark Caudle (viol) | Georg Phillip Telemann | Overture (Suite) in A minor - recorder & strings<br>Concerto in F major<br>Concerto in A minor - recorder & viol<br>Concerto in C major | BIS CD 1185<br>BIS CD 311185 (midprice) | Germany (baroque chamber instrumental) blockflöjt | November 2000, Senior Catholic Seminary, Jordanowo-Paradyz (PL) | 2002, 2004 ? | 76:45:00 | Andrew Mayes, <i>Recorder Magazine</i> 23 (1): 19-20 (2003). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.bis.se/bis_pages/bis_baroque.php | ||||
99 | 98 | Nightmare in Venice. | <u>Red Priest</u><br>Piers Adams (recorder)<br>Julia Bishop (violin)<br>Angela East (cello)<br>Howard Beach (harpsichord) | Antonio Vivaldi<br>Robert Johnson<br>Nicholas LeStrange<br>Giovanni Paolo Cima<br>Dario Castello<br>Henry Purcell<br>Jean-Marie Leclair<br>Arcangello Corelli | Concerto La Notte RV 439 (Vivaldi)<br>Concerto Grosso in A minor (Vivaldi)<br>Satyrs' Masque, Flatt Masque (R. Johnson)<br>Sonata a Tre (Cima)<br>Sonata Decima (Castello)<br>Suite from The Fairy Queen (Purcell)<br>Suite from Scylla et Glaucus (Leclair)<br>Fantasy on [Sonata Op. 5:12] La Follia (Corelli) | Dorian DOR 90305 | England France Italy (baroque chamber instrumental) solo recorder | May 2001, Domaine Forget in Saint-Irénée, Québec (CA) | 2002 | 65:54:00 | Louise Phillips, <i>Recorder Magazine</i> 23(1): 20 (2003). | We would appreciate further details of this recording, namely Recorders Used. | CD | http://www.dorian.com/newbig/dorian/graphics/90305s.gif | ||||
100 | 99 | Moderne Blockflöte.<br>Neue Musik für Blockflöte. Vol. 6. Moderne Blockflöte. | Karsten Behrmann (recorder)<br>Rita Laugs (harpsichord)<br>Oda Kleemann (piano) | Darius Milhaud<br>Albert Roussel<br>Francis Poulenc<br>Georges Auric<br>Paul Höffer<br>Henk Badings<br>Cyril Scott | Aus der sammlung pipeaux, 1934:<br>. Exercice musical pour pipeau, flute ou flageolet (avec ou sans piano) (Milhaud)<br>. Pipe for piccolo and piano (Roussel)<br>. Villanelle for flute and piano (Poulenc)<br>. Scherzo pour piccolo (Auric)<br>Suite für Blockflöte und klavier, 1947 (Höffer)<br><br>Sonate für Blockflöte und cembalo, 1957, sonata (Badings)<br>Aubade für Blockflöte und klavier, 1953 (Scott) | Da camera magna SM 93502<br>Cadenza 800921 | England France Netherlands (contemporary chamber instrumental) solo blockflöte | 7 June 1969, da camera tonstudio, Heidelberg-Wieblingen (DE) | 1969, 2002 | 19:50, 19:23 (39:13) own timing | Paul Simmonds, <i>Recorder Magazine</i> 23(1): 20 (2003). | Album can be downloaded in MPG3 format <a href=http://www.mp3fiesta.com/milhaud_roussel_poulenc_auric_treble_recorder_blockflote_album230742/>here</a><br>We would appreciate further details of this recording, notably Recorders Used.<br>From owned LP. | LP CD | http://www.bayermusicgroup.de/numcadenza/cad800921.htm |