A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | LEFT themes/tendencies | solo code | tuner dial | solo code | themes/tendencies RIGHT | |||||||||||||||||||||
2 | note: shambibble's subjective opinion running the eyeball test with ~30 different prompts of varying subject/rawness/length. very strong tendencies are highlighted but all tendencies can be prompted "against". recommend this (esp the first-row blank prompt) for a visual aid | |||||||||||||||||||||||||
3 | high-contrast, shading, photos (in raw). semi-confirmed as default --stylize | 3R8QsWBo | DIAL 1 | 6m0aSR7w | low-contrast, art (in raw), flatter composition, possibly like --weird? | |||||||||||||||||||||
4 | white-heavy, stylized, anti-photograph | cB9uVDpQ | DIAL 2 | k5JubmYe | hard (even unflattering) photographic bias | |||||||||||||||||||||
5 | brightness, "innocence", isolated on white background | CPbsjHRc | DIAL 3 | ZiVq4Uwm | horror, skulls, busy, think speed metal album cover | |||||||||||||||||||||
6 | maximalism, high-contrast, lens flare, gaudy vegas stripper ad aesthetic | 1TvhktVbg | DIAL 4 | 2YWvdLxaK | minimalism, low-contrast, "intentional" ugliness | |||||||||||||||||||||
7 | high-contrast, chaotic surrealism, olive color scheme | 5HxyWYz9s | DIAL 5 | 8XReCPp7U | white/cool colors, flat cartoons (spontaneous lineart in raw) | |||||||||||||||||||||
8 | colorful close-ups, cartoonish caricature detail | h7EpOsv42 | DIAL 6 | qUBqQ10Zo | wide shots, anti-portrait (prefers dark silhouettes) | |||||||||||||||||||||
9 | busy collections of things, colorful, funky angles | PnYYoUiNM | DIAL 7 | 1iKQ1tzQzQ | dark, desaturated, isolated subjects | |||||||||||||||||||||
10 | surrealist or CGI toon look (big eyes, smooth color) | 2uaYEafI10 | DIAL 8 | 3UhxNogllc | 2D realism, artistic precision, wide shots | |||||||||||||||||||||
11 | black-heavy, big shapes (w/ texture), anti-portrait | 7sxXFshVEG | DIAL 9 | bIRF78jPDg | busy portraits, teal/orange, lots of "typical midjourney" | |||||||||||||||||||||
12 | isolated, monochrome subjects, super-depressing | mnEUJkoAzI | DIAL 10 | zaC14muivs | EPIC RAINBOW VOMIT | |||||||||||||||||||||
13 | cool muted colors, wispyness, obscured elements | 158ZLUWIzkO | DIAL 11 | 1HvR4W2ZH82 | strong earth tones, busy, cyborgish | |||||||||||||||||||||
14 | horror (not as skull-forward as 3R), smoothness, realism | 3fr0ltNGvC6 | DIAL 12 | 56xAgx6vSZM | stylized w/ thicc lines, colorful with no dominant shade | |||||||||||||||||||||
15 | brown and green (forests), repeating subject tendencies | 9Kj24amAkrY | DIAL 13 | fjCLPkh4sB0 | strong isolation on plain background, accent colors | |||||||||||||||||||||
16 | VERY white-heavy, hazy or unfinished, *polite cough* | teV7ee3hMXA | DIAL 14 | JWSkvHMKboG | deep dramatic teal and orange, bold lines, masc subjects | |||||||||||||||||||||
17 | high-contrast with deep lines/shadows, primary color accents | 1pILmIp7oauq | DIAL 15 | 2dQD0yQjLlNI | --v 3 stylize (pink/blue colors, puffy clouds) | |||||||||||||||||||||
18 | VERY biased to close-ups (slight realist/baby tendencies as a result) | 4fai7aWjHj4W | DIAL 16 | 6FxT2IfUOR0O | VERY biased to wide action shots / isolated subjects and sketchiness | |||||||||||||||||||||
19 | strong vignette effect, mild isolation, and... hats? | cJuSmyxUCIQu | DIAL 17 | k0DF9auHZmE6 | flames/waves, busy and jagged | |||||||||||||||||||||
20 | heavily stylized and cluttered collages, anti-photography bias | CcuD6HmHoY98 | DIAL 18 | Y1UZsxd5uTxY | skews young, blurry close-ups with no bodies (dimmer, weaker 16L) | |||||||||||||||||||||
21 | side/turned angles, repeating tendencies | 1QBtTl7P3JI34 | DIAL 19 | 2U5KYoDme1ufA | horror (slightly clownish/gothic), light backgrounds | |||||||||||||||||||||
22 | lineless, dark colors | 5xOrG2pc8JVKS | DIAL 20 | 8IhgVcVNDBgmq | busy lineart with light colors | |||||||||||||||||||||
23 | fabric/cloud ripples, faded contrast, pastels | gDrl28fjnKASi | DIAL 21 | q8POLDP7SkAGW | gaudy, high-contrast colors on black (--vegas) | |||||||||||||||||||||
24 | heavy repeating, isolation tendencies, tan skin | NUk16pLF6MAey | DIAL 22 | 1gqvsiWv6AwzGu | flat painterly style, headshots, pale skin | |||||||||||||||||||||
25 | magenta+rainbow bias (less 3-D than 10R), busy/repeating | 2pIY3jgkIhSyjk | DIAL 23 | 3NhwmUQx2J6wF8 | anti-photograph but not anti-3D (pro-shading/highlights), dim/creepy dolls | |||||||||||||||||||||
26 | wes anderson-ish color contrasts and flat composition | 7faU9VO1RPasxE | DIAL 24 | bnQz6KyCR8QnB4 | texturing emphasis, faces partially drawn (or angled/cropped) | |||||||||||||||||||||
27 | --blackgirlmagic (afro subjects w/ colorful accents), circles/bubbles | lJwItNr7kr2beC | DIAL 25 | y9xHkfGUio3WoS | desaturated photorealism, zombies (or eyeliner), hazy background | |||||||||||||||||||||
28 | claymation/3-D surrealism, slight horror/caricature bias | 13cA9roknIgDljw | DIAL 26 | 1EsD5YL5KC7ICOi | black-heavy, busy detail, very dark/deep colors | |||||||||||||||||||||
29 | wide shots of fem subjects in coats, red-on-green coloring | 39BKskb0aRLqPye | DIAL 27 | 4XnThWhihzkGG2y | diagonal accents (god rays, cross-hatching), masc subjects | |||||||||||||||||||||
30 | busy color, exaggerated expressions, strong multiple subject bias | 9sPfmYx1ykfPigm | DIAL 28 | eS9FROPTSqXAPJk | expressionless faces, greyscale, dark backgrounds | |||||||||||||||||||||
31 | colorful paint splashes (impasto), tight framing | sotK6VB5GHJ0GoK | DIAL 29 | ICt1BsvIF1QjiNE | black-heavy, unshaded, glowing subjects | |||||||||||||||||||||
32 | multiple subject bias, often an animal (person + pet), skews b/w | 1nbrekMNi5Q8yQNU | DIAL 30 | 29Rp4Onxb0OusI0C | dramatic lighting effects (lensflare, colored lights), lineless art | |||||||||||||||||||||
33 | floating elements, colored/gradient backgrounds | 47yjH0mnTjfndm1o | DIAL 31 | 6tAder8By4aqUVDw | ruffled/accessorized clothing, accent colors | |||||||||||||||||||||
34 | white-heavy with blue/green colors, busy wide shots | cmEX5159GXt5aRFQ | DIAL 32 | jqKDHjpOFeeghAwe | VERY black-heavy, ichor splashes, repeating subjects | |||||||||||||||||||||
35 | photographic human bias, backlighting | B5YRf3ft5U8d3oDc | DIAL 33 | WifV5Wfs0IpKnzam | anti-photography (even raw), zoomed-out or bighead subjects, grungy | |||||||||||||||||||||
36 | side/rear view bias, low-contrast, circular emblems/halos | 1NhWzJ9KpiK7AGZvg | DIAL 34 | 2OSLLhOKm3aYcFv6K | HR Giger stuff, detailed lines/strands off everything | |||||||||||||||||||||
37 | blobs/voxels, multiple contrasting colors, *polite cough* | 5nRPJbtfdVg5JBM7s | DIAL 35 | 8sEjhRsf4ayDzxiVU | shadowed/obscured subjects, black-heavy, all-or-nothing eyes | |||||||||||||||||||||
38 | VERY heavy two-subject bias, often w/ color-split | g9BvbypJFMO0am7Y2 | DIAL 36 | pnWVRAmJcwHDG8Ipo | flat unshaded stylization, slight isometric perspective bias, polygons | |||||||||||||||||||||
39 | cartoon google eyes (but w/ 3-D bias), excessive details | MsOvyFfd1nrJsBbvM | DIAL 37 | 1e9QNAL6bBB8DZWWPQ | black-heavy, sunglasses/shut eyes, flat composition | |||||||||||||||||||||
40 | cherubic portraits, flowers and colorful swirls | 2lorwFZJD49mVlkm90 | DIAL 38 | 3GtyoMhiyOOrEXnE7c | VERY desaturated (unprompted b/w on raw), skews old | |||||||||||||||||||||
41 | desaturated and white-heavy, stylized rubberhose cartoons | 72bkA1ZcTct8uZvS2G | DIAL 39 | b3qFckPTGssmHPFJXg | black-heavy, deep colors, colored faces (either dark-skinned or artistic) | |||||||||||||||||||||
42 | salmon-pink tones, busy swarms, cronenberg-ish body horror | l6xZK5XCFBqrdW4pJI | DIAL 40 | xahZB0vH3no7Qsy1ts | off-center subjects, black/blue colors, asians (in photorealism) | |||||||||||||||||||||
43 | verticality (poles, ropes), sky backgrounds, weird POVs, photorealism | 11jDZehSS0OiloLK2OO | DIAL 41 | 1BuRYN1x5a8bpglaS22 | black-heavy, skews young, muddy and blurry, random dark spots | |||||||||||||||||||||
44 | night scenes, surreal purple-fwd colors, vanishing point lines | 33WVXGREC2qU3VgKW46 | DIAL 42 | 4OuBWn4BfuozfvZ3pHM | sludgy and chaotic backgrounds, pale green/yellow, blonde bias | |||||||||||||||||||||
45 | CGI/hyperrealism, tentacles (or wavy hair/curvy lines), soft lighting | 9bQNT4AXQ7iJduLNBNY | DIAL 43 | ertPP7dNKtbIMgUH2J0 | red-on-black, horizon bias, glitchy backgrounds | |||||||||||||||||||||
46 | primary color contrast (RYB), realism, dripping paint | rzypFdMTwlUcGdgVD1A | DIAL 44 | HkrvtlFpfpzbmxHBVMG | distorted faces, purple-grey goth look, long hair | |||||||||||||||||||||
47 | VERY soft focus, desaturated teal, photorealistic bias | 1kIFeZFmGz3ID4mMjGGq | DIAL 45 | 25Zkwq30dKeHz7m4mAXI | horror (red/black stylized w/ lots of fangs), flat colors | |||||||||||||||||||||
48 | grey-heavy (dim lighting, low contrast), repeating subjects | 409ZIZ063Hb9UePitREW | DIAL 46 | 6hXZzg90FeI6InNaCAuO | horror (cutesy halloween stuff, bat wings, witch hats), dripping paint | |||||||||||||||||||||
49 | heavy split-complementary color contrast, masks/facepaint | c0tZaX0ib5xtJKcQYoAu | DIAL 47 | iRTYHMr1ZI8kab6toz66 | white-heavy, beige/brown coloring, cartoon/anime bias | |||||||||||||||||||||
50 | anti-realism (tanks photo prompts), red/purple forward | A1rXwR0SxgCreglwrZn8 | DIAL 48 | UBHW7lj5Z8oYvz2nIuTY | "photorealistic art", white-heavy (well-lit, few shadows) | |||||||||||||||||||||
51 | red/orange forward, bias towards engraving-type lineart | 1K4lSAz2DBNRjHOLwSLJ4 | DIAL 49 | 2JP7Om1VhXpcVxIQ6GijA | photo/3-D bias, pink blobs, unsettling cutesy-ness | |||||||||||||||||||||
52 | black-heavy and desaturated, smoky backgrounds | 5ed3DLH7UPpzX8u1yb6MS | DIAL 50 | 8dtnr45LRSdCMEcfhzGyq | broad shapes (either close-ups or stylized art), light blue forward | |||||||||||||||||||||
53 | white-heavy, skews young, hats/horns/headgear | fGDaVj5nKueJRqtNC47Yi | DIAL 51 | oEq8jchjBCESlXCsOfRgW | "shape" backgrounds (stylized lines or buildings), solid black portions | |||||||||||||||||||||
54 | 3-D bias with smooth textures, high-contrast b/w chunks | L3TwLVg9fsIdAit7NJbwy | DIAL 52 | 1bXgoVAPWORYD3TT7oinqu | fine detail all over (resists plain backgrounds, outdoor horizons, photos) | |||||||||||||||||||||
55 | swirly blacks and deep cool colors, slight architecture bias | 2hbGAjLMrKo8EKUr6mImbk | DIAL 53 | 3zRNcMMvQsBVTbIH58pVT8 | smooth untextured surrealism, flat composition, red/brown bias | |||||||||||||||||||||
56 | washed-out red/teal surrealism, portrait/eye shape bias | 6Pz3KXjllfapYgKl23FS9E | DIAL 54 | aJBnCmlxxnPNFzb6YmMBh4 | VERY strong black/brown bias (darkness, autumn, afro subjects) | |||||||||||||||||||||
57 | white-heavy, flowing busy-ness/liquid splashes, multiple subjects | kuHbgRW21JvfUOg2P8yq4C | DIAL 55 | wcO8R52CC9vp0HymE3SBqS | VERY strong tendency towards "light glowing in fog", pedestals | |||||||||||||||||||||
58 | black-heavy, flowing busy-ness/liquid splashes, fem subjects | Zu5xOBO65cvLKqNacnc3Pw | DIAL 56 | 1yCqqzf7RQswd26G7F9aBUi | non-human bias (animals, grotesques), low-contrast patterns/symmetry | |||||||||||||||||||||
59 | pink and white blobs (clouds, candy, headgear), busy depth | 2YsgDrPqifBxjfiowk56Z6e | DIAL 57 | 4FRhhHJnBxnyD6k3oIp2Dky | outer line/grid patterns swirling towards center, deep yellow-forward colors | |||||||||||||||||||||
60 | VERY deep blue/orange bias, cinematic lighting, --hollywood | 8VmNUlugSKOBVJTcAHcRKUm | DIAL 58 | e1zPR7c8OC8FTiYbdSaEHBk | hazy pinks/greens (like 55R fog but no lighting), repeating subjects | |||||||||||||||||||||
61 | VERY white-heavy (but strong subject diversity!), cloudy winter haze | qM6pJ2sOEgrPNdFCNOA84kK | DIAL 59 | G4JvzlAqrQq1FUUyHltuUpE | hilarious multiple/repeating element bias, dark high-contrast colors | |||||||||||||||||||||
62 | big moe eyes, dark colors (modest pink/purple bias) | 1ikjfb7orWNlvnF0TraHV0BU | DIAL 60 | 22ecwI2Lhlxg51KJH7Lo1wQC | surrealism, side profile views, weak bias to flat paper/collage looks | |||||||||||||||||||||
63 | dark mottled reds and greens, dense swirly painting, portrait bias | 3SYVJxmblQo2w8Z2Hlf5hPro | DIAL 61 | 66GBA88hQ2BMf5gd6p17Bo9w | blue/pink gender reveal colors, 3-D/photorealism, *polite cough* | |||||||||||||||||||||
64 | glowing eyes under goth eyeliner, deep black/yellow forward colors | bEWNcC4y3xa7yqX873sdohVQ | DIAL 62 | ik3OKooRw7PkJfMDkeMkkY4e | anti-eye bias (lids shut/side view/distant zoom), animals, open mouths | |||||||||||||||||||||
65 | black-heavy, shadowed subjects, deep warm tones | yYQnBQdEaBumFiRomc5BHFpc | DIAL 63 | SYbsfbcAynu0bLlTZK3WxHOm | surrealist close-ups, wide eyes, dilated pupils, slight verticality bias | |||||||||||||||||||||
66 | beige-heavy creepy doll surrealism | 1GWx8PwEWvOt5ZUAb5BZMDNPg | DIAL 64 | 2EUymJxBLF8s0zi3I0fUN9V2K | busy square backgrounds, asian bias, black-heavy w/ neon green/yellow | |||||||||||||||||||||
67 | floating elements (balloons, cthulus), shading and soft focus | 54PBquzYPxrphZJKxhRIjsd5s | DIAL 65 | 7YJF6cCPiZpm1HSb81Ntl0yJU | colorful w/ RBY primary bias, busy, slight lineless illustration bias | |||||||||||||||||||||
68 | pink/green, eye/portrait bias | feuOhtJWuCkdRZdfBSCRTTqS2 | DIAL 66 | nWcZiBStUYe457Cxo6q8YytPo | blue/yellow, floaty/flying stuff, swirly landscapes and animals | |||||||||||||||||||||
69 | multiple subjects, multiple eye bias (lots of multi-ocular weirdness) | JHuqQrdPtQYFBXDKPEUkFd6dM | DIAL 67 | 19OCXTPDrKUGcfmRCaki9Tcf5Q | anti-eye bias similar to 62R, low-contrast, flat shading, pale skin | |||||||||||||||||||||
70 | vertical subjects (standing pose), repeating backgrounds, red bias | 2d6tixjFuryW0PSVguZKIXa6h0 | DIAL 68 | 3trSTHuUlgK2AK6AQuZUcD7wTc | strong animal bias, distorted/chimeric people, colorful clouds | |||||||||||||||||||||
71 | isolated subjects, beige-forward desaturation, realistic painting | 6DjpTBX0tkGO2vELNv0hTP16qG | DIAL 69 | aqlEH6uJ1Oe7MejMxv0KkQTohg | photographs w/ artistic filters, cool color bias, multiple subjects | |||||||||||||||||||||
72 | horizontal bias (horizons, stripes, rectangles), human/animal pairings | jTWfGPR1q04q7wYjov1TqqA6TI | DIAL 70 | vh2Y5jub5qGnkGXlCv3gJwcYrs | big circles, roundness (tunnels, wheels, cherubic faces) | |||||||||||||||||||||
73 | horror (red-forward, hellraiser-esque bloody wounds and chains) | XHOL4vz4g0dgmAUWbv6I0fh8iO | DIAL 71 | 1vP8UfWsxgi3804S2RvaPVw9IW2 | blue-green forward, smooth shading, outdoor/nature bias | |||||||||||||||||||||
74 | anti-coherency, dark low-contrast chaos blobs, claymation/CGI | 2T7shdwHcM0DN5MKOyvl9JHmcw6 | DIAL 72 | 4xtqILPnBMS9o0eC8AvxxvvZYpM | face/portrait bias, vanishing point backgrounds | |||||||||||||||||||||
75 | like 70L but close-up, vertical moai faces, grotesque photorealism | 8FmmPEA5Ck1VnhmgrFw2uW3Bp9Y | DIAL 73 | dCqiaju8PmCsa0HQpLwDEfvwIR0 | wide shots, cartoon styling, fem subjects w/ long flowing hair | |||||||||||||||||||||
76 | fleshy bias, pink/beige organic subjects, *polite cough* | q056uXKgQY5M7Q4Nl0y8wx8l15A | DIAL 74 | ERgSuWsqu5Rmu27xfizVYtu6YaG | stylized nighttime halloween-type landscapes, broad color contrasts | |||||||||||||||||||||
77 | painterly, soft focus w/ blurry edges, light subject on dark background | 1g0fjuTeOyUhknweo11EqBkmxQSq | DIAL 75 | 1YzODuPnhshA5s6mBJTJOX9pRI7I | collage/paper textures, primitive surrealism, clashing color spatter | |||||||||||||||||||||
78 | anti-coherency, like 72L but w/ light low-contrast chaos blobs | 3M0JWuFIrGIPZ8yHa34XiPI3ameW | DIAL 76 | 5VJrUuu7QmQKgmj5PdHdtTbd7VYO | blue bias, dramatic foreground/background contrast, *polite cough* | |||||||||||||||||||||
79 | VERY black-heavy, swirling liquids/flooding, busy all over --carcosa | bk2dPu19l4avXpG5u9eRVwR71Sku | DIAL 77 | hNclJtsnx6yeN4VhtF5EsHgAUBy6 | bright colors, very flat composition, "pretty" bias | |||||||||||||||||||||
80 | radial composition pointing to center, anti-photograph | xY6Fus3s1cvxSf2gsrIBNCiiCqB8 | DIAL 78 | RnB3cqn8BjEIneLQqZgXp7wKgCfY | dim low-contrast realism, subjects skew young and masc | |||||||||||||||||||||
81 | black-heavy, favors silhouettes and dramatic shading, eye/face bias | 1DUk0tmam3BwDCJ6Nnl9PpSBRo5p4 | DIAL 79 | 2A8N9Bh7pNWY97IjxiXOSeojckEnA | realistic ugliness (similar to 2R except not as photographic) | |||||||||||||||||||||
82 | close-up shots, isolated subjects | 4VIY1q4v4aOzUSbko81tugFyxH3OS | DIAL 80 | 7KqnsNPmfpQUrn8WBUTsCIcEywKKq | cloudy sky backgrounds, busy, outdoor/nature bias | |||||||||||||||||||||
83 | bright green bias, primitive drawings, repeating background elements | eNaU4gdvcwrJKCxZao4qsP2oABZ4i | DIAL 81 | nfh8opu4KfyJk7qPPKGnS9DGD73QW | blue/orange, all-over detail, deep composition, detailed shading | |||||||||||||||||||||
84 | deep composition, flowing elements, desaturated blue/grey | InwIcMEvBzldfRDXvadhou8UJmKOy | DIAL 82 | 17JPpbeseeKGbYmivvg39CtWMQRZau | wings/flying, flat and busy surrealism, pastel painting, color clash | |||||||||||||||||||||
85 | white-heavy, wide shots, simple/stylized backgrounds, *polite cough* | 298A8ClXwOI1DLAVSvuDQbtst9D43k | DIAL 83 | 3ndudxHmGIg2zV4TwvM9sRsS5w8L78 | TETSUOOOOO! KANEDAAAAA! (incoherent melty faces) | |||||||||||||||||||||
86 | open toothy mouths, colorful grotesques, photographic bias | 6rpKpR3SAs84ViMNDwtVwyrp8qpZLE | DIAL 84 | a7EsED6648M7JLeGzxksoApDZvX4X4 | desaturated/monochrome watercolor, high-contrast, wide shots | |||||||||||||||||||||
87 | busy all over, deep earth notes, paint splashes/textures | jkfffzbDLmoeLUmoUzrMzFlf8eMMUC | DIAL 85 | umXnXTiicqkndhI3IBZnbLfXHvo2sS | desaturated/monochrome surrealism, balloons/mushrooms/helmet hair | |||||||||||||||||||||
88 | beige/brown bias, stylized caricatures, dim and swampy ambience | VYJJKHyVi5aIjJ5cJIllJ02L7FTalw | DIAL 86 | 1t6S9TFSSBgZ7DR8b9PY7zhMUPtGV0i | white/bright/pale subjects on deep, color splashed backgrounds | |||||||||||||||||||||
89 | busy all-over detail (like 52R but more photographic), portrait bias | 2NWddg6GLSfw8XbfCd923b09j5ZciEe | DIAL 87 | 4pkCtH1EDNOXmVzoxtvUmHRnMdoByCy | strong anti-eye bias, broad colors, posterized art, foggy/smoky | |||||||||||||||||||||
90 | drawings, desaturated colors w/ pink/purple bias | 8pODDMk4jCKyqRxKQDr69x0sX0V7Hym | DIAL 88 | ddZRr54XVpsS6MIbCqxJ67Aamn9lttk | photography, anti-isolation, red bias | |||||||||||||||||||||
91 | unusual camera perspectives, crouching/lying postures | pfrUVkYcWSfFiADgxUjisB1pSLITUgK | DIAL 89 | DFZAjfeTMeoCkm8yRhDbimKw6Qpze1E | ??? | |||||||||||||||||||||
92 | black-heavy, purple accents, maximalist, low-contrast and smooth | 1dKlKM0UCQCKZTLTNDIVTnN4gG28ewpU | DIAL 90 | 1V1YKVJIHkHbQZ4pGzQTxT6fzmgcetGC | light beige/sepia tones, drawing/lineart bias, religious iconography | |||||||||||||||||||||
93 | anti-eye bias, pale skin, CGI realism, long swirly lines | 3Ff3gk2JSxSgZHjHoVaNG9ncP3PmemRo | DIAL 91 | 5L5WgNda605zyXdf3JyGDFiKJ6vyeeFw | face/eyes bias, dark skin, big floaty heads, grit | |||||||||||||||||||||
94 | flat composition, warm colors, Warhol-ish silkscreens, obedient in raw | aZJ9MY8dDDCOZ5X6cLwp2s7Cudd2dUbQ | DIAL 92 | hhhOOnDui0gIGRDJbcG3UZUgclfCdvCe | strong 3-D/CGI bias, extreme eye/mouth close-ups, cool colors | |||||||||||||||||||||
95 | secondary colors, empty center composition (tunnels/alleys, 2 subjects) | wZbtmUoEUUSsXhRiCizd7mmRtFm4cwbc | DIAL 93 | PPRsr8UsS0Oa4AVbxC2bKZIMC3tObksm | primary colors, mona lisa smiles, high-contrast, painterly | |||||||||||||||||||||
96 | very low-contrast, dim, b/w balance varies wildly | 1AXyq6JbYKKDoRRzTQTHDm56As1Na8m9g | DIAL 94 | 2vvAnjqJoC2qudMLyCQ6zgZalRcao4MYK | close-ups w/ mouth/lip focus, textured art | |||||||||||||||||||||
97 | multiple subject and portrait/face bias, green-forward, inconsistent sizes | 4MSFgkbzWgfUcBAJHyH6U4fjLn76rVS3s | DIAL 95 | 7wwL7WicbQ7hsFmiFSwjHOXv3ACe7LaxU | VERY isolated subjects, minimalism, anti-portrait | |||||||||||||||||||||
98 | sleeping faces, warm colors, dark backgrounds w/ subject lighting | emDZMYyJOMLIBOMd6G5kIcJXi8n2jkpM2 | DIAL 96 | mzAhnOSAzwlQo04U1DyX7sSvaMSpkOjfo | cool colors (esp blue eyes), bilateral symmetry | |||||||||||||||||||||
99 | small fem bias, very inconsistent style due to nerf bats | H5VZmVGdsmj9PskDk2g08CdRSq8PTw2VM | DIAL 97 | 15IKQ9sDLIz3xa0eI4UGRmoDvwnEWXXJlQ | extreme masculine bias (tanks "girl"), plympton-ish surreal illustrations | |||||||||||||||||||||
100 | chaotic animal bias, photorealism, dark clashing colors, shiny latex paint | 25hNY6N2En4VtumZTY6M0pQFBDhseE4Wp0 | DIAL 98 | 3hagwsnVj9HaBu0I8eK4A5bUwza0zRpZFc | yellow/beige, simple drawn figures on deep/complex backgrounds |