A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | |
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1 | Welcome to version 4.3-way of the Rovak Routine!!! | ||||||||||||||||||||||||||
2 | This method of hosting freestyle prelims to get a seeded Top 27 bracket for a 1v1v1 tournament format | ||||||||||||||||||||||||||
3 | Based on Massey's Method, strength of schedule and number of votes are what matter | ||||||||||||||||||||||||||
4 | |||||||||||||||||||||||||||
5 | SUMMARY: | Videos: | Post-FD24 | Post-ANE24 | Post-FP23 | Post-FP22 | |||||||||||||||||||||
6 | Round 1 gives all dancers 3 battles, Round 1 results cut list down to the First 33 dancers | ||||||||||||||||||||||||||
7 | Round 2 is optional, but is recommended to produce accurate dancer ranking: | ||||||||||||||||||||||||||
8 | 4-Battles involves an extra battle that is not done as a chain of battles | ||||||||||||||||||||||||||
9 | Custom allowes for any number of custom battles to occur, can be used alongside previous option | ||||||||||||||||||||||||||
10 | Timing: Round 1 has battles that match the number of dancers, Round 2 4-Battles features 11 battles | ||||||||||||||||||||||||||
11 | Example) if 40 dancers participate, are given 35s per battle | ||||||||||||||||||||||||||
12 | Round 1 will take 75min with a 5s to 10s turnover between battles | ||||||||||||||||||||||||||
13 | R2 4-Battles will take 20min with a 15s to 20s turnover time between battles | ||||||||||||||||||||||||||
14 | Total event time will have a duration around 1 hr and 35 mins | ||||||||||||||||||||||||||
15 | |||||||||||||||||||||||||||
16 | JUDGING: | ||||||||||||||||||||||||||
17 | Judges will vote on each battle using a 3-axis judging system (Strong Left, Left, Strong Middle, Middle, Strong Right, Right, Tie) | ||||||||||||||||||||||||||
18 | strong votes used when a dancer dominates their battle. 3 to 5 judges must be used. | ||||||||||||||||||||||||||
19 | MAKE SURE YOUR JUDGES KNOW raising 2 arms in the same direction counts as a strong vote | ||||||||||||||||||||||||||
20 | Judges are allowed to vote for 2 dancers with regular votes (Example, L and M vote from the same judge) | ||||||||||||||||||||||||||
21 | |||||||||||||||||||||||||||
22 | CHECK-IN: | Example Order: | D# | ||||||||||||||||||||||||
23 | Dancers are assigned numbers when they check in at the event, have numbers printed in order | Anchor1 | D_01 | ||||||||||||||||||||||||
24 | Ask dancers to self-categorize themselves as: Seasoned, Experienced, Novice | Anchor2 | D_02 | ||||||||||||||||||||||||
25 | Seasoned: dancers that regularly qualified in the battle events for the Big3 cons | Experienced1 | D_03 | ||||||||||||||||||||||||
26 | Experienced: dancers that have competed in multiple tourneys outside the Big3 | Experienced2 | D_04 | ||||||||||||||||||||||||
27 | Novice: dancers new to battle events and/or haven't won an official battle before | Novice1 | D_05 | ||||||||||||||||||||||||
28 | Categories are loose definitions, but assist in the accuracy in the routine | Novice2 | D_06 | ||||||||||||||||||||||||
29 | Step 1) ask Seasoned dancers to gather, check-in half of them now (the rest check-in at the end) | Experienced3 | D_07 | ||||||||||||||||||||||||
30 | NOTE: the 1st two Seasoned dancers are the the Anchors for Round 1, inform the dancers | Experienced4 | D_08 | ||||||||||||||||||||||||
31 | that the Anchors have the first and last battles of Round 1, and make sure you have | Seasoned4 | D_09 | ||||||||||||||||||||||||
32 | dancers that are okay with this. Their role is important | Seasoned5 | D_10 | ||||||||||||||||||||||||
33 | Step 2) ask Experienced dancers to gather, check-in half of them now (the rest check-in after Novices) | ||||||||||||||||||||||||||
34 | Step 3) ask Novices to gather and check-in all of them | ||||||||||||||||||||||||||
35 | Step 4) check-in the other half of the Experienced dancers | ||||||||||||||||||||||||||
36 | Step 5) check-in the other half of the Seasoned dancers | ||||||||||||||||||||||||||
37 | This method is used to ensure dancers will get 2 opponents roughly the same skill level | ||||||||||||||||||||||||||
38 | |||||||||||||||||||||||||||
39 | ROUND 1: | Videos: | FD2024 | FP2023 | FP2022 | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||
40 | Dancers will battle in numerical order | Experienced1 | Anchor2 | Anchor1 | |||||||||||||||||||||||
41 | Each dancer will get 3 battles in Round 1, forming a chain of battles that starts and ends with the Anchor | Experienced2 | Experienced1 | Anchor2 | |||||||||||||||||||||||
42 | Judges will vote after each battle, votes are recorded on "Judges Votes" columns | Novice1 | Experienced2 | Experienced1 | |||||||||||||||||||||||
43 | Strong Left (SL), Left (L), Srong Middle (SM), Middle (M), Strong Right (SR), Right (R), Tie (x) | Novice2 | Novice1 | Experienced2 | |||||||||||||||||||||||
44 | Experienced3 | Novice2 | Novice1 | ||||||||||||||||||||||||
45 | Dancer on the middle moves to the left, dancer on the right moves to the middle, and a new dancer will take the left side | Experienced4 | Experienced3 | Novice2 | |||||||||||||||||||||||
46 | The dancer that is new on the floor is always goes first in the battle, followed by the middle dancer | Seasoned4 | Experienced4 | Experienced3 | |||||||||||||||||||||||
47 | Seasoned5 | Seasoned4 | Experienced4 | ||||||||||||||||||||||||
48 | Dancers that are not present for their battles are cut, no exceptions | Anchor1 | Seasoned5 | Seasoned4 | |||||||||||||||||||||||
49 | Write anything in the "Drop?" column and move onto the next dancer | Anchor2 | Anchor1 | Seasoned5 | |||||||||||||||||||||||
50 | At the end of Round 1: dancers in cyan made the cut to First 33, dancers in orange are standbys | ||||||||||||||||||||||||||
51 | |||||||||||||||||||||||||||
52 | ROUND 2, 4-Battles: | Videos: | (L)eft Dancer | vs | (R)ight Dancer | ||||||||||||||||||||||
53 | Dancers that make the First 33 will battle in order that appears in the "R2 4-Battles" sheet | Current battle > | Dancer_A | Dancer_B | Dancer_C | ||||||||||||||||||||||
54 | Dancers will get 1 more battle, with a total of 11 battles in this version of the 2nd round | On deck > | Dancer_D | Dancer_E | Dancer_F | ||||||||||||||||||||||
55 | After every battle, call out who is currently up on the floor followed by who is on deck | ||||||||||||||||||||||||||
56 | If a dancer is not present for their battle they are cut from the First 33, no exceptions | ||||||||||||||||||||||||||
57 | Write anything in the "Drop?" column, spreadsheet automatically handles dancer order | ||||||||||||||||||||||||||
58 | |||||||||||||||||||||||||||
59 | ROUND 2, Custom Battles: | (L)eft Dancer | vs | (R)ight Dancer | |||||||||||||||||||||||
60 | Dancers that make the First 33 will battle in order that appears in the "R2 Custom" sheet | Current battle > | D_01 | D_02 | D_05 | ||||||||||||||||||||||
61 | Allows event organizers to score any extra battles that happen during prelims that occur | On deck > | D_12 | D_26 | D_42 | ||||||||||||||||||||||
62 | Make sure to use dancer numbers to label who is involved in each battle on the custom sheet | ||||||||||||||||||||||||||
63 | |||||||||||||||||||||||||||
64 | Results & Bracket: | ||||||||||||||||||||||||||
65 | Once all prelim battles have been recorded, the "Results" sheet displays Top 27 in green plus 3 standbys in yellow in Dancer Number order. | ||||||||||||||||||||||||||
66 | The "Bracket" sheet displays the Top 27 in seeded order along with the finals bracket. | ||||||||||||||||||||||||||
67 | NOTE: avoid revealing bracket seeding to the judges until after finals to reduce confirmation bias | ||||||||||||||||||||||||||
68 | A dancer's bracket position is based on their seed and aggrigate rating of the dancers on their bracket line. | ||||||||||||||||||||||||||
69 | Example: the #1, #26 & #27 seeds will always face each other in the 1st round, but their added | ||||||||||||||||||||||||||
70 | rating will determine if they are above or below the #9, #10 & #11 seeds in the bracket order | ||||||||||||||||||||||||||
71 | |||||||||||||||||||||||||||
72 | FAQ: | ||||||||||||||||||||||||||
73 | Should I use this routine even if my event has less than 33 dancers signed up? | ||||||||||||||||||||||||||
74 | Yes! Using seeded brackets will always be better than a randomly generated one. This method is | ||||||||||||||||||||||||||
75 | very accurate at determining a dancer's relative rating when there's a lower number of dancers. | ||||||||||||||||||||||||||
76 | The system is even able to handle uneven brackets when less than 27 people sign up. | ||||||||||||||||||||||||||
77 | |||||||||||||||||||||||||||
78 | Should I use this routine if my event has more than 40 dancers signed up? | ||||||||||||||||||||||||||
79 | Yes, but you would need more than 90 minutes to have over 40 dancers tryout using this method. | ||||||||||||||||||||||||||
80 | |||||||||||||||||||||||||||
81 | Why do you call it "First 33" and not "Top 33"? | ||||||||||||||||||||||||||
82 | Partly because the First 33 is still part of prelims, partly because "Top 33" isn't the most accurate term. | ||||||||||||||||||||||||||
83 | |||||||||||||||||||||||||||
84 | Wouldn't making all the seasoned dancers battle each other in Round 1 eliminate them? | ||||||||||||||||||||||||||
85 | Actually, the opposite happens. From a dancer's perspective, you want to go against strong opponents in prelims | ||||||||||||||||||||||||||
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87 | Got any other questions you'd like to ask me? | ||||||||||||||||||||||||||
88 | Email me your questions at eigenrovak@gmail.com | ||||||||||||||||||||||||||
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