A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | JUDGE | Aviva Nebesky | ||||||||||||||||||||||||
2 | RIDER # | 7794 | ||||||||||||||||||||||||
3 | NAME: | Madison Lareau | ||||||||||||||||||||||||
4 | Max Pts: | 340 | ||||||||||||||||||||||||
5 | Final Score: | 60.882% | ||||||||||||||||||||||||
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8 | FEI PRIX ST. GEORGE | |||||||||||||||||||||||||
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10 | TEST | MARK | CORRECTION | * | TOTAL | DIRECTIVES | REMARKS | |||||||||||||||||||
11 | 1 | A X XC | Enter in collected canter Halt - immobility - salute Proceed in collected trot Collected trot | 6 | 6 | Quality of paces, halt, and transitions. Straightness. Contact and poll. | to right of CL. note that horse drift rightas you enter and that he is falling through his left shoulder so that he is not truly straight and pushing evenly from his hind legs. halt is on forehand and is wide behind. because of lack of balance into halt, horse strugglesd out into trot and crosses front legs takes a walk step | |||||||||||||||||||
12 | 2 | C MXK K KAF | Track to the right Medium trot Collected trot Collected trot | 6 | 6 | Regularity, elasticity, balance, engagement of hindquarters, lengthening of steps and frame. Both transitions. Collection. | shows some lift and expression but slow to develop and loss of ground cover over X, although horse is capable, his hind legs get left behind with hocks trailing so push is lacking and balance is uncertain | |||||||||||||||||||
13 | 3 | FB | Shoulder-in left | 6 | 6 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | too much neck bend, SI should improve the quality of the trot increasing suspension and collection if donw well. be sure your horse is honestly sinking into his outside hip and stepping under- don't just think about displacing the shoulders as that usually results in neck bend only | |||||||||||||||||||
14 | 4 | B | Volte left (8 m Ø) | 5 | 5 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte | this should be 8m- yours drifts out almost to 11m, this tells me that your horse is not truly sitting on the hind legs and that you are using inside rather than outside aids for this circle | |||||||||||||||||||
15 | 5 | BG G C | Half-pass to the left On centre line Track to the left | 6 | 2 | 12 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | too much neck bend again and you are working too hard with the reins rather than with your seat and leg aids to keep him uphill and moving laterally. note that he never trulystraightened at G but fell on the left shoulder through the turn- agains this indicates that he is not honestly sitting behind | ||||||||||||||||||
16 | 6 | HXF F | Extended trot Collected trot | 6.5 | 6.5 | Regularity, elasticity, balance, energy of hindquarters, overtrack. Lengthening of frame. Differentiation from medium trot. | better here in carriage and collection! but you can see he works hard as do you to keep that power through the full diagonal | |||||||||||||||||||
17 | 7 | FAK | Transitions at H and F The collected trot | 6 | 6 | Maintenance of rhythm, fluency, precise and smooth execution of transitions. Change of frame. Collection. | transitions need to be crisper with a greater degree of change in horse's actual frame | |||||||||||||||||||
18 | 8 | KE | Shoulder-in right | 6.5 | 6.5 | Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. | better positionning but be careful to keep hind legs even and straight so that this does not become a butt to wall leg yield | |||||||||||||||||||
19 | 9 | E | Volte right (8 m Ø) | 5 | 5 | Regularity and quality of trot, collection, and balance. Bend; size and shape of volte. | again- 10m not 8m, horse needs to be more honestly sitting and collecting from the HQ to stay balanced and uphill on this small circle | |||||||||||||||||||
20 | 10 | EG G | Half-pass to the right On centre line | 6.5 | 2 | 13 | Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs. | better in uphill balance but could show more supple bend and more fluid crossing | ||||||||||||||||||
21 | 11 | Before C C H Between G & M | [Collected walk] [Track to the left] [Turn left] Half pirouette to the left | 4.5 | 4.5 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of fourbeat. | stuck and spinning, take your time and keep hind legs active so he keeps walking | |||||||||||||||||||
22 | 12 | Between G & H GM | Half pirouette to the right [Collected walk] | 6 | 6 | Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of fourbeat. | better but a little rushed- take your time to feel each step under you | |||||||||||||||||||
23 | 13 | The collected walk C-H-G-(M)-G- (H)-G-M | 6 | 2 | 12 | Regularity, suppleness of back, activity, shortening and heightening of steps, self-carriage. Transition into walk. | steps shorten but back tightens rather than lifting- look at his steps and you see the front legs are short as are the hind legs- in collected walk the frame needs to elevate and the hind legs still need to cover ground- increasing the throughness in you collected walk will help with the walk pirouettes | |||||||||||||||||||
24 | 14 | MRXV(K) | Extended walk | 6.5 | 2 | 13 | Regularity, suppleness of back, activity, overtrack, freedom of shoulder, stretching to the bit. | remember that this is extended not free walk- keep horse connected, increase stride length and demonstrate overtrack | ||||||||||||||||||
25 | 15 | Before K K KAF | Collected walk Proceed in collected canter left Collected canter | 6 | 6 | Precise execution and fluency of transition. Quality of canter. | obedient transition but canter lacks jump and uphill balance, tendency is for horse to pull himslef with his shoulders rather than sitting and lifting | |||||||||||||||||||
26 | 16 | FX X | Half-pass to the left Flying change of leg | 6.5 | 6.5 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | a little labored and earthbound but corect positionning and clean change | |||||||||||||||||||
27 | 17 | XM M MCH | Half-pass to the right Flying change of leg Collected canter | 6.5 | 6.5 | Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change. | better uphill balance and more fluid. change should be at M- accuracy of placement is very important at this level | |||||||||||||||||||
28 | 18 | H Between H & X | Proceed towards X in collected canter Half pirouette to the left | 6 | 2 | 12 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | correctly ridden but needs better balance from HQ with more uphill balance and jump in canter for higher scores | ||||||||||||||||||
29 | 19 | HC C | Counter canter Flying change of leg | 7 | 7 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | well placed and nicely on aids. could be more expressive | |||||||||||||||||||
30 | 20 | M Between M & X | Proceed towards X in collected canter Half pirouette to the right | 6 | 2 | 12 | Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after. | falls onto right shoulder- needs to sit more- he is a little weaker in this direction and needs to develop the strength to truly lift himself | ||||||||||||||||||
31 | 21 | MC C | Counter canter Flying change of leg | 6 | 6 | Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change. | canter becoming strung out and on forehand in countercanter so that change is clean but flat | |||||||||||||||||||
32 | 22 | HXF FAK | On the diagonal 5 flying changes of leg every 4th stride Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | correct count, fairly well placed in arena, HQ swing a bit, loss of balance onto FH after last change- overall nicely done- I'm nit picking! | |||||||||||||||||||
33 | 23 | KXM MCH | On the diagonal 5 flying changes of leg every 3rd stride Collected canter | 7 | 7 | Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after. | swinging a bit and losing line of travel but clear and clean changes | |||||||||||||||||||
34 | 24 | HXF | Extended canter | 4 | 4 | Quality of canter, impulsion, lengthening of strides and frame. Balance, uphill tendency, straightness. | multiple changes, lacking length. needs to be more honestly uphill and in front of leg to truly engage and extend the canter | |||||||||||||||||||
35 | 25 | F FA | Collected canter and flying change of leg Collected canter | 7 | 7 | Quality of flying change on diagonal. Precise, smooth execution of transition. Collection. | ||||||||||||||||||||
36 | 26 | A X | Down the centre line Halt - immobility - salute | 6.5 | 6.5 | Quality of pace, halt, and transition. Straightness. Contact and poll. | better balanced overall than initial CL | |||||||||||||||||||
37 | Leave arena at A in walk on a long rein | |||||||||||||||||||||||||
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39 | COLLECTIVE MARKS | MARK | CORRECTION | * | TOTAL | REMARKS | ||||||||||||||||||||
40 | 1 | Rider’s Position and Seat; Correctness and Effect of the Aids | 6 | 2 | 12 | nicely balanced and elegant rider but needs to help horse come into better collection and uphill balance for increased scores | ||||||||||||||||||||
41 | Attractive and capable pair. Work to encourage horse to sit more with increased "sit" on H to help with balance. | |||||||||||||||||||||||||
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46 | POINTS: | 207 | ||||||||||||||||||||||||
47 | ERRORS: | 0 | ||||||||||||||||||||||||
48 | SUBTOTAL: | 207 | ||||||||||||||||||||||||
49 | SCORE: | 60.882% | ||||||||||||||||||||||||
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