| A | B | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | AA | AB | AC | AD | AE | AF | AG | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | Name | Surname | Project image | Title of project | Description | link web | link video | How will it arrive? | What is | Expo requirements | ||||||||||||||||||||
2 | Anoush | Arshakyan | Hands Can Tell A Lot | The Hands Can Tell a Lot is an interactive installation centered on a biofabricated glove that captures and interprets hand gestures. Inspired by the textures of skin and movement, the glove activates five kinetic structures, creating a dialogue between motion and stillness. This living scenography reveals how touch and gesture leave lasting imprints, transforming subtle body language into an evolving, tangible form. | electronics | table | ||||||||||||||||||||||||
3 | Barbara | Rakovska | AMBER GRAIN EMBROIDERY | Growing folklore elements | Root-based materials, wool waste fibers, natural colours & advanced technologies. The biodesign approach for fabricating textiles using root-based materials is explored in my final project for my Postgraduate in Fabricademy. I experimented with different types of grain seeds, growing media, patterns, and environments. Additionally, I discovered various post-processing techniques, such as colouring, changing flexibility, and applying biodegradable coatings. The Amber Grain Embroidery project aims to design bio-folklore costumes featuring elements made of wheat and barley roots. Raw wool is used as a binding agent. The root embroideries are complemented by dried grass and pressed material from seeds. The costumes are inspired by traditional Slovak and Czech folklore costumes, symbolizing the importance of grain as a vital source of livelihood and material wealth. | Barbara will bring it | BIO | 3 mannequins | |||||||||||||||||||||||
5 | Cecilia | Raspanti | Archives of the Future, the biochromes color archive | The Biochromes Color Archive, developed by Cecilia Raspanti, is a living collection of pigments, dyes, and fibers, cultivated almost entirely from grown matter. Each sample is classified within a taxonomy of botanical, bacterial, fungal, mineral, animal, and composite origins. This archive invites us to see color not as surface or code, but as presence — alive, reactive, and rooted in time and place. When we grow the matter ourselves, we begin to understand how color holds memory: of soil, season, and care. Here, the living material has agency. It alters the hand of the dyer, the pace of the researcher, the vision of the maker. Color becomes a dialogue — shaped as much by human intention as by the wild intelligence of the materials themselves. | Cecilia will bring it | BIO | plexiglass box / table | |||||||||||||||||||||||
6 | Cecilia | Raspanti | HaptiColor | Hapticolor is a digital & interactive printing machine for natural dyes to experience with the craftsmanship | Cecilia will bring it | BIO | table | |||||||||||||||||||||||
7 | Dima | Hejap | LUM - Twin Bond | This project explores symbiosis in fashion-tech, how garments can sense, react, and tell stories through light and motion. Inspired by lichens, which thrive in mutualistic relationships, it integrates 3D-printed parametric patterns with vibration motors and LED neopixels to visualize these connections. More than just aesthetic, the garment acts as a living entity, responsive to human presence and interaction. | CLAUDIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||
8 | Dima | Hejap | CLAUDIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||||
9 | Erika | Mirzoyan | Threads of Tradition | Threads of Tradition is a textile storytelling project inspired by Armenian legends, symbols, and the desire to reconnect with cultural roots. Designed especially for children and teenagers, it takes the form of a soft, embroidered book where each fabric panel tells a mythological story using appliqué, layered textiles, and hand embroidery. The goal is not just to preserve forgotten folklore—but to bring it back to life in a way that feels playful, interactive, and deeply rooted in meaning. | electronics | table | ||||||||||||||||||||||||
10 | Fatemeh | Mollaie | Magna Liber | Magnaliber is a project focused on the in-situ synthesis of nickel ferrite (NiFe₂O₄) nanoparticles within textiles, resulting in magnetically responsive fabrics. Bridging fashion and material science, the project explores the creation of smart, adaptive textiles with magnetic properties. By harvesting magnetic powders and crystals from wastewater, it integrates sustainability into the innovation process, proposing a closed-loop system that aligns advanced functionality with environmental responsibility. | electronics | table | ||||||||||||||||||||||||
11 | Florencia | Moyano | BEYOND FEATHERS | BEYOND FEATHERS born from the idea to find a way to make a non animal and sustainable feather and improve in new ways the experience of using feathers. This is a project for the people who want an alternative for the animals or artificial feathers that we have today in the markey cause one thing that we have to understand is that it’s hard to argue with the allure of feathers, which is why they will remain forever in fashion, in some form or other. | ANASTASIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||
12 | Ieva | Marija Dautartaitė | æ sensation map | School FabLabs are mostly staffed by technology teachers, among whom quite a few women teach textile technology. With this project, I want to encourage them to enter the world of electronics and start advanced 21st-century textile technologies in the classroom. One of the tangible goals of the project is to create online documentation, which can be accessed by scanning the QR code on the back of the sample next to the schematics. | Claudia will bring it | electronics | table | |||||||||||||||||||||||
14 | Klára | Malo | POMALU | An ongoing project that aims to highlight the fact that we do not live alone in cities and therefore, we do not die alone. Each embroidery serves as a reminder of a dead animal found on the city streets. Often, when someone encounters this work, they tell me they never really see dead animals. But after experiencing it, they begin to notice that the opposite is true. We’re simply not taught to pay attention to these things. | https://www.instagram.com/_pomalu_/ | - | klara | BIO | hanging | Alternative - can be on manneqin: https://www.instagram.com/p/Cn7RGLUK_Al/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA== | ||||||||||||||||||||
15 | Laura | Muth | Shoe with an expiry date | Why do we manufacture products for eternity, which are only used for one season? The common shoe is made from materials which are never degradable. Their components are alternating, so they cannot be recycled. This modular sneaker-set based on the building block principle. The essential elements can be exchanged & freely combined. This concept proves that it is possible to completely avoid plastic while using regional & compostable resources. It is a symbol of sustainability culture & at the same time an appropriate response to „fast fashion“. | - | CLAUDIA will bring it | BIO | table | ||||||||||||||||||||||
16 | Laura Muth and DineshKumar Gunasekaran | ReLine | Like wisps of smoke, the lines drift across the dress, tracing organic paths and forming new shapes. The structures seem to float, giving the smoky blue fabric poetic lightness. “Smoke” evokes the fleeting motion of smoke & fuses it with textile dynamism, capturing ephemeral beauty & constant transformation. | https://www.instagram.com/laurahmuth/p/DKHwTBcsKiF/?img_index=1 | - | CLAUDIA will bring it | 3d printed | mannequin | ||||||||||||||||||||||
17 | Maricruz | GARCÍA CHÁVEZ | asiMETRI | asiMETRI is a 3D-printed orthosis designed for the sacral bone, developed through personal experience with leg length discrepancy. Combining medical research and digital fabrication, the project addresses postural imbalance and hip pain caused by pelvic tilt. Informed by orthopedic consultations and diagnostic testing, it highlights the role of personalized, data-driven solutions in improving mobility and body alignment. | electronics | table | ||||||||||||||||||||||||
18 | Naim | Al-Haj Ali | Iktishaf | Iktishaf (Arabic for Discovery) is a soft, modular, open-source educational kit designed to introduce children to the fundamentals of electronics and logic in a playful, hands-on way. Made from layers of broadcloth with embedded components, each module connects using metal snap buttons; making circuits easy to build without wires or tools. The project includes three kits tailored to different entry levels: Mini Makers for plug and play interaction, Tinker Logics for exploring logic gates, and Master Makers for sensor-based circuits and programming. Iktishaf is unique in its child-safe soft design, age-specific progression, and emphasis on creative exploration. It empowers children to learn through building, experimenting, and problem-solving while fostering curiosity and critical thinking. All modules and materials are open-source, making the project replicable, customizable, and accessible to educators, parents, and makers worldwide. Iktishaf bridges technology and textiles to spark discovery at every touch. | Claudia will bring it | electronics | table | |||||||||||||||||||||||
19 | Nela | Bartáková | Baleriny | KROK (shoe): The jewelry collection consists of seven pieces, each representing one layer of a ballerina shoe – from the outer skin to the sole. It includes, among others, two bracelets, a necklace, a brooch, a ring, a thimble, and a hair ornament. The main idea was to highlight the layers that make up a shoe. It was this hidden structure that fascinated me the most throughout the process. The individual parts of the shoe were complemented with materials such as white brass, steel wire, and cotton thread, together forming a collection of authorial jewelry. | https://www.instagram.com/neli.bartakova/ | - | BIO | |||||||||||||||||||||||
20 | Ola | Muhanna | Archive of Emotions | This project is an attempt to visualize emotion—to give form to what’s usually invisible. Using parametric design and textile storytelling, The Archive of Emotions explores how deeply buried feelings influence our decisions, mental health, and the way we move through the world—often without us even realizing it. This garment translates internal states into physical form, becoming a visual map of our shared humanity. It captures the weight, burden, and lightness of each person’s unique emotional journey. | CLAUDIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||
21 | Raul | Babines | Metamorphosis | This project consists of a collection of three fashion pieces inspired by the morphology of beetles, with each piece using a different technique: a vest inspired by puffer garments, exploring the concept of soft robots; a dress with 3D-printed details, inspired by bustiers and thermoformed torsos; and a modular-assembly bag, inspired by woven-material bags. This collection is the culmination of my final project and seeks to reflect the knowledge acquired during my experience in Fabricademy, merging creativity with technical innovation. | BIO | mannequin | ||||||||||||||||||||||||
22 | Rawan | Aziziyeh | When I met myself | WHEN I MET MYSELF is about the journey of reconnection with your inner child, expressed through emotions shown in light and shapes. It aims to inspire and help you feel and experience this journey. The journey unfolds through five phases of healing: Recognition, Childhood Memories, Conflict, Connection, and Healing—the phase of true emotional reconnection. This project invites you to reconnect with your inner child—the fearless, soft, and curious version of yourself. Through emotion-driven design and wearable storytelling, it asks you not just to look, but to feel. What part of you still needs to heal?” | CLAUDIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||
23 | Rawan | Aziziyeh | CLAUDIA will bring it | 3d printed | mannequin KID | |||||||||||||||||||||||||
24 | Suhaib | Kamal | Bacteria Cellulose Research & Development | An extensive research on DIY metodhologies of grownig bacteria cellulose, natural dyes applications and laser cutting techniques exploration. | CLAUDIA will bring it | BIO | table | |||||||||||||||||||||||
25 | Surzhana Radnaeva and Mekanika | Telluric - Paper Garments | Project TELLURIC is a holisitc collaboration between Traditional Futures, the studio of Surzhana Radnaeva, and Mekanika, blending artistic vision and mechanical innovation into a single, evolving system. Rooted in the Latin word tellus, meaning “comes from Earth,” the project explores life, cycles, matter, and transformation through garments crafted from high-quality paper made of textile waste. Traditional Futures brings a poetic, material-driven approach—transforming paper into garments that carry memory, wear, and time. Mekanika grounds the process with the creation of a modular, open-source Hollander Beater for processing textile waste. Together, they interweave craft and technology, building a circular, locally accessible system where discarded textiles are reborn as meaningful, wearable forms—and can ultimately return to their origin. | https://traditionalfutures.org/ | https://vimeo.com/1069147085 | BIO | mannequin | |||||||||||||||||||||||
26 | Zahia | Albakri | Mountain Magistrate | The Mountain Magistrate is a garment inspired by the beauty of the Sinai Agama lizard found in the southern region of Jordan. It mirrors and mimics the lizard's unique intricate patterns while integrating advanced wearable technology, creating a synergy between fashion and function. Utilizing 3D printing techniques inspired by AI, the designer has created a garment designed to seamlessly blend into its surroundings while enhancing the wearer's sensory experience. The aim is to unlock the mysteries of nature by closely studying the lizard's features, offering a glimpse into the wondrous intricacies of the natural world. | CLAUDIA will bring it | 3d printed | mannequin | |||||||||||||||||||||||
27 | Zander | Webster | Beyond Blue | The project reimagines denim via a modular zero-waste approach, creating a three-piece interchangeable collection: jacket, pants and bag. Using recycled denim, the project blends craftsmanship, digital tools, and biomaterials-coatings to create adaptable fashion that challenges fast fashion norms. With plans to expand in Montreal, Beyond Blue aims to build a network for regenerative clothing systems, reshaping how recycled denim is seen and used in innovative, sustainable fashion. | annie will bring it | BIO | ||||||||||||||||||||||||
28 | Ola | Muhanna | 3D Tiles - Rose Windows | This project bridges architecture and textiles by translating the intricate patterns of stained glass rose windows into 3D-printed designs on fabric. Drawing inspiration from the shapes and details of Gothic windows, it experiments with a variety of filaments, textures, and surface finishes to create flexible, layered textile pieces. Through exploring multiple patterns and variations, the work combines traditional architectural elements with hands-on experimentation and modern digital fabrication techniques. | https://class.textile-academy.org/2025/ola-muhanna/assignments/week06/#stained-glass-experimentation | - | claudia will bring it | 3d printed | ||||||||||||||||||||||
29 | Anastasia | Pistofidou | atlas of biomaterials | The atlas of biomaterials is a catalogue of swatches created throughout the years of teaching and researching biomaterial making. Various students, researchers, interns and workshop participants contribute with open recipes that are accompanied by open publications with step by step instructions, successes and errors. The atlas contributes to the open access of knowledge and embodiment of resources in material production through the act of making. The atlas of biomaterials serves as the starting point for beginners to explore biofabrication of new materials. The materials of the atlas are hand-crafted, biodegradable and non certified. | fabtextiles.org | - | anastasia | BIO | ||||||||||||||||||||||
30 | Adriana | Cabrera | Soft Skeletons | Bio-inspired prototype for wearable assistive devices, combining soft actuators and programmable textiles. It enables flexible movement and rapid fabrication, supporting human-computer interaction. Part of the Bio-Inspired Textiles UAL initiative, it explores affordable, intelligent soft robotic systems. Soft Robotics for Embodied Interaction Prototypes exploring haptic navigation, tactile perception, and free-form pneumatic structures. Integrating soft robotics and smart textiles, they enable adaptive interaction in open spaces. Developed as part of the iNavigate project by HSRW and Aberystwyth University. Fab Materials for sustainability Based on the FabMaterials framework, this sample focuses on sustainability and the use of textiles. It aims to reveal what’s inside fibres, what materials they contain, and invites reflection on how textiles can be recycled, repaired, and reimagined as integral elements of the design and making process in Fab Labs. | https://adrianacabrera.github.io/SoftRobotics/index.html | - | adriana | electronics | ||||||||||||||||||||||
31 | Anastasia | Pistofidou | coffee leather jacket - waste fashion series | What if we accept that consumerism has no turning back? That our fast-paced society is trapped in its comforts and unable to grasp its impact? Perhaps we must design new narratives where objects, products, and services act as nutrients for the earth, as nature teaches us. This coffee bio-leather jacket is part of a garment collection made from fruit skins, yerba mate, coffee, and organic waste from local restaurants, enabling a local circular economy in Poblenou, Barcelona. Part of Fabtextiles’ ongoing research on designing with food waste, initiated in 2018. | fabtextiles.org | - | anastasia | BIO | ||||||||||||||||||||||
32 | Surzhana, jessica dias and anastasia | Buryat - Bacterial Dress | This garment was made from Bacterial-dyed linen using Shibori tie-dye technique. The design is inspired by our Buryat traditional costume «Degel». It directly relates to and nourish my explorations within the Traditional Futures brand. The bacterial dyed fabrics was developed by Anastasia Pistofidou (FabTextiles at FabLabBCN) and Jessica Dias (BioBabes) and was supported by Worth Partnership project. | https://traditionalfutures.org/ | - | anastasia | BIO | |||||||||||||||||||||||
33 | Natália Červeňáková | Lines of Body | Crafted with a manual 3D printing pen and flexible black filaments, this dress features reinforced elements achieved through additional 3D printing. Its design beautifully echoes the natural contours of the human body, replicating and accentuating its curves. This artistic creation embodies a universal essence, designed to be appreciated by everyone. | https://www.make-ful.com/ | - | linette | 3d printed | |||||||||||||||||||||||
34 | Ema Želinská | Dimensional Object | Ema's top is a testament to her inventive use of 3D printing. She first fabricated miniature components from a rigid white filament, seamlessly joining them with a 3D pen. Pushing the boundaries further, she then incorporated direct-to-fabric 3D printing, creating intricate, organic lines on black tulle with a flexible black filament. This layered approach resulted in a highly dimensional and extravagant piece, born purely from her creative inspiration. | https://www.make-ful.com/ | - | linette | 3d printed | |||||||||||||||||||||||
35 | Hana Valtová | Transparent Corset | Crafted with 3D printing technology and transparent flexible filament, this corset offers a modern take on historical design. Its creation is inspired by the simple elegance of 17th-18th century garments. The corset's classic form is enhanced and structurally reinforced by a custom 3D-printed underwire. | https://www.make-ful.com/ | - | linette | 3d printed | |||||||||||||||||||||||
36 | new person | |||||||||||||||||||||||||||||
37 | ||||||||||||||||||||||||||||||
38 | ||||||||||||||||||||||||||||||
39 | ||||||||||||||||||||||||||||||
40 | ||||||||||||||||||||||||||||||
41 | ||||||||||||||||||||||||||||||
42 | ||||||||||||||||||||||||||||||
43 | ||||||||||||||||||||||||||||||
44 | ||||||||||||||||||||||||||||||
45 | ||||||||||||||||||||||||||||||
46 | ||||||||||||||||||||||||||||||
47 | ||||||||||||||||||||||||||||||
48 | ||||||||||||||||||||||||||||||
49 | ||||||||||||||||||||||||||||||
50 | ||||||||||||||||||||||||||||||
51 | ||||||||||||||||||||||||||||||
52 | ||||||||||||||||||||||||||||||
53 | ||||||||||||||||||||||||||||||
54 | ||||||||||||||||||||||||||||||
55 | ||||||||||||||||||||||||||||||
56 | ||||||||||||||||||||||||||||||
57 | ||||||||||||||||||||||||||||||
58 | ||||||||||||||||||||||||||||||
59 | ||||||||||||||||||||||||||||||
60 | ||||||||||||||||||||||||||||||
61 | ||||||||||||||||||||||||||||||
62 | ||||||||||||||||||||||||||||||
63 | ||||||||||||||||||||||||||||||
64 | ||||||||||||||||||||||||||||||
65 | ||||||||||||||||||||||||||||||
66 | ||||||||||||||||||||||||||||||
67 | ||||||||||||||||||||||||||||||
68 | ||||||||||||||||||||||||||||||
69 | ||||||||||||||||||||||||||||||
70 | ||||||||||||||||||||||||||||||
71 | ||||||||||||||||||||||||||||||
72 | ||||||||||||||||||||||||||||||
73 | ||||||||||||||||||||||||||||||
74 | ||||||||||||||||||||||||||||||
75 | ||||||||||||||||||||||||||||||
76 | ||||||||||||||||||||||||||||||
77 | ||||||||||||||||||||||||||||||
78 | ||||||||||||||||||||||||||||||
79 | ||||||||||||||||||||||||||||||
80 | ||||||||||||||||||||||||||||||
81 | ||||||||||||||||||||||||||||||
82 | ||||||||||||||||||||||||||||||
83 | ||||||||||||||||||||||||||||||
84 | ||||||||||||||||||||||||||||||
85 | ||||||||||||||||||||||||||||||
86 | ||||||||||||||||||||||||||||||
87 | ||||||||||||||||||||||||||||||
88 | ||||||||||||||||||||||||||||||
89 | ||||||||||||||||||||||||||||||
90 | ||||||||||||||||||||||||||||||
91 | ||||||||||||||||||||||||||||||
92 | ||||||||||||||||||||||||||||||
93 | ||||||||||||||||||||||||||||||
94 | ||||||||||||||||||||||||||||||
95 | ||||||||||||||||||||||||||||||
96 | ||||||||||||||||||||||||||||||
97 | ||||||||||||||||||||||||||||||
98 | ||||||||||||||||||||||||||||||
99 | ||||||||||||||||||||||||||||||
100 | ||||||||||||||||||||||||||||||
101 | ||||||||||||||||||||||||||||||
102 | ||||||||||||||||||||||||||||||