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DurationJapan +9India Standard Time +5.5UTCEST -5PST -8TopicPresenter/FacilitatoremailHosts and ModeratorsControls ZoomSpeakers Bios
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Thursday, January 18, 2024 Deep Dive Day: What do we need to do to extend accessibility for electronic literature?
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1 hours, 45 minutes EST Night6:00 PM to 7:45 pm on Thursday2:30 PM to 4:15 PM on ThursdayThursday: UTC 9 AM to 10:45 AM4:00 AM to 5:45 AM1:00 AM to 2:45 AMCreate-a-thon!! Open Science and Art: Collective Play and Accountable Worlds Introduce accessible tools and ideas and put them into practice. We'll dedicate this work time to create something accessible! Let's get to work!Terhi Marttila and Erik Zepkaterhim@gmail.com ShamsLyle
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PST NightThis createathon will also work on born-auditory/aural/oral branching narratives - let's see what kind of work we can create as 3D mazes in Mozilla hubs (authored on Spoke)xoxlabs@gmail.comShamsLyle
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45 minutes talk ACDT night8:00 PM to 8:45 PM4:30 PM to 5:15 PMThursday: 11:00 AM to 11:45 AM)6:00 to 6:45 AM3:00 to 3:45 AMHaiku Jam! Learning Haiku! Recently, these digital haiku sources have helped spread this ancient poetry form, leading people to write and enjoy these short poems. We'll introduce these resources and show how they can be accessible. However, historically, haiku has been a male domain, so we'll brainstorm some actions to use these digital forms to open the doors to more women.Rachayita Bhattacharyyarachayitab996@gmail.comDivya/Samya2:30 pmDivya
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45 minutes talk 9:00 PM to 9:45 PM5:30 PM to 6:15 PMThursday: 12:00 PM to 12:45 PM7:00 AM to 7:45 AM4:00 AM to 4:45 AMChallenges Facing E-Learning in Nigeria. We need to address connectivity, equipment, software, and training to help everyone in Nigeria access their literary traditions and create their literary futures. Vashti Gbolagun Suwa and Jacob AdoV.Suwagbolagun@edu.salford.ac.ukLyle
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45 minutes EST morning10:00 PM to 10:45 PM6:30 PM to 7:15 PMThursday: UTC 1:00 PM to 1:45 PM8:00 AM to 8:45 am5:00 AM to 5:45 AMKeynote Discussion: Cross barriers in India and South Asia. Barriers in electronic works within the South Asian realm, with a focus on India. Shanmugapriya Tshanmu.shanmugapriya@utoronto.caDivyaShanmugapriya T is a Digital Humanities Postdoctoral Scholar at the Department of Historical and Cultural Studies (HCS) at University of Toronto. Her research and teaching interests include an interdisciplinary focus on the areas of digital humanities, digital environmental humanities, and digital literature.
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45 minutes with 15 min breakPST Night11:00 PM to 11:45 PM7:30 PM to 8:15 PMThursday: UTC 2:00 PM to 2:45 PM9:00 AM to 9:45 AM6:00 AM to 6:45 amLiterature by phone! Land lines are disappearing fast. How can we reimagine the landline legacy and create new communication avenues?
Access works on cell phones in India If E-lit works were published as mobile applications, it would be easier to reach a wider readership/audience. This in turn will also help creating awareness regarding the discipline which will lead to increased creativity and experimentation with the available digital media		Prakruti Bhatt    / Lucy Hultonprakrutibhatt@mkbhavuni.edu.inDivyaPrakruti Bhatt is a second year PhD scholar at the Department of English, Maharaja Krishnakumarsinhji Bhavnagar University, Gujarat, India. Her research focuses on studying the concerns surrounding authorship and publication of Electronic literature.

Lucy Hulton is currently in the first year of her Creative Writing PhD at the University of Salford (UK) where she is working on her thesis, currently titled “Making Sense of Nonsense: Asemic Writing and Multilingualism in the Digital Age.” She writes poetry and short stories and enjoys playing with visual language in her work. Passionate about experimental literature, she founded Sparkling Tongue, an online platform dedicated to promoting experimental multilingual visual poetry.
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1 hour 45 minute Simultaneous sessionACDT nightFriday 12:00 to 1:45 AM8:30 PM to 10:15 PMThursday: UTC 3:00 - 4:45 PM10:00 AM to 11:45 AM7:00 AM to 8:45 AM Spanish: How can we cross the language barriers and access and translate works of literature? ¿Cómo podemos romper las barreras lingüísticas, culturales y económicas para la creación y distribución de literatura electrónica? Apprende mas https://dtc-wsuv.org/projects/access-works-conference/spanish.htmlScott Weintrib, Vinicius Marquette"vmarquet" <viniciusmarquet@gmail.com> Prakruti? Rui?? Shams, emilio gordilloDeena (WSUV)
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one hour 45 minutes Simultaneous sessionIST/Singapore EveningJapan 12:00 to 1:45 AM8:30 PM to 10:15 PMThursday: UTC 3:00 to 4:45 PM10:00 AM to 11:45 AM7:00 AM to 8:45 AMCo authoring Accessible Bits? This will be a two-hour interactive introduction on accessibility and our draft doc Accessible Bits for ELO. Hannah Ackermans, Richard Snyder, Astrid Ennslinastrid.ensslin@ur.de, rufishinjr@gmail.com,
Lyle, DivyaLyle/Deena
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45 minutes EST noon2:00 AM to 2:45 AM10:30 PM to 11:15 PMThursday: UTC 5:00 PM to 5:45 PMnoon to 12:45 PM9:00 AM to 9:45 AMTrueque: Trueque is about exchanging and storytelling,
Trueque, a means of exchange beyond currency, is an experience for exchanging non-physical objects, services and ideas. All non-physical objects are welcome to be exchanged during this marketplace. Come with your own language; reminiscence of your culture and personality.

Vinicius and DVDdvd@tennica.net, "vmarquet" <viniciusmarquet@gmail.com>Subhanjali SaraswatiDeena
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45 minutes3:00 AM to 3:45 AM11:30 PM to 12:15 AMThursday: UTC 6:00 PM to 6:45 PM1:00 PM to 1:45 PM10:00 AM to 10:45 AMAI art workshop
This workshop is for all ages and all backgrounds who are interested in experimenting with generative AI art engines to represent literary concepts, texts, and imagery. Participants will be asked to adapt literary language (which could include excerpts of poems, prose, creative non-fiction) into AI "prompts" in order to explore some of the linguistic affordances and limitations of AI art engines for literary representation and style.
Deena Larsenwluers@wsu.edu Jayden PhillipsDeena
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60 minutes Friday 4:00 AM to 5:00 AMFriday 12:30 AM to 1:30 AMThursday: UTC 7:00 PM to 8:00 PM2:00 PM to 3:00 PM11:00 AM to noonDiscussion Keynote: Crossing commercial barriers Lai-Tze Fan will explore the asymmetry of access and accessibility in commercialized computational platforms, including those used to create and support electronic literature. As more and more platforms are restricting users' and third-party developers' access to code, databases, and application programming interfaces, Fan discusses social implications that may include misinformation, copyright restrictions, and biases in communication and technological literacy. Whether or not access to closed platforms can be attained, she asks: what kinds of information and knowledge may still be accessed?Lai-Tze Fanlaitze.fan@gmail.com Shams, PradarshikaDeena
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15 minutesIST night5:00 AM to 5:15 AM1:30 AM to 1:45 AMThursday: UTC 8:00 PM to 8:15 PM3:00 PM to 3:15 PMnoon to 12:15 PMELO Welcome Message from ELO President Caitllin FisherCaitlin Fishercaitlinfisher20@gmail.comDeena
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One hour tourMOVE to noon 30 to 130 PST5:30 AM to 6:30 am2:00 AM to 3 AMThursday: UTC 8:30 PM to 9:30 PM3:30 PM to 4:30 PM12:30 PM to 1:30 PMInteractive Tour from Microsoft Solomon Romney, Microsoft sromney@microsoft.comMichelleDeena
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30 minute break6:30 AM to 7:00 AM3:00 AM to 3:30 AMThursday: 9:30 PM - 10:00 PM4:30 to 5:00 PM1:30 PM to 2:00 PMRESET OUR ZOOM!! WE CAN ONLY BE ON FOR 30 HOURS AND THIS IS A GOOD BREAK TIME. GET COFFEE. EAT. STreeeeetch. COOL YOUR MACHINES. THEN LOG BACK IN!!Deena
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45 minutes with break.Singapore/ACDT morningFriday 7:00 AM to 7:45 AM3:30 AM to 4:15 AMThursday: 10:00 PM to 10:45 PM 5:00 PM to 5:45 PM Thursday: 2:00 PM to 2:45 PM Mobility and cognitive issues: How do we take time to talk and think and type? Mobility and cognitive issues: How do we take time to talk and think and type?
Zoom is a common platform now for many meetings and conferences. But it presents hurdles for those with vision, mobility, and cognitive difficulties. How can we ensure participation in this fast paced environment with so many threads of conversations at once? Let's explore some of these issues with David Kolb.
David Kolbdavkolb@gmail.comDivya/Destiny GauthoDeena
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45 minutes with break.EST eveningFriday: 8:00 AM to 8:45 AM Friday: 4:30 AM to 5:15 AMThursday: UTC 11:00 PM to 11:45 PM Thursday: 6:00 PM to 6:45 PM Thursday: 3:00 PM to 3:45 PM Digital Arts and Social Media Accessibility Discussion. Tangled Arts will lead a discussion on social media accessibility and the arts. The discussion will begin with a guided tour through the built-in access features on popular social media platforms (including but not limited to alt text, audio descriptions, screen reader compatibility, etc), as well as suggestions for access hacks to fill gaps that remain. Conversation will then move into the ways that in-person visual arts accessibility practices can be creatively translated into digital practices to innovate new ways of making electronic lit accessible.Rob Colgaterob@tangledarts.orgPrakruti/Steven LuiDeenaRob Colgate (he/she/they) is a disabled, bakla, Filipino-American poet from Evanston, IL. He is the author of Feeble, winner of the 2024 Poetry Online Chapbook Series Fellowship. He edits for POETRY Magazine as a reader and Foglifter Journal as assistant poetry editor. A Pushcart nominee, his work appears or is forthcoming in Best New Poets, American Poetry Review, Poets.org, Sewanee Review, New England Review, Prairie Schooner, and Adroit, among others; his writing has received support from MacDowell, Fulbright, the Kenyon Review, and Tin House. He holds a degree in psychology from Yale University and an MFA in poetry and critical disability studies from the New Writers Project at UT Austin. Currently, he is a postdoctoral fellow at the University of Alberta and serves as poet-in-residence at Tangled Art + Disability.
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45 min with breakIST/Singapore morningFriday: 9:00 AM to 9:45 AM Friday: 5:30 AM to 6:15 AM UTC midnight and 12:01 starts Friday 12:00 AM to 12:45 AM Thursday: 7:00 PM to 7:45 PM Thursday: 4:00 PM to 4:45 PM Make coding accessible. What can we do to increase accessibility to learn to code in the humanities? Let's generategreat lesson/action plans to introduce students and creators in electronic literature to new ways of engaging with programming languages and processes to communicate these to their audience, and to build new literacies.Abby (Bee) Rinaldiakrinald@ncsu.eduDivya Deena
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45 minutes with break.ACDT Noon10:00 AM to 10:45 AM 6:30 AM to 7:15 AM Friday UTC 1:00 AM to 1:45 AM 8:00 PM to 8:45 PM Thursday: 5:00 PM to 5:45 PM Memento Mori and Living Memory: An Exploration of the Rewards and Pitfalls of Pioneering Digital Publishing - Let's talk about the early days of publishing Drunken Boat in 1999 and sketch its brief history, a kind of Freytag's pyramid of literary ambition, beset by ruthless ambition and underhanded dealing, the denoument of which has just recently settled to allow for the rebirth and inclusion of DB in NEXT. I'd like to speak candidly and hope that the engaged audience can provide me the right questions or answers or insights or tools for healing in light of the larger goal of improving accessibility and inclusion across platforms. Ravi ShankarDr__Ravi.Shankar@tufts.edu SarahDeena
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45 minutesEST Night11:00 AM to 11:45 AM Friday 7:30 AM to 8:15 AM Friday: UTC 2 AM to 2:45 AM9:00 PM to 9:45 PM Thursday: 6:00 PM to 6:45 PM "Join us and play! -- Using Invitations and Examples to Encourage Participation in Netprovs" Netprov is networked, improvised literature, in which friends and strangers collaborate — role-playing in real time — to create sophisticated narratives. Experienced netprov producers Rob Wittig and Mark Marino share tips and trips for creating a welcoming environment and increasing participation in collaborative writing projects. Come ready to play.Rob Wittigwit@robwit.netSarah, Chelsea ZhangDeena
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45 minutesPST eveningFriday 12 noon to 12:45 PMFriday 8:30 AM to 9:15 AMFriday: UTC 3:00 AM to 3:45 AMThursday: 10:00 PM to 10:45 PMThursday: 7:00 PM to 7:45 PM Build a Better Book— innovative ways we can design books that support varying sight abilities through a multisensory experience. We’re specifically focusing on an arts book that features photography and poetry. These artistic outlets often don’t offer experiences for people with low vision, who read Braille, and are blind.John O'Neill and Deanna Geneva Loriannijloneill@d.umn.edu PrakrutiDeenaJohn O'Neill is an Associate Professor of Graphic Design at the University of Minnesota Duluth. Deanna Geneva Lorianni, is a clear communication strategist and trainer who helps companies and people make every word count.

The visual aspects of my design work draw influence from my street photography, capturing imagery in both rural and urban landscapes. Meanwhile, Deanna's work as a communication strategist and writer is influenced by her background in linguistics and creative writing.

Our efforts to make communication arts more accessible led us to create a multisensory art book. This book combines photography and poetry to visually and conceptually narrate the story of ever-changing urban environments in a constant state of decay. But within decay, life still exists, fostering a new breath of beauty.
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1 hour 45 minutesFriday: 1 PM to 2:00 PMFriday: 9:30 AM to 10:15 AMFriday:4:00 AM to 4:45 AMThursday: 11:00 PM to 11:45 PMThursday: 8:00 PM to 8:45 PMThe map is the territory. Exploration of textual space design, through MUD design. Map making tools in Inform, Federation 2, Seltani, and Gather.town / WorkAdventu.re.: We will explore the methods of creation of virtual space, and come to understand the barriers to accessibility for screen readers.DVDdvd@tennica.net Prakruti
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2 pm on FridayFriday: 10:30 AM to 11:15 AMFriday: UTC 5:00 AM to 5:45 AMFriday: 12:00 to 12:45 AM Thursday: 9:00 PM to 9:45 PMMap is the territory continuedPrakruti
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45 minutes3:00 PMFriday: 11:30:00 AM to 12:15 AMFriday: UTC 6:00 AM to 6:45 AMFriday: 1:00 AM to 1:45 AMThursday: 10:00 PM to 10:45 PMCurating the Digital Storytelling exhibition at the British Library”Stella Wisdomvaibhav@tusitalabooks.comPrakruti
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This discussion is on Russian electronic literature and how it relates to broader context of Russian literary avant-garde of XX and early XXI centuries. Also, this session is aimed at discussing how means of electronic translation used to read a hypertext correlate with how syntax and meaning are presented in Russian electronic literature tradition as deriving from earlier literary practices. Texts suggested for the session include Kuryokhin. Second Life by Michael Kurtov (https://philome.la/mirtov/kuryokhin-second-life/play/index.html), and Polymorph by Alexander Frolov (https://web-almanac.com/polymorph/).
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45 minutesIST/Singapore noonFriday 4:00 PM to 4:45 PMFriday: 12:30 PM to 1:15 PMFriday: UTC 7:00 AM to 7:45 AMFriday: 2:00 to 2:45 AMThursday: 11:00 PM to 11:45 PMRussian Electronic literature This discussion is on Russian electronic literature and how it relates to broader context of Russian literary avant-garde of XX and early XXI centuries. Also, this session is aimed at discussing how means of electronic translation used to read a hypertext correlate with how syntax and meaning are presented in Russian electronic literature tradition as deriving from earlier literary practices. Texts suggested for the session include Kuryokhin. Second Life by Michael Kurtov (https://philome.la/mirtov/kuryokhin-second-life/play/index.html), and Polymorph by Alexander Frolov (https://web-almanac.com/polymorph/). Kirill Azerneykirill.azernyy@gmail.comJoseph Kuo
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Friday, January 19, 2024 Get the Word Out Day: Showcase how you reach out with great tools, best practices, education, language, and more.
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45 minutesACDT EveningFriday 5:00 PM to 5:45 PM Friday 1:30 PM to 2:15 PMFriday: UTC 8:00 AM to 8:45 AMFriday 3:00 AM to 3:45 AMFriday 12:00 AM to 12:45 AM Gallery of African E-lit University of Calabar, Nigeria<ibanga.letters@gmail.com>; <gregmbey@unical.edu.ng>; <waliyayohannajoseph@unical.edu.ng> Prakruti/ VashtiPrakrutiDr. Diana-Abasi ibanga
Gregory Mbey
Yohannah Waliya
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45 minutesEST Night6:00 PM to 6:45 PM2:30 -3:15 PMFriday:UTC 9 am-9:30 4:00 AM to 4:45 AMFriday: 1:00 AM -1:45 AMA Condensed History of Australian Camels' This work was created to be accessible on basic mobiles in the AR mode. The creative process discussed also, inspired by indigenous Australian author/researcher Natalie Harkin, seeks to redress the authority of the archive. Finally, it is also an example of collaborative creation, one that seeks to reinvent a 'print' work through 3 digital literary creative modes. David Thomas Henry Wright   davidthwright@gmail.comSamya
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30 minutes with 15 min breakIST/Singapore Evening7:00 to 8:00 PM3:30 to 4:15 PMFriday: UTC 10:00 am to 10:45 am5:00 am to 5:45 AM2:00 am to 2:45 AMArchives as Electronic Literature?. This talk is based on my archive of post Partition Sindhi literature published in India. It's available on https://pgsindhi-library.sanchaya.net. The question or idea I want to put across is: what happens to literature that is now largely available as tattered books? Does digitisation make them electronic literature? For the generation that is seeing such books for the first time as objects from another era, how do they interact with their materiality as digital ephemera? How does that influence the reading process?Soni WadhwaWadhwa.soni@gmail.comDivya/Samya
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1 hour 45 minutesACDT night9:00 to 10:45 PM5:30 to 6:45 PMFriday: UTC noon to 1:45 PM7:00 - 8:45 AM4:00 - 5:45 AMPublishing from this conference workshop Publishing elit research can be a tricky business! Especially if you position your research within traditional disciplines like literary studies. Likely journals might not publish your work. What do we, especially young researchers and PhD scholars, do in that case where our outputs get measured with specific journal/publication metrics? In this regard, I propose a brainstorming session where we can put on our thinking caps and then throw our best hats in the ring. Could we as a collective propose a special issue in another journal? Work with each other so that it benefits our publication portfolio? In short, what can we do to support each other?

Let’s think through some of these issues. Please come to the session having looked at certain journals and publication spaces which you think are good places for your work.

side note: the stronger opinions you have about journal metrics, the better friends we can become
Samya Brata Roy <samyabrataroy@gmail.com>Prakruti Samya Brata Roy (he/him) is a PhD scholar at the School of Liberal Arts, IIT Jodhpur. He is associated as a Fellow with Digital Humanities Research Hub (School of Advanced Study, University of London), Electronic Literature Organization and DAS|LAB (University of Regensburg). His interests and publications lie in and around Visual Culture, Electronic Literature, Videogame Studies and Digital Humanities. He has curated/peer-reviewed both digital/electronic art exhibits and scholarly outputs.

He co-founded Electronic Literature India and his other roles include being a member of the Intersectional Inclusion Task Force with the Alliance of Digital Humanities Organisations, Technical Advisory Member with Humanities Commons, a Governing body member with Digital Humanities Alliance for Research and Teaching Innovations and a liaison with The Association for Computers and the Humanities.
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45 minutesPST Night11:00 to 11:45 PM7:30 PM to 8:15 PMFriday: UTC 2:00 PM to 2:45 PM 9:00 to 9:45 AM6:00 AM to 6:45 PMOpen Access Interactive Storytelling Project on the Manasamangal Kavya
Digital Pedagogical Tools on Environmental Crises & Local Stakeholders, Intangible Heritage Conservation, and Minimal and Green Computing Tools for Insider/Outsider Engagement with the Sundarbans in India
Dr. Tonisha Guintonisha@iitj.ac.in, /romibanerjee@iitj.ac.in, biswas.anomitra@gmail.com, sumanasom@iitj.ac.in Divya/Samya1. Dr. Tonisha Guin, Assistant Professor (New Media and Cultural Studies, Identity, Political Ecology & Space Studies) School of Liberal Arts, IIT Jodhpur, India/tonisha@iitj.ac.in
2. Dr. Romi Banerjee, Assistant Professor (Computer Science Engineering, Multi-Modal Data Structures), Department of Computer Science, IIT Jodhpur, India/romibanerjee@iitj.ac.in
3. Dr. Anomitra Biswas, Assistant Professor (Literary Classics and Popular Culture, Feminist Technocultures, Transmedia Storytelling), GITAM School of Humanities and Social Sciences, GITAM Deemed-To-Be University, Visakhapatnam, India/biswas.anomitra@gmail.com
4. Dr. Sumana Som, Assistant Professor (UX Design, Virtual Reality, Heterogeneous Art Practice), School of Liberal Arts, IIT Jodhpur, India/sumanasom@iitj.ac.in
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45 minutes.PST morning Saturday Midnight to 12:45 AMFriday: 8:30 PM to 9:30 PMFriday: UTC 3 PM to 3:45 PM10:00 AM to 10:45 AM7:00 AM to 7:45 AMVR and vision: How can we work within VR and vision and art? Low vision designPatrick Lichtypatlichty@gmail.comSarah/Michelle Deena
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45 minutes ACDT nightSaturday:1:00 AM to 1:45 AMFriday: 9:30 PM to 10:15 PMFriday: UTC 4:00 PM to 4:45 PMFriday: 11:00 AM to 11:45 AM8:00 AM to 8:45 AMThe Worlding Difference Knowledge Platform: Non-Normative Micro Worldbuilding in a Radically Accessible Online Space. In this presentation, we showcase the Worlding Difference Knowledge Platform, a cutting-edge, web-based platform featuring art and scholarship from the Bodies in Translation (BIT) research grant. BIT explores the relationship between cultivating activist art and achieving social and political justice, revealing the power of activist art to represent disability, d/Deaf, Mad, fat, aging and e/Elder communities as artistic, creative, agentic, political, and vital. This lively, digital born, teaching and learning platform will test the boundaries of multimedia scholarship and academic publishing. In this talk, we highlight how the platform will create an online microworld-building space for the transnational sharing of disability and non-normative arts and culture.Re•Vision: The Centre for Art and Social Justice
University of Guelph		eharri20@uoguelph.ca, carlar@uoguelph.ca, lilith@uoguelph.caHannahDeenaDr. Carla Rice (she/they) is Tier I Canada Research Chair in Feminist Studies and Social Practice at the University of Guelph. She specializes in embodiment theory, feminist of colour/intersectionality studies, post-philosophical theories, and activist arts-based research methods. At Guelph, Rice founded the Re•Vision Centre for Art and Social Justice, a cutting-edge research creation centre and state-of-the-art traveling media-lab that explore how communities can use arts-informed research methods to advance community wellbeing and social justice more broadly.

Dr. Elisabeth Harrison (she/they) is a Research Associate at the Re•Vision Centre for Art and Social Justice at the University of Guelph, where they contribute to projects including From InVisibility to Inclusion, which seeks to advance access to livelihoods for people with episodic disabilities, and Bodies in Translation, a project aiming to cultivate and research activist art. They hold a PhD in Critical Disability Studies from York University.

Dr. Lilith Lee (she/her) is the Data & Digital Design Specialist of the Re•Vision Centre for Art and Social Justice at the University of Guelph. She holds a PhD degree in Spanish Literature from the University of Barcelona and an MLIS from the University of Alberta. Her background includes English literature and education, and over the years she has taught medical humanities courses and implemented problem-based learning in Spain and Argentina.
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45 minutes EST noonSaturday: 2:00 AM to 2:45 AM10:30 PM to 11:!5 PMFriday: UTC 5:00 PM to 5:45 PMFriday: 12:00 to 12:45 PM9:00 AM to 9:45 AMRoundtable on Innovate Teaching Techniques for Electronic Literature ClassesJim O'Loughlinjim.oloughlin@uni.eduShamsDeena
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Access without internet?IST/Singapore Evening3:00 AM to 3:45 AM11:30 PM to Saturday 12:15 AMFriday: UTC 6:00 PM to 6:45 PMFriday: 1:00 PM to 1:45 PM10:00 AM to 10:45 AMInternet in a Box Tim Moody and discussion around access. What would we put into such a hard drive to introduce electronic literature in areas without the internet?Tim Moodytim@timmoody.comDeena
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45 minutes Saturday: 4:00 AM to 4:45 AMSaturday 12:30 AM to 1:15 AMFriday: 7:00 PM to 7:45 PMFriday: 2:00: PM to 2:45 PMFriday: 11:00 AM to 11:45 PMVoices - case study: making an accessible interactive digital narrative. Sharing & discussing best practices, useful techniques & tools.Christine Wilkscrissxross@gmail.comElizabeth Varkey, Steven LuiWSUV ELLChristine Wilks is a writer, artist, developer of creative web apps and interactive digital narratives, and practice-based researcher. She recently released Voices - https://crissxross.net/works/voices - an interactive digital fiction for body image bibliotherapy, as part of Writing New Body Worlds, an international, transdisciplinary research project, funded by SSHRCC. Her creative work has won awards and is published in online journals, exhibitions and anthologies, and has been presented internationally at festivals, exhibitions and conferences. She has a PhD in digital writing from Bath Spa University. See her work at https://crissxross.net
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45 minutes IST nightSaturday: 5:00 AM to 5:45 AMSaturday: 1:30 AM to 2:15 AM Friday: 8:00 PM to 8:45 PMFriday 3:00 PM to 3:45 PMnoon on FridayTwine DemonstrationStuart Moulthrop and Anastasia SalterStuart A Moulthrop <moulthro@uwm.edu>; Anastasia Salter <anastasia@ucf.edu> SarahDeena
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45 minutes Singapore/ACDT morningSaturday: 6:00:00 AM to 6:45 AMSaturday: 2:30 AM to 3:15 AMFriday: UTC 9:00 PM to 9:45 PMFriday: 4:00 PM to 4:45 PMFriday: 1:00 PM to 1:45 PMInky demonstration Jeremy Andrioanojeremy.andriano@torontomu.ca Sarah/Ayden Laster, Deena
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45 minutesEST eveningSaturday: 7:00 AM to 7:45 AMSaturday: 3:30 AM to 4:15 AMFriday: UTC 10:00 PM to 10:45 PMFriday: 5:00 PM to 5:45 PMFriday: 2:00 to 2:45 PMInform DemonstrationJudith Pintarjpintar@illinois.edu
Melat Tesfa, Max Sherwood		Deena
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45 minutes PST afternoonSaturday: 8:00 AM to 8:45 AMSaturday: 4:30 AM to 5:15 AMFriday: UTC 11:00 PM to 11:45 PMFriday: 6:00 PM to 6:45 PMFriday: 3:00 to 3:45 PMFive types of accessibility in the NEXT as a case study for how to handle games, literature, and art. "Tour of the Accessibility features built into the NEXT
Accessibility in Rob Swigart's 2023 VR rendition of Portal
Dene Grigar		Electronic Literature Labdgrigar@wsu.eduIsabella Bernhardt Eiliya, Vishala Shakya <vshakya@usc.edu>Deena
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45 minutesIST/Singapore morningSaturday: 9:00 AM to 9:45 AMSaturday: 5:30 AM to 6:15 AMSaturday: UTC midnight to 12:45 AMFriday 7:00 PM to 7:45 PM Friday: 4:00 PM to 4:45 PMZero Day. The text revolves around a boy with an acquired brain injury and the touchscreen portion was designed for his readability, with impaired vision. I'd like to propose, and/or discuss and get further ideas on, accessibility improvements for the work. In particular, I'd like to discuss screen reading in smartphone and installation contexts.Chris Arnoldmysteryproducer@gmail.comDeena
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We will end with a Wiki editathon. .ACDT NoonSaturday: 10:00:00 AM6:30:00 AMUTC 1 am on Saturday8:00:00 PM5:00:00 PM on FridayWikipedia Project tourdeena.larsen@wsu.eduDeena
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EST Night11:00 AM7:30 AMUTC 2 am9:00:00 PM6:00 PM
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PST eveningnoon on Saturday8:30:00 AM on SaturdayUTC 3 am on Saturday10:00:00 PM on Friday7:00:00 PM on Friday
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