ISMRA .xlsx

	A	B	C	D	E	F	G	H
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2	Day 1 - May 25
3	Joint ISRA and ISMA sessions -- Miller 114
4	time	Author	Title	Session
5	8:00	Pavel Zahorik	Using psychoacoustic approaches to understand and predict perception of sound in rooms	plenary talk #1
6	8:20
7	8:40
8	9:00	M. Zhang	Stage Response Through Choristers' Ears: Investigations	Artists and venues
9	9:20	C. Fernandez, M. Lawless, D. Poirier-Quinot, and B. Katz	Preliminary Evaluation of a Virtual Acoustic Environment
10	9:40	M. van Zyl, M. Wright and T. Fujioka	Virtual Acoustics, Real Adjustments: Leveraging virtual reality to investigate how room acoustics affect music performance.
11	10:00	Morning Break
12	10:30	Joel Ward and Tapio Lokki	Church Acoustics: Ease and Difficulty in Choral Singing	Artists and venues (continued)
13	10:50	S. Mullins, E. Canfield-Dafilou and B. Katz	Choral Onset Synchronization in Historical Acoustics: Medieval Polyphony and Notre-Dame de Paris
14	11:10	L. Shtrepi, N. Somà, A. Guastamacchia, D. Sgro, G. Emma Puglisi, A. Carullo and A. Astolfi	Singers' likability of the acoustic environment and adaptation of singing in contemporary churches
15	11:30	E. Porcinai, S. Lepa, P. Klein, H. Talal Schaar and S. Weinzierl	Stage acoustics for chamber music ensembles: a laboratory
16	11:50	S. Mullins and B. Katz	Listening to Medieval Polyphony in the Virtually Reconstructed Acoustics of Notre-Dame de Paris
17	12:10 - 13:10	Lunch Break
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20	13:10	Trimpin	Engaging the room: Contraptions for Art and Sound	plenary talk #2
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23	14:10	V. Fraisse, N. Schütz, C. Vincent, M. Wanderley, C. Guastavino and N. Misdariis	Exploring sound installation reactivity: acoustic niches in public space	Soundscapes
24	14:30	Elliot Canfield-Dafilou	Recording the Internal Soundfield of a Pipe Organ for Auralization
25	14:50	I. Witew, M. Wiedemann and S. Weinzierl	Sound power dynamics of chamber ensembles under realistic performance conditions
26	15:10	S. McDermott	Accuracy of Audio Attenuation in 3D Audio Libraries
27	15:30	Afternoon Break
28	16:00	Anders Friberg	Swing timing in a jazz ensemble: measurements and models	plenary talk #3
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31	17:00		Break
32	18:30	Trip to Music Box Village (~3 hours) -- Bus departs from Loyola campus at 6:30pm
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35	Day 2 - May 26
36	Room Acoustics (ISRA) sessions -- Miller 114					Musical Acoustics (ISMA) sessions -- Miller 204
37	8:00	Margriet Lautenbach	Room acoustics for classical halls: Practice, theory and music	ISRA plenary talk		J-F. Petiot, G. Hamelin, V. Freour and K. Arimoto	Contribution of sound simulations by physical model and machine learning for the bore optimization of a brass instrument	Brass instruments
38						V. Freour, Br. Cochelin, C. Vergez and K. Arimoto	Modelling the lips of an artificial trumpet player system
39						F. Soares, V. Freour, B. Cochelin, C. Vergez and K. Arimoto	Bifurcation diagrams of a brass instrument model including nonlinear acoustic propagation
40	9:00	A. Szeląg, K. Baruch-Mazur, K. Brawata and A. Kłosak	The application of scale model reverberation rooms for testing acoustic properties of interior finishing materials	Surfaces		M. Jackson and G. Scavone	A study of brass instrument impedance
41	9:20	A. Klosak, A. Gade and A. Szelag	Application of Visually Appealing and Architecturally Preferred Materials - Concrete, Wood, Metal, and Fabric - in Modern Room Acoustic Design			M. Aragó Bishop, A. Myers, M. Campbell and S. McGrattan	Optimising intonation and playability in a vented trumpet: Acoustical behaviour and performer insights
42	9:40	V. Buggè, L. Shtrepi, G. Nocerino, M. Leone and S. Pone	Integrating design, acoustic performance and fabrication: the case of the acoustic optimization of a meeting room			Gillespie	Quantitative Comparison of Various Cajon Models	Percussion
43	10:00	Morning Break				Morning Break
44	10:30	Z.Belanger, C. Newell and W. McGee	The Design and Assessment of a Glass Acoustic Surface	Surfaces		Elliot Canfield-Dafilou, Suhail Yusuf and Mark Rau	Acoustics of Sympathetic Strings in a Sarangi	General strings
45	10:50	M. Patel	Tailored Acoustics: Enhancing Acoustic Performance with Customized 3D-Printed Textures			Mark Rau and Gary Scavone	Vibration Measurements Comparing the Contrabass and Octobass
46	11:10	L. Brill, C. Giegold, R. Glosemeyer Petrone, M. Mayell and D. Schuette	From Computation to Construction: Optimizing and Validating Innovative Acoustic Surfaces			A. Piacsek and C. Fritz	Preliminary results of a survey of musicians and luthiers regarding beliefs about playing-in
47	11:30					H. Tahvanainen	Coupling of higher-order air modes and structural modes in string instruments
48	11:50	Lunch Break				Lunch Break
49	12:10
50	12:30
51	12:50	A. Klosak, An. Gade, K. Piotrowski and A. Szelag	Subjective evaluation of differences in concert hall shape using a multisource orchestra anechoic recordings auralized in 3d computer models	Auralization		P. Cillo, P. Ziegler and P. Eberhard	Reducing tonal variability in guitars: An efficient framework for soundboard shape optimization	Plucked strings
52	13:10	A. van der Harten	Open Source Numerical Tools for Evaluating Unique Finish Designs			T. Yudasaka, G. Scavone, M. Rau and K. Ishizaka	Measurement and analysis of electric guitar neck admittance for digital waveguide models
53	13:30	S. Kartub, N. Dulworth, M. Mayell, C. Springthorpe, J. Strong, C.Giegold and S. Pfeiffer	Auralizing Reflector Arrays for Onstage Listeners			R. Mores and S. Zimmer	Preserving the art of sound design in Spanish guitars - archiving, modeling, and replication with model-based modifications
54	13:50	W. Ahnert and S. Feistel	Complex acoustic simulations in real time			S. Linke, P. Kuchenbecker, R. Mores and R. Bader	The influence of single-coil pickup height on string vibration and intonation in electric guitars
55	14:10	T. Jüterbock, U. Finnendahl, M. Worchel and S. Weinzierl	misuka: An Open-Source Extension to Mitsuba 3 for Efficient Differentiable Room Acoustic Rendering			Afternoon Break (14:10 - 14:40)
56	14:30	J. Braasch	Auralizing music ensembles in concert venues using wave field synthesis		14:40	E. Matusiak, V. Chatziioannou and M. van Walstijn	A refined bow string interaction model considering hysteresis	Bowed strings
57	14:50	Afternoon Break (14:50 - 15:20)			15:00	A. Lampis, V. Chatziioannou and G. Scavone	Experimental analysis of playability and tonal quality of cello strings using Schelleng diagrams
58	15:20 - 16:40	Panel discussion	Simulation Techniques in Room Acoustics	Panel	15:20	H. Pauget Ballesteros, P. Lalitte and C. Fritz	Influence of Bowed String Control Parameters on Audio Descriptors in Real Playing Conditions
59					15:40	C. Fritz, C. Bisserie, A. Cagnetta, Mj Kwan and S. Zygmuntowicz	Sound differences between Stradivari and del Gesu violin models
60					16:00	V. Salvador Castrillo, F. Ablitzer and C. Fritz	Investigating the Role of Bow Rotational Inertia in Violin Bowing Mechanics
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64			Break				Break
65	18:00 - ??		JAM SESSION MILLER 114				JAM SESSION MILLER 114
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67	Day 3 - May 27
68		Room Acoustics (ISRA) sessions -- Miller 114				Musical Acoustics (ISMA) sessions -- Miller 204
69	8:00	Stefan Weinzierl	Generative design as a solution for room acoustic problems	ISRA plenary talk	8:00	K. Saenger and N. Giordano	Half-integer harmonics in the soprano recorder and new clues about their origins	Flutes
70					8:20	R. Tabata, K. Okada, T. Shoji, K. Arimoto and Y. Hattori	Shape optimization of an air-jet instrument using the continuous adjoint method
71					8:40	T. Lasickas, G.C. Alp Caridi, A. Soldati and V. Chatziioannou	The Influence of Side Hole Undercutting on Vorticity
72	9:00	C. Hough	High frequency sound in concert hall design - balancing the spatial, tonal and frequency domains	Perception		N. Giordano	Structure of air flow near a woodwind tone hole
73	9:20	M.Vercammen and M. Lautenbach	Scattering, surround sound and perceived loudness in smaller concert halls			S. Adachi and Z. Qian	Comparison between the actual and simulated mode transition diagrams of a recorer for evaluating the jet oscillation model allowing overall deflection
74	9:40	J.Heck, J. Llorca-Bofí, H. Park, N. Meyer-Kahlen, T. Lokki and M. Vorländer	Comparison of the auditory and auditory-visual perception in four concert halls			C. Bastien, C. Fritz and A. Ernoult	Modeling the intonation profile of a recorder and predicting its sensitivity to small tone hole variations
75	10:00	Morning Break				Morning Break
76	10:30	G. Atay, J. Llorca-Bofí and M. Vorländer	Visual Distance Influence on Apparent Source Width in Concert Halls	Perception		K. Saenger and D. Walkup	Using pulsed and steady speaker tones to probe note transitions in a soprano recorder	Flutes
77	10:50	M. Yang and N.Xiang	Directional Perception of Reverberance in an Acoustically Coupled Volume System	Perception		N. Giordano	An Approach to Describing Sound Production at the Mouth of a Wind Instrument	Flutes
78	11:10	J. Salesin, T. Lokki and T. Méndez Echenagucia	Seat Sublime: Focusing on the Totality of the Concertgoer Experience – Acoustical, Visual, and Physical	Design and General Room Acoustics		J. Hyrkas and T. Smyth	Vibrato Suppression by Time-Varying Delay and Spectral Magnitude Demodulation	Signal Processing
79	11:30	B. Masiero, J. Nivaldo Sarinho Filho and R. Thomazelli	Optimizing Low-Frequency Reverberation in a Critical Listening Room			C.Kemp, S. Wang and G. Scavone	Comparison of alto saxophone reed fatigue between natural cane and synthetic reeds	General Wind Instruments
80	11:50	A. van der Harten and D. Kahn	Recent Practice in the Design of Rehearsal Rooms			R. Mores, R. Bader and S. Linke	The Khaen of the Hmong in Northern Laos	General Wind Instruments
81	12:10	Lunch Break				Lunch Break
82	12:30
83	12:50
84	13:10	J. Alvarez Chaia, R. Graus and H. Martin-Nieva	Two contributions of physicist Higini Arau-Puchades to Architectural Acoustics: On the boundary between scientific theory and consulting practice	Design and General Room Acoustics		S. Thompson	Results from a time-domain clarinet model: articulation and changing notes	General Wind Instruments
85	13:30	An.Klosak, A. Szelag and B.Ziarko	Polish National Television production studios: acoustic design and performance			G. Talaski, T. Smyth and G.Scavone	A Clarinetist's Exploration of Clarinet Tone through Advanced Technique, Instrument Configuration and Acoustic Impedance
86	13:50	A.Kanapesky and T. Foulkes	Renovation of a Historic 1920’s Theater to Create a First-Rate Cinema in the Balcony of a Live Music Performance Hall.			M. Kob, J. Thilakan and T. Grothe	Simulation and interpretation of wind instrument directivity using a point source approach
87	14:10	L. Shtrepi, D. Cetani, S. Rovera, L. Teppati Lose', F. Chiabrando, M. Masoero and A.Astolfi	Audiovisual integration effect on the perception of the overall acoustic and architectural quality: the case of a conference room in a historical building			C. Darabundit, V. Chatziioannou and G. Scavone	Mapping woodwind playability using measurement based physical models
88	14:30	Tim Gulsrud	Acoustics Design for Contemporary Americana Folk/Bluegrass Music: a case study			Whitney Coyle, Max Griffin and Makayle Kellison	Computational Detection of Articulation Transients in Clarinet Performance
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