ABCDEFGHIJKLMN
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PieceFLObCLASaxLowWWTptFHTbnBarTubaPercMeasureMark
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1 Reverberationsxxxxxxxxxxx1All - every time you have the two-note motif, add a staccato to the second note. Holding that note is slowing us down. This includes timpani and bass drum.
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1 Reverberationsx1"Breathe" with the band
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1 Reverberationsx1Vibes - get up to speed before we start (your tempo needed to be 10 clicks faster). Feel it more like 16th notes in cut time rather than 8th's in 4/4
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1 Reverberationsx1Timpani - mute both drums on beat 2
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1 ReverberationsCL12"soft"
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1 Reverberationsx2write in counting above rests so entrance in m. 5 is accurate
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1 ReverberationsTpt22"mutes silent"
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1 ReverberationsBCL4write in counting above rests, play on beat 4, not 3
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1 Reverberationsx5delay the cresc.
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1 Reverberationsxxxx9softer
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1 Reverberationsx11"softer" circle the cresc.
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1 Reverberationsx11Bass drum: softer
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1 Reverberationsx13play staccato
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1 Reverberationsx15Timpani - mute both drums
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1 Reverberationsx15missed entrance on triangle
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1 Reverberationsxx18draw a line through the 8th note on beat 3 and write "Watch for 3" above it.
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1 Reverberationsx19Toms - louder. Everything you play is soloistic and needs to be a dynamic level higher.
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1 Reverberationsx21down arrow above the D
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1 Reverberations
Tbn1
22join Tbn2 on their beat 4 E-nat.
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1 ReverberationsFH122join FH2 on their beat 4 B-nat.
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1 Reverberationsxxxx23start softer
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1 Reverberationsx23more - know that your entrance happens earlier than the pattern set up by low brass
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1 ReverberationsCL22/3x26add another down arrow, also at 30
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1 Reverberationsxxxxxxxxxx26add decrescendo after beat 2
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1 Reverberationsx28Crash "on the release"
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1 ReverberationsCL129rhythm (beat 2 note was a beat early)
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1 ReverberationsCL132not too much (match volume of other instruments)
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1 ReverberationsCL232pitch up, quicker; see note for vibes in m. 1
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1 ReverberationsCL332more (work hard!)
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1 Reverberationsx32mallets: quicker, see note for vibes in m. 1
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1 Reverberations
Picc.
32Piccolo - last note staccato release
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1 Reverberationsxxx33shorter, louder (perc: toms, bass, timp)
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1 ReverberationsTpt136COME ON TPT1!
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1 Reverberationsx40Bass drum: "on the release"; Crash: "with brass"
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1 Reverberationsxx42add decrescendo after beat 2, then big cresc. in m. 43
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1 Reverberationsxx46circle the "p" - the forte is good, but we're not getting the piano part
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1 Reverberationsxx50circle the "p" - the forte is good, but we're not getting the piano part
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1 Reverberationsx52Woodblock - if anything, push the tempo a little faster here
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1 Reverberationsxx61much more shaping
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1 Reverberationsxxxxxx86more cresc.
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1 Reverberationsxxxxxx87no breath into 88
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1 ReverberationsCL188softer, shorter
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1 Reverberationsx88mallets: listen to the "Clarinets"
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1 Reverberationsxxxx92Listen to brass & percussion
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1 Reverberationsxxxxxx104"soft"
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1 ReverberationsCL1106much less
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More on the other side...
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2 Englishx1"Breathe" with the band
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2 Englishxx1"Initiate" the sound with the smaller instruments; circle the "p"
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2 English14add a staccato above first note
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2 English2/319cross out measures 19-22. Re-enter m. 23
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2 Englishx23add a staccato on every 8th and 16th note in these two measures
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2 EnglishTp123"day, to-day, to-day"
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2 English1/225"day, to-day, to-day"
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2 English1/225clean up the notes/fingerings
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2 English26circle the descresc.
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2 Englishx27listen for pitch
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2 Englishxxx39last note - F#?, C#?, B-nat.?
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2 Englishxxxxxxxx44soft, listen for "CLARINET"
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2 English2/356listen for pitch
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2 EnglishxTSxxxx59listen for pitch on both beats
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2 Englishxx59circle the descresc.
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2 Englishx59bass drum?
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2 Englishxxxxx61add a cresc. on the dotted half note
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2 Englishxxxxx62Brass, we need "quick tongues" and valve/slide changes to keep this section sounding clean and not slushy. Pure sound, no extraneous noise.
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2 EnglishTp164add a cresc. on the dotted half note
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2 Englishx65add a cresc. on the half note
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2 Englishxx66mark the release: "-2" Tubas don't have this release, but make sure you do.
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2 EnglishTp367add a slur on the 8th notes
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2 English1/267add a cresc. on the dotted half note
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2 Englishxxx70no breath into m. 71
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2 Englishx72count rest accurately, don't enter early
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2 Englishxxxx73add a cresc. on the dotted half note
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2 Englishxxxx73listen for pitch. We have a lot of people playing the melody in octaves. "Listen down" to the lower voices.
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2 EnglishTp274F-natural
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2 EnglishTp1FH1Tb175see above
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2 EnglishCL276"soft" we need much less of the C because it's doubled in CL1
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2 EnglishCL3AS22/376down arrow
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2 EnglishBSxx76E-flat on beat 3; Bari sax C-nat.
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2 EnglishCL3772 down arrows on the B-flat
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2 Englishxxxxxxxxxx78after beat 2 - "release together" into the breath
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2 Englishx2/379less
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2 EnglishCL2AS1Tp2Tb380beat 3 note accuracy - F#, A-nat., or B-nat.
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2 English2/388"Center" the F
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2 EnglishxCL188less
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2 Englishxxx89"make it dance" Light accent on almost every note.
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2 Englishxxxxxxx99"make it dance" Light accent on almost every note.
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2 Englishxxx110"dance!"
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2 Englishx118Snare: play clean and together
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2 Englishxxxxxxx126softer piano, especially Snare Drum
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2 Englishx129more timpani
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2 Englishxxxxxxx130change f to fp
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2 Englishxxxxxxx131add a cresc. in the second part of the measure
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2 Englishxxxxxxx132forte on beat 1
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2 Englishxxxxxxxxxxx133Release together
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2 EnglishxxxTSxxxfirst 8th note - check pitch. Eb, F-nat or Bb
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More on the other side...