| A | B | C | D | E | F | G | H | I | J | K | L | M | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
1 | SHOT LIST | NAUSEOUS | ||||||||||||
2 | SCENE # | 1 – bedroom getting ready | |||||||||||
3 | ✓ | KEY SHOTS | SHOT # | SUBJECT | SHOT SIZE | ANGLE | MOVEMENT | EQUIPMENT | LENS | NOTES | LYRIC | HMU | SET |
4 | * | 1 | In reverse fast motion, Annie "walks backwards" down the stairs and into her room | FS | Static | Annie walks from bedroom out through living room down front walkway. Could come from upstairs instead of outside | intro instrumental | og annie (blonde wig everyday clothes) | outside | ||||
5 | * | 3 | Follow Annie stumbling backwards into her room and lock the door. | MS | Eyelevel | Handheld | intro instrumental | og annie | hallway / bedroom | ||||
6 | * | 4 | The camera spins around her in the bedroom in a dizzying entrance. | MCU | Eyelevel | Pan | could have annie spin and camera pan? | intro instrumental | og | bedroom | |||
7 | 5 | Picks up clothes and then throws them down again, flops down on bed, kicks heels back and forth | FS | 0:07-0:15 what if i stayed here and gave it up | og | bedroom | |||||||
8 | * | 6 | Walks around room talking on corded phone and wraps cord around door handle | FS | what if i cleaned my room then we fucked | og | bedroom | ||||||
9 | 7 | She reads a book called “How to Be Good at Sex” and is taking notes. | FS | 0:18-0:26 what if i layed here just like she would | og | bedroom | |||||||
10 | 8 | Annie lays on the bed and practices the recorder and then throws it across the room. | MS | what if i practiced and got really good | og | bedroom | |||||||
11 | * | 9 | She’s clutching her chest wistfully dreaming of the day she catches her crush’s attention and drawing hearts on a piece of paper. | MS | 0:27 cause all i want to be is | dressing gown | bedroom | ||||||
12 | * | 10 | She puts on an outrageous face mask and hair curlers. shot thru the mirror | MS | everything that you | dressing gown | bedroom | ||||||
13 | * | 11 | puts on Modern graphic look -- shot thru mirror | MS (OTS) | HMU / Wardrobe change. We see her applying makeup and doing the hair for each look | need and more | modern graphic look | bedroom mirror | |||||
14 | * | 12 | 90s glam look -- thru mirror | MS (OTS) | HMU / Wardrobe change. | if i were to give you everything | 90s glam look | bedroom mirror | |||||
15 | 13 | Gothic punk look -- thru mirror | MS (OTS) | HMU / Wardrobe change. | it wouldn't be | gothic punk look | bedroom mirror | ||||||
16 | * | 14 | Victorian look w/ a wig and full skirt. --- thru mirror and also straight on | MS (OTS) | HMU / Wardrobe change. | enough | victorian look w/ wig | bedroom mirror | |||||
17 | 15 | Victorian Annie sings to the mirror | MCU (OTS) | get shot of full song here | victorian | bedroom mirror | |||||||
18 | SCENE # | 2 – slow dance | |||||||||||
19 | 16 | Victorian Annie comes into the room where her crush is waiting. | FS | i want to be your pretty girl | victorian | portrait zone | |||||||
20 | * | 17 | The crush extends their hand and they start to dance | MCU | i'll never be your pretty girl | victorian | portrait zone | ||||||
21 | 18 | slow dance under dramatic spotlight | FS | first instrumental break | victorian | portrait zone | |||||||
22 | SCENE # | 3 – the chase | |||||||||||
23 | * | 19 | The crush starts is being coy and starts to go outside, beckons to Annie to follow. | MCU | first instrumental break | victorian | outside | ||||||
24 | * | 20 | Annie follows the crush outside and into the street. | first instrumental break | victorian | outside | |||||||
25 | * | 21 | tracking shot follow victorian annie following crush leaving house to POV of annie following crush outside | MS | POV | Tracking Shot | first instrumental break 1:12 | victorian | outside | ||||
26 | * | 22 | from annie's POV follow crush as they are dodging behind trees, staying just out of sight but making motions for her to follow. | MS | POV | Handheld | first instrumental break | victorian | outside | ||||
27 | 23 | The crush starts running down the street as Annie eagerly tries to keep up. | MS | Static | shoot crush from behind | just like a lost dog | victorian | outside | |||||
28 | * | 24 | Annie starts running after them. | MS | Eyelevel | Static | show annie from front eyeline match crush | you'll search all night | victorian | outside | |||
29 | * | 25 | Crush stops and turns around | FS | POV | Static | probably won't | victorian | outside | ||||
30 | * | 26 | over annie's shoulder, annie runs up to crush. push in on crush as they stop like you're about to run into them | Handheld | nice to have dunno if this will track | like what | victorian | outside | |||||
31 | * | 27 | Side shot, annie runs up to crush and stumbles and throws up | FS | Eyelevel | you find | victorian | outside | |||||
32 | * | 28 | annie stumbles backwards and throws up pov / ots shot | MCU (OTS) | would be great if we can start OTS of crush and end OTS of annie (crush is gone) push in so last frame annie is out of frame | SCREAM | victorian | outside | |||||
33 | * | 29 | Crush disappears, and Annie is back in her original outfit from the beginning scene. | W | High Angle | wide shot from high angle shows change from dream scene back to reality, pacing is slower now | it makes me nauseous, sick at the sight | victorian | outside | ||||
34 | * | 30 | Annie looks around like she’s just woken up from a bad dream, where tf am I? She’s distraught, thinking, ‘omg things were going so well I thought and then I just blew it by throwing up’. But did it even happen? | MCU | my own world my own design | victorian | outside | ||||||
35 | * | 31 | Original Annie starts to walk back home, sings to self in car window | MCU | original annie sing full 2nd half of song walking down street | all i want to be is everything | original | outside | |||||
36 | SCENE # | 4 – dramatic dance | |||||||||||
37 | * | 32 | cuts to dramatic dance scene between Victorian Annie and the crush. | that you need and more | victorian | portrait zone | |||||||
38 | * | 33 | Victiorian annie walks through the streets singing to herself, taking off costume pieces and leaving on a mailbox | FS | victorian annie sing full 2nd half of song walking down street | if i were to give you everything | victorian | outside | |||||
39 | * | 34 | dramatic dance scene Victorian Annie grabs a red rose between her teeth. | Reference Perks of Being a Wallflower, Get Smart, Pretty in Pink dance scenes. | it wouldn't be enough | victorian | portrait zone | ||||||
40 | * | portrait zone of each makeup look –– modern graphic / 90s alt / slick back / victorian | portrait zone | ||||||||||
41 | SCENE # | 5 – bedroom unwind | |||||||||||
42 | 35 | Original Annie starts to walk back home, sings to self in car window | MCU | original annie sing full 2nd half of song walking down street | i want to be your pretty girl i'll never be your pretty girl | og | outside | ||||||
43 | 36 | Annie walks up the walkway to the house after dream scene ends | FS | ending scene og annie | i want to be your pretty girl i'll never be your pretty girl | og | outside | ||||||
44 | * | 37 | Annie starts picking up the outfits from the beginning scene off the bed and floor and putting them in garbage bags | MS | got all dressed up but i stay home | og | bedroom | ||||||
45 | * | 38 | She tears up the sex book from the earlier scene and puts it in a garbage bag | MS | got all dressed up don't wanna go | og | bedroom | ||||||
46 | 39 | She puts the garbage bags next to the mailbox on the curb. The pile at the curb gets larger and larger. | FS | i'll just stay in and think of you | og | outside | |||||||
47 | * | 40 | The room gets emptier and emptier as she takes everything to the curb | outside | i'll just stay in and clean my room | og | bedroom | ||||||
48 | * | 41 | Original Annie goes back to the room and the only thing left is the mirror, dresser, and an empty bed. | all i want to be is everything | og | bedroom / portrait scene | |||||||
49 | 42 | shot thru mirror She starts timidly cutting her hair (that looks like a more styled version of her real hair). She more vigorously and haphazardly starts taking out large chunks. | MS | 2:40 build up screams | og | portrait scene | |||||||
50 | 43 | It becomes apparent that her hair is actually a wig. She gets frustrated and cuts the wig off. | if i were to give you everything | og > real | portrait scene | ||||||||
51 | 44 | Throws the wig off and starts dancing and singing. | it wouldn't be enough | real annie no wig | portrait scene | ||||||||
52 | * | 45 | sing to self in mirror post haircut | MS | the real annie sings to self in mirror entire 2nd half song | i wanna be your pretty girl, i'll never be your pretty girl | real | ||||||
53 | * | 46 | Annie sits in the corner of the room and sings directly to the camera. | FS | Annie barefoot with messy hair and minimal makeup is sitting in her empty room with the wig and scissors on the floor. | i want to be your pretty girl | real | ||||||
54 | * | 47 | She lights the piece of hearts paper on fire with a lighter and | CU | i'll never be your pretty girl | real | |||||||
55 | 48 | drops paper into a trash can and walks out of the room. | FS | real | |||||||||
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