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JUDGEIda Norris
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RIDER #6028
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NAME:Carrie Biederstadt
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Max Pts:340
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Final Score: 59.118%
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FEI PRIX ST. GEORGE
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TESTMARK
CORRECTION
*TOTALDIRECTIVESREMARKS
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1A

X


XC
Enter in collected canter

Halt - immobility - salute
Proceed in collected trot

Collected trot
44Quality of paces, halt, and transitions. Straightness.
Contact and poll.
right leg is in less contact than the left leg, rider leaning /collapse over left and horse fell left at the halt.. no immobility shown. more importantly: walked into and out of the halt s..... that makes this movement insufficient for this level as it asks for trot/halt/trot and that is a first level movement
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2C

MXK

K

KAF
Track to the right

Medium trot

Collected trot

Collected trot
66Regularity, elasticity, balance, engagement of hindquarters, lengthening of steps and frame.
Both transitions. Collection.
developed slowly by about the quarterline.. needs to be more letter to letter. preparation at this level begins on the short side prior to this and the impulsion is developed in the corner ( ie like shifting a car :))
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3FBShoulder-in left77Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency. slight tilt from left rein.. riders right leg clearly less in contact or less stable than left leg
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4BVolte left (8 m Ø) 6.56.5Regularity and quality of trot, collection, and balance. Bend; size and shape of voltelooked really large.. more like 9 meters , poll dropping at times.. too much inside rein or positioning on inside rein
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5BG

G

C
Half-pass to the left

On centre line

Track to the left
6212Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs.against hand losing engagement and bend ( ie looks like leg yield with neck bend.-- rider needs to sit in direction going, slightly turn of core.. bend to be ridden more like transverse on a diagonal line.. needs lateral poll flexion, shoulder flexion and rib cage flexion with outside leg support for engaged haunches.
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6HXF

F
Extended trot

Collected trot
66Regularity, elasticity, balance, energy of hindquarters, overtrack. Lengthening of frame. Differentiation from medium trot.mostly develops after x and conservative
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7FAKTransitions at H and F
The collected trot
5.55.5Maintenance of rhythm, fluency, precise and smooth execution of transitions. Change of frame. Collection.need to be clearer, the minute you are finished one movement use the hort side to prepare the next.. use the short side to get a lot of impulsion so that when you turn the corner to the diagonal you can begin smoothly, with confidence and immediately ( actually i am pushing my horse in the corner like downshifting a car) transitions too long and lack definition
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8KEShoulder-in right 44Regularity and quality of trot; bend and constant angle. Collection, balance, and fluency.hind leg fell out became leg yield ( needs outside leg support and outside aids.. you are falling off to the left and pushing the horse out with your right seat bone .. loose left leg
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9EVolte right (8 m Ø) 7.57.5Regularity and quality of trot, collection, and balance. Bend; size and shape of volte.steady.. have the feeling it could be more crisp and on the outside aids
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10EG

G
Half-pass to the right

On centre line
5210Regularity and quality of trot, uniform bend, collection, balance, fluency, crossing of legs.virtually no bend, not clearly on the bit, think traverse in a diagonal line.. need clear lateral poll rotation, shoulder flexion and rib cage flexion around the inside leg,, then outside leg to engage the haunches
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Before C

C

H

Between G & M
[Collected walk]

[Track to the left]

[Turn left]

Half pirouette to the left
77Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of four beat.poll low before , tight in lateral poll flexion, hind leg almost stopped from blocking
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12Between G & H

GM
Half pirouette to the right

[Collected walk]
66Regularity, activity, collection, size, flexion, and bend of half pirouette. Forward tendency, maintenance of four beat.riders inside seat bone in the way of this turn.. horses shoulder had a hard time coming around... , busy legs
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13The collected walk C-H-G-(M)-G-
(H)-G-M
6.5213Regularity, suppleness of back, activity, shortening and heightening of steps, self-carriage. Transition into walk.slightly poll low at times / collected walk to exhibit poll and shoulders more uphill
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14MR XV(K)Extended walk 6212Regularity, suppleness of back, activity, overtrack, freedom of shoulder, stretching to the bit.only tracks up , little stretch .. there is a lot of rider leg motion below the knee which leads me to think that the slight chair seat is a problem and possibly tight thighs inhibiting horses forward motion. If the thigh was more vertical down and BACK the lower leg/calf would be more on the 'sweet spot" and less ankle "kicking/motion " would be needed as the leg would be in position and laying against the horse more correctly
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Before K

K

KAF
Collected walk

Proceed in collected canter left

Collected canter
6.56.5Precise execution and fluency of transition. Quality of canter.labored.. riders knee looks tight , ankles swinging a lot to keep horse moving . tight thighs inhibit engagement and throughness.
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16FX

X
Half-pass to the left

Flying change of leg
6.56.5Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change.labored, needs more lateral poll suppleness ( improves throughness).. massage RELEASE inside rein prior to 1/2 pass , keep jump in canter.. have the feeling your inside seat bone is in the way of this horse and thought thighs inhibit shoulder flexion necessary for good 1/2 pass
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17XM

M

MCH
Half-pass to the right

Flying change of leg

Collected canter
66Quality of canter. Collection, balance, uniform bend, fluency. Quality of flying change.against the hand... rider is positioned more correctly through the core in this direct5ion which assists correct bending right
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H

Between H & X
Proceed towards X in collected
canter
Half pirouette to the left
6212Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after.incorrect line.. almost at rail even up near B.... you must be on the diagonal X!!! then do the 1/2 pirouette
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19HC

C
Counter canter

Flying change of leg
7.57.5Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change.
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M

Between M & X
Proceed towards X in collected
canter
Half pirouette to the right
6212Collection, self-carriage, balance, size, flexion, and bend. Correct number of strides (3-4). Quality of canter before and after.sill near the track at R!!!!! Must be on the diagonal. pir large and line very inaccurate
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21MC

C
Counter canter

Flying change of leg
7.57.5Quality and collection of counter canter. Correctness, balance, fluency, uphill tendency, straightness of change.
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22HXF

FAK
On the diagonal 5 flying changes of leg every 4th stride
Collected canter
44Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after.too many counting mistakes , could be straighter and more fwd
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23KXM

MCH
On the diagonal 5 flying changes
of leg every 3rd stride
Collected canter
66Correctness, balance, fluency, uphill tendency, straightness. Quality of canter before and after.clean but at the track near R , against the hand in the changes
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24HXFExtended canter 6.56.5Quality of canter, impulsion, lengthening of strides and frame. Balance, uphill tendency, straightness.looks slow to go and short in the neck to start.. also the line seems to bulge towards the wall. You could definitely be more to the left of F.. ride you right stirrup at it not your left .. to get better scores.. appears more accurate from C
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25F

FA
Collected canter and flying
change of leg
Collected canter
22Quality of flying change on diagonal. Precise, smooth execution of transition. Collection.dropped canter to trot ( this is not a change) could be more to left on the line ( about 12 inches too far to right to be effective for the corner)
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26A

X
Down the centre line

Halt - immobility - salute
66Quality of pace, halt, and transition. Straightness. Contact and poll.if the lights and the center of the door are your center line then you overshot and are way to the left and bulgin left at the halt.. neck too much too right in the canter to get (8-10)
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Leave arena at A in walk on a long rein
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COLLECTIVE MARKSMARK
CORRECTION
*TOTALREMARKS
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1Rider’s Position and Seat; Correctness and Effect of the Aids6212bend, throughness, lines, centerlines, appears to lack lower leg support and perhaps thighs are tight..
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only tracks up , little stretch .. there is a lot of rider leg motion below the knee which leads me to think that the slight chair seat is a problem and possibly tight thighs inhibiting horses forward motion. If the thigh was more vertical down and BACK the lower leg/calf would be more on the 'sweet spot" and less ankle "kicking/motion " would be needed as the leg would be in position and layihng against the horse more correctly
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POINTS:201
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ERRORS:0
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SUBTOTAL:201
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SCORE:59.118%
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