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PART I: Locating Art ObjectsPART II: Locating Information ABOUT Art Objects
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NameLocate an object from ARTstor that has a relationship to the first object you've been describing in this course.

Paste in the URL of the object from ARTstor.		Continue in ARTstor.




From that same object in Artstor, add where the object is currently located.

Create a free web search with from the object, the word museum, and limited to .org Did the museum where your object currently resides some up on the first page of Google results? Type YES or NO in this column.Use keywords related to your object to conduct a search in Google Scholar.

Paste in the title of a journal article that could be useful to you.		Use keywords related to your object to conduct a search in Google Scholar.

Paste in the title of book (or book chapter) that could be useful to you.		Sara's commentsMelvyl, HathiTrust & eBooks

Search Tip:
Jamboard

Search Demo:
JSTOR		Search in JSTOR.


Paste in a citation (Chicago Style) for a source that looks related to your object.
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Sarahttps://library.artstor.org/#/asset/MMA_IAP_10312708115The Metropolitan Museum of Art
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Julian Alexander
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Evelyn Amayahttps://library.artstor.org/#/asset/LESSING_ART_10310482948Kunsthistorisches Museum, Vienna, AustriaNoA study of the technology of Renaissance bronze statuettesSmall bronzes in the RenaissancePlaniscig, L. "Bronzes of the Italian Renaissance: I.-An Unknown Work by Antico." The Burlington Magazine for Connoisseurs 66, no. 384 (1935): 127-29. Accessed February 25, 2021. http://www.jstor.org/stable/866090.
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Tiffany Arnoldhttps://library.artstor.org/#/asset/ACOURTAULDIG_10313599380The Courtauld Gallery, LondonNoOn the Significance of Saint Paul’s Sword in Raphael’s Saint Cecilia AltarpieceSource: Notes in the History of ArtManca, Joseph. "Moral Stance in Italian Renaissance Art: Image, Text, and Meaning." Artibus Et Historiae 22, no. 44 (2001): 51-76. Accessed February 25, 2021. doi:10.2307/1483713.
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Vannaleze Barceloshttps://library.artstor.org/#/asset/ANGA_KRESSIG_10312335988;prevRouteTS=1614283939943The National Gallery of Art (Washington, D.C.)Yes
The Black Prince of Florence: The Spectacular Life
The Rise and Decline of the Medici Bank, 1397-1494
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 Evelyn Buenabadhttps://library.artstor.org/#/asset/SS7731421_7731421_11024795The Metropolitan Museum of ArtYEShttps://heritagesciencejournal.springeropen.com/articles/10.1186/s40494-020-00460-6https://books.google.com/books?hl=en&lr=&id=5KTBhU_qhWcC&oi=fnd&pg=PR10&dq=ex+Kurtz+violin+italy&ots=P3ERSew97W&sig=20P4FJGKTYCHDUzKnkzkLxQ6fXM#v=onepage&q&f=falseSmith, Kenneth. "Andrea Amati Violin of 1574." The Musical Times 90, no. 1280 (1949): 360. Accessed February 25, 2021. doi:10.2307/936214.
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Ashlee Falonihttps://library.artstor.org/#/asset/LESSING_ART_10310751205Hermitage Museum (Russia)YES
Subversion, Self-Determination and the Portrait of the Gozzadini Family
Daily Life in Renaissance ItalyCoonin, Arnold Victor. "The Most Elusive Woman in Renaissance Art: A Portrait of Marietta Strozzi." Artibus Et Historiae 30, no. 59 (2009): 41-64. Accessed February 25, 2021. http://www.jstor.org/stable/40343663.
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Althea Fieldshttps://library.artstor.org/#/asset/SS7731421_7731421_11339927The Metropolitan Museum of Artnohttps://www.tandfonline.com/doi/full/10.1080/14636204.2013.868241
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Victor Francohttps://library.artstor.org/#/asset/AMICO_METRO_103826847The Metropolitan Museum of ArtYES
The transition from harpsichord to piano
Pianos and their makers: a comprehensive history of the development of the piano from the monochord to the concert grand player piano
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Makenzy Gilbert
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Iris Gutierrezhttps://library.artstor.org/#/asset/ARTSTOR_103_41822001034493;prevRouteTS=1614284331708Windsor Castle, Royal LibraryYesThe evolution of anatomical illustration and wax modelling in Italy from the 16th to early 19th centuriesArt and anatomy in Renaissance Italy: images from a scientifc revolutionNoble, Denis, Dario DiFrancesco, and Diego Zancani. "LEONARDO DA VINCI AND THE ORIGIN OF SEMEN." Notes and Records of the Royal Society of London 68, no.4 (2014): 391-402. Accessed February 25, 2021. http://www.jstor.org/stable/43288109
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Marlyn Huesgewhttps://library.artstor.org/#/asset/SCALA_ARCHIVES_1039779046Loggia di Raffaello, Vatican Palace, Vatican CityYesDiscursive Meditation and Botticelli’s Bardi AltarpieceArt and Love in Renaissance Italy
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Delia Hurtadohttps://library.artstor.org/#/asset/SCALA_ARCHIVES_1039780047;prevRouteTS=1614284047442Galleria degli Uffizi (Florence, Italy)YesA Note on the Costume of Titian's Flora
Titian and Venetian Painting, 1450-1590Gilbert, Creighton E. "Some Findings on Early Works of Titian." The Art Bulletin 62, no. 1 (1980): 36-75. Accessed February 25, 2021. doi:10.2307/3049961.
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Odalys Mendozahttps://library.artstor.org/#/asset/SCALA_ARCHIVES_1039614417Pinacoteca di Brera, Milan, Italyyes SAINT SEBASTIAN IN THE RENAISSANCE: THE CLASSICIZATION AND HOMOEROTICIZATION OF A SAINTKaye, Richard A. ""Determined Raptures": St. Sebastian and the Victorian Discourse of Decadence." Victorian Literature and Culture 27, no. 1 (1999): 269-303. Accessed February 25, 2021. http://www.jstor.org/stable/25058450.
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Arianna Mengelhttps://library.artstor.org/#/asset/SS7731421_7731421_11044566Yes.EUROPEAN POLEARMS
European Arms and Armor of the Late Sixteenth Century https://books.google.com/books?hl=en&lr=&id=tko5DAAAQBAJ&oi=fnd&pg=PT4&dq=+%22partisan%22+or+%22partizan%22+and+%22+weapon%22&ots=q85poug0Gk&sig=E63Q1DWRHlV7kK57xTZkJwyAE6w#v=onepage&q=%22partisan%22%20or%20%22partizan%22%20and%20%22%20weapon%22&f=false
"Principal Accessions." The Metropolitan Museum of Art Bulletin 4, no. 3 (1909): 53-54. Accessed February 25, 2021. doi:10.2307/3252953.
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Kennedy Millerhttps://library.artstor.org/#/asset/AWALTERSIG_10312546003The Walters Art MuseumYesThe production technology of Italian maiolica: a reassessment https://www.sciencedirect.com/science/article/pii/S0305440309002477Marvels of Maiolica: Italian Renaissance Ceramics from the Corcoran Gallery of Art Collection https://books.google.com/books?hl=en&lr=&id=WicvC1vue2sC&oi=fnd&pg=PA5&dq=maiolica+%22Italian+Renaissance%22+&ots=j-6LRLMZQj&sig=qEUSckzPzaL8HYWzm-CVVzo4FPM#v=onepage&q=maiolica%20%22Italian%20Renaissance%22&f=false
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Isabella Milliganhttps://library.artstor.org/#/asset/ARTSTOR_103_41822000620185Galleria degli Uffizi, Florence, ItalyNohttps://www.jstor.org/stable/20074379https://books.google.com/books?id=JvKhhDx0yC4C&lpg=PR1&ots=a-8Tkf6QSX&dq=hope%20AND%20pollaiuolo&lr&pg=PA7#v=onepage&q=hope%20AND%20pollaiuolo&f=falseFry, Roger E. "Tempera Painting." The Burlington Magazine for Connoisseurs 7, no. 27 (1905): 175-76. Accessed February 25, 2021. http://www.jstor.org/stable/856304.
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Magandeep (Megan) Mokha)https://library.artstor.org/#/asset/27168514Frankfurt am Main, GermanyYesConstructing social identity in Renaissance Florence: Botticelli's "Portrait of a Lady (Smeralda Brandini)"The Renaissance Portrait
From Donatello to Bellini
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Cristina Molina Corteshttps://library.artstor.org/#/asset/ARTSTOR_103_41822000570323Galleria BorgheseNohttps://www.historicbrass.org/edocman/hbj-1994/HBSJ_1994_JL01_002_Bassano.pdfhttps://books.google.com/books?hl=en&lr=&id=ARLTK284AHAC&oi=fnd&pg=PP9&dq=venetian+painting+veronese&ots=Rgrc-EWxHc&sig=qz8OqdtZ4gQ_KHG1Q3LehWHiTDs#v=onepage&q=venetian%20painting%20veronese&f=false
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Faith Nordvikhttps://library.artstor.org/#/asset/LESSING_ART_10310483928;prevRouteTS=1614284162806MusΘe du LouvreNohttps://elibrary.ru/item.asp?id=9040329https://books.google.com/books?hl=en&lr=&id=fKQaAAAAYAAJ&oi=fnd&pg=PP13&dq=ghirlandaio&ots=MjaDiqloWb&sig=CZXqTXRE72lQpzTuKTEC3K212pQ
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Crystal Ramoshttps://library.artstor.org/#/asset/SCALA_ARCHIVES_10310195724;prevRouteTS=1614284196993Mueso nazionale del Bargello (Florence, Italy)YesVerrocchio: Sculptor and Painter of Renaissance Florence The sculptures of Andrea del Verrocchio by A. Butterfield
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Katerina Rivkin
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Karen Zavala-Guevarahttps://library.artstor.org/#/asset/ANGLIG_10313766712The National Gallery, LondonyesParmigianino By David Ekserdjian
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Maria DePranohttps://library.artstor.org/#/asset/NGA_REALI_1039653216National Gallery of Art, Washington DCno
] The Renaissance Portrait: From Donatello to Bellini
Morse, Margaret A. "Domestic Portraiture in Early Modern Venice: Devotion to Family and Faith." In Domestic Devotions in Early Modern Italy, edited by Corry Maya, Faini Marco, and Meneghin Alessia, 117-38. LEIDEN; BOSTON: Brill, 2019. Accessed February 25, 2021. http://www.jstor.org/stable/10.1163/j.ctvbqs499.12.
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