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1 | CL | Group | Rule | Spec | Voice | Subrules | Paragraph | Comment | IDs | ||||||||||||||||||||
2 | Rhythm | Rhythm | Beginning is non-standard | 1/8 note | 18 | 230 | |||||||||||||||||||||||
3 | Misuse of rest | rest inside | 18 | 517 | |||||||||||||||||||||||||
4 | Misuse of rest | wrong starting rest | late entrance | 18 | This rule is ignored if there is no cantus firmus | 138 | 527 | ||||||||||||||||||||||
5 | Missing rest | /no starting rest | 18 | This rule is ignored if there is no cantus firmus | 237 | ||||||||||||||||||||||||
6 | Simultaneous entries of voices | /simultaneous | 18 | This rule is ignored if there is no cantus firmus | 530 | ||||||||||||||||||||||||
7 | Same rhythm in adjacent measures | /same | 23 | 247 | |||||||||||||||||||||||||
8 | Identical rhythm in two parts | /same | 23 | 549 | |||||||||||||||||||||||||
9 | Identical rhythm in all parts | /same | 23 | For any species except species 1 | 215 | ||||||||||||||||||||||||
10 | Non-permitted rhythm | 5 | 1/2. downbeat | 1/2. upbeat | 1/4 syncope | 21 | For species 5 | 233 | 234 | 235 | |||||||||||||||||||
11 | Non-permitted rhythm | rhythm stagnation | long inside | full-measure note inside | 17 | 236 | 160 | 266 | |||||||||||||||||||||
12 | Wrong usage of eighth notes | 5 | 1st beat | 2nd beat | 3rd beat | 4th beat | isolated | 1/8 syncope | >2 x 1/8 | leap | 21 | 226 | 227 | 228 | 229 | 231 | 232 | 255 | 88 | ||||||||||
13 | Anapaest | 5 | tie forward | inside | 21 | 1/2 after 1/4 or 1/8 in measure | 239 | 240 | |||||||||||||||||||||
14 | Wrong note value for this species | /value | 17 | Please see link to table with allowed note values near this mistake | 514 | ||||||||||||||||||||||||
15 | Wrong time signature for this species | /measure len | 17 | 525 | |||||||||||||||||||||||||
16 | Wrong positioning of note for this species | 12340 | /position | 17 | Please see link to table with allowed positionings of notes near this mistake | 515 | |||||||||||||||||||||||
17 | Note lasts for too many measures | >2 | 17 | 41 | |||||||||||||||||||||||||
18 | The length of last note is not full measure | 1230 | /not full measure | 19 | 306 | ||||||||||||||||||||||||
19 | Wrong suspension rhythm | sus wrong length | prep < sus | prep wrong length | 63 | Suspension preparation and suspension | 244 | 427 | 274 | ||||||||||||||||||||
20 | Need more suspensions | each 3 meas. | 341 | ||||||||||||||||||||||||||
21 | Too many notes in one measure | 5 | 5 notes after sus. | 5 notes without sus. | >5 notes | 21 | 301 | 245 | 246 | ||||||||||||||||||||
22 | Repeats and ties | Note repeat | cantus | :inside measure | 21 | 30 | 516 | ||||||||||||||||||||||
23 | Notes repeat in all parts | 1 | /multivoice | 31 | 557 | ||||||||||||||||||||||||
24 | Note is repeated: in 10 notes | 10 | once | 2 times | >2 times | 31 | Note repeat happens several times | 93 | 94 | 95 | |||||||||||||||||||
25 | Note repeat | 2345 | /any | 31 | Note is repeated | 261 | |||||||||||||||||||||||
26 | Frequent interruption of syncopation: within 10 notes | 4 | once | 2 times | >2 times | 17 | Except interruption of syncopation between penultimate and last measure | 188 | 189 | 190 | |||||||||||||||||||
27 | Melody | Border | Leading tone is unresolved | 12345 | /unresolved | 6 | 197 | ||||||||||||||||||||||
28 | Compensated leap | 8ve compensated only to 4th | 8ve | 25 | 304 | ||||||||||||||||||||||||
29 | Uncompensated leap: compensation deviation to 2nd | 12340 | 3rd | 4th | 5th | 6th | 8ve | late >3 | >5th long | 25 | Compensation can be deviated one 2nd interval above last leap note | 100 | 101 | 102 | 103 | 104 | 191 | 386 | |||||||||||
30 | Uncompensated leap: compensation deviation to 2nd | 5 | 3rd | 4th | 5th | 6th | 8ve | late >3 | >5th long | 25 | Compensation can be deviated one 2nd interval above last leap note | 100 | 101 | 102 | 103 | 104 | 191 | 386 | |||||||||||
31 | Uncompensated leap: compensation deviation to 3rd | 140 | 3rd | 4th | 5th | 6th | 8ve | late >3 | 25 | Compensation can be deviated one 3rd interval above last leap note | 105 | 106 | 107 | 108 | 109 | 192 | |||||||||||||
32 | Uncompensated leap: compensation deviation to 3rd | 235 | 3rd | 4th | 5th | 6th | 8ve | late >3 | 25 | Compensation can be deviated one 3rd interval above last leap note | 105 | 106 | 107 | 108 | 109 | 192 | |||||||||||||
33 | Compensation after 3rd | 3rd | 4th | 5th | 6th | 8ve | 25 | Compensation has a gap of one 3rd below last leap note | 110 | 111 | 112 | 113 | 114 | ||||||||||||||||
34 | Compensated to 3rd prepared | - | 4th | 5th | 6th | 8ve | 25 | Prepared within 5 notes | 115 | 116 | 117 | 118 | 119 | ||||||||||||||||
35 | Compensated to 3rd | - | 4th | 5th | 6th | 8ve | 25 | 120 | 121 | 122 | 123 | 124 | |||||||||||||||||
36 | Aggregated compensation+precompensation to 3rd | 5 | - | - | 5th | 6th | 8ve | 25 | Distance between precompensation and compensation is not greater than a 3rd | 125 | 126 | 127 | 128 | 129 | |||||||||||||||
37 | C5P last 3 measures, 8 notes | 3rd | 4th | 5th | 6th | 8ve | 25 | Compensated to 5th, precompensated within 6 notes | 130 | 131 | 132 | 133 | 134 | ||||||||||||||||
38 | Uncompensated leap | Uncompensated leap: precompensated | 12350 | 3rd | 4th | 5th | 6th | 8ve | 25 | 140 | 141 | 142 | 143 | 144 | |||||||||||||||
39 | Uncompensated leap: precompensated | 4 | 3rd | 4th | 5th | 6th | 8ve | 25 | 140 | 141 | 142 | 143 | 144 | ||||||||||||||||
40 | Precompensated last 2 leaps | 3rd | 4th | 5th | 6th | 8ve | 25 | Leap within last XX notes in cantus/counterpoint | 145 | 146 | 147 | 148 | 149 | ||||||||||||||||
41 | Uncompensated child leap | 3rd | 4th | 5th | 6th | 8ve | 25 | After longer leap or before longer/same leap. | 203 | 204 | 205 | 206 | 207 | ||||||||||||||||
42 | Uncompensated leap in last 2 measures | 3rd | 4th | 5th | 6th | 8ve | 25 | Leap between penpenultimate and penultimate measure is not included in this rule. | 267 | 268 | 269 | 270 | 271 | ||||||||||||||||
43 | Uncompensated leap | 1230 | 3rd | 4th | 5th | 6th | 8ve | border 4th | 25 | If no other uncompensated rules worked. | 277 | 278 | 279 | 280 | 281 | 1 | |||||||||||||
44 | Uncompensated leap | 4 | 3rd | 4th | 5th | 6th | 8ve | border 4th | 25 | If no other uncompensated rules worked. | 277 | 278 | 279 | 280 | 281 | 1 | |||||||||||||
45 | Uncompensated leap | 5 | 3rd | 4th | 5th | 6th | 8ve | border 4th | 25 | If no other uncompensated rules worked. | 277 | 278 | 279 | 280 | 281 | 1 | |||||||||||||
46 | Change of melodic direction around leap | No change of direction after the leap: close + neigh | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change before leap. After leap there is neighbor tone, then ending leap note repeats and then there is movement inside leap. | 296 | 297 | 298 | 299 | 300 | ||||||||||||||
47 | No change of direction after the leap: close + 1skip | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change before leap, but after leap melody direction changes only after one note, which goes in the same direction as leap | 315 | 316 | 317 | 318 | 319 | |||||||||||||||
48 | No change of direction after the leap: close + 2skip | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change before leap, but after leap melody direction changes only after two notes, which go in the same direction as leap | 327 | 328 | 329 | 330 | 331 | |||||||||||||||
49 | No change of direction after the leap: close + >2skip | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change before leap, but after leap melody direction changes after more than two notes, which go in the same direction as leap | 336 | 337 | 338 | 339 | 340 | |||||||||||||||
50 | No change of direction before the leap: neigh + close | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change after leap. Before leap there is neighbor tone, then ending leap note repeats and then there is movement inside leap. | 351 | 352 | 353 | 354 | 355 | |||||||||||||||
51 | No change of direction before the leap: 1skip + close | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change after leap, but before leap melody direction changes after one note, which goes in the same direction as leap | 389 | 390 | 391 | 392 | 393 | |||||||||||||||
52 | No change of direction before the leap: >1skip + close | 1 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is immediate melody direction change after leap, but before leap melody direction changes after more than one note, which go in the same direction as leap | 394 | 395 | 396 | 397 | 398 | |||||||||||||||
53 | No change of direction before and after the leap: 1skip + 1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is one note going in the same direction before and after leap | 414 | 415 | 416 | 417 | 418 | |||||||||||||||
54 | No change of direction before and after the leap: 1skip + >1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is one note going in the same direction before leap and more than one note going in the same direction after leap | 421 | 422 | 423 | 424 | 425 | |||||||||||||||
55 | No change of direction before and after the leap: >1skip + 1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is more than one note going in the same direction before leap and one note going in the same direction after leap | 438 | 439 | 440 | 441 | 442 | |||||||||||||||
56 | No change of direction before and after the leap: >1skip + >1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 25 | There is more than one note going in the same direction before leap and more than one note going in the same direction after leap | 443 | 444 | 445 | 446 | 447 | |||||||||||||||
57 | No change of direction before and after the leap: neigh + neigh | 35 | 3rd | 4th | 5th | 6th | 8ve | 25 | Before and after leap there is neighbor tone, then ending leap note repeats and then there is movement inside leap. | 448 | 449 | 450 | 451 | 452 | |||||||||||||||
58 | No change of direction before the leap between measures: 1skip + close | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | There is immediate melody direction change after leap, but before leap melody direction changes after one note, which goes in the same direction as leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 453 | 454 | 455 | 456 | 457 | |||||||||||||||
59 | No change of direction before the leap between measures: >1skip + close | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | There is immediate melody direction change after leap, but before leap melody direction changes after more than one note, which go in the same direction as leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 459 | 460 | 461 | 462 | 463 | |||||||||||||||
60 | No change of direction before the leap between measures: 1skip + 1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | Turns around leap on measure border. There is one note going in the same direction before and after leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 464 | 465 | 466 | 467 | 468 | |||||||||||||||
61 | No change of direction before the leap between measures: 1skip + >1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | Turns around leap on measure border. There is one note going in the same direction before leap and more than one note going in the same direction after leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 469 | 470 | 471 | 472 | 473 | |||||||||||||||
62 | No change of direction before the leap between measures: >1skip + 1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | Turns around leap on measure border. There is more than one note going in the same direction before leap and one note going in the same direction after leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 474 | 475 | 476 | 477 | 478 | |||||||||||||||
63 | No change of direction before the leap between measures: >1skip + >1skip | 12350 | 3rd | 4th | 5th | 6th | 8ve | 26 | Turns around leap on measure border. There is more than one note going in the same direction before leap and more than one note going in the same direction after leap (allowed between harmonies with same root except I or I6 -> I64, allowed between I64 -> V) | 506 | 507 | 508 | 509 | 510 | |||||||||||||||
64 | Leap back | <=6th | >6th | overflow | 8 | 22 | 58 | ||||||||||||||||||||||
65 | Leaps | Non-permitted melodic interval: ascending | :m6 | :maj6 | :m7 | :maj7 | :8ve | :greater than 8ve | 27 | 175 | 176 | 177 | 178 | 179 | 180 | ||||||||||||||
66 | Non-permitted melodic interval: descending | :m6 | :maj6 | :m7 | :maj7 | :8ve | :greater than 8ve | 27 | 181 | 182 | 183 | 184 | 185 | 186 | |||||||||||||||
67 | Abuse of disjunct motion: within 9 notes | 0 | >7 leaps | >30 leaped | >8 leaps | >36 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
68 | Abuse of disjunct motion: within 9 notes | 1 | >6 leaps | >30 leaped | >8 leaps | >36 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
69 | Abuse of disjunct motion: within 9 notes | 2 | >6 leaps | >22 leaped | >7 leaps | >30 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
70 | Abuse of disjunct motion: within 9 notes | 3 | >6 leaps | >22 leaped | >7 leaps | >30 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
71 | Abuse of disjunct motion: within 9 notes | 4 | >7 leaps | >30 leaped | >8 leaps | >36 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
72 | Abuse of disjunct motion: within 9 notes | 5 | >7 leaps | >30 leaped | >8 leaps | >36 leaped | 25 | 493 | 494 | 495 | 496 | ||||||||||||||||||
73 | Abuse of disjunct motion: within 14 notes | 0 | >9 leaps | >40 leaped | >10 leaps | >46 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
74 | Abuse of disjunct motion: within 14 notes | 1 | >8 leaps | >40 leaped | >10 leaps | >46 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
75 | Abuse of disjunct motion: within 14 notes | 2 | >8 leaps | >32 leaped | >9 leaps | >34 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
76 | Abuse of disjunct motion: within 14 notes | 3 | >8 leaps | >32 leaped | >9 leaps | >34 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
77 | Abuse of disjunct motion: within 14 notes | 4 | >9 leaps | >40 leaped | >10 leaps | >46 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
78 | Abuse of disjunct motion: within 14 notes | 5 | >9 leaps | >40 leaped | >10 leaps | >46 leaped | 25 | 497 | 498 | 499 | 500 | ||||||||||||||||||
79 | Consecutive leaps | 230 | 3 | more than 3 | 25 | 1x3rd ignored | 501 | 502 | |||||||||||||||||||||
80 | Consecutive leaps | 14 | 3 | more than 3 | 25 | 2x3rd ignored | 501 | 502 | |||||||||||||||||||||
81 | Consecutive leaps | 5 | 4 | more than 4 | 25 | 1x3rd ignored | 501 | 502 | |||||||||||||||||||||
82 | Consecutive unidirectional leaps | 23 | Two 3rds | Three 3rds | Two >3rds | 25 | 503 | 504 | 505 | ||||||||||||||||||||
83 | Consecutive unidirectional leaps | 4510 | Two 3rds | Three 3rds | Two >3rds | 25 | 503 | 504 | 505 | ||||||||||||||||||||
84 | Stepwise motion | Abuse of stepwise motion | 0 | >7 in any direction | 24 | There are more than AA notes going stepwize in the same direction in this cantus firmus | 302 | ||||||||||||||||||||||
85 | Abuse of stepwise motion | 14 | >10 in any direction | 24 | 302 | ||||||||||||||||||||||||
86 | Abuse of stepwise motion | 2 | >14 in any direction | 24 | 302 | ||||||||||||||||||||||||
87 | Abuse of stepwise motion | 35 | >14 in any direction | 24 | 302 | ||||||||||||||||||||||||
88 | Abuse of unidirectional stepwise motion | 0 | >4 in one direction | 24 | 303 | ||||||||||||||||||||||||
89 | Abuse of unidirectional stepwise motion | 14 | >7 in one direction | 24 | 303 | ||||||||||||||||||||||||
90 | Abuse of unidirectional stepwise motion | 2 | >7 in one direction | 24 | 303 | ||||||||||||||||||||||||
91 | Abuse of unidirectional stepwise motion | 3 | >9 in one direction | 24 | 303 | ||||||||||||||||||||||||
92 | Abuse of unidirectional stepwise motion | 5 | >7 in one direction | 24 | 303 | ||||||||||||||||||||||||
93 | Melodic repeats | Repetition - 2 notes are repeated: immediate | 104 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated | 402 | 403 | 404 | ||||||||||||||||||
94 | Repetition - 2 notes are repeated: immediate | 3 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated | 402 | 403 | 404 | |||||||||||||||||||
95 | Repetition - 2 notes are repeated: immediate | 2 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated | 402 | 403 | 404 | |||||||||||||||||||
96 | Repetition - 2 notes are repeated: immediate IM | 23 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated inside one measure | 411 | 412 | 413 | |||||||||||||||||||
97 | Repetition - 2 notes are repeated: immediate | 5 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated | 402 | 403 | 404 | |||||||||||||||||||
98 | Repetition - 2 notes are repeated: immediate IM | 5 | uniform | same rhythm | any rhythm | 32 | Two adjacent notes are immediately repeated inside one measure | 411 | 412 | 413 | |||||||||||||||||||
99 | Repetition - 3 notes are repeated 2 times | adjacent | symmetric | 32 | Repeat with the same rhythm (last note length is ignored) | 311 | 405 | ||||||||||||||||||||||
100 | Repetition - 3 notes are repeated 3 times | adjacent | symmetric | 32 | Repeat with the same rhythm (last note length is ignored) | 313 | 407 |