| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | English I Pacing Guide College Prep | |||||||||||||||||||||||||
2 | Two-week summary of major instructional content and skills • 36 instructional weeks | |||||||||||||||||||||||||
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4 | Week(s) | Unit / Text | Major Content | Major Skills and Assessments | ||||||||||||||||||||||
5 | Weeks 1–2 | Course Launch, Community & Baseline Assessments | 10 instructional days — Classroom procedures and goals; About Me slide creation/presentations; CommonLit preassessment; IXL benchmark. | Follow classroom routines; set personal/academic goals; organize and present personal information; practice active listening; demonstrate baseline reading, writing, and language skills; reflect on assessment as a starting point for growth. | ||||||||||||||||||||||
6 | Weeks 3–4 | Professional Communication, Independent Reading, Vocabulary 1 & “The Lady, or the Tiger” | 9 instructional days — Email etiquette; syllabus and independent reading expectations/book selection; CommonLit preassessment review; Vocabulary Lesson 1; “The Lady, or the Tiger” anticipation activity. | Compose a professional email; explain independent reading expectations and select a suitable book; analyze correct/incorrect responses with textual evidence; use vocabulary accurately in context; articulate and support positions related to a literary text. | ||||||||||||||||||||||
7 | Weeks 5–6 | “The Lady, or the Tiger” Analysis & Irony | 11 instructional days — Debate and audio reading; collaborative literary analysis; MLA/evidence review; analytical writing and conferences; introduction and practice with verbal, situational, and dramatic irony. | Defend interpretations with evidence; identify plot, conflict, character motivation, and theme; gather and evaluate textual evidence; write and revise a claim-based analytical response using MLA citation; identify and explain the three types of irony. | ||||||||||||||||||||||
8 | Weeks 7–8 | Irony, Vocabulary 2 & Figurative Language | 10 instructional days — Irony practice and quiz; Vocabulary Lesson 2 introduction, practice, and test; figurative language notes, review, and quiz. | Differentiate and explain verbal, situational, and dramatic irony; apply vocabulary accurately in reading/writing contexts; define, recognize, and analyze eleven types of figurative language; demonstrate mastery through quizzes and written examples. | ||||||||||||||||||||||
9 | Weeks 9–10 | Language Skills & “The Most Dangerous Game” | 10 instructional days — Commonly confused words; survival/anticipation activity; guided annotation; close reading and literary analysis of “The Most Dangerous Game.” | Use commonly confused words correctly; make predictions and discuss survival/human behavior; annotate for key details, vocabulary, conflict, and character; analyze figurative language, suspense, tone, conflict, and developing theme. | ||||||||||||||||||||||
10 | Weeks 11–12 | “The Most Dangerous Game” Completion & Poe Introduction | 11 instructional days — Vocabulary 3 introduction/practice; “The Most Dangerous Game” quiz and written reflection; Edgar Allan Poe biography/themes; modern theme connections; first-line analysis and bracket tournament. | Apply vocabulary in context; demonstrate comprehension and analysis of “The Most Dangerous Game”; write an evidence-based claim with MLA citation; explain how author experience and timeless themes shape literature; analyze and evaluate opening lines for tone, effect, and craft. | ||||||||||||||||||||||
11 | Weeks 13–14 | “The Cask of Amontillado” | 11 instructional days — Setting/mood and catacomb context; Vocabulary 3 test; first-line and first-paragraph annotation; guided reading; irony/theme analysis; argument preparation; close-reading assessment. | Explain how setting creates mood; annotate for tone, prediction, characterization, and conflict; evaluate narrator motivation/reliability; identify irony and trace revenge as a theme; formulate an evidence-based argument with MLA citation; analyze author’s purpose and craft. | ||||||||||||||||||||||
12 | Weeks 15–16 | “The Black Cat” — Close Reading & Literary Analysis | 8 instructional days — Psychological anticipation; first-line/narrator reliability work; first-paragraph close reading; character, symbolism, conflict, setting/mood, irony, and foreshadowing analysis. | Make predictions about guilt and instability; analyze diction, tone, narrator reliability, characterization, symbolism, conflict, setting, and theme; explain how irony and foreshadowing build horror, suspense, and meaning. | ||||||||||||||||||||||
13 | Weeks 17–18 | “The Black Cat” Assessment & Midterm Preparation | 10 instructional days — Theme/message work; Question Trail; passage-based assessment; cold-read multiple-choice and short-response practice; midterms. | Interpret theme and author message; justify multiple-choice reasoning with evidence; analyze passage tone, symbolism, and theme; write concise claim-evidence-explanation responses; revise reasoning collaboratively; demonstrate readiness on the midterm. | ||||||||||||||||||||||
14 | Weeks 19–20 | Independent Reading Book Talks & “The Hate U Give” Introduction | 10 instructional days — Book-talk slide preparation and presentations; introduction to “The Hate U Give” and its pairing with “To Kill a Mockingbird.” | Organize and design a cohesive presentation; present clearly and engage in active listening; analyze themes, characters, and personal connections in independent reading; identify initial thematic connections between “The Hate U Give” and “To Kill a Mockingbird.” | ||||||||||||||||||||||
15 | Weeks 21–22 | Historical Context, Characters & Novel Pairing | 10 instructional days — Great Depression/New Deal context; Naviance presentation; “To Kill a Mockingbird” character preparation and Tea Party; character quiz; “The Hate U Give” reading/project expectations. | Explain how historical context influences characters and themes; connect economic conditions, justice, and inequality; present and gather accurate character information; identify character relationships; explain independent-reading expectations and comparative purpose. | ||||||||||||||||||||||
16 | Weeks 23–24 | “To Kill a Mockingbird” Chapters 11–13 & Code Switching | 10 instructional days — Film adaptation of Part 1; Chapter 11 reading/analysis; Chapters 12–13; code-switching instruction and character analysis. | Analyze character development, symbolism, courage, setting, and theme; compare film choices with textual expectations; define code switching; explain how language reflects identity, culture, power, and social expectations using evidence from the novel. | ||||||||||||||||||||||
17 | Weeks 25–26 | “To Kill a Mockingbird” Chapters 14–17 & Trial Context | 11 instructional days — “The Hate U Give” reading/quiz; Chapters 14–16 reading and quizzes; mob mentality/historical context; courtroom procedures; Chapter 17 testimony. | Sustain independent reading and demonstrate comprehension; summarize and analyze Chapters 14–16; connect mob mentality to historical context; explain courtroom roles; analyze testimony, bias, perspective, and Atticus’s questioning strategy. | ||||||||||||||||||||||
18 | Weeks 27–28 | Trial Analysis: Chapters 18–23 & “The Hate U Give” | 9 instructional days — Mayella and Tom Robinson testimony; Chapter 19 questions; vocabulary assessment; Chapter 20/Atticus’s closing argument; THUG reading check; Chapter 23 review and Question Trail. | Evaluate witness credibility, power dynamics, evidence, rhetoric, and tone; analyze race, justice, equality, character development, and trial outcomes; support responses with textual evidence; demonstrate independent-reading comprehension and correct misunderstandings through review. | ||||||||||||||||||||||
19 | Weeks 29–30 | “To Kill a Mockingbird” Completion & Character Perspective | 9 instructional days — Chapters 17–23 review/quiz; “In My Shoes” project; Chapters 24–27 quiz; Chapters 28–31 reading/analysis; comparative project introduction. | Demonstrate comprehension of the trial and later chapters; analyze character perspective, motivation, suspense, conflict resolution, Boo Radley’s significance, empathy, justice, and innocence; support creative and analytical work with specific textual evidence. | ||||||||||||||||||||||
20 | Weeks 31–32 | Comparative Analysis & Shakespeare/Elizabethan Context | 10 instructional days — Critical perspectives on “To Kill a Mockingbird”; comparative project work with “The Hate U Give”; “Swift or Shakespeare?”; Shakespeare introduction; Elizabethan England research. | Evaluate praise and criticism of a text; compare themes, characters, and ideas across the paired novels using evidence; interpret unfamiliar language through context; identify Shakespearean influence and dramatic conventions; research and present historical/cultural context. | ||||||||||||||||||||||
21 | Weeks 33–34 | Romeo & Juliet, NJSLA Practice & Writing | 11 instructional days — Prologue translation; NJSLA reading, argumentative/informative, and narrative practice; “Romeo and Juliet” Acts 1–3. | Translate and analyze Shakespearean language; identify conflict, foreshadowing, character relationships, dramatic irony, and turning points; apply close-reading and evidence skills; organize informative/argumentative responses and narratives using NJSLA-aligned techniques. | ||||||||||||||||||||||
22 | Weeks 35–36 | Romeo & Juliet Conclusion & Final Exam Review | 4 instructional days — Acts 4–5 and debrief; final review of CommonLit skills, MLA/writing, Romeo & Juliet, figurative language, and literary devices. | Analyze desperation, dramatic irony, fate, character responsibility, and the tragedy’s resolution; review theme, character, conflict, tone, central idea, MLA citation, literary argument, figurative language, and test-taking strategies for the final exam. | ||||||||||||||||||||||
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