| A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | Record of Esperia Foundation Concerts (1985–2000) | |||||||||||||||||||||||||
2 | Version 1: July 2006 | |||||||||||||||||||||||||
3 | To make comments or to suggest corrections, write to info@camasb.org | |||||||||||||||||||||||||
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5 | SEASON | DATE | LOCATION | ORCHESTRA/ENSEMBLE | SOLOIST 1 / RECITALIST / LECTURER | SOLOIST 2 / ACCOMPANIST | SOLOIST 3 | SOLOIST 4 | SOLOIST 5 | SOLOIST 6 | CONDUCTOR/MUSIC DIRECTOR | COMPOSER | ARRANGER | SELECTION | OTHER | |||||||||||
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8 | 1985 | 9-May-85 | Mary Craig Auditorium, Santa Barbara Museum of Art | Fuller, Albert: musicologist (lecturer) | "An Illustrated Tour through a Harpsichord" (4:00 pm lecture before recital by Andrew Appel) | |||||||||||||||||||||
9 | 1985 | 9-May-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Appel, Andrew: harpsichord | d'Anglebert, Jean-Henri | Suite in D minor | ||||||||||||||||||||
10 | 1985 | 9-May-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Appel, Andrew: harpsichord | Händel, Georg Frideric | Suite in E Major | ||||||||||||||||||||
11 | 1985 | 9-May-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Appel, Andrew: harpsichord | Bach, Johann Sebastian | Chromatic Fantasy and Fugue | ||||||||||||||||||||
12 | 1985 | 9-May-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Appel, Andrew: harpsichord | Rameau, Jean-Philippe | Suite in A Major | ||||||||||||||||||||
13 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Wright, Elisabeth: harpsichord | Schmelzer, Johann Heinrich | Sonata No. 6 in A Major for Violin and Continuo | ||||||||||||||||||
14 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Biber, Heinrich von | Passacaglia in G minor for Unaccompanied Violin | |||||||||||||||||||
15 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Wright, Elisabeth: harpsichord | Bach, Johann Sebastian | Toccata in E minor for Harpsichord | |||||||||||||||||||
16 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Wright, Elisabeth: harpsichord | Bach, Johann Sebastian | Sonata III in E Major for Violin and Harpsichord obligato | ||||||||||||||||||
17 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Wright, Elisabeth: harpsichord | Rebel, Jean-Féry | Sonata No. 8 in D minor for Violin and Continuo | ||||||||||||||||||
18 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Wright, Elisabeth: harpsichord | Leclair, Jean Marie | Sonata in F-sharp minor for Violin and Continuo, Op. 9, No. 10 | ||||||||||||||||||
19 | 1985 | 20-Sep-85 | Lotte Lehmann Recital Hall, Music Academy of the West | Duo Geminiani | Ritchie, Stanley: baroque violin | Wright, Elisabeth: harpsichord | Mondonville, Jean Cassanéa de | Sonata No. 6 in A Major (Concerto) from "Pièces de Clavecin accompagnies d'un Violon" | ||||||||||||||||||
20 | 1985 | 24-Oct-85 | Abravanel Hall, Music Academy of the West | Smithson String Quartet | Schroeder, Jaap: violin I | McDonald, Marilyn: violin II | Griffin, Judson: viola | Slowik, Kenneth: cello | Haydn, Franz Joseph | Quartet in G Major, Op. 54, No. 1 | ||||||||||||||||
21 | 1985 | 24-Oct-85 | Abravanel Hall, Music Academy of the West | Smithson String Quartet | Schroeder, Jaap: violin I | McDonald, Marilyn: violin II | Griffin, Judson: viola | Slowik, Kenneth: cello | Mozart, Wolfgang Amadeus | Quartet in C Major, K. 465, "The Dissonance" | ||||||||||||||||
22 | 1985 | 24-Oct-85 | Abravanel Hall, Music Academy of the West | Smithson String Quartet | Schroeder, Jaap: violin I | McDonald, Marilyn: violin II | Griffin, Judson: viola | Slowik, Kenneth: cello | Beethoven, Ludwig van | Quartet in D Major, Op. 18, No. 3 | ||||||||||||||||
23 | 1986 | 16-Mar-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in G Major, K. 387 | ||||||||||||||||
24 | 1986 | 16-Mar-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in B-flat Major, K. 589 | ||||||||||||||||
25 | 1986 | 16-Mar-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in C Major, K. 465 "Dissonant" | ||||||||||||||||
26 | 1986 | 6-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in A Major, K. 464 | ||||||||||||||||
27 | 1986 | 6-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in D minor, K. 421 | ||||||||||||||||
28 | 1986 | 6-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in E-flat Major, K. 428 | ||||||||||||||||
29 | 1986 | 27-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in B-flat Major, K. 458 "The Hunt" | ||||||||||||||||
30 | 1986 | 27-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in F Major, K. 590 | ||||||||||||||||
31 | 1986 | 27-Apr-86 | Abravanel Hall, Music Academy of the West | Sequoia String Quartet | Peter Marsh: violin I | Watanabe, Miwako: violin II | Dunham, James: viola | May, Marius: cello | Mozart, Wolfgang Amadeus | Quartet in D Major, K. 575 | ||||||||||||||||
32 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Morley, Thomas | "It was a love and his lasse" (from "As you like it") | |||||||||||||||||||
33 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Dowland, John | "Come again sweet love" | |||||||||||||||||||
34 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Ferrabosco II, Alfonso | "So, so, leave off this last lamenting kisse" | |||||||||||||||||||
35 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Bartlet, John | "When from my love" | |||||||||||||||||||
36 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Anonymous | "Have you seen but a white lily grow" | |||||||||||||||||||
37 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Morley, Thomas | "O Mistress mine" (from "Twelfth Night") | |||||||||||||||||||
38 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Purcell, Henry | "Music for a while" (from "Oedipus") | |||||||||||||||||||
39 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Purcell, Henry | "Come all ye songsters" (from "The Fairy Queen") | |||||||||||||||||||
40 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Händel, Georg Frideric | "Where'er you walk" (from "Semele") | |||||||||||||||||||
41 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Händel, Georg Frideric | "O Sleep, why doest thou leave me" (from "Semele") | |||||||||||||||||||
42 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Purcell, Henry | "There's nothing so fatal as woman" | |||||||||||||||||||
43 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Purcell, Henry | "Lord, what is Man" | |||||||||||||||||||
44 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Bridge, Frank | "Strew no more red roses" | |||||||||||||||||||
45 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Lehmann, Liza | "Ah, moon of my delight" | |||||||||||||||||||
46 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Bridge, Frank | "Go not, happy day" | |||||||||||||||||||
47 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Bantock, Sir Granville | Song to the seals | |||||||||||||||||||
48 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Elgar, Sir Edward | "Is she not passing fair" | |||||||||||||||||||
49 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Balfe, Michael William | "Then you'll remember me" (from "The Bohemian Girl") | |||||||||||||||||||
50 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Traditional? | Stanford, Sir Charles Villiers | Molly Brannigan | ||||||||||||||||||
51 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Moore, Thomas; Stevenson, Sir John | "'Tis the last rose of summer" | |||||||||||||||||||
52 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Patterson, Johnny | Liddle, Samuel | "The garden where the praties grow" | ||||||||||||||||||
53 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Traditional | Hughes, Herbert | "She moved through the fair" | ||||||||||||||||||
54 | 1987 | 9-Jan-87 | Lobero Theatre | White, Robert: tenor | Sanders, Samuel: piano | Traditional | Stanford, Sir Charles Villiers | "Trottin' to the fair" | ||||||||||||||||||
55 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Der Atlas," from Schwanengesang (Swan Song) | |||||||||||||||||||
56 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Ihr Bild" (Her Portrait), from Schwanengesang (Swan Song) | |||||||||||||||||||
57 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Das Fischermädchen" (The Fishermaid), from Schwanengesang (Swan Song) | |||||||||||||||||||
58 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Die Stadt" (The Town), from Schwanengesang (Swan Song) | |||||||||||||||||||
59 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Am Meer" (By the Sea), from Schwanengesang (Swan Song) | |||||||||||||||||||
60 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Der Doppelgänger" (The Double), from Schwanengesang (Swan Song) | |||||||||||||||||||
61 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Ständchen" (Serenade), from Schwanengesang (Swan Song) | |||||||||||||||||||
62 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Aufenthalt" (My Home), from Schwanengesang (Swan Song) | |||||||||||||||||||
63 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "In der Ferne" (In the Distance), from Schwanengesang (Swan Song) | |||||||||||||||||||
64 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Schubert, Franz | "Abschied" (Farewell), from Schwanengesang (Swan Song) | |||||||||||||||||||
65 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Strauss, Richard | "Das Rosenband" (The Rose Chain) | |||||||||||||||||||
66 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Strauss, Richard | "Ach weh mir…" (Alas, Woe's me) | |||||||||||||||||||
67 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Strauss, Richard | "Anbetung" (Adoration) | |||||||||||||||||||
68 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Wolf, Hugo | "Fussreise" (Hiking) | |||||||||||||||||||
69 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Wolf, Hugo | "Der Rattenfänger" (Rat Catcher) | |||||||||||||||||||
70 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Wolf, Hugo | "Abschied" (Farewell) | |||||||||||||||||||
71 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Brahms, Johannes | "Von ewiger Liebe" (Of Eternal Love) | |||||||||||||||||||
72 | 1987 | 23-Mar-87 | Lobero Theatre | Hagegård, Håkan: baritone | Jones, Warren: piano | Brahms, Johannes | "Wiegenlied" (Lullaby) | |||||||||||||||||||
73 | 1987 | 3-May-87 | Home of Robert M. Light and Donald Outerbridge | Bjerken, Xak: piano | Chopin, Frédéric | Preludes, Op. 28, Nos. 1-13 (of 24) | "Music for a Sunday Afternoon" | |||||||||||||||||||
74 | 1987 | 3-May-87 | Home of Robert M. Light and Donald Outerbridge | Bjerken, Xak: piano | Debussy, Claude | Étude "Pour les Octaves" | "Music for a Sunday Afternoon" | |||||||||||||||||||
75 | 1987 | 3-May-87 | Home of Robert M. Light and Donald Outerbridge | Bjerken, Xak: piano | Debussy, Claude | Étude "Pour les Accords" | "Music for a Sunday Afternoon" | |||||||||||||||||||
76 | 1987 | 3-May-87 | Home of Robert M. Light and Donald Outerbridge | Tu, Qiang: cello (Tu Qiang) | Bjerken, Xak: piano | Schumann, Robert | Adagio and Allegro, Op. 70 | "Music for a Sunday Afternoon" | ||||||||||||||||||
77 | 1987 | 3-May-87 | Home of Robert M. Light and Donald Outerbridge | Tu, Qiang: cello (Tu Qiang) | Bjerken, Xak: piano | Debussy, Claude | Sonata (1915) | "Music for a Sunday Afternoon" | ||||||||||||||||||
78 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Enescu, George (Enesco, Georges) | Sept Chansons de Clément Marot, Op. 15 | |||||||||||||||||||
79 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Debussy, Claude | Trois Chansons de Bilitis | Poems by Pierre Louÿs | ||||||||||||||||||
80 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Debussy, Claude | Deux Chansons de France (Two Rondels of Charles d'Orléans) | |||||||||||||||||||
81 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Honneger, Arthur | Saluste du Bartas | |||||||||||||||||||
82 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Fauré, Gabriel | Settings of four poems by Paul Verlaine | "Mandoline," "Tears Fall in My Heart," "Clair de Lune," and "Green" | ||||||||||||||||||
83 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Debussy, Claude | Settings of four poems by Paul Verlaine | "Mandoline," "Tears Fall in My Heart," "Clair de Lune," and "Green" | ||||||||||||||||||
84 | 1987 | 11-May-87 | Lobero Theatre | Walker, Sarah: mezzo-soprano | Vignoles, Roger: piano | Hahn, Reynaldo | Settings of two poems by Paul Verlaine | Chosen from "Mandoline," "Tears Fall in My Heart," "Clair de Lune," and "Green" | ||||||||||||||||||
85 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | L'entretien des Muses ("The Muses' talk") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
86 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Les Sauvages ("The Cariban indians") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
87 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | L'Enharmonique ("Changing colors") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
88 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Les Cyclopes ("Vulcan's gnomes") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
89 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Le Vézinet ("The amusement park") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
90 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Dauphine ("The Dauphin's wedding") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
91 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Cupis ("The family of musicians") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
92 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Boucon ("The young lady harpsichordist") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
93 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Coulicam ("Kublai Kahn") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
94 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Forqueray ("The great composer and performer") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
95 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Laborde ("The fine old family") | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
96 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Allemande in A – of serious and grave demeanor | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
97 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Sarabande – of noble and surprising elegance | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
98 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | La Pantomime – of grace and Shenanigans | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
99 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Deux Menuets – of royal lineage | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) | |||||||||||||||||
100 | 1988 | 23-Feb-88 | Lotte Lehmann Recital Hall, Music Academy of the West | Fuller, Albert: harpsichord | Briggs, Anne: flauto traverso | Martin, Anthony: violin | Rameau, Jean-Philippe | Les Tambourins – freedom on the open road | Works for harpsichord alone and for obligato harpsichord with other instruments (flauto traverso, violin) |