A | B | C | D | E | F | G | H | I | J | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | All trot work may be ridden sitting or rising, unless specified. Halts may be through the walk. To be ridden in an ordinary snaffle with the reins in both hands. | RIDER # | 8004 | |||||||||||||||||||||||
2 | NAME: | Sophie Derusha | ||||||||||||||||||||||||
3 | JUDGE: | Ida Norris | ||||||||||||||||||||||||
4 | Max Pts: | 210 | ||||||||||||||||||||||||
5 | Final Score: | 61.905% | ||||||||||||||||||||||||
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8 | CADORA WALK TROT TEST D | |||||||||||||||||||||||||
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10 | TEST | DIRECTIVES | POINTS | * | TOTAL | REMARKS | ||||||||||||||||||||
11 | 1 | A X | Enter working trot. Halt. Salute. Proceed working trot. | Straightness on centre line. Transitions. Quality of halt & trot. | 6.5 | 6.5 | may or may not be on centerline and may or may not be straight.. camera at incorrect position | You may be eliminated for failure to have your camera at the "C" view. Most platforms for judging eliminate entries for any other view. | ||||||||||||||||||
12 | 2 | C | Track right. Proceed to B. | Quality of turn at C & of trot. | 6.5 | 6.5 | need to be more clearly straight along the longside before turning , needs impulsion | |||||||||||||||||||
13 | 3 | B E | Turn right. Turn left. Proceed to A. | Quality of turns. Rhythm of trot. | 6.5 | 6.5 | leans to turn, avoids bend | |||||||||||||||||||
14 | 4 | A | Circle left 20 m in diameter. Proceed to F. | Roundness of circle. Rhythm of trot. | 6 | 6 | balanced on inside stirrup, lacks video detail no zoom | |||||||||||||||||||
15 | 5 | F X | Proceed to X. Proceed on centre line to C. | Straightness on diagonal & on centre line. | 6.5 | 6.5 | wide hands , balance to be more clearly on both stirrups evenly | |||||||||||||||||||
16 | 6 | Near C C | Medium walk. Track left. Proceed to H. | Transition. Quality of turn. Rhythm of walk. | 6 | 6 | riser legs need to be down and back, feet in front of the girth , need lower leg aids for longer walk , horse to be more fwd into transition | |||||||||||||||||||
17 | 7 | H - X - F F | Change rein, free walk. Medium walk to A. | Straightness on diagonal. Freedom of walk. Transition to medium walk. Quality of walk. | 6 | 2 | 12 | horse needs energy and longer steps, riders legs need to be back further for correct contact with sides | ||||||||||||||||||
18 | 8 | A | Working trot and circle right 20 m in diameter. Proceed to K. | Transition. Quality of trot. Roundness of circle. | 6 | 6 | little video detail no zoom, unclear . needs energy / steps short - use corner after circle | |||||||||||||||||||
19 | 9 | K X | Proceed to X. Proceed on centre line to C. | Straightness on diagonal & on centre line. | 6.5 | 6.5 | wide hands/arms steering by leaning | |||||||||||||||||||
20 | 10 | C | Track right. Proceed to M. | Quality of turn. | 6 | 6 | needs to be clearly on the track , and using bending aids | |||||||||||||||||||
21 | 11 | M - X - K | Change rein, working trot. | Straightness on diagonal. | 6 | 6 | wide low hands, needs legs back to correct position for contact with horse sides to improve | |||||||||||||||||||
22 | 12 | K A A X | Working trot. Turn down centre line. Halt. Salute. | Quality of trot & turn. Straightness on centre line & in halt. | 6.5 | 6.5 | looks active. not clear if you are on the line due to camera situation | |||||||||||||||||||
23 | Leave arena in free walk. | |||||||||||||||||||||||||
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25 | COLLECTIVE MARKS | POINTS | TOTAL | REMARKS | ||||||||||||||||||||||
26 | 1 | Gaits | Freedom and regularity | 7 | 2 | 14 | ||||||||||||||||||||
27 | 2 | Impulsion | Desire to move forward. Elasticity of the steps. Suppleness of the back and engagement of the hind quarters. | 6 | 2 | 12 | little video detail available | |||||||||||||||||||
28 | 3 | Submission | Attention, confidence, ease of the movements, acceptance of the bit, lightness of forehand | 6 | 2 | 12 | little video detail available | |||||||||||||||||||
29 | 4 | Rider | Position and seat. Correctness and effect of the aids. | 5.5 | 2 | 11 | riders feet at times in front of her girth / severe chair seat | |||||||||||||||||||
30 | this is a quiet steady horse. rider to get legs down and back under herself, then focus on bend at elbows, hands together and weight even in both stirrups. Avoid leaning to turn. Lots of potential . | |||||||||||||||||||||||||
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35 | POINTS: | 130 | ||||||||||||||||||||||||
36 | ERRORS: | 0 | ||||||||||||||||||||||||
37 | SUBTOTAL: | 130 | ||||||||||||||||||||||||
38 | SCORE: | 61.905% | ||||||||||||||||||||||||
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40 | Directions for the camera person: | |||||||||||||||||||||||||
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42 | 1. In landscape orientation, Place the camera directly centered at/ behind “C” 3 to 6 feet from the rail (for competition this is not possible but they are right next to the judge) stand on a mounting block ( this is the same height as the judge viewing stand) | |||||||||||||||||||||||||
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44 | me height/ view as from of the stand the judges table is on). The horse must not be out of the camera frame at any time in the test. | |||||||||||||||||||||||||
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46 | 2. Keep the camera centered on the horse on the centerlines. | |||||||||||||||||||||||||
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48 | Keep the horse in the LAST one third of the viewing screen in Landscape view ( 2/3 of the viewscreen in front of moving horse). This will allow the “judge” to see approximately two letters in front of the horse which is necessary for depth perception and line evaluation. In general, keep the horse’s feet in the bottom 1/3 of the viewfinder. | |||||||||||||||||||||||||
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50 | 3. Zoom is ABSOLUTELY necessary. On a camera or iPhone/Droid (most have a capability of 10X) for the 20x60 ring zoom for the far end of the ring is generally 3.5 to 4 (horse to take up 1/3 of the viewfinder and must not exceed ½) . Try to zoom only once on a movement .( although it may be necessary to also reduce zoom in the same movement ) For the small ring 20 x 40 zoom for the upper half or the ring generally tends to be 2 or 2.5 . | |||||||||||||||||||||||||
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52 | 4. Reduce Zoom back to 1x as the horse comes past X towards / near the “C” end . You will naturally have a moment of two where the horse passes directly in front of / and near the camera. It is not always a whole horse view but keep the camera moving with the horse. If the horse is required to perform a movement directly at “C”,be sure to move the camera so the viewer sees the feet/steps and head/neck connection throughout the movement. This simulates what a judge actually sees when a horse is so close. | |||||||||||||||||||||||||
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