| A | B | C | D | E | F | G | I | K | L | M | N | O | P | Q | R | S | T | U | V | W | X | Y | Z | |
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1 | CLUE Sound Effects/Music Cue Sheet- Updated 03/28/25 | |||||||||||||||||||||||
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3 | Scene | Page | Music | Sound | Cue Line | Music Descriptor | ROCS Cue Name | |||||||||||||||||
4 | Prologue | Page 7 | M1 | SQ 1 - Thunder 1 + SQ 2 - Heavy Rain 1 | A scrim hangs at the front of the stage reproducing the exterior of Boddy Manor. Thunder. Ominous, urgent music plays. Sounds of heavy rain. | Ominous, urgent music (strings and harpsichord) | 01 M01 SQ01-02 - Page 07 (Thunder, Rain) | |||||||||||||||||
5 | SQ 3 - Thunder 2 | NEWSCASTER'S VOICE. [...] —raising the question in households across the nation: who are the un-American Americans amongst us? | 02 M00 SQ03 - Page 07 (Thunder) | |||||||||||||||||||||
6 | Page 8 | SQ 4 - Thunder 3 | WADSWORTH. Good. (Calling off.) Cook? | 03 M00 SQ04 - Page 08 (Thunder) | ||||||||||||||||||||
7 | M2 | SQ 5 - Doorbell 1 | COOK. Dinner will be ready at 7:30. (Revealing a butcher knife on a music sting.) Sharp. Just then, the doorbell rings. They look out.) Sharp. | Piano chord with cymbal scrape | 04 M02 SQ05 - Page 08 (Doorbell) | |||||||||||||||||||
8 | Scene 1 | Page 9 | M3 | The Hall/The Lounge. Wadsworth grandly opens the front door to a music sting. | Piano and strings, ominous | 05 M03 SQ00 - Page 09 | ||||||||||||||||||
9 | SQ 6 - Cork Pop | MUSTARD. Oh. All right. I suppose I… | 06 M00 SQ06 - Page 09 (Cork Pop) | |||||||||||||||||||||
10 | Page 10 | SQ 7 - Doorbell 2 | MUSTARD. (Following her anywhere.) Ah. Thank you. Yvette escorts Mustard to the door of the Lounge. The doorbell interrupts. They look out. | 07 M00 SQ07 - Page 10 (Doorbell) | ||||||||||||||||||||
11 | M4 | MUSTARD. With pleasure, my dear. Yvette opens the Lounge door, escorting Mustard inside. Wadsworth opens the front door to a music sting. | Piano and strings, ominous | 08 M04 SQ00 - Page 10 | ||||||||||||||||||||
12 | M5 | WADSWORTH. (Interrupting.) May I introduce you? Mrs. White, this is the maid, Yvette. | Piano tremolo sting | 09 M05 SQ00 - Page 10 | ||||||||||||||||||||
13 | Page 11 | SQ 8 - Doorbell 3 | WHITE. I’m rarely pleased to meet anyone. | 10 M00 SQ08 - Page 11 (Doorbell) | ||||||||||||||||||||
14 | M6 | WADSWORTH. Oh, yes. | Piano and strings, ominous | 11 M06 SQ00 - Page 11 | ||||||||||||||||||||
15 | M7 | WADSWORTH. Cook, will you please take Mrs. Peacock’s stole. | Organ and strings stings | 12 M07 SQ00 - Page 11 | ||||||||||||||||||||
16 | Page 12 | SQ 9 - Doorbell 4 | PEACOCK. I expect to be treated like the wife of a… | 13 M00 SQ09 - Page 12 (Doorbell) | ||||||||||||||||||||
17 | M8 | SQ 10 - Dogs Barking 1 | MUSTARD. (Tickled pink.) This is turning out to be quite the crowd. | Piano and strings, ominous | 14 M08 SQ10 - Page 12 (Dogs) | |||||||||||||||||||
18 | SQ 11 - Dogs Bark Wildly 1 | GREEN. Is this the right address to meet a…Mr. Boddy? | 15 M00 SQ11 - Page 12 (Dogs) | |||||||||||||||||||||
19 | Page 13 | SQ 12 - Doorbell 5 | GREEN. (Not to be misunderstood.) Oh, I’m not disappointed… | 16 M00 SQ12 - Page 13 (Doorbell) | ||||||||||||||||||||
20 | M9 | GREEN. (Overwhelmed by the expansive mansion—to himself.) Holy cow… | Piano and strings, ominous (with clarinet at end) | 17 M09 SQ00 - Page 13 | ||||||||||||||||||||
21 | Page 14 | SQ 13 - Thunder 4 | WADSWORTH. This old place? Oh, this…is Boddy Manor. | 18 M00 SQ13 - Page 14 (Thunder) | ||||||||||||||||||||
22 | Page 15 | SQ 14 - Gong 1 | WADSWORTH. […] For you never know when— | 19 M00 SQ14 - Page 15 (Gong) | ||||||||||||||||||||
23 | SQ 15 - Gong 2 | WADSWORTH. Hm? (Then—showing the way.) This way please. Yvette has handed Green a fresh glass of champagne just in time for the Cook (who has reentered) to hit the gong again. | 20 M00 SQ15 - Page 15 (Gong) | |||||||||||||||||||||
24 | M10 | WADSWORTH. [...] The Dining Room is right this way. | Piano, Harpsichord and strings (transition music) | 21 M10 SQ00 - Page 15 | ||||||||||||||||||||
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27 | Scene 2 | Page 17 | SQ 16 - Thunder 5 | GREEN. (Anxiously.) Die? | 22 M00 SQ16 - Page 17 (Thunder) | |||||||||||||||||||
28 | M11 | COOK. (Deliberately.) I know. | Piano chord with cymbal scrape | 23 M11 SQ00 - Page 17 | ||||||||||||||||||||
29 | Page 18 | SQ 17 - Thunder 6 | SCARLET. (Dryly.) Sounds like hard work to me. | 24 M00 SQ17 - Page 18 (Thunder) | ||||||||||||||||||||
30 | Page 20 | SQ 18 - Thunder 7 | GREEN. I’m not a Communist! I’m a Republican. | 25 M00 SQ18 - Page 20 (Thunder) | ||||||||||||||||||||
31 | SQ 19 - Doorbell 6 | MUSTARD. [...] Where’s our host, and why have we been brought here? | 26 M00 SQ19 - Page 20 (Doorbell) | |||||||||||||||||||||
32 | Page 21 | M12 | SQ 20 - Thunder 8 + SQ 21 - Heavy Rain 2 | WADSWORTH. [...] the game will be afoot. | Strings ominous music | 27 M12 SQ20-21 - Page 21 (Thunder, Heavy Rain) | ||||||||||||||||||
33 | Scene 3 | Page 22 | M13 | WADSWORTH. It seems the six of you have all received the same letter. | Mysterious Piano Chord #1 | 28 M13 SQ00 - Page 22 | ||||||||||||||||||
34 | M14 | WADSWORTH. [...] You’re all being blackmailed. | String tremolo followed by mysterious piano music | 29 M14 SQ00 - Page 22 | ||||||||||||||||||||
35 | Page 23 | WADSWORTH. [...] is Mr. Boddy himself. | Music OUT | |||||||||||||||||||||
36 | Page 28/29 | M15 | SQ 22 - Dogs Barking 2 + SQ 23 - Thunder 9 + SQ 24 - Heavy Rain 3 | PEACOCK. [...] Locked?! Sinister music underscores. WADSWORTH. Indeed. All the doors are locked. The windows are barred. And the grounds are patrolled by vicious dogs. Dogs bark. WADSWORTH. […] There's no way out! Thunder/Lightning! | Organ and horns | 30 M15, Part 1 SQ22-24 - Page 28 (Dogs, Thunder, Rain) | ||||||||||||||||||
37 | Page 29 | WADSWORTH. [...] and your blackmailer for life... Lightning. Mr. Boddy. | Full orchestra ominous chord | 30 M15, Part 2 SQ00 - Page 29 | ||||||||||||||||||||
38 | Page 31 | M16 | MR. BODDY. [...] Please—open them. Scarlet opens her box. Puzzled, she lifts out a heavy brass Candlestick. | Mysterious Piano Chord #2 | 31 M16, Part 1 SQ00 - Page 31 | |||||||||||||||||||
39 | MUSTARD. A Wrench... | Mysterious Piano Chord #3 | 31 M16, Part 2 SQ00 - Page 31 | |||||||||||||||||||||
40 | GREEN. A Lead Pipe... | Mysterious Piano Chord #4 | 31 M16, Part 3 SQ00 - Page 31 | |||||||||||||||||||||
41 | PEACOCK. A Dagger... | Mysterious Piano Chord #5 | 31 M16, Part 4 SQ00 - Page 31 | |||||||||||||||||||||
42 | PLUM. A Revolver... | Mysterious Piano Chord #6 | 31 M16, Part 5 SQ00 - Page 31 | |||||||||||||||||||||
43 | WHITE. Ahhhhhhh! A snake! | Sudden Loud Musical Sting | 31 M16, Part 6 SQ00 - Page 31 | |||||||||||||||||||||
44 | Page 33 | SQ 25 - Gunshot 1 | Boddy. [...] The only way for you to end your blackmail and avoid finding yourselves on the front pages is for one of you to kill Wadsworth…NOW! | 32 M00 SQ25 - Page 33 (Gunshot) | ||||||||||||||||||||
45 | Page 34 | M17 | GREEN. Unless she dies too. [...] Suddenly someone (Yvette) screams from another part of the house. They all look out, terror on their faces. | Fast strings and piano transition music | 33 M17 SQ00 - Page 34 | |||||||||||||||||||
46 | Scene 4 | Page 37 | M18 | ALL. (Looking out.) ZE COOK! | Fast strings and piano transition music | 34 M18 SQ00 - Page 37 | ||||||||||||||||||
47 | Scene 5 | M19 | PEACOCK. It has such a homey feel, doesn’t it… As she reminisces, Green trips, accidentally causing the refrigerator door to open. The Cook’s body, Dagger in her back, tumbles out onto a quite unsuspecting Green. Peacock screams. | Three scary chords | 35 M19 SQ00 - Page 37 | |||||||||||||||||||
48 | Page 39 | M20 | WADSWORTH. And secondly, I’m the butler. I like to keep the Kitchen tidy. | Trombones, chimes, piano, strings (all mysterious) | 36 M20, Part 1 SQ00 - Page 39 | |||||||||||||||||||
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51 | Scene 6 | Page 39 | M20 (cont.) | To the tail end of transition music, the guests, except Wadsworth, enter. They stop and slowly look back to the spot where Boddy was. HE’S GONE! | Slowing down transition music | 36 M20, Part 2 SQ00 - Page 39 | ||||||||||||||||||
52 | SQ 26 - Body Thud | PLUM. The body’s gone! They freeze! They drop the Cook to the ground with a thud! | 37 M00 SQ26 - Page 39 (Body Thud) | |||||||||||||||||||||
53 | Page 41 | M21 | SCARLET. [...] the Rope, the Revolver, the Candlestick, the Wrench—and—hey, where’s the Lead Pipe? | Music sting | 38 M21 SQ00 - Page 41 | |||||||||||||||||||
54 | Page 45 | M22 | WADSWORTH. In the Hall! | Bassoon solo, followed by playful strings | 39 M22 SQ00 - Page 45 | |||||||||||||||||||
55 | Scene 7 | Page 47 | M23 | WADSWORTH. [...] Follow me. | Fast piano transition music | 40 M23 SQ00 - Page 47 | ||||||||||||||||||
56 | Scene 8 | Page 49 | M23A | WADSWORTH: [...] It may be the last person you ever see. | Playful jazz music | 41 M23a, Part 1 SQ00 - Page 47 | ||||||||||||||||||
57 | Scene 9 | Page 50 | WADSWORTH. [...] No man in his right mind would ever be alone with you. | Low string chord added | 41 M23a, Part 2 SQ00 - Page 50 | |||||||||||||||||||
58 | WADSWORTH. [...] On the count of three. (A beat and then.) One... Three! | Music Out | 41 M23a, Part 3 SQ00 - Page 50 | |||||||||||||||||||||
59 | M24 | WHITE: Shall we search the ballroom? | Tango music | 42 M24, Part 1 SQ00 - Page 50 | ||||||||||||||||||||
60 | Page 51 | PEACOCK. (Uncharacteristically delighted.) Ooooh! I haven’t been excited by something in a bedroom for years! [...] | Snare drum into walking bassline | 42 M24, Part 2 SQ00 - Page 51 | ||||||||||||||||||||
61 | Page 52 | M25 | The music shifts to sinister as the Lounge module opens and we find the Motorist on the phone. | Ominous low bassline with piano chords | 43 M25, Part 1 SQ00 - Page 52 | |||||||||||||||||||
62 | MOTORIST. […] I think they're having some sort of party; and the funny thing is, I think one of them is my customer. As he’s talking, the portrait behind him opens and a gloved hand appears behind him with a raised Wrench… | Three big scary brass chords | 43 M25, Part 2 SQ00 - Page 52 | |||||||||||||||||||||
63 | Scene 10 | M26 | Blackout. The Conservatory. | Strings, clarinet and bassoon, playful and mysterious | 44 M26 SQ00 - Page 52 | |||||||||||||||||||
64 | Page 53 | M27 | SCARLET. (Rolling her eyes.) How heroic. | Mischevious transition music (bassoon, clarinet, piano, strings) | 45 M27, Part 1 SQ00 - Page 53 | |||||||||||||||||||
65 | Scene 11 | Page 54 | The painting opens and (auxiliary) Scarlet and Mustard climb out of it. The room is dark. The dead Motorist in the chair is unnoticed…for now. | Mysterious Piano Chord | 45 M27, Part 2 SQ00 - Page 54 | |||||||||||||||||||
66 | M28 | SCARLET and MUSTARD. A body!!! Ahhhhhh!!!!!!!!!!!!!!!! | Scary sudden chord | 46 M28 SQ00 - Page 54 | ||||||||||||||||||||
67 | Page 55 | SQ 27 - Gunshot 2 + SQ 28 - Slo-mo | YVETTE. Stand back! I’m a woman! Plum backs into Yvette. Their crash causes her gun to go off, firing upwards. The chandelier above—in slo-mo—falls, pinning Green beneath it as the guests react (also in slo-mo)! | 47 M00 SQ27-28 - Page 55 (Gunshot + Slo-mo) | ||||||||||||||||||||
68 | SQ 29 - Gunshot 3 | YVETTE. I will help you! | 48 M00 SQ29 - Page 55 (Gunshot) | |||||||||||||||||||||
69 | SQ 30 - Gunshot 4 | Immediately after SQ30 gunshot | 49 M00 SQ30 - Page 55 (Gunshot) | |||||||||||||||||||||
70 | Page 56 | M29 | SCARLET. Speaking of the killer, there’s a dead body in the Lounge, ya know! The Motorist is dead! | Scary organ chord | 50 M29 SQ00 - Page 56 | |||||||||||||||||||
71 | Page 57 | SQ 31- Doorbell 7 | WADSWORTH. The Parker Brothers. The doorbell rings. They look out and gasp. They stand still, frozen in terror. They wait. And hope. Doorbell again. They look to the front door. Doorbell rings a third time. They huddle, worrying aloud. | 51 M00 SQ31 - Page 57 (Doorbell) | ||||||||||||||||||||
72 | SQ 32 - Doorbell 8 | 52 M00 SQ32 - Page 57 (Doorbell) | ||||||||||||||||||||||
73 | SQ 33 - Doorbell 9 | 53 M00 SQ33 - Page 57 (Doorbell) | ||||||||||||||||||||||
74 | SQ 34 - Knock 1 | PLUM. (Within the melee, taking the gun from Yvette and stashing it on his body.) Quick! I’ll hide the gun! | 54 M00 SQ34 - Page 57 (Knock) | |||||||||||||||||||||
75 | Page 59 | M30 | WADSWORTH. Because it’s…all too shocking! | Recorded 50s rock-and-roll | 55 M30 SQ00 - Page 59 | |||||||||||||||||||
76 | Page 60 | M31 | COP. I’ll just take a peek in the Lounge, if you don’t mind. | Recorded 50s doo wop song | 56 M31 SQ00 - Page 60 | |||||||||||||||||||
77 | Scene 11 | Page 62 | M32 | WADSWORTH. [...] This is getting dangerous. Now go! | Scary strings music, slowing down | 57 M32, Part 1 SQ00 - Page 62 | ||||||||||||||||||
78 | Scene 12 | Page 63 | M32 (cont) | YVETTE. [...] What is zat in your hand? | Scary fanfare | 57 M32, Part 2 SQ00 - Page 63 | ||||||||||||||||||
79 | SQ 35 - Phone Off the Hook | The Billiard Room module retreats in darkness as… [...] UNSEEN MURDERER. Psst. | Ominous piano music again, Scary chord w phone off the hook SFX | 57 M32, Part 3 SQ35 - Page 63 (Off The Hook) | ||||||||||||||||||||
80 | Scene 13 | Page 64 | M33 | PEACOCK. Hang up the telephone already, or I will! He doesn’t move. She pulls the Cop’s body back, revealing a bloody Candlestick protruding from his head morbidly. | Scary chord | 58 M33, Part 1 SQ00 - Page 64 | ||||||||||||||||||
81 | Peacock screams! The guests scream! Transition music plays as they run out of the Library. | Mysterious chase music | 58 M33, Part 2 SQ00 - Page 64 | |||||||||||||||||||||
82 | Page 65 | M34 | ALL. (Ad-libbing.) Oh yes. / I love pool. / Good idea. / Rack ’em up. (Etc.) | Scary chord | 59 M34, Part 1 SQ00 - Page 65 | |||||||||||||||||||
83 | They all step aside and reveal Yvette’s splayed, strangled body hanging off the table! Music sting! The guests scream! Transition music. | Mysterious Chase Music | 59 M34, Part 2 SQ00 - Page 65 | |||||||||||||||||||||
84 | SQ 36 - Doorbell 9 | The house is quiet. Just then…the doorbell rings. | 60 M00 SQ36 - Page 65 (Doorbell) | |||||||||||||||||||||
85 | SQ 37 - Gunshot 5 | YOUNG WOMAN. (Singing.) I…am…YOUR SINGING TELEGRAM… | 61 M00 SQ37 - Page 65 (Gunshot) | |||||||||||||||||||||
86 | Scene 14 | Page 66 | M35 | SQ 38 - Thunder 9 | WADSWORTH. [...] It all started like this… | Tinkly bells | 62 M35, Part 1 SQ38 - Page 66 (Thunder) | |||||||||||||||||
87 | WADSWORTH. [...] Mrs. White. (As himself.) Who noticed Yvette. | Ominous piano tremolo chord | 62 M35, Part 2 SQ00 - Page 66 | |||||||||||||||||||||
88 | Page 67 | WADSWORTH. [...] The Cook. | Scary organ chord | 62 M35, Part 3 SQ00 - Page 67 | ||||||||||||||||||||
89 | WADSWORTH. [...] Then... | Tinkly bells, faster and with piano | 62 M35, Part 4 SQ00 - Page 67 | |||||||||||||||||||||
90 | WADSWORTH. [...] Well, that was more like a cocktail minute. | Spirited piano music, followed by fast music | 62 M35, Part 5 SQ00 - Page 67 | |||||||||||||||||||||
91 | WADSWORTH. [...] Who is this Mr. Boddy, you brutish butler? | Scary organ chords | 62 M35, Part 6 SQ00 - Page 67 | |||||||||||||||||||||
92 | WADSWORTH. [...] How d'you do? | Frantic piano music with brass | 62 M35, Part 7 SQ00 - Page 67 | |||||||||||||||||||||
93 | WADSWORTH. [...] Then Mr. Boddy switched off the lights. (As Boddy.) Now! | Music OUT | 62 M35, Part 8 SQ00 - Page 67 | |||||||||||||||||||||
94 | WADSWORTH. [...] Mr. Boddy was dead. But not really. | Frantic piano music with harp (vamp) | 62 M35, Part 9 SQ00 - Page 67 | |||||||||||||||||||||
95 | Page 68 | SQ 39 - Scream | WADSWORTH. [...] Well, someone had to stop her screaming! (As himself.) And then we heard... | Music OUT | 62 M35, Part 10 SQ39 - Page 68 | |||||||||||||||||||
96 | WADSWORTH. [...] To the Billiard Room! | Frantic piano music with strings | 62 M35, Part 11 SQ00 - Page 68 | |||||||||||||||||||||
97 | WADSWORTH. [...] To which we all replied... | Music OUT | 62 M35, Part 12 SQ00 - Page 68 | |||||||||||||||||||||
98 | ALL. (Looking out.) ZE COOK! | Frantic piano music with strings | 62 M35, Part 13 SQ00 - Page 68 | |||||||||||||||||||||
99 | WADSWORTH. [...] Who we found knifed in the back! | Music OUT | 62 M35, Part 14 SQ00 - Page 68 | |||||||||||||||||||||
100 | WADSWORTH. [...] Will somebody help me up! | Low tuba, followed by piano (vamp) | 62 M35, Part 15 SQ00 - Page 68 | |||||||||||||||||||||